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Color print film

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285:, ozone and nitrogen oxides. For the best prolonged storage and protection, placing the prints in polyester uncoated sleeves and then into an envelope seals it from further damage. When it comes to storing them, the optimal temperature would be at 2 Â°C, as it is found to be the most effective preservation temperature when it comes to a mass collection of colored photographic film prints. It is best to keep the color prints away from strong sunlight exposure for prolonged periods of time because it may result in the decay of the gelatin layer as well as a significant fade in the dye found in the print. Similar to that of watercolors and textiles, dyes in color prints are prone to fade as well when exposed to too much light. Color photographs are susceptible to build stains if stored in dark fully for prolonged periods of time as well, for example, an area of white in a photograph can change into yellow. Therefore, it is key to not store them in an area where they are exposed to long periods of light and/or long periods of dark, there should be a balance. Prime examples of places to store the color prints are: durable binders, cabinets, trays or rigid boxes. 229: 164: 2031: 2042: 25: 294:
swabs or using a specialized cleaning pad to dry wipe the surface of the print is also another method to clean it. Remember to never wash photographs until the gelatin layer is dry and stables. Furthermore, never attempt chemical treatments on color photographs because they can get distorted and destroy the image as a whole.
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It is important to keep the prints protected from physical damage from as little as a fingerprint to as much as scratches that can destroy them completely. Storage for prints that are developed from color print film should be free of any unsafe, harmful chemicals, specifically referring to peroxides,
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If there is a chance that the prints got dirty, there are several effective methods that can be undertaken to clean them carefully without damaging them. First off is using a soft brush that can remove surface dirt on the print. Make sure to lightly brush the dirt off of the print. Damping cotton
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Color negatives are prone to damage through fingerprints and tears. It is accepted professional practice to avoid bending, folding or rolling up negatives or their sleeves, and to wear nylon or cotton gloves when handling negatives.
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Generally, color prints are more sensitive to temperature and light as opposed to black and white film, therefore there are more precautions to take when trying to protect and optimize the lifespan of them.
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prints, which date to the early 20th century. Initially a two-color process, it became three-color, more accurate, and more durable with the 1935 introduction of Eastman Kodak’s Company’s
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Several types of color print film have been manufactured for different film-developing processes. They often contain separate layers, each sensitive to a different color of light.
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Higher ISO film have more visible grain, it requires a lower exposure because it is more sensitive to light.
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Lower ISO film have less visible grain, and it requires a higher exposure as it is less sensitive to light.
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Almost all color print film made today is designed to be processed according to the
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when it is developed, requiring it to be reversed again when it is printed onto
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Color print film is the most common type of 438: 51:introducing citations to additional sources 1990:Conservation and restoration of photographs 125:film, followed a year later Agfa Company’s 1727:Comparison of digital and film photography 445: 431: 271: 1947:Photographs considered the most important 331: 329: 327: 325: 288: 262: 41:Relevant discussion may be found on the 133:in consumer use. Print film produces a 2060: 426: 322: 152:Technologies: structure and chemistry 311: â€“ Color motion picture process 223: 158: 18: 1942:Museums devoted to one photographer 13: 1489:Timeline of photography technology 197: 14: 2084: 205: 2040: 2030: 2029: 227: 162: 34:relies largely or entirely on a 23: 2041: 452: 220:C-41 process § Film layers 399: 375: 355: 304:List of photographic processes 194:Common types of film include: 1: 1539:Painted photography backdrops 1471:Golden triangle (composition) 746:35 mm equivalent focal length 315: 213: 7: 1249:Intentional camera movement 297: 10: 2089: 1937:Most expensive photographs 1294:Multi-exposure HDR capture 217: 2025: 1982: 1929: 1834: 1777: 1683: 1567: 1479: 1431: 1171: 938: 738: 460: 1871:Digital image processing 1544:Photography and the law 272:Preserving color prints 2073:Photographic processes 1891:Gelatin silver process 915:Science of photography 900:Photographic processes 878:Perspective distortion 2068:Photography equipment 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"Color print film"
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color photographic
Kodachrome
Agfacolor
photographic film
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C-41 process

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C-41 process § Film layers

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sulfur dioxide
List of photographic processes
Technicolor



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