610:... But as a suspenseful drama of captivity and escape, the movie is a carefully paced, persuasively acted thriller. Its first two-thirds observe Claudio's four-month internment, during which he becomes resigned to the idea that he will be killed. Unlike the other captives, he does not belong to a subversive group; midway through the film he discovers to his fury that an acquaintance and fellow prisoner, while under torture, lied and named him as the owner of a mimeograph machine that printed antigovernment leaflets. The message is explicit: Torture may make people talk, but they’ll say anything to avoid further abuse."
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353:), arrives and admits that he was really the one with the mimeograph, which he used to make fake papers for Tano. Tamburrini hopes that now he will be released, but Guillermo tells him that to have any chance of saving himself, he will have to implicate someone else, which Tamburrini refuses to do. Tano and a dozen other captives are told they are being transferred to prison but in reality are drugged and handed over to the
538:
The production was quite difficult according to
Caetano, who stated that "the filming was an endless challenge: shooting almost entirely within four walls, trusting the outcome to the acting, the framing, and the light. It was not always easy to generate fear, paranoia, and neurosis from this prison.
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Argentine Film
Critics Association Awards: Silver Condor, Best Actor, Rodrigo De la Serna; Best Art Direction, Juan Mario Roust and Jorge Ferrari; Best Cinematography, Julián Apezteguía; Best Director, Adrián Caetano; Best Music, Iván Wyszogrod; Best Sound, Fernando Soldevila; Best Supporting Actor,
567:
magazine, generally liked the film yet felt the film's atonal score was at times irritating. She wrote, "orceful acting plays a key role in giving the story credibility, with De La Serna and Casero lighting the way." She also says the film "feels hollow at the core, leaving a feeling of lingering
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will give
American audiences "an icky feeling" when they view the "fact-based Argentine story through the stylized lens of a horror film. Laced with dread that builds to a thoroughly gripping third act, it should do well with art house audiences who like their history lessons to come with a shot of
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He attacks Tano, who really is a member of a radical group. Tano claims he had no choice but to implicate
Tamburrini after his name was discovered in Tano's address book. He insists that since Tamburrini is really innocent, he will be released eventually, but Tamburrini knows better. A new captive,
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Tamburrini expects to be killed by the ruthless guards at any time. After four months of imprisonment, and many sessions of torture, Tamburrini and his fellow captives
Guillermo, Vasco and Gallego dive out a window during a thunderstorm. The four, naked and with nothing but their senses, begin a
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Critic Jan Stuart echoed
Stephen Holden and wrote, "If there is anything more disturbing than any of the tortures glimpsed in the film, it is turning on the evening news afterward and being reminded that the use of such hardball practices are still, in the minds of some, a subject for debate."
345:. On New Year's Eve, Huguito, the lead captor, teases Tamburrini by implying he is about to be released. Instead, he is taken to another room with more men. When Huguito insists Tamburrini remove his blindfold and look at him, Tamburrini understands he will never be released alive.
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535:, where he now lives, to learn the truth about the event. There he also met Fernández, who initiated the breakout. Both former prisoners collaborated with Caetano and the screenwriters and helped them to stick closely to the main theme of the film: survival.
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desperate flight to freedom. After a night hiding in the suburbs, the four men get ahold of some money and clothes and part ways; three of them leave the country, including
Tamburrini, whom years later writes the book in which the film is based on.
638:: Clarin Award; Best Director, Adrián Caetano; Best Film; Best New Actor, Nazareno Casero; Best Original Music, Iván Wyszogrod; Best Screenplay, Adrián Caetano, Esteban Student, and Julian Loyola; Best Supporting Actor, Nazareno Casero; 2006.
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Blindfolded, Tamburrini is tortured daily by his jailers, who demand information he does not have because he is not a political activist and never was. Tamburrini discovers an acquaintance nicknamed
581:, but this true-story-based movie scores in a different way...The result is blessed with great performances; director Israel Adrián Caetano lets events speak — and plead and weep — for themselves."
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team, who's taken to a clandestine detention center and tortured. On 24 March 1978, Tamburrini escaped along with
Guillermo Fernández, Carlos García Muñoz (
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s rule, the
Congress was suspended and unions, political parties and provincial governments were banned. During the period that became known abroad as "the
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El tránsito hacia la paz: de las herramientas nacionales a las locales : estrategias de la transición en cinco países y en tres ciudades colombianas
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654:: Silver Condor, Best Editing, Alberto Ponce; Best Film; Best Adapted Screenplay, Adrián Caetano, Julian Loyola, and Esteban Student; 2007.
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John DeFore thinks
American audiences will like the thriller and its pace, especially after the men escape in the rain. He believes that
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team in Buenos Aires, is abducted by members of the Argentine secret military police. He is taken to a detention center known as
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The film is about one such instance: the November 1977 kidnapping of Claudio Tamburrini, a goalkeeper of a B-league
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The film first opened in Argentina on 24 March 2006. The film was shown at various film festivals, including the
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590:, discussed the film from today's political perspective in the United States. He wrote, "Despite its restraint,
255:. The screenplay is written by Caetano, Esteban Student, and Julián Loyola, based on the autobiographical book
984:. "El filme 'Las manos' arrasó en la entrega de los Premios Sur", article about film awards, 12 December 2006.
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premise may remind you of Sly Stallone's enjoyably preposterous 1981 soccer/incarceration flick,
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reported that 60% of critics gave the film a positive review, based on fifteen reviews.
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The film is based on a real political event that took place in Argentina during
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is deeply unsettling. Although the events it depicts happened 30 years ago in
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Estudio crítico sobre Crónica de una fuga: entrevista a Israel Adrián Caetano
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Our challenge was how to re-create the madness these prisoners endured".
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disappointment over a missed opportunity to probe recent history."
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936:, film review, 30 November 2007. Last accessed: 18 February 2008.
920:, film review, 28 November 2007. Last accessed: 18 February 2008.
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Penthouse Film of the Year: Golden Woodie, Adrián Caetano, 2006.
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Nazareno Casero; Best Supporting Actor, Pablo Echarri; 2007.
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Argentine Academy of Cinematography Arts and Sciences Awards
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Award for Best Film, it was Argentina's entry for the 2007
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written by Claudio Tamburrini. The film was produced by
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952:, 28 November 2007. Last accessed: 18 February 2008.
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Schwarzböck, Silvia; Caetano, Israel Adrián (2007).
479:. The dictatorship took over the government after a
814:(in Spanish). Universidad del Rosario. p. 57.
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780:(in Spanish). Ediciones Granica S.A. p. 22.
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451:Historical context and factual basis of the film
851:. Interview with Israel Adrián Caetano by Levy.
598:, it inevitably triggers anguished thoughts of
571:Critic Clark Collis liked the film and wrote, "
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704:In the United States it was featured at the
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523:, a harrowing account of his experience.
494:", between 9,000 and 30,000 people were
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310:On 23 November 1977, during Argentina's
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521:Pase libre – la fuga de la Mansion Seré
257:Pase libre – la fuga de la Mansion Seré
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699:Espoo Ciné International Film Festival
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1338:El romance del Aniceto y la Francisca
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667:: Golden Palm, Adrián Caetano, 2006.
1676:El patrón: radiografía de un crimen
695:Toronto International Film Festival
435:Leonardo Bargiga as Capitán Almagro
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970:. Last accessed: 18 February 2008.
561:Critic Deborah Young, writing for
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1134:Silver Condor Award for Best Film
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808:Tapias, Camila de Gamboa (2010).
515:), and Daniel Rusomano (known as
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502:by the military government.
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1540:Pizza, Beer, and Cigarettes
1446:Tangos, the Exile of Gardel
584:Stephen Holden, critic for
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608:extraordinary rendition
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1532:Buenos Aires viceversa
1485:Después de la tormenta
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963:Chronicle of an Escape
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617:The review aggregator
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878:, film review at the
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1492:A Place in the World
1454:Man Facing Southeast
1298:The Old Young People
1082:by Santiago García
917:Entertainment Weekly
900:Cannes Film Festival
880:Austin Film Festival
860:Levy, Emanuel. Ibid.
762:The Vanished Gallery
712:on 26 October 2006.
706:Austin Film Festival
665:Cannes Film Festival
415:Matías Marmorato as
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1210:School of Champions
1090:Crónica de una fuga
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375:Rodrigo de la Serna
355:Argentine Air Force
316:Rodrigo de la Serna
302:for a Golden Palm.
283:during Argentina's
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239:Crónica de una fuga
104:Rodrigo de la Serna
29:2006 Argentine film
1438:The Official Story
1370:Nosotros los monos
1354:Don Segundo Sombra
1258:Los tallos amargos
1067:by Fernando López
1057:6 May 2008 at the
934:The New York Times
882:, 31 October 2006.
847:2007-02-08 at the
587:The New York Times
430:Diego Alonso Gómez
379:Claudio Tamburrini
244:Buenos Aires, 1977
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202:Running time
179:Release date
90:Oscar Kramer
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26:
1644:Las acacias
1556:Nine Queens
1422:Plata dulce
1314:The Escaped
1242:Barrio Gris
1218:Los Isleros
1093:trailer at
946:Stuart, Jan
747:13 December
659:Nominations
646:Premios Sur
496:disappeared
349:Guillermo (
281:death squad
265:Hugo Sigman
206:104 minutes
94:Hugo Sigman
86:Produced by
52:Directed by
1731:2006 films
1725:Categories
1524:Autumn Sun
1226:Dark River
1202:Almafuerte
1078:review at
1061:review at
1026:Metacritic
716:References
600:Abu Ghraib
513:El Gallego
446:Production
410:El Gallego
386:as Huguito
343:mimeograph
190:2006-03-24
149:Production
77:The novel
1668:Refugiado
1384:La maffia
1376:La Valija
1154:Juvenilia
1064:La Nación
625:Accolades
543:Reception
533:Stockholm
492:Dirty War
457:Dirty War
400:El Alemán
214:Argentina
151:companies
128:Edited by
1700:El Angel
1636:Carancho
1596:The Aura
1580:Valentín
1508:Cortázar
1274:La caída
1080:LeerCine
1055:Archived
1015:AllMovie
845:Archived
827:2 August
793:2 August
517:El Chino
432:as Lucas
417:El Vasco
219:Language
138:Music by
100:Starring
74:Based on
1620:Aniceto
1266:El jefe
1186:Albéniz
1095:YouTube
1040:at the
950:Newsday
896:Variety
578:Victory
564:Variety
424:El Tano
339:El Tano
235:Spanish
222:Spanish
211:Country
188: (
1711:(2020)
1703:(2019)
1695:(2018)
1687:(2017)
1679:(2016)
1671:(2015)
1663:(2014)
1655:(2013)
1647:(2012)
1639:(2011)
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1282:Shunko
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981:Clarín
818:
784:
630:Awards
527:Themes
508:fútbol
320:soccer
1178:Celos
710:Texas
488:'
485:junta
472:junta
328:Morón
1692:Zama
1588:Roma
1004:IMDb
829:2018
816:ISBN
795:2018
782:ISBN
749:2009
606:and
481:Coup
459:and
369:Cast
306:Plot
275:and
263:and
1612:XXY
1024:at
1013:at
1002:at
966:at
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