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at court. He continued composing, directing and caring for the music library in
Dresden until his death in 1692, at the age of 64. Bernhard left behind many sacred vocal works, a few secular compositions, and three important treatises on music, the most famous of which is the
314:(2015). "Vom „apparat der auserleßensten kirchen Stücke" zum „Vorrath an Musicalien, von J. S. Bach und andern berühmten Musicis": Quellenkundliche Ermittlungen zur frühen Thüringer Bach-Überlieferung und zu einigen Weimarer Schülern und Kollegen Bachs".
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Six years later, the large - and primarily
Italian - musical establishment in the city was greatly reduced, until Bernhard remained the only
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and for civic musical events. The next ten years were a golden age in the musical tradition of
Hamburg: Bernhard and his good friend
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In the 21st century
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and composed some of the music for the Master's funeral. He then spent a year in
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performed together and directed the latest compositions from Italy and
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recalled
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to further his musical education. When he was 35, he moved to
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Kyrie–Gloria Mass for double choir, BWV Anh. 167
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181:(1 January 1628 – 14 November 1692) was born in
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62:"Christoph Bernhard"
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322:Bach Yearbook 2015
317:Bach-Jahrbuch 2015
281:passus duriusculus
179:Christoph Bernhard
118:Christoph Bernhard
343:978-3-374-04320-0
263:Elector of Saxony
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360:References
219:Copenhagen
130:1628-01-01
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244:Johanneum
209:) and in
195:Sweelinck
187:Pomerania
163:, Germany
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142:Pomerania
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191:Dresden
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