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Ciro Ferri

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He executed also a large amount of miscellaneous designs, such as etchings and frontispieces for books; and served as an architect as well. Ferri was appointed to direct the Florentine students in Rome, and Gabbiani was one of his leading pupils. As regards style, Ferri ranks as chief of the grand
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By Giovanni Gaetano Bottari, Contributor Fratelli Pagliarini, Published 1766, Appresso Niccolò e Marco Pagliarini, Original from Oxford University Digitized Jan 31, 2007; page 190.
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is a masterpieces of 17th-century bronze decorative sculpture. He continued under the patronage of the Medici, when together with the sculptor
279: 60:(1656–59). He collaborated with Cortona and completed for him the extensive frescoed ceilings and other internal decorations begun in the 284: 69: 400: 410: 68:(1659–65). His independent masterpiece is considered an extensive series of scriptural frescoes in the church of 364: 405: 77: 56:, where he began working under Cortona and with a team of artists in the extensive fresco decorations of the 340: 395: 195: 92: 27: 210: 183: 167: 175: 221:
Chigi, which was published in 1662. It also contained works by fellow artists in Rome, including
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Picture collector's manual adapted to the professional man, and the amateur
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This article incorporates text from a publication now in the
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17th Century Italian Drawings in the Metropolitan Museum of Art
107:, as opposed to the more sober and spare style promulgated by 217:. Ciro Ferri contributed five illustrations to the missal of 214: 95:; but died before it was completed in 1693 by his successor 369:
By Metropolitan Museum of Art (New York, N.Y.), Jacob Bean.
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of Tuscany. Among the pupils sent there from Florence were
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sculptor and painter, the chief pupil and successor of
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and others. Among the many pupils and assistants were
317: 166:on 3 June 1657. His ciborium for the high altar of 377: 83:In 1670, he began the painting of the cupola of 72:. Also well known is his an altarpiece of 70:Basilica di Santa Maria Maggiore (Bergamo) 41:(1634 – 13 September 1689) was an Italian 297: 87:in central Rome, in a style recalling of 26:(1660–89). Painting by Ciro Ferri ( 326: 274: 18: 16:Italian sculptor and painter (1634–1689) 24:Moses Defending the Daughters of Jethro 378: 338: 303:Art and Architecture Italy, 1600-1750 103:manner of Cortona, also known as the 345:. London: T&W Boone. p. 87. 305:. Penguin Books. pp. 328, 330. 201:Ferri was also responsible for the 13: 162:Ciro Ferri became a member of the 14: 422: 262: 358: 349: 332: 1: 401:17th-century Italian painters 293:Web gallery of Art biography. 255: 7: 78:Sant'Ambrogio della Massima 74:St Ambrose Healing the Sick 10: 427: 196:Massimiliano Soldani Benzi 339:Hobbes, James R. (1849). 252:He died in Rome in 1689. 184:Giovanni Battista Foggini 168:Santa Maria in Vallicella 411:Italian Baroque painters 310: 285:Encyclopædia Britannica 180:Anton Domenico Gabbiani 137:Giovanni Battista Marmi 93:Sant'Andrea della Valle 28:São Paulo Museum of Art 211:St John's Co-Cathedral 209:which is found in the 35: 406:Italian male painters 164:Accademia di San Luca 129:Filippo Maria Galetti 97:Sebastiano Corbellini 22: 207:St. John the Baptist 91:work in the dome of 85:Sant'Agnese in Agone 247:Pier Francesco Mola 111:, and continued by 105:Machinists movement 396:Painters from Rome 299:Wittkower, Rudolph 243:Cornelis Bloemaert 219:Pope Alexander VII 125:Marziale Carpinoni 36: 231:Guglielmo Cortese 223:Pietro da Cortona 188:Atanasio Bimbacci 121:Camillo Gabrielli 76:in the church of 47:Pietro da Cortona 418: 370: 362: 356: 353: 347: 346: 336: 330: 324: 306: 289: 268: 266: 265: 192:Carlo Marcellini 157:Urbano Romanelli 141:Pietro Montanini 117:Ambrogio Besozzi 426: 425: 421: 420: 419: 417: 416: 415: 376: 375: 374: 373: 363: 359: 354: 350: 337: 333: 325: 318: 313: 278:, ed. (1911). " 263: 261: 258: 149:Giovanni Odazzi 145:Giuseppe Nasini 58:Quirinal Palace 52:He was born in 17: 12: 11: 5: 424: 414: 413: 408: 403: 398: 393: 388: 372: 371: 357: 348: 331: 315: 314: 312: 309: 308: 307: 295: 290: 276:Chisholm, Hugh 257: 254: 205:of the Arm of 172:Ercole Ferrata 133:Benedetto Luti 15: 9: 6: 4: 3: 2: 423: 412: 409: 407: 404: 402: 399: 397: 394: 392: 389: 387: 384: 383: 381: 368: 367: 361: 352: 344: 343: 335: 328: 327:Chisholm 1911 323: 321: 316: 304: 300: 296: 294: 291: 287: 286: 281: 277: 272: 271:public domain 260: 259: 253: 250: 248: 244: 240: 236: 235:Carlo Maratti 232: 228: 224: 220: 216: 212: 208: 204: 199: 197: 193: 189: 185: 181: 177: 173: 169: 165: 160: 158: 154: 150: 146: 142: 138: 134: 130: 126: 122: 118: 114: 113:Carlo Maratta 110: 109:Andrea Sacchi 106: 100: 98: 94: 90: 86: 81: 79: 75: 71: 67: 63: 59: 55: 50: 48: 44: 40: 33: 29: 25: 21: 365: 360: 351: 341: 334: 302: 283: 251: 200: 161: 153:Tommaso Redi 101: 82: 73: 62:Pitti Palace 51: 38: 37: 23: 391:1689 deaths 386:1634 births 280:Ferri, Ciro 89:Lanfranco's 380:Categories 256:References 227:Carlo Cesi 176:Cosimo III 39:Ciro Ferri 203:Reliquary 80:in Rome. 32:São Paulo 301:(1980). 239:Jan Miel 66:Florence 273::  43:Baroque 267:  245:, and 194:, and 155:, and 311:Notes 215:Malta 54:Rome 282:". 213:in 382:: 319:^ 249:. 241:, 237:, 233:, 229:, 225:, 198:. 190:, 186:, 182:, 159:. 151:, 147:, 143:, 139:, 135:, 131:, 127:, 123:, 119:, 99:. 64:, 49:. 34:). 30:, 329:.

Index


São Paulo Museum of Art
São Paulo
Baroque
Pietro da Cortona
Rome
Quirinal Palace
Pitti Palace
Florence
Basilica di Santa Maria Maggiore (Bergamo)
Sant'Ambrogio della Massima
Sant'Agnese in Agone
Lanfranco's
Sant'Andrea della Valle
Sebastiano Corbellini
Machinists movement
Andrea Sacchi
Carlo Maratta
Ambrogio Besozzi
Camillo Gabrielli
Marziale Carpinoni
Filippo Maria Galetti
Benedetto Luti
Giovanni Battista Marmi
Pietro Montanini
Giuseppe Nasini
Giovanni Odazzi
Tommaso Redi
Urbano Romanelli
Accademia di San Luca

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