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Christiana Horton

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At both houses during this long career she played all the leading tragedy and comedy parts, and
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This article incorporates text from a publication now in the
241: 475:. Vol. 27. London: Smith, Elder & Co. pp. 389–390. 248: 261:. Here she remained twenty years, followed by fifteen at 272:(who discovered her) said she was the best successor of 484: 482: 479: 455: 602: 434:Lady Fragile in The Trial of Conjugal Love by 585: 94:introducing citations to additional sources 55:Learn how and when to remove these messages 592: 578: 560:This article about an English actor is a 225:Learn how and when to remove this message 207:Learn how and when to remove this message 517: 488: 170:This article includes a list of general 84:Relevant discussion may be found on the 603: 240:(c. 1696 – c. 1756) was an 539: 156: 61: 20: 13: 276:. She was the original Mariana in 176:it lacks sufficient corresponding 14: 642: 289: 36:This article has multiple issues. 550: 544: 505: 472:Dictionary of National Biography 263:the Theatre Royal, Covent Garden 161: 77:relies largely or entirely on a 66: 25: 44:or discuss these issues on the 626:18th-century English actresses 449: 1: 442: 564:. You can help Knowledge by 7: 10: 647: 538: 462:"Horton, Christiana"  259:Theatre Royal, Drury Lane 621:English stage actresses 528:Encyclopædia Britannica 191:more precise citations. 298:The Recruiting Officer 254:The Recruiting Officer 247:She first appeared in 405:by John Kelly (1733) 90:improve this article 631:English actor stubs 457:Knight, John Joseph 105:"Christiana Horton" 523:Horton, Christiana 368:James Moore Smythe 573: 572: 411:The Double Deceit 355:Susanna Centlivre 316:Delarivier Manley 238:Christiana Horton 235: 234: 227: 217: 216: 209: 155: 154: 140: 59: 638: 594: 587: 580: 556: 555: 554: 548: 540: 532: 511: 509: 508: 492: 486: 477: 476: 464: 453: 436:Hildebrand Jacob 429:Elizabeth Cooper 424:The Rival Widows 421:Lady Bellair in 230: 223: 212: 205: 201: 198: 192: 187:this article by 178:inline citations 165: 164: 157: 150: 147: 141: 139: 98: 70: 62: 51: 29: 28: 21: 646: 645: 641: 640: 639: 637: 636: 635: 601: 600: 599: 598: 549: 543: 536: 521:, ed. (1911). " 506: 504: 496: 495: 487: 480: 454: 450: 445: 381:Charles Johnson 363:The Rival Modes 329:Charles Johnson 303:George Farquhar 292: 257:in 1714 at the 231: 220: 219: 218: 213: 202: 196: 193: 183:Please help to 182: 166: 162: 151: 145: 142: 99: 97: 83: 71: 30: 26: 17: 16:English actress 12: 11: 5: 644: 634: 633: 628: 623: 618: 613: 597: 596: 589: 582: 574: 571: 570: 557: 534: 533: 519:Chisholm, Hugh 494: 493: 478: 447: 446: 444: 441: 440: 439: 432: 419: 416:William Popple 406: 397: 394:Henry Fielding 384: 371: 358: 345: 332: 324:The Masquerade 319: 306: 291: 290:Selected roles 288: 251:as Melinda in 233: 232: 215: 214: 169: 167: 160: 153: 152: 88:. Please help 74: 72: 65: 60: 34: 33: 31: 24: 15: 9: 6: 4: 3: 2: 643: 632: 629: 627: 624: 622: 619: 617: 614: 612: 609: 608: 606: 595: 590: 588: 583: 581: 576: 575: 569: 567: 563: 558: 553: 547: 542: 541: 537: 530: 529: 524: 520: 515: 514:public domain 503: 502: 501: 500: 490: 489:Chisholm 1911 485: 483: 474: 473: 468: 463: 458: 452: 448: 437: 433: 430: 426: 425: 420: 417: 413: 412: 407: 404: 403: 402:Timon in Love 398: 395: 391: 390: 385: 382: 378: 377: 372: 369: 365: 364: 359: 356: 352: 351: 346: 343: 339: 338: 333: 330: 326: 325: 320: 317: 313: 312: 307: 304: 300: 299: 294: 293: 287: 285: 284: 279: 275: 274:Anne Oldfield 271: 266: 264: 260: 256: 255: 250: 245: 243: 239: 229: 226: 211: 208: 200: 197:February 2012 190: 186: 180: 179: 173: 168: 159: 158: 149: 146:February 2012 138: 135: 131: 128: 124: 121: 117: 114: 110: 107: â€“  106: 102: 101:Find sources: 95: 91: 87: 81: 80: 79:single source 75:This article 73: 69: 64: 63: 58: 56: 49: 48: 43: 42: 37: 32: 23: 22: 19: 611:1690s births 566:expanding it 559: 535: 526: 499:Attribution: 498: 497: 470: 451: 422: 409: 400: 399:Eucharis in 387: 374: 361: 350:The Artifice 348: 342:Edward Young 335: 334:Isabella in 322: 309: 296: 281: 270:Barton Booth 267: 252: 246: 237: 236: 221: 203: 194: 175: 143: 133: 126: 119: 112: 100: 76: 52: 45: 39: 38:Please help 35: 18: 616:1756 deaths 467:Lee, Sidney 408:Harriet in 386:Mariana in 337:The Revenge 308:Emmelin in 295:Melinda in 189:introducing 605:Categories 443:References 347:Olivia in 321:Caelia in 172:references 116:newspapers 41:improve it 389:The Miser 373:Ethra in 360:Clary in 283:The Miser 244:actress. 86:talk page 47:talk page 459:(1891). 286:(1733). 278:Fielding 516::  469:(ed.). 242:English 185:improve 130:scholar 510:  438:(1738) 431:(1735) 418:(1735) 396:(1733) 383:(1730) 370:(1727) 357:(1722) 344:(1721) 331:(1719) 318:(1717) 311:Lucius 305:(1714) 249:London 174:, but 132:  125:  118:  111:  103:  465:. In 376:Medea 137:JSTOR 123:books 562:stub 109:news 525:". 427:by 414:by 392:by 379:by 366:by 353:by 340:by 327:by 314:by 301:by 280:'s 92:by 607:: 481:^ 265:. 50:. 593:e 586:t 579:v 568:. 491:. 228:) 222:( 210:) 204:( 199:) 195:( 181:. 148:) 144:( 134:· 127:· 120:· 113:· 96:. 82:. 57:) 53:(

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English
London
The Recruiting Officer
Theatre Royal, Drury Lane
the Theatre Royal, Covent Garden
Barton Booth
Anne Oldfield
Fielding
The Miser
The Recruiting Officer

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