Cindy Sherman - Knowledge

397:(1977–1980), with which Cindy Sherman achieved international recognition, consists of 69 black-and-white photographs. The artist poses in different roles (librarians, hillbillies, and seductresses), and settings (streets, yards, pools, beaches, and interiors), producing a result reminiscent of stills typical of Italian neorealism or American film noir of the 1940s, 1950s and 1960s. She avoided putting titles on the images to preserve their ambiguity. She would often pose her heroines as alone, expressionless, and in private. An overarching characteristic of her heroines were those that did not follow conventional ideas of marriage and family. They were rebellious women who either died as that or who were later tamed by society. Modest in scale compared to Sherman's later cibachrome photographs, they are all 8 1/2 by 11 inches, each displayed in identical, simple black frames. Sherman used her own possessions as props, or sometimes borrowed, as in 884: 232:, where she majored in painting. During this time, she began to explore the ideas which became a hallmark of her work: She dressed herself as different characters, cobbled together from thrift-store clothing. Frustrated with what she saw as the limitations of painting as a medium of art, she abandoned it and took up photography. "here was nothing more to say ", she recalled. "I was meticulously copying other art, and then I realized I could just use a camera and put my time into an idea instead." Sherman has said about this time: 381: 370:

change external elements until she finds what she wants. She has said of her process, "I think of becoming a different person. I look into a mirror next to the camera…it’s trance-like. By staring into it I try to become that character through the lens ... When I see what I want, my intuition takes over—both in the 'acting' and in the editing. Seeing that other person that’s up there, that’s what I want. It's like magic."

236:"One of the reasons I started photographing myself was that supposedly in the spring one of my teachers would take the class out to a place near Buffalo where there were waterfalls and everybody romps around without clothes on and takes pictures of each other. I thought, ‘Oh, I don't want to do this. But if we're going to have to go to the woods I better deal with it early.’ Luckily we never had to do that." 354:, (1977–80), Sherman appears as B-movie and film noir actresses. When asked if she considers herself to be acting in her photographs, Sherman said, "I never thought I was acting. When I became involved with close-ups I needed more information in the expression. I couldn't depend on background or atmosphere. I wanted the story to come from the face. Somehow the acting just happened." 339:, to transform her identity for each image, and the cutout characters were lined up along the bus's advertising strip. Some critiques say that this work showed insensitivity to race through the use of blackface makeup while others state that it was rather with the intention of exposing racism embedded in society. The American theatre critic 512:'s Editor in Chief Ingrid Sischy for an artist's section in the magazine. She poses either on the floor or in bed, usually recumbent and often supine. About her aims with the self-portraits, Sherman has said: "Some of them I'd hope would seem very psychological. While I'm working I might feel as tormented as the person I'm portraying." 33: 1125:

Sherman said that "I didn't really analyze it at the time as far as knowing that I was commenting upon some feminist issue. The theories weren't there at all... But now I can look back on some of them, and I think some of them are a little blatantly obvious, too much like the original pin-up pictures

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call attention to stereotypes of women in society, films, television and magazines. When talking about one of her centerfold pictures Sherman stated, "In content I wanted a man opening up the magazine suddenly look at it with an expectation of something lascivious and then feel like the violator that

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Her exhibition at the Museum of Modern Art in 2012 also presented a photographic mural (2010–11) accompanied by films selected by Sherman. In this mural, she photoshopped her face with a decorative backdrop to transform herself into a fictitious environment. Along with other characters, Sherman toys

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that Sherman's work is "ashioned from dismembered and recombined mannequins, some adorned with pubic hair, one posed with a tampon in vagina, another with sausages being excreted from vulva, this was anti-porn porn, the unsexiest sex pictures ever made, visions of feigning, fighting, perversion. …

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in 1990, "I feel I'm anonymous in my work. When I look at the pictures, I never see myself; they aren't self-portraits. Sometimes I disappear." She describes her process as intuitive, and that she responds to elements of a setting such as light, mood, location, and costume, and will continue to

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She spent the remainder of her college education focused on photography. Though Sherman had failed a required photography class as a freshman, she repeated the course with Barbara Jo Revelle, whom she credited with introducing her to conceptual art and other contemporary forms. At college she met

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Sherman's career has also included several fashion series, including designs for Prada, Dolce & Gabbana, and Marc Jacobs. In 1983, fashion designer and retailer Dianne Benson commissioned her to create a series of advertisements for her store, Dianne B., that appeared in several issues of

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has written, " all have nearly the same features, too, while Ms. Sherman is able to give the white characters she impersonates a real range of skin tones and facial features. This didn't look like irony to me. It looked like a stale visual myth that was still in good working order."

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opened later that year, Sherman's photographs were the first show. "Untitled Film Stills" were shown first at the non-profit gallery Artists Space where Sherman was working as a receptionist. Her first solo exhibitions in France were presented by Galerie Chantal Crousel in Paris.

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However, Sherman does not consider her work or herself to be feminist, stating "The work is what it is and hopefully it's seen as feminist work, or feminist-advised work, but I'm not going to go around espousing theoretical bullshit about feminist stuff."

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Sherman works in series, typically photographing herself in a range of costumes. To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress, and model.

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Others question whether this confrontation with the male gaze and a feminine struggle was an intentional consideration of Sherman's, and whether this intentionality is important in considering the feminist standpoint of Sherman's photography.

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cycle, where the use of digital photography enabled her to create chromatically garish backdrops and montages of numerous characters. Set against opulent backdrops and presented in ornate frames, the characters in Sherman's 2008 untitled

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In 2017, she collaborated on a "selfie" project with W Magazine that was based on the concept of the "plandid", or "the planned candid photograph". Sherman utilized a variety of photo-correction apps to create her Instagram portraits.

335:(1976–2000) is a series of photographs that feature the artist as a variety of meticulously observed characters. The photographs were shot in 1976 for the Bus Authority for display on a bus. Sherman used costumes and make-up, including 1907: 820:

states that the film lacks the artist's usual finesse and is a retrospective of her work - "a fascinating if lumpish bit of Shermaniana." Movie critic colleague to Roberta Smith, Stephen Holden, called the film "sadly inept."

4166: 694:’s archive, a more recent series of large-scale pictures from 2012 depict outsized enigmatic female figures standing in striking isolation before ominous painterly landscapes the artist had photographed in Iceland during the 866:

In the catalog essay by Philipp Kaiser for Sherman's 2016 exhibition at the Metro Pictures Gallery, he mentioned six short films that Sherman made while in college, and how they were the precursors that eventually led to

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Sherman displays herself with a body made of prosthetic. Her face is the only part of her that shows but is covered by a gas mask meant to emphasize the parts of the female body that tend to be over-sexualized.

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In addition to her film stills, Sherman has appropriated a number of other visual forms—the centerfold, fashion photograph, historical portrait, and soft-core sex image. These and other series, like the 1980s

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has said that Dorine is 'a stand-in' for herself ... The most compelling similarity ... their shard interest in arranging bodies ... Dorine, like Sherman, is a puppeteer, an arranger of her own dioramas ...

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from her studio which was spent "coming to terms with health issues and getting older," Sherman produced and staged her first photo gallery in five years. The series, "The Imitation of Life," named after a

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is full of unexpected characters and plot twists. Schweitzer considers the film to be a comedy, horror, melodrama, noir, feminist statement, and an art piece. The film got negative reviews. In a review for

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they would be looking at this woman who is perhaps a victim. I didn't think of them as victims at the time... Obviously I'm trying to make someone feel bad for having a certain expectation".

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Between 1989 and 1990, Sherman made 35 large, color photographs restaging the settings of various European portrait paintings of the fifteenth through early 19th centuries under the title

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are not based on specific women, but the artist has made them look entirely familiar in their struggle with the standards of beauty that prevail in a youth- and status-obsessed culture.

4174: 4898: 2200: 3018: 217:. Her mother taught reading to children with learning difficulties. Sherman has described her mother as good to a fault, and her father as strict and cruel. She was raised 6311: 2436: 508:, 1981, are inspired by the center spreads in fashion and pornographic magazines. The twelve (24 by 48 inches) photographs were initially commissioned — but not used — by 2717: 803:. Dorine, played by Carol Kane, is a stand-in for Sherman. They have a shared interest in arranging bodies, like a puppeteer, in diorama-like scenes. According to author 4964: 5073: 608:

as "n this scheme of things the impulse to erode the subject and to tear at the screen has driven Sherman to her recent work, where it is obliterated by the gaze."

5434: 1087:, the scholar Douglas Crimp states that Sherman's work is "a hybrid of photography and performance art that reveals femininity to be an effect of representation." 1627:. This fellowship grants $ 500,000 over five years, no strings attached, to important scholars in a wide range of fields, to encourage their future creative work. 634:, Sherman posed medical prostheses in sexualized positions, recreating—and strangely modifying—pornography. An example of this can be seen in her work entitled 264:, an arts center intended as a space that would accommodate artists from diverse backgrounds. Sherman was also exposed to the contemporary art exhibited at the 4574: 5683: 4147: 782:, creating a stage backdrop used in live concerts, and acting in the promotional video for the song "Bruise Violet." She also worked as a film director. 5427: 6366: 6361: 4449: 4300: 2910: 2622: 1709: 3838: 3077: 4805: 4001: 4243: 2339: 2253: 1896:, April 4, 2004; accessed May 21, 2012. "Ms. Sherman was born in Glen Ridge; when she was 3, her family moved to Huntington Beach on Long Island." 4919: 4661: 4274: 3570: 6341: 4051: 3783: 2389: 1201:, who manipulates themes of identity in his videos and photography. Her influence stretches to artists in other art mediums, including painter 6351: 2609: 2286: 1933: 4558: 4112:

Meager, Michelle (November 2010). "Would the Real Cindy Sherman Please Stand Up? Encounters between Cindy Sherman and Feminist Art Theory".

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a show that chronicled Sherman's work from the mid-1970s on and include more than 170 photographs. The exhibition travelled to the

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Sprague-Jones, Sprague, Jessica, Joy (September 29, 2011). "The Standpoint of Art/Criticism: Cindy Sherman as Feminist Artist?".

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series in 1989. For once she removed herself from the shots, as these photographs featured pieced-together medical dummies

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2012: Sherman was among the artists whose works were given as trophies to the filmmakers of winning pictures in the 2012

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Sherman's work is often credited as a major influence for contemporary portrait photographers. One such photographer is

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Cindy Sherman Has Unveiled Her First Non-Photographic Works at Art Basel Miami Beach: Tapestries Based on Her Instagram

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is full of unexpected characters and bizarre plot twists, a comedy/horror/melodrama/noir/feminist statement/art piece.

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Sherman has expressed contempt for social media platforms, calling them "so vulgar." However, she maintains an active

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on a design for a piece of jewelry. She returned to working with Teller on Marc Jacobs' Spring/Summer 2024 campaign.

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for $ 1.5 million. She later acquired a 19th-century home on a ten-acre waterfront property on Accabonac Harbor in

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Liu, Jui-Ch'i (February 2010). "Female Spectatorship and the Masquerade: Cindy Sherman's Untitled Film Stills".

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series of 2016 she poses, in vintage costume and theatrical makeup, as a variety of ageing actress-like women.

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Scholar Michele Meager interprets Sherman as having been "crowned a resistant celebrity" to feminist theory.

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Foster, Hal. "Obscene, Abject, Traumatic". Obscene, Abject, Traumatic 78 (1996): 106–24. Print. 15 Nov 2013.

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in Berlin (2007), among others. Major traveling retrospectives of Sherman's work have been organized by the

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Steve Martin and Rachel Maddow Toast World-Renowned Artists at the Hammer Museum Katy Perry Toasts Nail Art

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about the former's relationship with Sherman. She was initially supportive, but later opposed the project.

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in which the doggy pillow belongs to a friend. The shots were also largely taken in her own apartment. The

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Lindemann, Adam. "All Hail Cindy Sherman! Once Again, Unanimity Rules Among New York's Longtime Critics."

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being created. The catalog also includes a conversation between Sherman and the director of the exhibit,

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She took several photographs in the series while preparing for a road trip to Arizona with her parents.

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In addition to questions of the gaze, Sherman's work is also given feminist analysis in the context of

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grossed $ 37,446 and received generally poor reviews, which called the film "crude" and "laugh-free."

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Sherman later returned to her apartment, preferring to work from home. She created her version of a

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Cindy Sherman as Orson Welles... as John Ford... as Vittorio De Sica... as Alfred Hitchcock...

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Belasco, Daniel (April 1, 2005), "Review of The Unseen Cindy Sherman: Early Transformations",

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in 2008; they were first shown to the public in 2010. Also in 2010, Sherman collaborated with

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school system, Media Studies Buffalo, and the Center for Exploratory and Perceptual Arts, and

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Guests of Cindy Sherman: The Azuero Earth Project Benefit at the Artist’s East Hampton Spread

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Kelly, Michael, "Danto and Krauss on Cindy Sherman". In: M. A. Holly & K. Moxey (eds.),

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fetched $ 3.89 million at Christie's, making it the most expensive photograph at that time.

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in New York City, and also at the Broad Museum in Los Angeles. In 2017 it was shown at the

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by Paul Tschinkel; Marc H Miller; Sarah Berry; Stan Harrison; Cindy Sherman; Helen Winer;

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Many scholars emphasize the relationship Cindy Sherman's work has with the concept of the

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Other early works involved cutout figures, such as the Murder Mystery and Play of Selves.

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with the idea of reality and fantasy together. Based on a 32-page insert Sherman did for

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It was in Buffalo that Sherman encountered the photo-based conceptual works of artists

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Gaby Hoffmann on Girls, Dance Parties With Claire Danes, and Waxing for Veronica Mars

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Bridging the Art/Commerce Divide: Cindy Sherman and Rei Kawakubo of Comme des Garçons

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Later in 1978, Sherman began taking shots in outdoor locations around the city. E.g.

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series' relationship with the male gaze. In a 1991 interview with David Brittain in

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in 1984, making her stepmother to Auder's daughter, Alexandra, and her half-sister

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in Minneapolis. In 2013, Sherman was invited to organize a show within that year's

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In 2009, Paul Hasegawa-Overacker and Tom Donahue completed a feature documentary,

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modeled his porn star wife in his "Made in Heaven" series, Sherman produced the

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2005: Guild Hall Academy of the Arts Lifetime Achievement Award for Visual Arts

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Sherman serves on the artistic advisory committee of the New York City-based

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Sherman's first solo show in New York was presented at a noncommercial space

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of those times, so I have mixed feelings about them now as a whole series."

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Warhol's $ 63 Million Portrait of Elizabeth Taylor Stuns Dealers at Auction

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Cindy Sherman: The Complete Untitled Film Stills, June 26-September 2, 1997

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for $ 2.7 million, near the $ 3 million high estimate. In 2011, a print of

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in Paris (2006–2007). In 2009, Sherman was included in the seminal show "

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In 2006, Sherman created a series of fashion advertisements for designer

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Cindy Sherman Heads to Hauser & Wirth After Metro Pictures’s Closure

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for the brand's autumn/winter 1994–95 collections in collaboration with

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in Manhattan purchased the series for an estimated $ 1 million in 1995.

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Sherman has since participated in many international events, including

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series, the film includes several artistically executed murder scenes.

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Today, I think of Cindy Sherman as an artist who only gets better."

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Sherman was represented by Metro Pictures for 40 years and also by

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Cindy Sherman Poses for Juergen Teller in New Marc Jacobs Campaign

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Cindy Sherman: Her "History Portrait" Series as Post-Modern Parody

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Cindy Sherman: The Early Works 1975-1977 : Catalogue Raisonné

1606:; Inner-Tube Video. 2002, 28 minutes, Color. NY: Inner-Tube Video. 5716: 4705: 4200: 3117: 963: 759: 214: 194: 5213: 3953:"A phantasmagoria of the female body: The work of Cindy Sherman" 3074:"FNO Highlight: Balenciaga Boasts Cindy Sherman and Karen Elson" 1157:(1985), featuring the artist as a mud-caked corpse, was sold by 1050: 691: 179:

Her breakthrough work is often considered to be the collection

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Cindy Sherman Self-Portraits Offer Empty Entertainment: Review

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reveal myself. That's a big, confusing thing that people have

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The Pictures Generation, 1974–1984; April 21 – August 2, 2009

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Greg Fallis of Utata Tribal Photography describes Sherman's

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After the Revolution Women Who Transformed Contemporary Art

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with my work: they think I'm trying to reveal these secret

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The remainder of the series was shot around New York, like

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Cindy Sherman to Receive the Jewish Museum's Man Ray Award

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Heilbrunn Timeline of Art History: The Pictures Generation

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Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman

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When writing about Sherman's "Film Stills" in the journal

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Tribeca lines up art prizes: Sherman, Walker donate works

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Foster, Hal (Autumn 1996). "Obscene, Abject, Traumatic".

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Sherman herself has identified an uncertainty toward the

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In the early 1990s, Sherman worked with Minneapolis band

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The first six are grainy and slightly out of focus (e.g.

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Photographer Cindy Sherman Shoots Her Best Model—Herself

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Works by Sherman are held in the following collections:

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was listed as one of the 100 influential photographs by

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Sarah Lucas Wins New Museum’s $ 400,000 Sculpture Prize

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Cindy Sherman's Untitled Film Stills twenty years later

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Cindy Sherman: Photographic Works 1975-1995 (Paperback)

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fantasies or something. It's really about obliterating

530:, 1986–1989, Cindy Sherman uses visible prostheses and 519:

series which includes Untitled #97, #98, #99 and #100.

462:, often featuring a blonde victim typical of film noir. 5164:

Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).

5163: 4522:

Juliet Chung and Candace Jackson (November 11, 2011),

4497: 4495: 3973: 3162:

Cindy Sherman's Office Killer: Another Kind of Monster

2973:

Cindy Sherman on Her First Ever Non-Photographic Works

2877: 1575:

Cindy Sherman's Office Killer: Another Kind of Monster

1259:

Between 1991 and 2005, Sherman lived in a fifth-floor

785:

Sherman moved from photographs to film with her movie

5948: 4720:"Cindy Sherman: Transformations: ART/new york No. 58" 2365:"Cindy Sherman Biography, Art, and Analysis of Works" 2119: 2117: 1457:. Schirmer/Mosel, 2002. By Elisabeth Bronfen, et al. 746:. The advertisements themselves were photographed by 5684:

Heresies: A Feminist Publication on Art and Politics

4320:"Urs Fischer Spotlights Pluralistic Notions of Love" 4195:

Sarah Douglas and Alex Greenberger (March 9, 2021),

3869:

Khomami, Nadia (July 19, 2024). "House of Mirrors".

3806:"Cindy Sherman's Divas, Poised for a Final Close-Up" 2400: 1192: 213:, Long Island. Her father worked as an engineer for 6312:

Members of the American Academy of Arts and Letters

4492: 4450:"Bye, Everybody! Hank Azaria Sells $ 8 M. SoHo Pad" 3524:

Hirshhorn Museum and Sculpture Garden | Smithsonian

3321:"The Kitchen: Cindy Sherman: Untitled Film Stills" 2658: 2114: 1688:at the 10th anniversary Gala in the Garden at the 774:, providing photographs for covers for the albums 4652:, StephenPetronio.com; accessed January 2, 2015. 4403: 3195:"ART VIEW; A Horror Movie, Complete With Zombies" 1888:"Art Review; Portraits of the Artist as an Actor" 1710:International Photography Hall of Fame and Museum 1340:and nearly 150 fellow artists in the founding of 1286:For many years, Sherman spent her summers in the 6268: 4826:"Cindy Sherman | Artist | Royal Academy of Arts" 4760:"Museum Ludwig - Gesellschaft für Moderne Kunst" 4679:Estoril Film Festival; accessed January 2, 2015. 3428:"- Cindy Sherman - Exhibitions - Metro Pictures" 2792: 2790: 1469:Cindy Sherman: The Complete Untitled Film Stills 1359:’s $ 400,000 Hostetler/Wrigley Sculpture Award. 705:From 2019 she showed self-portraits executed as 3594: 3485: 3025:, phillipsdepury.com; accessed January 2, 2015. 2780:Fallis, Greg. "Sunday Salon with Greg Fallis", 2746:. N.p., March 13, 2012. Web. November 15, 2013. 2313:"Cindy Sherman's Bus Riders - The story behind" 2228:"'Untitled', Cindy Sherman, 1976, printed 2000" 1983: 1610: 1517:The MIT Press, 2006. Edited by Johanna Burton. 1429:. Holiday House, 2000. By Leslie Sills, et al. 1351:In 2023, Sherman served on the jury that chose 493:sequence, were shown for the first time at the 4524:Cindy Sherman Lists Her Hamptons Vacation Home 4212: 4210: 3253:"Office Killer: Cindy Sherman Turns to Movies" 2080: 1325:. Along with David Byrne, she was a member of 600:, an American art critic, describes Sherman's 357:Many of Sherman's photo series, like the 1981 73:State University of New York (SUNY) at Buffalo 5934: 5435: 5229: 3403:"Cindy Sherman - Artists - Skarstedt Gallery" 3375:"Disparities and Deformations: Our Grotesque" 2819:SFMOMA Presents Cindy Sherman, April 11, 2012 2787: 1312: 1189:(2010) for a well above-estimate $ 355,600. 538:funding controversy involving photographs by 5522:Elizabeth A. Sackler Center for Feminist Art 4000:: CS1 maint: multiple names: authors list ( 3766:Cindy Sherman’s Guises All in a Single Place 1965:"Cindy Sherman: 'Why am I in these photos?'" 1905: 750:and released as a monograph by Rizzoli. For 671:Between 2003 and 2004, Sherman produced the 5700:Why Have There Been No Great Women Artists? 5500:New York School of Applied Design for Women 4542:Cindy Sherman's Eclectic Hamptons Farmhouse 4207: 2615: 1989: 1829: 1827: 1663:American Academy of Arts and Sciences Award 962:in New York (1997), which was sponsored by 200: 5941: 5927: 5451:Feminist art movement in the United States 5442: 5428: 5236: 5222: 3841:" Columbus Underground (November 5, 2017). 3364:, Edinburgh University Press, 2007, p. xix 3159: 3102:, wmagazine.com; accessed January 2, 2015. 2585:"Cindy Sherman - Artists - Metro Pictures" 2203:. Metropicturesgallery.com. Archived from 2059: 2057: 1294:'s 4,200-square-foot house on 0.4 acre in 1041:. The series was exhibited in 2016 at the 989:In 2012, the Museum of Modern Art mounted 630:series and her work as follows: "With her 307:, Sherman is considered to be part of the 31: 6367:21st-century American women photographers 6362:20th-century American women photographers 3799: 3797: 3454:"Art: Whitney Shows Cindy Sherman Photos" 3212: 3210: 3208: 2337: 2251: 1701:2013: Honorary doctorate degree from the 1348:to remove gas from underground deposits. 1271:neighborhood; she later sold it to actor 1220:exhibited a series of photographs at the 534:for the first time. Provoked by the 1989 5488:American Association of University Women 4053:Creative Camera: Thirty Years of Writing 4049: 3520:"Directions: Cindy Sherman: Film Stills" 3277:PAPERMAG: WORD UP!: Cindy Sherman Speaks 3219:"Cindy Sherman Takes On Aging (Her Own)" 2636:"'Untitled #97', Cindy Sherman: Summary" 2517: 2165:, metmuseum.org; accessed March 7, 2015. 2020: 1906:Sherman, Cindy; Schor, Gabriele (2012). 1824: 1405:Cindy Sherman: Retrospective (Paperback) 1148:In 2010, Sherman's nearly six foot tall 882: 379: 5154:Art History, Aesthetics, Visual Studies 4785:"Hasselblad Foundation | Cindy Sherman" 4317: 3868: 3451: 3100:"Cindy Sherman and Anna Hu get to work" 2547: 2086: 2054: 1990:Hattenstone, Simon (January 15, 2011). 1185:NY auctioned the 159 cm x 359 cm sized- 956:Museum of Contemporary Art, Los Angeles 944:Scottish National Gallery of Modern Art 754:, Sherman created the six-image series 373: 165:(born January 19, 1954) is an American 6269: 4944:International Photography Hall of Fame 4616: 4448:Smith, Stephen Jacob (June 28, 2013). 4404:Simon Hattenstone (January 15, 2011). 4298: 4111: 4076: 3950: 3946: 3944: 3803: 3794: 3568: 3346:The 80s Seen Through A Postmodern Lens 3294: 3216: 3205: 2656: 2413:. Kunsthaus-bregenz.at. Archived from 2152:, nytimes.com; accessed March 7, 2015. 1945:Simon Hattenstone (January 15, 2011), 1936:, nytimes.com; accessed March 7, 2015. 1857: 1855: 1835:"Cindy Sherman - MacArthur Foundation" 1600:Cindy Sherman : Transformations. 6342:Honorary members of the Royal Academy 5922: 5647:WACK! Art and the Feminist Revolution 5494:National Association of Women Artists 5423: 5217: 4480:Linda Yablonsky (February 23, 2012), 4447: 4429:William Neuman (September 11, 2005), 4272: 4216: 4164: 3920: 3397: 3395: 3192: 3155: 3153: 2761:The Guggenheim Museums and Foundation 2338:Jefferson, Margo (January 10, 2005). 2252:Jefferson, Margo (January 10, 2005). 1427:In Real Life: Six Women Photographers 932:Hirshhorn Museum and Sculpture Garden 6352:Film directors from New York (state) 5588:The Women's Building (San Francisco) 5547:National Museum of Women in the Arts 4910: 4146:Lindsay Pollock (November 9, 2010), 3193:Smith, Roberta (November 30, 1997). 2908:Cindy Sherman, April 28–June 9, 2012 2621:Andy Grundberg (November 22, 1981), 2610:Cindy Sherman -- 'Centerfolds, 1981' 2025:. Munich: Prestel. pp. 168–171. 2016: 2014: 2012: 1321:and on the Artists Committee of the 756:Cindy Sherman: Untitled (Balenciaga) 416:The next group was taken in 1978 at 6337:21st-century American photographers 6332:20th-century American photographers 4562:, presented by Azuero Earth Project 4369: 4299:Sutton, Benjamin (April 22, 2014). 4217:Hoban, Phoebe (February 14, 2012). 4014: 3941: 3886:"October Files #6: Cindy Sherman". 2929: 2808:from the original on April 8, 2023. 2507:Cindy Sherman talks to Simon Schama 2465:, Issue 36, September–October 1997. 2437:Cindy Sherman: Monument Valley Girl 2388:Lance Esplund (February 27, 2012), 2102:Michael Small (November 30, 1987), 1852: 1137:as de-fetishizing the female body. 887:A work by Sherman displayed in the 728:in 1993. In 1994, she produced the 405:fall into several distinct groups: 13: 6322:People from Glen Ridge, New Jersey 5578:Women's Art Resources of Minnesota 5146: 4700:Alex Greenberger (28 March 2023), 3452:Brenson, Michael (July 24, 1987). 3392: 3250: 3150: 3111:Angelica Villa (24 January 2024), 3071: 2991:"Cindy Sherman: Street-Style Star" 2955:Sarah Cascone (December 5, 2019), 2822:San Francisco Museum of Modern Art 2661:Cindy Sherman : retrospective 2535:Barry Schwabsky (April 18, 1999), 2063: 1807:List of most expensive photographs 1749:Madison Museum of Contemporary Art 1443:. Glenn Horowitz Bookseller, 2001 995:San Francisco Museum of Modern Art 972:Louisiana Museum for Moderne Kunst 936:San Francisco Museum of Modern Art 765: 696:2010 eruptions of Eyjafjallajökull 350:In her landmark photograph series 268:, the two Buffalo campuses of the 14: 6388: 5910:Feminist movements and ideologies 5243: 5198: 4815:Blouinartinfo, November 12, 2009. 4431:A SoHo Loft for Moe the Bartender 4318:Amadour, Ricky (April 28, 2022). 4273:Smith, Roberta (April 22, 2014). 3764:Carol Vogel (February 17, 2011), 3164:. Intellect. pp. 33–34, 38. 2505:Simon Schama (February 3, 2012), 2009: 1992:"Cindy Sherman: Me, myself and I" 1932:Carol Vogel (February 16, 2012), 1501:Contemporary Art Museum St. Louis 1290:. In 2000, she bought songwriter 1193:Influence on contemporary artists 1066:Goulandris Museum of Cycladic Art 1062:National Portrait Gallery, London 658:myself within these characters." 224:In 1972, Sherman enrolled in the 169:whose work consists primarily of 16:American photographer (born 1954) 6327:People from Sag Harbor, New York 5122: 5116: 5091: 5066: 5048: 5023: 5001: 4983: 4957: 4932: 4891: 4879:Julie Miller (October 7, 2012), 4873: 4843: 4818: 4799: 4777: 4752: 4737: 4712: 4694: 4682: 4670: 4655: 4636: 4610: 4585: 4573:Jonah Wolf (September 4, 2012), 4567: 4564:The Moore Charitable Foundation. 4552: 4534: 4516: 4474: 4441: 4397: 4363: 4351:Patti Greco (January 20, 2014), 4345: 4311: 4292: 4266: 4236: 4189: 4158: 4140: 3988:10.1111/j.1475-682X.2011.00385.x 3804:Cotter, Holland (May 26, 2016). 3297:Cindy Sherman: Imitation of Life 3217:Gopnik, Blake (April 21, 2016). 2716:Kimberlee A. Cloutier-Blazzard, 2225: 1375:, 1999. Edited by Shelley Rice. 1235: 1216:In April 2014, actor and artist 934:in Washington, D.C. (1995), the 134: 6302:American portrait photographers 5552:New York Feminist Art Institute 4897:Gordon Cox (January 31, 2012), 4617:Becker, Noah (August 9, 2017). 4244:"James Franco: New Film Stills" 4105: 4070: 4056:. Manchester University Press. 4043: 4008: 3967: 3914: 3879: 3862: 3844: 3831: 3776: 3758: 3746: 3720: 3696: 3671: 3646: 3621: 3588: 3562: 3537: 3512: 3479: 3445: 3420: 3367: 3354: 3344:Andy Grundberg (July 5, 1987), 3338: 3313: 3288: 3270: 3244: 3186: 3124: 3105: 3092: 3065: 3040: 3037:NYU Grey Art Gallery, New York. 3028: 3009: 2983: 2971:Liam Freeman (March 25, 2021), 2965: 2949: 2923: 2901: 2860:"SFMOMA PRESENTS CINDY SHERMAN" 2852: 2827: 2812: 2774: 2749: 2736: 2727: 2710: 2687: 2650: 2628: 2602: 2577: 2529: 2468: 2445: 2429: 2382: 2357: 2331: 2305: 2279: 2245: 2219: 2193: 2168: 2155: 2139: 2096: 2029: 1561:Cindy Sherman: Untitled Horrors 1529:Cindy Sherman: A Play of Selves 1362: 1309:account featuring her selfies. 1098:. In particular, scholars like 577: 441:Untitled Film Still #35 (1979)) 130: 6347:Film directors from New Jersey 5899:Women in the art history field 5583:Woman's Building (Los Angeles) 5209:and mass media representations 4370:Lee, Nathan (March 27, 2009). 3782:Carol Vogel (March 14, 2013), 3629:"Cindy Sherman: Retrospective" 3098:Sarah Taylor (December 2010), 2698:, November 8-December 20, 2008 1957: 1926: 1899: 1880: 1721: 1632:Larry Aldrich Foundation Award 1471:. Museum of Modern Art, 2003. 1159:Phillips de Pury & Company 924:Whitney Museum of American Art 878: 318: 252:In 1974, together with Longo, 1: 6377:Photographers from New Jersey 6292:American women film directors 5567:Washington Women's Art Center 4764:gesellschaft-museum-ludwig.de 4250:. Pace Prints. Archived from 3791:; accessed February 24, 2015. 3773:; accessed February 24, 2015. 3571:"Gropius Bau - Cindy Sherman" 3362:American Culture in the 1980s 2608:Grace Glueck (May 23, 2003), 2544:; accessed February 24, 2015. 2435:Victoria Olsen (March 2009), 2136:; accessed February 24, 2015. 1817: 1797:Blackface in contemporary art 1681:2012: Roswitha Haftmann Prize 1674:2010: Honorary Member of the 1387:Essential, The: Cindy Sherman 1143: 1025:inspired by the divas of old 844:in 2008, starring ex-husband 327: 205:Sherman was born in 1954, in 105:Complete Untitled Film Stills 6317:Buffalo State College alumni 5607:Exhibitions or installations 4165:Tully, Judd (May 25, 2011). 3852:"Cindy Sherman - Exhibition" 2707:Skarstedt Gallery, New York. 2612:, nytimes.com, May 23, 2003. 1767:Museum of Fine Arts, Houston 1611:Awards and other recognition 1577:. Intellect Books, 2014. By 1549:Museum of Modern Art, 2012. 1485:. Skarstedt Fine Art, 2004. 1263:loft at 84 Mercer Street in 952:Museum Boymans-van Beuningen 7: 6372:American postmodern artists 6357:People from SoHo, Manhattan 5732:Women Artists in Revolution 5572:Women Artists in Revolution 4582:; accessed January 2, 2015. 4540:Mayer Rus (December 2013), 3963:: 136 – via ProQuest. 3755:Metropolitan Museum of Art. 3160:Schweitzer, Dahlia (2014). 2537:A Photographer's Many Faces 1785: 1616:1981: Artist-in-residence, 1497:Cindy Sherman: Working Girl 1441:Early Work of Cindy Sherman 1411:, 2000. By Amanda Cruz and 1344:, a group in opposition to 1071: 690:using vintage clothes from 515:In 1982, Sherman began her 387:by Cindy Sherman, 1977–1980 81:Photographic self-portraits 10: 6393: 5192:"The Cindy Sherman Effect" 4219:"The Cindy Sherman Effect" 3921:Byrne, Betsy (June 2003). 3704:"OPIE, SHERMAN, STRUTH..." 3021:November 14, 2012, at the 2482:. Buffalo State University 2021:Heartney, Eleanor (2007). 1761:Metropolitan Museum of Art 1483:Cindy Sherman: Centerfolds 1313:Industry and advocacy work 1240:Sherman lived with artist 1106:series in relation to the 1055:Wexner Center for the Arts 984:Metropolitan Museum of Art 889:Wexner Center for the Arts 712: 698:and on the isle of Capri. 606:Obscene, Abject, Traumatic 295:. Along with artists like 6235: 6164: 6093: 6022: 5957: 5907: 5886: 5750: 5709: 5675: 5657: 5606: 5509: 5480: 5457: 5400: 5371: 5348: 5329: 5310: 5251: 5125:"Cindy Sherman born 1954" 4907:accessed January 2, 2015. 4811:February 1, 2014, at the 4744:Past Artists-in-Residence 4406:"Cindy Sherman interview" 4126:10.1080/09574040210122968 4029:10.1080/03087290903361399 3900:10.1080/01973760801892415 3575:www.berlinerfestspiele.de 2980:; accessed June 11, 2021. 2962:; accessed June 11, 2021. 2476:"The making of an Artist" 2458:January 12, 2016, at the 1947:Sherman: Me, myself and I 1743:Jewish Museum (Manhattan) 1708:2017: Induction into the 1209:, and performance artist 954:in Rotterdam (1996); the 491:Fairy Tales and Disasters 433:character from the movie 266:Albright-Knox Art Gallery 144: 112: 85: 77: 69: 61: 50:January 19, 1954 (age 70) 42: 30: 23: 6297:Conceptual photographers 5894:List of feminist artists 5692:The Feminist Art Journal 5372:Family and relationships 4995:Art Institute of Chicago 4922:August 14, 2013, at the 4114:Women: A Cultural Review 4050:Brittain, David (1999). 3683:www.kunsthaus-bregenz.at 3595:Sherman, Cindy. (1996). 3486:Sherman, Cindy. (1991). 3295:Kaiser, Philipp (2016). 3048:"THE ART/FASHION DIVIDE" 2657:Cindy., Sherman (1997). 2638:. Tate. October 26, 2015 1934:'Cindy Sherman Unmasked" 1731:Art Institute of Chicago 1593: 1342:Artists Against Fracking 1319:Stephen Petronio Company 1102:have analyzed Sherman's 642: 572: 483: 230:Buffalo State University 201:Early life and education 5598:Women's Studio Workshop 5593:Women's Interart Center 5510:Venues or organizations 5408:The Pictures Generation 5268:Untitled Film Still #48 5260:Untitled Film Still #21 4830:www.royalacademy.org.uk 4528:The Wall Street Journal 4486:The Wall Street Journal 3923:"Studio: Cindy Sherman" 3076:. Vogue. Archived from 2066:"BOMB Magazine profile" 1867:Encyclopædia Britannica 1684:2012: Honored by actor 1499:. St. Louis, Missouri: 1355:as first winner of the 1150:chromogenic color print 980:The Pictures Generation 914:(1982, 1995); and five 861:Guest of Cindy Sherman, 838:, and also appeared in 709:by a Belgian workshop. 548:Corcoran Gallery of Art 506:Centerfolds/Horizontals 502:Rear Screen Projections 500:It was with her series 474:Untitled Film Still #21 425:Untitled Film Still #21 399:Untitled Film Still #11 385:Untitled Film Still #23 311:. She graduated with a 6125:Bernd and Hilla Becher 5737:Women's Caucus for Art 5658:Films or documentaries 5532:Feminist Art Coalition 5056:"The Menil Collection" 4665:Americans for the Arts 4408:. London, UK: Guardian 4017:History of Photography 3951:Mulvey, Laura (1991). 3569:Festspiele, Berliner. 2918:Metro Pictures Gallery 2891:The Real Cindy Sherman 2835:"Cindy Sherman | MoMA" 2703:July 16, 2011, at the 1323:Americans for the Arts 1300:East Hampton, New York 1043:Metro Pictures Gallery 900:Metro Pictures Gallery 891: 661: 495:Metro Pictures Gallery 451:(1979), also known as 448:Untitled Film Still#48 388: 238: 207:Glen Ridge, New Jersey 163:Cynthia Morris Sherman 54:Glen Ridge, New Jersey 47:Cynthia Morris Sherman 5977:Henri Cartier-Bresson 5666:!Women Art Revolution 5467:Feminist art movement 4749:, Syracuse, New York. 4648:July 9, 2013, at the 4372:"For the Love of Art" 3432:www.metropictures.com 3282:May 13, 2008, at the 3016:Cindy Sherman profile 2913:May 11, 2012, at the 2589:www.metropictures.com 2148:(February 23, 2012), 1886:Genocchio, Benjamin. 1696:Tribeca Film Festival 1676:Royal Academy of Arts 1648:Hasselblad Foundation 1563:. Hatje Cantz, 2013. 1413:Elizabeth A. T. Smith 1391:Harry N. Abrams, Inc. 1331:Estoril Film Festival 1047:Spruth Magers gallery 922:in Amsterdam (1982), 886: 730:Post Card Series for 647: 550:, as well as the way 383: 234: 5983:Manuel Álvarez Bravo 5319:Untitled Film Stills 5207:Untitled Film Stills 5194:. Artnews.com. 2012. 5103:The MFAH Collections 5060:The Menil Collection 4997:. November 12, 2023. 4927:Royal College of Art 4560:Azuero on the Harbor 4546:Architectural Digest 3976:Sociological Inquiry 3549:Serpentine Galleries 2889:(January 11, 2012), 2565:on February 19, 2020 2440:Smithsonian Magazine 2291:The Creators Project 2207:on November 25, 2015 2041:www.cindysherman.com 1773:Museum of Modern Art 1703:Royal College of Art 1698:'s jury competitions 1625:MacArthur Fellowship 1620:, Syracuse, New York 1346:hydraulic fracturing 1336:In 2012, she joined 1230:Untitled Film Stills 982:, 1974–1984" at the 960:Museum of Modern Art 926:in New York (1987), 560:in flagrante delicto 468:Museum of Modern Art 403:Untitled Film Stills 394:Untitled Film Stills 375:Untitled Film Stills 352:Untitled Film Stills 247:Untitled Film Stills 182:Untitled Film Stills 152:MacArthur Fellowship 133: 1984; 5798:Helen Frankenthaler 5542:Lesbian Art Project 5158:Clark Art Institute 5035:thejewishmuseum.org 5031:"The Jewish Museum" 4787:. February 27, 2017 4677:Jury - 2009 Edition 4177:on February 1, 2014 3872:The Guardian Weekly 3837:Jeff Regensburger. 3679:"Kunsthaus Bregenz" 3080:on February 3, 2014 2411:"Kunsthaus Bregenz" 1654:National Arts Award 1638:Wolfgang Hahn Prize 1409:Thames & Hudson 1057:in Columbus, Ohio. 540:Robert Mapplethorpe 309:Pictures Generation 6072:Christer Strömholm 5863:Carolee Schneemann 5623:Three Weeks in May 5311:Photography series 4971:. January 13, 2020 4506:Studios by the Sea 4435:The New York Times 4376:The New York Times 4279:The New York Times 3894:(1): 88–94. 2008. 3810:The New York Times 3788:The New York Times 3784:News On The Rialto 3770:The New York Times 3458:The New York Times 3349:The New York Times 3257:The New York Times 3223:The New York Times 3199:The New York Times 3138:. February 7, 2013 3072:Palmer, Caroline. 2997:. February 9, 2016 2541:The New York Times 2451:Helen Molesworth, 2344:The New York Times 2293:. October 30, 2015 2258:The New York Times 2180:Hauser & Wirth 1893:The New York Times 1781:, Bankside, London 1288:Catskill Mountains 1176:Hauser & Wirth 948:Martin-Gropius-Bau 942:in London and the 940:Serpentine Gallery 898:in 1980. When the 892: 814:The New York Times 793:Jeanne Tripplehorn 791:in 1997, starring 720:Interview magazine 497:in New York City. 389: 367:The New York Times 189:media (especially 6307:MacArthur Fellows 6264: 6263: 6202:Wolfgang Tillmans 6149:Graciela Iturbide 6078:William Eggleston 6013:Sebastião Salgado 5949:Laureates of the 5916: 5915: 5788:Mary Beth Edelson 5783:Elaine de Kooning 5631:The Sister Chapel 5417: 5416: 5410:(2009 exhibition) 5156:. Massachusetts: 5078:www.metmuseum.org 4904:Los Angeles Times 4662:Artists Committee 4597:www.instagram.com 4579:New York Observer 4455:New York Observer 4357:New York Magazine 4254:on April 21, 2016 3929:. Tate Publishing 3875:. pp. 51–53. 3407:www.skarstedt.com 3251:Holden, Stephen. 3171:978-1-84150-707-1 3136:Walker Art Center 2930:Russeth, Andrew. 2804:. April 4, 2023. 2696:History Portraits 2126:(March 5, 2012), 2064:Fleury, Matthew. 1739:, Los Angeles, CA 1716:Wolf Prize in Art 1579:Dahlia Schweitzer 1569:978-3-7757-3487-5 1541:978-3-7757-1942-1 1509:978-0-9712195-8-8 1333:'s jury in 2009. 1174:before moving to 1078:Imitation of Life 1023:glamour portraits 1008:In 2016, after a 999:Walker Art Center 968:Kunsthaus Bregenz 916:Whitney Biennials 824:Later, she had a 805:Dahlia Schweitzer 732:Comme des Garçons 678:Society Portraits 567:History Portraits 365:She explained to 160: 159: 6384: 6277:Self-portraiture 6255:Carrie Mae Weems 6190:Joan Fontcuberta 6107:Hiroshi Sugimoto 5951:Hasselblad Award 5943: 5936: 5929: 5920: 5919: 5858:Rachel Rosenthal 5833:Georgia O'Keeffe 5768:Louise Bourgeois 5639:The Dinner Party 5444: 5437: 5430: 5421: 5420: 5362:Babes in Toyland 5238: 5231: 5224: 5215: 5214: 5187: 5140: 5139: 5137: 5135: 5120: 5114: 5113: 5111: 5109: 5095: 5089: 5088: 5086: 5084: 5070: 5064: 5063: 5052: 5046: 5045: 5043: 5041: 5027: 5021: 5020: 5018: 5016: 5005: 4999: 4998: 4987: 4981: 4980: 4978: 4976: 4961: 4955: 4954: 4952: 4950: 4936: 4930: 4917:Honorary Doctors 4914: 4908: 4895: 4889: 4877: 4871: 4870: 4868: 4866: 4861:on March 6, 2019 4857:. Archived from 4855:en.artintern.net 4847: 4841: 4840: 4838: 4836: 4822: 4816: 4803: 4797: 4796: 4794: 4792: 4781: 4775: 4774: 4772: 4770: 4756: 4750: 4741: 4735: 4734: 4732: 4730: 4716: 4710: 4698: 4692: 4686: 4680: 4674: 4668: 4659: 4653: 4640: 4634: 4633: 4631: 4629: 4614: 4608: 4607: 4605: 4603: 4589: 4583: 4571: 4565: 4556: 4550: 4538: 4532: 4520: 4514: 4504:(January 2000), 4499: 4490: 4478: 4472: 4471: 4469: 4467: 4458:. Archived from 4445: 4439: 4427: 4418: 4417: 4415: 4413: 4401: 4395: 4394: 4392: 4390: 4367: 4361: 4349: 4343: 4342: 4340: 4338: 4326:. No. 228. 4315: 4309: 4308: 4296: 4290: 4289: 4287: 4285: 4270: 4264: 4263: 4261: 4259: 4240: 4234: 4233: 4231: 4229: 4214: 4205: 4193: 4187: 4186: 4184: 4182: 4173:. Archived from 4162: 4156: 4144: 4138: 4137: 4109: 4103: 4102: 4074: 4068: 4067: 4047: 4041: 4040: 4012: 4006: 4005: 3999: 3991: 3971: 3965: 3964: 3948: 3939: 3938: 3936: 3934: 3918: 3912: 3911: 3888:Visual Resources 3883: 3877: 3876: 3866: 3860: 3859: 3848: 3842: 3835: 3829: 3828: 3826: 3824: 3801: 3792: 3780: 3774: 3762: 3756: 3750: 3744: 3743: 3741: 3739: 3724: 3718: 3717: 3715: 3713: 3700: 3694: 3693: 3691: 3689: 3675: 3669: 3668: 3666: 3664: 3650: 3644: 3643: 3641: 3639: 3625: 3619: 3618: 3592: 3586: 3585: 3583: 3581: 3566: 3560: 3559: 3557: 3555: 3541: 3535: 3534: 3532: 3530: 3516: 3510: 3509: 3483: 3477: 3476: 3474: 3472: 3449: 3443: 3442: 3440: 3438: 3424: 3418: 3417: 3415: 3413: 3399: 3390: 3389: 3387: 3385: 3371: 3365: 3360:Graham Thompson, 3358: 3352: 3342: 3336: 3335: 3333: 3331: 3317: 3311: 3310: 3292: 3286: 3274: 3268: 3267: 3265: 3263: 3248: 3242: 3241: 3239: 3237: 3214: 3203: 3202: 3190: 3184: 3183: 3157: 3148: 3147: 3145: 3143: 3128: 3122: 3109: 3103: 3096: 3090: 3089: 3087: 3085: 3069: 3063: 3062: 3060: 3058: 3044: 3038: 3032: 3026: 3013: 3007: 3006: 3004: 3002: 2987: 2981: 2969: 2963: 2953: 2947: 2946: 2944: 2942: 2927: 2921: 2905: 2899: 2884: 2875: 2874: 2872: 2870: 2856: 2850: 2849: 2847: 2845: 2831: 2825: 2824:, San Francisco. 2816: 2810: 2809: 2794: 2785: 2778: 2772: 2771: 2769: 2767: 2757:"Untitled, #264" 2753: 2747: 2740: 2734: 2731: 2725: 2724:, July 29, 2007. 2722:Bread and Circus 2714: 2708: 2691: 2685: 2684: 2664: 2654: 2648: 2647: 2645: 2643: 2632: 2626: 2619: 2613: 2606: 2600: 2599: 2597: 2595: 2581: 2575: 2574: 2572: 2570: 2561:. 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Roger Denson 2122: 2115: 2101: 2097: 2085: 2081: 2071: 2069: 2062: 2055: 2045: 2043: 2035: 2034: 2030: 2019: 2010: 2000: 1998: 1988: 1984: 1974: 1972: 1963: 1962: 1958: 1944: 1940: 1931: 1927: 1920: 1912:. Hatje Cantz. 1904: 1900: 1885: 1881: 1871: 1869: 1863:"Cindy Sherman" 1861: 1860: 1853: 1843: 1841: 1833: 1832: 1825: 1820: 1802:Laurel Nakadate 1788: 1724: 1613: 1596: 1365: 1315: 1292:Marvin Hamlisch 1238: 1226:New Film Stills 1195: 1181:In April 2023, 1146: 1074: 1051:Berlin, Germany 1003:Venice Biennale 974:, Denmark, and 912:Venice Biennale 881: 850:Untitled Horror 768: 766:Music and films 725:Harper's Bazaar 715: 669: 663: 660: 657: 655: 653: 651: 645: 604:in his article 596:series (1992). 582: 575: 486: 378: 341:Margo Jefferson 330: 321: 203: 156: 140: 137: 1999) 128: 124: 121: 86: 57: 51: 49: 48: 38: 37:Sherman in 2016 26: 17: 12: 11: 5: 6390: 6380: 6379: 6374: 6369: 6364: 6359: 6354: 6349: 6344: 6339: 6334: 6329: 6324: 6319: 6314: 6309: 6304: 6299: 6294: 6289: 6284: 6279: 6262: 6261: 6259: 6258: 6252: 6249:Dayanita Singh 6246: 6239: 6237: 6233: 6232: 6230: 6229: 6226:Daidō Moriyama 6223: 6217: 6211: 6205: 6199: 6193: 6187: 6181: 6175: 6168: 6166: 6162: 6161: 6159: 6158: 6152: 6146: 6140: 6134: 6128: 6122: 6116: 6110: 6104: 6097: 6095: 6091: 6090: 6088: 6087: 6081: 6075: 6069: 6063: 6060:Robert Häusser 6057: 6054:Susan Meiselas 6051: 6045: 6042:Josef Koudelka 6039: 6036:Richard Avedon 6033: 6026: 6024: 6020: 6019: 6017: 6016: 6010: 6007:Édouard Boubat 6004: 6001:Hiroshi Hamaya 5998: 5992: 5986: 5980: 5974: 5968: 5961: 5959: 5955: 5954: 5946: 5945: 5938: 5931: 5923: 5914: 5913: 5908: 5905: 5904: 5902: 5901: 5896: 5890: 5888: 5884: 5883: 5881: 5880: 5875: 5870: 5865: 5860: 5855: 5853:M. C. Richards 5850: 5845: 5840: 5838:Barbara Kruger 5835: 5830: 5825: 5820: 5815: 5810: 5805: 5800: 5795: 5790: 5785: 5780: 5775: 5770: 5765: 5760: 5758:Alison Bechdel 5754: 5752: 5748: 5747: 5745: 5744: 5739: 5734: 5729: 5727:The Waitresses 5724: 5719: 5713: 5711: 5707: 5706: 5704: 5703: 5696: 5688: 5679: 5677: 5673: 5672: 5670: 5669: 5661: 5659: 5655: 5654: 5652: 5651: 5643: 5635: 5627: 5619: 5610: 5608: 5604: 5603: 5601: 5600: 5595: 5590: 5585: 5580: 5575: 5569: 5564: 5559: 5557:SOHO20 Gallery 5554: 5549: 5544: 5539: 5534: 5529: 5519: 5517:A.I.R. Gallery 5513: 5511: 5507: 5506: 5504: 5503: 5497: 5491: 5484: 5482: 5478: 5477: 5475: 5474: 5469: 5464: 5458: 5455: 5454: 5447: 5446: 5439: 5432: 5424: 5415: 5414: 5412: 5411: 5404: 5402: 5398: 5397: 5395: 5394: 5388: 5382: 5375: 5373: 5369: 5368: 5366: 5365: 5352: 5350: 5346: 5345: 5343: 5342: 5333: 5331: 5327: 5326: 5324: 5323: 5314: 5312: 5308: 5307: 5305: 5304: 5296: 5288: 5280: 5272: 5264: 5255: 5253: 5249: 5248: 5241: 5240: 5233: 5226: 5218: 5212: 5211: 5200: 5199:External links 5197: 5196: 5195: 5188: 5174: 5161: 5148: 5145: 5142: 5141: 5115: 5090: 5065: 5047: 5022: 5000: 4982: 4956: 4931: 4909: 4890: 4872: 4842: 4817: 4798: 4776: 4751: 4736: 4711: 4693: 4681: 4669: 4654: 4635: 4609: 4584: 4566: 4551: 4533: 4515: 4491: 4473: 4440: 4419: 4396: 4362: 4344: 4310: 4291: 4265: 4235: 4206: 4188: 4171:Blouin Artinfo 4157: 4139: 4104: 4091:10.2307/778908 4069: 4062: 4042: 4007: 3982:(4): 404–420. 3966: 3940: 3913: 3878: 3861: 3856:www.npg.org.uk 3843: 3830: 3793: 3775: 3757: 3745: 3728:"Jeu de Paume" 3719: 3695: 3670: 3645: 3620: 3605: 3587: 3561: 3536: 3511: 3496: 3478: 3444: 3419: 3391: 3366: 3353: 3337: 3325:thekitchen.org 3312: 3306:978-3791355566 3305: 3287: 3269: 3243: 3204: 3185: 3170: 3149: 3123: 3104: 3091: 3064: 3039: 3027: 3008: 2982: 2964: 2948: 2922: 2900: 2876: 2851: 2826: 2811: 2786: 2773: 2748: 2735: 2726: 2709: 2686: 2671: 2649: 2627: 2614: 2601: 2576: 2546: 2528: 2516: 2493: 2467: 2444: 2428: 2399: 2381: 2356: 2330: 2304: 2278: 2244: 2218: 2192: 2167: 2154: 2138: 2113: 2095: 2090:Art in America 2079: 2068:. 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July 3, 2016 1956: 1938: 1925: 1918: 1898: 1879: 1851: 1822: 1821: 1819: 1816: 1815: 1814: 1809: 1804: 1799: 1794: 1787: 1784: 1783: 1782: 1776: 1775:, New York, NY 1770: 1764: 1763:, New York, NY 1758: 1752: 1746: 1745:, New York, NY 1740: 1734: 1723: 1720: 1719: 1718: 1712: 1706: 1699: 1692: 1682: 1679: 1672: 1665: 1659: 1656: 1650: 1640: 1634: 1628: 1621: 1612: 1609: 1608: 1607: 1595: 1592: 1591: 1590: 1572: 1558: 1547:Cindy Sherman. 1544: 1526: 1515:Cindy Sherman. 1512: 1494: 1480: 1466: 1452: 1438: 1424: 1402: 1384: 1364: 1361: 1314: 1311: 1237: 1234: 1203:Lisa Yuskavage 1199:Ryan Trecartin 1194: 1191: 1145: 1142: 1135:Vomit Pictures 1073: 1070: 1031:Gloria Swanson 1015:1959 melodrama 991:Cindy Sherman, 880: 877: 797:Molly Ringwald 767: 764: 748:Juergen Teller 714: 711: 665:—Cindy Sherman 648: 646: 644: 641: 636:Untitled,#264. 592:to create her 581: 576: 574: 571: 544:Andres Serrano 485: 482: 464: 463: 456: 453:The Hitchhiker 443: 427: 421: 414: 377: 372: 329: 326: 320: 317: 305:Barbara Kruger 297:Laurie Simmons 260:, she created 254:Charles Clough 228:department at 202: 199: 191:arthouse films 174:self-portraits 158: 157: 155: 154: 148: 146: 142: 141: 126: 122: 117: 116: 114: 110: 109: 89: 83: 82: 79: 78:Known for 75: 74: 71: 67: 66: 63: 59: 58: 52: 46: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 6389: 6378: 6375: 6373: 6370: 6368: 6365: 6363: 6360: 6358: 6355: 6353: 6350: 6348: 6345: 6343: 6340: 6338: 6335: 6333: 6330: 6328: 6325: 6323: 6320: 6318: 6315: 6313: 6310: 6308: 6305: 6303: 6300: 6298: 6295: 6293: 6290: 6288: 6287:Living people 6285: 6283: 6280: 6278: 6275: 6274: 6272: 6256: 6253: 6250: 6247: 6244: 6241: 6240: 6238: 6234: 6227: 6224: 6221: 6218: 6215: 6212: 6209: 6206: 6203: 6200: 6197: 6194: 6191: 6188: 6185: 6182: 6179: 6176: 6173: 6170: 6169: 6167: 6163: 6156: 6153: 6150: 6147: 6144: 6141: 6138: 6135: 6132: 6129: 6126: 6123: 6120: 6119:Malick Sidibé 6117: 6114: 6111: 6108: 6105: 6102: 6099: 6098: 6096: 6092: 6085: 6084:Cindy Sherman 6082: 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1088: 1086: 1081: 1079: 1076:In Sherman's 1069: 1067: 1063: 1060:In 2019, the 1058: 1056: 1053:, and at the 1052: 1048: 1044: 1040: 1036: 1035:Mary Pickford 1032: 1028: 1024: 1020: 1016: 1011: 1006: 1004: 1000: 996: 992: 987: 985: 981: 977: 973: 969: 965: 961: 957: 953: 949: 945: 941: 937: 933: 929: 925: 921: 917: 913: 909: 908:SITE Santa Fe 904: 901: 897: 890: 885: 876: 874: 873:Sofia Coppola 870: 869:Office Killer 864: 862: 857: 855: 854:Office Killer 851: 847: 843: 842: 837: 836: 831: 827: 822: 819: 818:Roberta Smith 816:, art critic 815: 810: 809:Office Killer 806: 802: 798: 794: 790: 789: 788:Office Killer 783: 781: 777: 773: 763: 761: 757: 753: 749: 745: 740: 738: 734: 733: 727: 726: 721: 710: 708: 703: 699: 697: 693: 689: 688: 681: 679: 674: 668: 666: 659: 640: 637: 633: 629: 624: 621: 619: 614: 609: 607: 603: 599: 595: 591: 587: 584:Sherman uses 580: 570: 568: 563: 561: 557: 553: 549: 545: 541: 537: 533: 529: 525: 520: 518: 513: 511: 507: 503: 498: 496: 492: 481: 479: 478:TIME 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