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Chorale cantata cycle

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cantatas that belong to one of both cycles, but not to the other, for instance the chorale cantata for Trinity 1727 replaces the Trinity cantata of the second cycle composed in 1725. Also, some cantatas traditionally seen as belonging to the chorale cantata cycle are not chorale cantatas in a strict sense, for instance the cantata for the Sunday between New Year and Epiphany added to the chorale cantata cycle in 1727. Neither the second cantata cycle, nor the chorale cantata cycle are complete annual cycles as extant. Even a merging of both cycles into one, with some occasions having two cantatas, which hardly can be seen as an intention of the composer, would still be missing a few cantatas (e.g. for Easter 3 and Trinity XXVI).
3298:(1920) saw the chorale cantata as a development of the composer's later years, and failed to list more than a handful, let alone a cycle, of such cantatas premiered between Trinity 1724 and Easter 1725 in their chronological lists of Bach's cantatas. Questionable chronologies and minor differences aside, they followed in Spitta's footsteps praising Bach's so-called "later" chorale cantatas as an epitome of the composer's art. 72:; it is, however, uncertain whether these versions were first presented in Bach's second year in Leipzig. Bach composed a further 13 cantatas in his second year at Leipzig, none of them chorale cantatas, although two of them became associated with the chorale cantata cycle. After his second year in Leipzig, he composed at least eight further cantatas for inclusion in his chorale cantata cycle. 95:, praised the chorale cantatas, but failed to see them as a cycle tied to 1724–25. It took about a century after Spitta before Bach's cantata cycles were analysed in scholarly literature, but then Bach's ambitious project to write a chorale cantata for each occasion of the liturgical year was characterized as "the largest musical project that the composer ever undertook". 3263:) gave little or no attention to individual cantatas, and confined themselves to mentioning that Bach had composed five complete cycles of church cantatas. Scholarship later indicated the chorale cantata cycle as Bach's second cycle of church cantatas. The performance parts of 44 chorale cantatas were about all that was left of Bach's music in the St. 2927:(1991). Thus BWV 80 may be the only other chorale cantata, apart from BWV 4, for which an early chorale cantata version preceded Bach's second year in Leipzig. In 1723 Reformation Day coincided with Trinity XXIII: a more conventional view is that in 1723 Bach probably chose for a repeat performance of his 1715 cantata for that occasion ( 172:
Apart from some cantatas composed after Palm Sunday 1725, the chorale cantata cycle and the second cantata cycle overlap, and the two designations are often used interchangeably in scholarly literature. Otherwise the cycle is described as breaking off after Palm Sunday or Easter 1725. There are some
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1724: The 1982 Zwang catalogue places the first performance of BWV 80's early chorale cantata version in 1724. In that case there would be 41 extant chorale cantatas with a first performance in Leipzig between Trinity Sunday 1724 and Easter 1725 (not included). Nonetheless, the chorale cantata
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chorale cantata for Reformation Day, is the only version of the cantata of which autograph pages survive: these autograph fragments, which are also the only evidence of this version, ended up in three libraries in two continents, and give a very incomplete picture of the version. Its first
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Although we have no account of the reception of Bach's chorale cantatas by the congregation in Leipzig, we know that some of these cantatas were the only works that the city of Leipzig was interested in keeping alive after Bach's death: his successors performed several of them. After
2905:, written in Weimar. The libretto of this early version of the BWV 80 cantata survives, but its music is only known from its subsequent versions. BWV 80a is neither a Reformation Day cantata, nor a chorale cantata, but it contains an extract of Luther's " 3170:
There is uncertainty regarding four additional extant chorale cantatas as to time of origin (narrowed down to late 1720s–early 1730s) and occasion, all of them using hymn text without modification, but none of them included in the chorale cantata cycle kept at
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Bach continued to compose chorale cantatas after his second year in Leipzig, at least up to 1735. However, the chorale cantata cycle that survived the 18th century remains an incomplete cycle, primarily missing a few cantatas for the Easter to Trinity period.
3328:, provided the "chorale cantata" qualification for all compositions belonging to this group (all other church cantatas at that website being indicated as sacred cantatas). It is the only cycle of Bach cantatas that is recognisable as a group on that website. 3050:'s assumption in the 19th century that almost all chorale cantatas had been composed after 1734. It is however true that Bach revised some of his chorale cantatas in the last years of his life, and that these are the versions usually published. 3922: 2935:
qualifier is not entirely correct for the BWV 80 and 80b versions of the cantata, due to the inner movements of these versions largely deriving from a pre-existing libretto elaborating on other topics beside the Lutheran hymn.
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in the last of these cantatas), followed by an Aria, then a chorale for one or two voices, Recitative, Aria, and a concluding four-part chorale. The librettist of these cantatas is unknown, but is likely the same for all three.
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Bach's ultimate BWV 80 version originated some time after the 80b version, and was completed before it was copied in the 1740s. As such, this version of the cantata is seen as a later addition to the chorale cantata
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March 1725 (Palm Sunday) are chorale cantatas. As such these cantatas have consecutive "K" numbers in the chronological Zwang catalogue for Bach's cantatas published in 1982. In the Zwang catalogue the cantata for
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There had not been a Sunday between New Year and Epiphany in 1725: although the cantata is not completely consistent with the chorale cantata format it was intended as the chorale cantata cycle's New Year
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for that occasion may have been set by Bach. However, conventional scholarship assigns 1728–1731 as the period during which the BWV 80b version of the cantata was likely performed for the first time.
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Only three cantatas staged between Good Friday and Trinity of 1725 became associated with the chorale cantata cycle. Bach's second year cycle of cantatas is complete apart from the cantatas for Christmas
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Newly composed cantatas, to make the year cycle complete up to Trinity Sunday, were no longer in the chorale cantata format, possibly because Bach lost his librettist, likely Andreas Stübel, who died on
103:
Possibly the idea for writing a series of chorale cantatas was inspired by the bicentennial anniversary of the first publications of Lutheran hymnals (1524). The first of these early hymnals is the
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None of the von Ziegler cantatas are chorale cantatas in the strict sense, although the Ascension cantata and the Pentecost Monday cantata open with a chorale fantasia. These two cantatas (BWV
200:, is inserted between the cantatas for Trinity XXI and XII, as a cantata premiered in 1724. More recently, this cantata is, however, no longer considered to have been composed in 1724. 4042: 3022: 2979:
Bach composed more cantatas for his chorale cantata cycle after Trinity 1725, apparently in an effort to have a complete standard year cycle consisting exclusively of such cantatas:
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as librettist. These cantatas are also the only ones for which Bach appears to have collaborated with this librettist. The occasions for which these cantatas were written include
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128 and 68) are sometimes associated with the chorale cantata cycle, especially the second one while it was included in the chorale cantata cycle that remained at St.
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cycle, but strictly speaking both cycles overlap only for 40 cantatas. Two further chorale cantatas may belong to both cycles: the final version of
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for the catalogue's first edition in 1950, did not result in the chorale cantatas being identifiable as a group or cycle in the catalogue. In the
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to the second Sunday after Easter 1725. A shared characteristic of these cantatas is their structure: they start with a passage from the bible (
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cantatas were grouped by liturgical function (occasion), so also in that edition the chorale cantatas did not come out as a group or cycle.
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IV Sunday in 1725). This is the only chorale cantata of the chorale cantata cycle that was ostensibly composed after 1734, in contrast to
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IV, VI, XII and XXVI–XXVII. For most of the occasions that lack a cantata in the second cycle there are however extant chorale cantatas.
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may have been intended for this occasion in 1725: the time of origin of that possibly incomplete cantata is however very uncertain.
1935: 656: 6426: 6390: 6380: 5505: 5271: 4607: 4426: 4177: 3865: 683:) – there is however uncertainty whether an early version of this cantata was composed for, or even performed at, 31 October 1724. 639: 6684: 6497: 6300: 6280: 6223: 6102: 6092: 6031: 6012: 5932: 5927: 5897: 5747: 5712: 5665: 5640: 5565: 5423: 5398: 5362: 5147: 5122: 5002: 4997: 4793: 4745: 4687: 4617: 4587: 4577: 4567: 4522: 4517: 4471: 4391: 4217: 4197: 4108: 2983: 2767: 2151: 690: 571: 537: 503: 322: 301: 6467: 6139: 5972: 5635: 5203: 4927: 4542: 4527: 406: 343: 6622: 6385: 5767: 5670: 5580: 5510: 5403: 5255: 4962: 4760: 4677: 4431: 4421: 2815: 2084: 6482: 6410: 6072: 5458: 5071: 4912: 4672: 4282: 4132: 2063: 109:, containing eight hymns and five melodies. Four chorale cantatas use text and/or melody of a hymn in that early publication ( 6037: 5952: 5892: 5832: 5675: 5615: 5560: 5453: 5433: 5245: 5165: 4932: 4907: 4813: 4778: 4730: 4642: 4187: 3907: 3213:
Some of these may have been intended for a wedding ceremony and/or as a generic cantata that could be used for any occasion.
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Two chorale cantatas replacing other cantatas composed for occasions between Easter and Trinity 1725 also remained in the St.
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135, 113, 130, 80, 115 and 111) were not included in the chorale cantata cycle that was still extant in Leipzig in 1830.
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has termed the cycle "the largest musical project that the composer ever undertook: the 'chorale cantata year
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performance date is the object of scholarly informed guesses (31 October implied for the below dates):
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in Leipzig, apart from an incomplete chorale cantata cycle. In Leipzig the chorale cantatas were, after the
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March, which fell on Palm Sunday in 1725. Of the chorale cantatas composed up to Palm Sunday 1725 only K
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In 1725 the next occasion was Epiphany, while there was no Sunday between New Year and Epiphany:
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Chorale cantatas composed as part of the second annual cycle (Trinity I 1724 to Palm Sunday 1725)
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respectively, as text. The closing chorale is a harmonisation of the second stanza of Luther's "
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until 1789, the practice of performing Bach cantatas in Leipzig was interrupted until Kantor
2515:: no extant cantata for this occasion in Bach's second cantata cycle. There's a small chance 1837: 215: 182: 28: 16: 4020: 2462: 259: 24: 2342: 2338: 8: 3778: 3563: 3518: 3291: 2490: 3808: 2669:
Cantatas with a libretto by C. M. von Ziegler: third Sunday after Easter to Trinity 1725
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Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach
3849: 3306: 3272: 3251: 2494: 1906: 1845: 127: 3952:"Chapter 4 – The Most Ambitious of All Projects: Chorale Cantatas throughout the Year" 3782: 1894:
In Leipzig concerted music was not allowed for the second to fourth Sunday of Advent (
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All six of these chorale cantatas remained in the chorale cantata cycle kept at St.
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None of these cantatas were included in the chorale cantata cycle remaining at St.
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October). That year the last Sunday after Trinity, that is the last Sunday before
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Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750
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The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
2408:, in 1725 indicated as a cantata, is what in later versions would become Bach's 3744: 3283: 3282:
Far from seeing a chorale cantata cycle tied to Bach's second year in Leipzig,
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in 1724. It followed the cantata cycle he had composed from his appointment as
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A. Fuller Maitland. Book V: The Final Period of Bach's Life and Work, Chapter
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Bach's last newly composed chorale cantata in his second year in Leipzig was
3523:"Cantatas for the First Sunday after Trinity / St Giles Cripplegate, London" 6760: 5371: 5310: 3729: 3712: 3690: 3636: 3602: 3325: 3227: 2898:
The chorale cantata apparently retained most, if not all, movements of the
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Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung
2139:(2 February) fell between the first and the second of these Sundays: 6755: 2450: 2254: 2250: 2402:, the first version of which had likely been composed 18 years earlier. 2323:
Bach did not present much newly composed music for the Good Friday and
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After this cantata the consecutive set of chorale cantatas breaks off.
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in the 19th century, almost no manuscripts of Bach's music remained in
3356:"O Ewigkeit, du Donnerwort, BWV 20 / O eternity, thou thunderous word" 2665:
II cantata retained in that incomplete cycle was a later composition.
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Development of the second cantata cycle and the chorale cantata cycle
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described this incomplete cantata cycle in the introduction of the
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Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmeider
2562:). The closing four-part chorale consists of two stanzas added to 2445:
There are three extant Bach cantatas premiered in the period from
2440: 2333:, which was a repeat performance of the previous year, now in the 46:
Bach's second cantata cycle is commonly used as a synonym for his
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Bach composed for occasions from 11 June 1724 (Trinity I) to 25
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In 1728 Reformation Day again coincided with Trinity XXIII: a
1898:), so the next cantatas in the cycle are those for Christmas: 3927: 3813:
New York: Harcourt, Brace and Howe; London: Constable. 1920,
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London: Sampson Low, Marston, Searle, & Rivington. 1882,
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opening with a chorale fantasia (BWV 244/29, based on
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The chorale cantata for Reformation Day (31 October)
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XII 1725. There is no extant cantata composed for Trinity
3005:, is partially lost. The later extant version, premiered 2962:
Two movements of the BWV 80 version known from the
3501:
Thematisches Verzeichniss der Kirchencantaten No. 1–120
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edition have an orchestration which the composer's son
3555: 3553: 3551: 3549: 3547: 3545: 3543: 3517: 2594:" (Give our rulers and all lawgivers), a stanza by 3957:Bach's Musical Universe: The Composer and His Work 3129: 3540: 6841: 2975:Occasions without an extant second cycle cantata 2970:extended with trumpets after his father's death. 496:(no extant Bach cantata for this Monday in 1724) 490:(no extant Bach cantata for this Sunday in 1724) 399:(no extant Bach cantata for this Sunday in 1724) 3916: 3895:The New Grove Dictionary of Music and Musicians 3445: 3443: 3441: 3439: 3437: 3435: 3433: 2441:Easter Monday to the second Sunday after Easter 1811: 1796: 1766: 1751: 1699: 1654: 1639: 1546: 1531: 1501: 1486: 1405: 1050: 1035: 1020: 992: 979: 946: 916: 901: 851: 836: 821: 755: 3888: 3810:Johann Sebastian Bach: His Life, Art, and Work 3431: 3429: 3427: 3425: 3423: 3421: 3419: 3417: 3415: 3413: 3085:Lobe den Herren, den mächtigen König der Ehren 2753:Bisher habt ihr nichts gebeten in meinem Namen 2675:Christiana Mariana von Ziegler § Libretti 1781: 1714: 1679: 1669: 1609: 1594: 1579: 1516: 1453: 1438: 1360: 1005: 866: 806: 791: 5356: 4776:Later additions to the chorale cantata cycle: 4036: 3902:. pp. II 331–5, V 26–7, 746, XIV 511–4. 3623:(17/6/2017), and subsequent manuscript pages 1684: 1624: 1511: 1390: 1375: 1069: 931: 258:July, that year coinciding with Trinity IV), 4510:Chorale cantatas between Trinity and Easter: 3740: 3738: 3275:for the first 120 cantatas published by the 2868:Chorale cantatas composed after Trinity 1725 2648: 2638: 2628: 2589: 2575: 2567: 2540: 2498: 2484: 2395: 341: 320: 299: 204: 62: 51: 3410: 3378: 3376: 3001:II). An early version of this cantata, for 2581: 2389: 5363: 5349: 4043: 4029: 3234:started to revive some of them from 1803. 3161:: chorale cantata for Trinity Sunday 1727. 2915:, a.k.a. the first Leipzig version of the 2801:Wer mich liebet, der wird mein Wort halten 155:are based on hymns from that publication. 3866:The New Bach Edition – Series I: Cantatas 3735: 3346: 3344: 3342: 3340: 3165: 2356:Bach presented the second version of his 2318: 2228: 2042: 361:, 2 July 1724 (that year coinciding with 3856:. Leipzig: Breitkopf & Härtel, 1950. 3803:translated with notes and appendices by 3703: 3701: 3699: 3615: 3613: 3611: 3373: 3114:XXVII 1731: there had not been a Trinity 2479:Bleib bei uns, denn es will Abend werden 2432:, possibly his first collaboration with 2237:(starting on Ash Wednesday), except for 233: 3511: 3487: 3485: 3483: 3481: 3479: 3477: 3475: 3473: 3350: 2291:Continuation of the second annual cycle 2216:Herr Jesu Christ, wahr' Mensch und Gott 2107:Was mein Gott will, das g'scheh allzeit 6865:Bach cantatas by period of composition 6842: 3337: 3042:IV 1735 (there hadn't been an Epiphany 2679:All further second cycle cantatas had 2591:Gib unsern Fürsten und all'r Obrigkeit 2253:. In 1725 Annunciation coincided with 5344: 4024: 3882: 3696: 3608: 3093:chorale cantata, composed for Trinity 2233:In Leipzig there was no music during 2030:Liebster Immanuel, Herzog der Frommen 556:Liebster Gott, wenn werd ich sterben? 3570:in Part II: Church Cantatas of 3470: 2650:Ist Gott mein Schild und Helfersmann 2640:Ist Gott mein Schutz und treuer Hirt 2602:(1566), concluded with a final amen. 3384:Guide pratique des cantates de Bach 3286:, in the 1880 second volume of his 2849:Es ist ein trotzig und verzagt Ding 2486:Ach bleib bei uns, Herr Jesu Christ 2384:, Bach had two cantatas performed: 1995:Feast of the Circumcision of Christ 1827: 1824: 1564: 1561: 1468: 1423: 1420: 1345: 1340: 1327: 1322: 1287: 1269: 1264: 1247: 1242: 1229: 1211: 1206: 1193: 1188: 1173: 1155: 1137: 1130: 1117: 961: 881: 425:Wo Gott der Herr nicht bei uns hält 385:Wer nur den lieben Gott läßt walten 13: 3940: 3755:III: "The later Chorale Cantatas" 3662:Bach: Essays on His Life and Music 2275:Wie schön leuchtet der Morgenstern 2174:Mit Fried und Freud ich fahr dahin 1736: 1729: 1305: 1300: 1282: 1224: 1168: 1150: 964: 884: 709:Wohl dem, der sich auf seinen Gott 590:Ach, lieben Christen, seid getrost 459:Nimm von uns, Herr, du treuer Gott 266:September) and Reformation Day (31 208:Wie schön leuchtet der Morgenstern 14: 6886: 4713:Continuation of the second cycle: 4233:Köthen: BWV Anh. 5 3747:, translated by Clara Bell and J. 3067:IV had coincided with Visitation) 3034:Wär Gott nicht mit uns diese Zeit 2833:Er rufet seinen Schafen mit Namen 2570:Erhalt uns, Herr, bei deinem Wort 2535:Am Abend aber desselbigen Sabbats 2501:Erhalt uns, Herr, bei deinem Wort 2195:Erhalt uns, Herr, bei deinem Wort 2049:Sundays between Epiphany and Lent 1471: 1112: 1097: 1084: 726:Ach wie flüchtig, ach wie nichtig 607:Herr Christ, der einge Gottessohn 476:Herr Jesu Christ, du höchstes Gut 3181:Sei Lob und Ehr dem höchsten Gut 3055:Ich ruf zu dir, Herr Jesu Christ 2894:, originated in several stages: 2737:Es ist euch gut, daß ich hingehe 2370:O Mensch, bewein dein Sünde groß 1840:starts with the first Sunday of 743:Du Friedefürst, Herr Jesu Christ 658:Aus tiefer Not schrei ich zu dir 324:Christ unser Herr zum Jordan kam 303:Ach Gott, vom Himmel sieh darein 3859: 3843: 3831: 3819: 3794: 3772: 3718: 3679: 3267:Thomas church by 1830. In 1878 3198:Was Gott tut, das ist wohlgetan 3157:Gelobet sei der Herr, mein Gott 3152:II (Misericordias Domini) 1731. 3144:Der Herr ist mein getreuer Hirt 3130:Replacing second cycle cantatas 3106:Wachet auf, ruft uns die Stimme 2985:Ach Gott, wie manches Herzeleid 2864:Thomas until the 19th century. 2785:Sie werden euch in den Bann tun 2630:Der Herr ist mein getreuer Hirt 2588:(Give peace, Lord, 1531), and " 2543:Verzage nicht, o Häuflein klein 2457:The first Sunday after Easter, 2153:Ich hab in Gottes Herz und Sinn 2086:Ach Gott, wie manches Herzeleid 1937:Christum wir sollen loben schon 539:Was Gott tut, das ist wohlgetan 505:Allein zu dir, Herr Jesu Christ 226:77, 84, 89, 95, 96 and 109 (BWV 3960:. W. W. Norton & Company. 3642: 3591: 3528:. bach-cantatas.com. p. 2 3508:, 1878. Introduction, pp. V–IX 3361:. bach-cantatas.com. p. 5 3072:Es ist das Heil uns kommen her 2817:Also hat Gott die Welt geliebt 2769:Auf Christi Himmelfahrt allein 2681:Christiana Mariana von Ziegler 2580:", Luther's German version of 2577:Verleih uns Frieden gnädiglich 2119:The three last Sundays before 692:Mache dich, mein Geist, bereit 573:Herr Gott, dich loben alle wir 166:Eyn geystlich Gesangk Buchleyn 125:). Another 1524 hymnal is the 61:, and the earliest version of 1: 3382:Philippe (and Gérard) Zwang. 3331: 2917:Ein feste Burg ist unser Gott 2907:Ein feste Burg ist unser Gott 2890:Ein feste Burg ist unser Gott 1916:Gelobet seist du, Jesu Christ 675:Ein feste Burg ist unser Gott 196:Ein feste Burg ist unser Gott 66:Ein feste Burg ist unser Gott 4824:Other late chorale cantatas: 4004:Bach's second cantata cycle 3852:, editor. "Introduction" of 3625:F-Ppo A. Mickiewicz Rkp. 973 3216: 3148:: chorale cantata for Easter 2721:Ihr werdet weinen und heulen 2549:Jakob Fabricius (theologian) 1970:First Sunday after Christmas 1882:Nun komm, der Heiden Heiland 756:Advent 1724 to Epiphany 1725 641:Schmücke dich, o liebe Seele 368:Meine Seel erhebt den Herren 35:from the first Sunday after 7: 5163:Council election (Leipzig): 4255:Between Trinity and Advent: 2901:Alles, was von Gott geboren 2360:, the only version of that 408:Was willst du dich betrüben 345:Ach Herr, mich armen Sünder 10: 6891: 4013:Bach's third cantata cycle 3998:Bach's first cantata cycle 3301:The three editions of the 2880: 2672: 2661:Thomas in 1830: the Easter 2637:. The closing chorale is " 2633:" (1598), a paraphrase of 2398:Christ lag in Todes Banden 2065:Meinen Jesum laß ich nicht 1636:St. Michael's D. 442:Was frag ich nach der Welt 238:In 1724 the period of the 169:, also published in 1524. 55:Christ lag in Todes Banden 6771: 5389: 5306: 5045: 4851: 4491: 4242: 4064: 4009: 4002: 3994: 3977: 3653:"The Reformation Cantata 3496:Bach-Gesellschaft Ausgabe 3247:Johann Friedrich Agricola 2876: 2649: 2639: 2629: 2590: 2582: 2576: 2568: 2541: 2499: 2485: 2388:A revised version of the 342: 321: 300: 284:O Ewigkeit, du Donnerwort 205: 163:were based on hymns from 93:biography of the composer 63: 52: 4880:Liturgical year 1725–26: 3667:Harvard University Press 3063:IV 1732 (in 1724 Trinity 2643:", the fourth stanza of 2560:Johann Michael Altenburg 2406:Kommt, fliehet und eilet 1979:Das neugeborne Kindelein 1864:January) and Epiphany (6 522:Jesu, der du meine Seele 75:Around the start of the 31:he started composing in 3900:Oxford University Press 3456:Books on Demand, 2011. 3038:, composed for Epiphany 3013:, was published by the 2645:Ernst Christoph Homberg 2004:Jesu, nun sei gepreiset 1928:Second Day of Christmas 1387:St. John's D. 624:Wo soll ich fliehen hin 214:, for the feast of the 43:after Trinity in 1723. 6860:Classical church music 4368:From Advent to Trinity 3801:Johann Nikolaus Forkel 3506:Breitkopf & Härtel 3303:Bach-Werke-Verzeichnis 3166:Other chorale cantatas 3110:, composed for Trinity 3059:, composed for Trinity 2903:cantata (BWV 80a) 2615:Ich bin ein guter Hirt 2518:Der Friede sei mit dir 2396: 2390: 2327:services of 1725. The 2319:Good Friday and Easter 2229:Lent up to Palm Sunday 2043:Sundays after Epiphany 1949:Third Day of Christmas 1873:First Sunday of Advent 91:, in his 19th-century 5377:Johann Sebastian Bach 5316:List of Bach cantatas 4057:Johann Sebastian Bach 3984:Johann Sebastian Bach 3805:Charles Sanford Terry 3296:Charles Sanford Terry 3206:In allen meinen Taten 3118:XXVII Sunday in 1724. 2600:1 Timothy 2:2 2137:feast of Purification 1958:Ich freue mich in dir 570:, 29 September 1724: 553:, 24 September 1724: 536:, 17 September 1724: 519:, 10 September 1724: 240:Sundays after Trinity 234:Sundays after Trinity 21:chorale cantata cycle 17:Johann Sebastian Bach 6850:German music history 3732:website (18/07/2017) 3715:website (19/07/2017) 3693:website (10/03/2017) 3633:US-PRscheide BWV 80b 3605:website (09/03/2017) 3316:In the 21st century 3243:Carl Philipp Emanuel 3189:Nun danket alle Gott 3017:in their volume Vol. 2826:(Pentecost 3), 2810:(Pentecost 2), 2778:(Ascension I), 2606:Misericordias Domini 2558:(also attributed to 2463:Misericordias Domini 2422:he had composed for 1972:(Christmas I), 1951:(Christmas 3), 1930:(Christmas 2), 740:, 26 November 1724: 723:, 19 November 1724: 706:, 12 November 1724: 502:, 3 September 1724: 4862:After Trinity 1725: 3837:Forkel/Terry, o.c. 3779:Reginald Lane Poole 3564:Richard D. P. Jones 3519:John Eliot Gardiner 3403:.musiqueorguequebec 3292:Reginald Lane Poole 3138:Thomas collection: 2940:third cantata cycle 2923:1723: according to 2714:(Easter III), 2491:Philipp Melanchthon 2343:245a, 245b and 245c 1726:Reformation D. 689:, 5 November 1724: 655:, 29 October 1724: 638:, 22 October 1724: 621:, 15 October 1724: 274:, was Trinity XXV: 3871:2016-03-04 at the 3850:Wolfgang Schmieder 3657:", pp 152–161 3307:Wolfgang Schmieder 3273:thematic catalogue 2968:Wilhelm Friedemann 2730:(Easter IV), 2608:(Easter II), 2495:Nikolaus Selnecker 2311:IV–VI, and Trinity 1907:Nativity of Christ 604:, 8 October 1724: 587:, 1 October 1724: 473:, 20 August 1724: 456:, 13 August 1724: 128:Erfurt Enchiridion 6837: 6836: 5338: 5337: 5192:1139.1, 1140–1141 4019: 4018: 4010:Succeeded by 3909:978-0-19-517067-2 3277:Bach Gesellschaft 3015:Bach-Gesellschaft 2951:Picander libretto 2824:Pentecost Tuesday 2746:(Easter V), 2511:(Easter 3), 2472:(Easter 2), 2335:St. Thomas church 1875:(Advent I), 1834: 1833: 568:St. Michael's Day 439:, 6 August 1724: 260:St. Michael's Day 6882: 6875:Chorale cantatas 6829:Secular cantatas 6790:Chorale cantatas 6764: 5379: 5365: 5358: 5351: 5342: 5341: 5322:Monteverdi Choir 5164: 5106: 5059: 5019: 4881: 4863: 4825: 4777: 4714: 4511: 4369: 4256: 4059: 4045: 4038: 4031: 4022: 4021: 3995:Preceded by 3975: 3974: 3971: 3948:Wolff, Christoph 3935: 3934: 3931: 3929: 3920: 3914: 3913: 3886: 3880: 3863: 3857: 3847: 3841: 3835: 3829: 3823: 3817: 3798: 3792: 3776: 3770: 3767:Novello & Co 3754: 3750: 3742: 3733: 3722: 3716: 3705: 3694: 3683: 3677: 3646: 3640: 3635:(19/7/2017), at 3631:(26/7/2017) and 3629:RUS-SPsc BWV 80b 3617: 3606: 3595: 3589: 3562:, translated by 3557: 3538: 3537: 3535: 3533: 3527: 3515: 3509: 3489: 3468: 3449:Günther Zedler. 3447: 3408: 3407: 3404: 3402: 3380: 3371: 3370: 3368: 3366: 3360: 3348: 3323: 3311:New Bach Edition 3266: 3174: 3151: 3137: 3125: 3117: 3113: 3100: 3096: 3091:per omnes versus 3079: 3066: 3062: 3045: 3041: 3028: 3020: 3012: 3008: 3004: 3000: 2994: 2863: 2859: 2845: 2829: 2813: 2808:Pentecost Monday 2797: 2781: 2765: 2749: 2733: 2717: 2664: 2660: 2652: 2651: 2642: 2641: 2632: 2631: 2621:Cornelius Becker 2611: 2593: 2592: 2587: 2586: 2579: 2578: 2573: 2572: 2557: 2546: 2545: 2531: 2514: 2504: 2503: 2488: 2487: 2475: 2429:Shepherd Cantata 2425: 2424:23 February 1725 2401: 2394:chorale cantata 2393: 2391:per omnes versus 2383: 2355: 2314: 2310: 2306: 2299: 2271: 2266:Palm Sunday 2244: 2212: 2211:11 February 1725 2191: 2170: 2149: 2103: 2082: 2061: 2026: 2000: 1975: 1974:31 December 1724 1954: 1953:27 December 1724 1933: 1932:26 December 1724 1912: 1911:25 December 1724 1878: 1867: 1863: 1855: 1066:Palm Sunday 760: 759: 494:Council election 422:, 30 July 1724: 405:, 23 July 1724: 350: 349: 340:, 25 June 1724: 338:Trinity III 329: 328: 319:, 24 June 1724: 308: 307: 298:, 18 June 1724: 281:, 11 June 1724: 269: 265: 257: 249: 229: 225: 221: 213: 212: 188: 71: 70: 60: 59: 6890: 6889: 6885: 6884: 6883: 6881: 6880: 6879: 6840: 6839: 6838: 6833: 6786:Church cantatas 6767: 6753: 6752:— discography; 5385: 5375: 5369: 5339: 5334: 5302: 5301: 5162: 5101: 5055: 5047: 5041: 5040: 5017: 4879: 4861: 4847: 4846: 4823: 4775: 4712: 4509: 4499: 4495: 4487: 4486: 4367: 4254: 4245: 4238: 4237: 4094:1138.1 & .2 4066: 4060: 4055: 4052:Church cantatas 4049: 4015: 4006: 4000: 3980:Church cantatas 3968: 3946: 3943: 3941:Further reading 3938: 3926: 3923:"Choralkantate" 3921: 3917: 3910: 3887: 3883: 3873:Wayback Machine 3864: 3860: 3848: 3844: 3836: 3832: 3824: 3820: 3799: 3795: 3777: 3773: 3752: 3748: 3743: 3736: 3723: 3719: 3706: 3697: 3684: 3680: 3649:Christoph Wolff 3647: 3643: 3618: 3609: 3596: 3592: 3558: 3541: 3531: 3529: 3525: 3516: 3512: 3490: 3471: 3448: 3411: 3399: 3386:. Paris, 1982. 3381: 3374: 3364: 3362: 3358: 3349: 3338: 3334: 3321: 3264: 3219: 3172: 3168: 3149: 3135: 3132: 3123: 3115: 3111: 3098: 3094: 3077: 3064: 3060: 3043: 3039: 3026: 3018: 3010: 3006: 3002: 2998: 2992: 2977: 2925:Christoph Wolff 2885: 2879: 2870: 2861: 2857: 2843: 2827: 2811: 2795: 2779: 2763: 2747: 2731: 2715: 2712:Jubilate Sunday 2707:, and Trinity: 2677: 2671: 2662: 2658: 2609: 2584:Da pacem Domine 2551: 2529: 2526:Quasimodogeniti 2512: 2473: 2459:Quasimodogeniti 2443: 2423: 2420:secular cantata 2411:Easter Oratorio 2381: 2358:St John Passion 2353: 2339:BWV 244/29 2330:St John Passion 2321: 2312: 2308: 2304: 2297: 2293: 2269: 2245:March) and the 2242: 2231: 2210: 2190:4 February 1725 2189: 2169:2 February 1725 2168: 2148:28 January 1725 2147: 2102:21 January 1725 2101: 2081:14 January 1725 2080: 2059: 2047:There were six 2045: 2024: 1998: 1973: 1952: 1931: 1910: 1877:3 December 1724 1876: 1865: 1861: 1853: 1838:liturgical year 1090: 1064: 778: 776: 771: 769: 758: 670:Reformation Day 382:, 9 July 1724: 296:Trinity II 267: 263: 255: 247: 236: 227: 223: 219: 192:Reformation Day 186: 183:church cantatas 179: 101: 48:chorale cantata 29:church cantatas 12: 11: 5: 6888: 6878: 6877: 6872: 6870:1720s in music 6867: 6862: 6857: 6852: 6835: 6834: 6832: 6831: 6822: 6820:Picander cycle 6817: 6812: 6807: 6802: 6797: 6792: 6779: 6772: 6769: 6768: 6766: 6765: 6747: 6742: 6737: 6732: 6727: 6722: 6717: 6712: 6707: 6702: 6697: 6692: 6687: 6682: 6677: 6672: 6667: 6662: 6657: 6652: 6647: 6640: 6633: 6626: 6619: 6612: 6605: 6600: 6595: 6590: 6585: 6580: 6575: 6570: 6565: 6560: 6555: 6550: 6545: 6540: 6535: 6530: 6525: 6520: 6515: 6510: 6505: 6500: 6495: 6490: 6485: 6480: 6475: 6470: 6465: 6460: 6455: 6450: 6445: 6440: 6435: 6430: 6423: 6418: 6413: 6408: 6403: 6398: 6393: 6388: 6383: 6378: 6373: 6368: 6363: 6358: 6353: 6348: 6343: 6338: 6333: 6328: 6323: 6318: 6313: 6308: 6303: 6298: 6293: 6288: 6283: 6278: 6271: 6266: 6261: 6256: 6251: 6246: 6241: 6236: 6231: 6226: 6221: 6216: 6211: 6206: 6201: 6196: 6191: 6186: 6181: 6174: 6167: 6162: 6157: 6152: 6147: 6142: 6137: 6132: 6127: 6122: 6117: 6110: 6105: 6100: 6095: 6090: 6085: 6080: 6075: 6070: 6065: 6060: 6055: 6050: 6045: 6040: 6035: 6025: 6020: 6015: 6010: 6005: 6000: 5995: 5990: 5985: 5980: 5975: 5970: 5965: 5960: 5955: 5950: 5945: 5940: 5935: 5930: 5925: 5920: 5915: 5910: 5905: 5900: 5895: 5890: 5885: 5880: 5875: 5870: 5865: 5860: 5855: 5850: 5845: 5840: 5835: 5830: 5825: 5820: 5815: 5810: 5805: 5800: 5795: 5790: 5785: 5780: 5775: 5770: 5765: 5760: 5755: 5750: 5745: 5740: 5735: 5730: 5725: 5720: 5715: 5710: 5705: 5700: 5695: 5690: 5683: 5678: 5673: 5668: 5663: 5658: 5653: 5648: 5643: 5638: 5633: 5628: 5623: 5618: 5613: 5608: 5603: 5598: 5593: 5588: 5583: 5578: 5573: 5568: 5563: 5558: 5553: 5548: 5543: 5538: 5533: 5528: 5523: 5518: 5513: 5508: 5503: 5498: 5493: 5488: 5483: 5478: 5473: 5466: 5461: 5456: 5451: 5441: 5436: 5431: 5426: 5421: 5416: 5411: 5406: 5401: 5396: 5390: 5387: 5386: 5368: 5367: 5360: 5353: 5345: 5336: 5335: 5333: 5332: 5318: 5313: 5307: 5304: 5303: 5300: 5299: 5294: 5289: 5284: 5279: 5274: 5269: 5264: 5258: 5253: 5248: 5243: 5238: 5233: 5227: 5222: 5216: 5211: 5206: 5201: 5195: 5188: 5183: 5178: 5173: 5168: 5160: 5155: 5125: 5120: 5115: 5110: 5099: 5094: 5089: 5084: 5079: 5074: 5069: 5064: 5057:Picander cycle 5052: 5051: 5049: 5043: 5042: 5039: 5038: 5033: 5028: 5023: 5015: 5010: 5005: 5000: 4995: 4990: 4985: 4980: 4975: 4970: 4965: 4960: 4955: 4950: 4945: 4940: 4935: 4930: 4925: 4920: 4915: 4910: 4905: 4900: 4895: 4890: 4885: 4877: 4872: 4867: 4858: 4857: 4855: 4849: 4848: 4845: 4844: 4839: 4834: 4829: 4821: 4816: 4811: 4806: 4801: 4796: 4791: 4786: 4781: 4773: 4768: 4763: 4758: 4753: 4748: 4743: 4738: 4733: 4728: 4723: 4718: 4710: 4705: 4700: 4695: 4690: 4685: 4680: 4675: 4670: 4665: 4660: 4655: 4650: 4645: 4640: 4635: 4630: 4625: 4620: 4615: 4610: 4605: 4600: 4595: 4590: 4585: 4580: 4575: 4570: 4565: 4560: 4555: 4550: 4545: 4540: 4535: 4530: 4525: 4520: 4515: 4506: 4505: 4503: 4489: 4488: 4485: 4484: 4479: 4474: 4469: 4464: 4459: 4454: 4449: 4444: 4439: 4434: 4429: 4424: 4419: 4414: 4409: 4404: 4399: 4394: 4389: 4384: 4379: 4374: 4365: 4360: 4355: 4350: 4345: 4340: 4335: 4330: 4325: 4320: 4315: 4310: 4305: 4300: 4295: 4290: 4285: 4280: 4275: 4270: 4265: 4260: 4251: 4250: 4248: 4240: 4239: 4236: 4235: 4230: 4225: 4220: 4215: 4210: 4205: 4200: 4195: 4190: 4185: 4180: 4175: 4170: 4165: 4160: 4155: 4150: 4145: 4140: 4135: 4130: 4125: 4116: 4111: 4106: 4101: 4096: 4091: 4086: 4081: 4071: 4070: 4068: 4062: 4061: 4048: 4047: 4040: 4033: 4025: 4017: 4016: 4011: 4008: 4001: 3996: 3992: 3991: 3973: 3972: 3966: 3942: 3939: 3937: 3936: 3915: 3908: 3892:, ed. (2001). 3890:Sadie, Stanley 3881: 3858: 3842: 3830: 3818: 3793: 3784:Sebastian Bach 3771: 3745:Philipp Spitta 3734: 3717: 3695: 3678: 3655:Ein feste Burg 3641: 3607: 3590: 3539: 3510: 3492:Alfred Dörffel 3469: 3409: 3372: 3352:Hofmann, Klaus 3335: 3333: 3330: 3288:Bach-biography 3284:Philipp Spitta 3269:Alfred Dörffel 3261:1802 biography 3218: 3215: 3211: 3210: 3202: 3194: 3185: 3167: 3164: 3163: 3162: 3153: 3131: 3128: 3120: 3119: 3102: 3081: 3068: 3051: 3048:Philipp Spitta 3030: 3011:3 January 1734 3007:4 January 1733 3003:5 January 1727 2989:: cantata for 2976: 2973: 2972: 2971: 2960: 2956: 2955: 2954: 2947: 2936: 2932: 2910: 2878: 2875: 2869: 2866: 2854: 2853: 2851:, BWV 176 2837: 2835:, BWV 175 2821: 2805: 2789: 2787:, BWV 183 2773: 2771:, BWV 128 2757: 2741: 2739:, BWV 108 2728:Cantate Sunday 2725: 2723:, BWV 103 2670: 2667: 2655: 2654: 2603: 2523: 2520:, BWV 158 2509:Easter Tuesday 2506: 2442: 2439: 2438: 2437: 2403: 2374: 2373: 2320: 2317: 2300:January 1725. 2292: 2289: 2285: 2284: 2230: 2227: 2226: 2225: 2218:, BWV 127 2204: 2197:, BWV 126 2183: 2176:, BWV 125 2162: 2135:. In 1725 the 2117: 2116: 2109:, BWV 111 2095: 2074: 2067:, BWV 124 2060:7 January 1725 2044: 2041: 2040: 2039: 2032:, BWV 123 2025:6 January 1725 2014: 2013: 1999:1 January 1725 1988: 1981:, BWV 122 1967: 1960:, BWV 133 1946: 1939:, BWV 121 1925: 1905:(Feast of the 1892: 1891: 1848:1725 included 1832: 1831: 1826: 1823: 1818: 1814: 1813: 1810: 1805: 1801: 1800: 1795: 1790: 1786: 1785: 1780: 1775: 1771: 1770: 1765: 1760: 1756: 1755: 1750: 1745: 1741: 1740: 1735: 1728: 1723: 1719: 1718: 1713: 1708: 1704: 1703: 1698: 1693: 1689: 1688: 1683: 1678: 1674: 1673: 1668: 1663: 1659: 1658: 1653: 1648: 1644: 1643: 1638: 1633: 1629: 1628: 1623: 1618: 1614: 1613: 1608: 1603: 1599: 1598: 1593: 1588: 1584: 1583: 1578: 1573: 1569: 1568: 1563: 1560: 1555: 1551: 1550: 1545: 1540: 1536: 1535: 1530: 1525: 1521: 1520: 1515: 1510: 1506: 1505: 1500: 1495: 1491: 1490: 1485: 1480: 1476: 1475: 1470: 1467: 1462: 1458: 1457: 1452: 1447: 1443: 1442: 1437: 1432: 1428: 1427: 1422: 1419: 1414: 1410: 1409: 1404: 1399: 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548: 531: 514: 497: 491: 485: 468: 451: 434: 417: 400: 394: 377: 356: 347:, BWV 135 335: 317:St. John's Day 314: 293: 279:Trinity I 244:St. John's Day 235: 232: 178: 175: 106:Achtliederbuch 100: 97: 89:Philipp Spitta 9: 6: 4: 3: 2: 6887: 6876: 6873: 6871: 6868: 6866: 6863: 6861: 6858: 6856: 6855:Baroque music 6853: 6851: 6848: 6847: 6845: 6830: 6826: 6823: 6821: 6818: 6816: 6813: 6811: 6808: 6806: 6803: 6801: 6798: 6796: 6793: 6791: 6787: 6783: 6780: 6778: 6774: 6773: 6770: 6763: 6762: 6757: 6751: 6748: 6746: 6743: 6741: 6738: 6736: 6733: 6731: 6728: 6726: 6725:1138.1–1139.1 6723: 6721: 6718: 6716: 6713: 6711: 6708: 6706: 6703: 6701: 6698: 6696: 6693: 6691: 6688: 6686: 6683: 6681: 6678: 6676: 6673: 6671: 6668: 6666: 6663: 6661: 6658: 6656: 6653: 6651: 6648: 6646: 6645: 6641: 6638: 6634: 6631: 6627: 6625: 6624: 6620: 6618: 6617: 6613: 6610: 6606: 6604: 6601: 6599: 6596: 6594: 6591: 6589: 6586: 6584: 6581: 6579: 6576: 6574: 6571: 6569: 6566: 6564: 6561: 6559: 6556: 6554: 6551: 6549: 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6128: 6126: 6123: 6121: 6118: 6115: 6111: 6109: 6106: 6104: 6101: 6099: 6096: 6094: 6091: 6089: 6086: 6084: 6081: 6079: 6076: 6074: 6071: 6069: 6066: 6064: 6061: 6059: 6056: 6054: 6051: 6049: 6046: 6044: 6041: 6039: 6036: 6033: 6029: 6026: 6024: 6021: 6019: 6016: 6014: 6011: 6009: 6006: 6004: 6001: 5999: 5996: 5994: 5991: 5989: 5986: 5984: 5981: 5979: 5976: 5974: 5971: 5969: 5966: 5964: 5961: 5959: 5956: 5954: 5951: 5949: 5946: 5944: 5941: 5939: 5936: 5934: 5931: 5929: 5926: 5924: 5921: 5919: 5916: 5914: 5911: 5909: 5906: 5904: 5901: 5899: 5896: 5894: 5891: 5889: 5886: 5884: 5881: 5879: 5876: 5874: 5871: 5869: 5866: 5864: 5861: 5859: 5856: 5854: 5851: 5849: 5846: 5844: 5841: 5839: 5836: 5834: 5831: 5829: 5826: 5824: 5821: 5819: 5816: 5814: 5811: 5809: 5806: 5804: 5801: 5799: 5796: 5794: 5791: 5789: 5786: 5784: 5781: 5779: 5776: 5774: 5771: 5769: 5766: 5764: 5761: 5759: 5756: 5754: 5751: 5749: 5746: 5744: 5741: 5739: 5736: 5734: 5731: 5729: 5726: 5724: 5721: 5719: 5716: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5694: 5691: 5688: 5684: 5682: 5679: 5677: 5674: 5672: 5669: 5667: 5664: 5662: 5659: 5657: 5654: 5652: 5649: 5647: 5644: 5642: 5639: 5637: 5634: 5632: 5629: 5627: 5624: 5622: 5619: 5617: 5614: 5612: 5609: 5607: 5604: 5602: 5599: 5597: 5594: 5592: 5589: 5587: 5584: 5582: 5579: 5577: 5574: 5572: 5569: 5567: 5564: 5562: 5559: 5557: 5554: 5552: 5549: 5547: 5544: 5542: 5539: 5537: 5534: 5532: 5529: 5527: 5524: 5522: 5519: 5517: 5514: 5512: 5509: 5507: 5504: 5502: 5499: 5497: 5494: 5492: 5489: 5487: 5484: 5482: 5479: 5477: 5474: 5472: 5471: 5467: 5465: 5462: 5460: 5457: 5455: 5452: 5449: 5445: 5442: 5440: 5437: 5435: 5432: 5430: 5427: 5425: 5422: 5420: 5417: 5415: 5412: 5410: 5407: 5405: 5402: 5400: 5397: 5395: 5392: 5391: 5388: 5383: 5378: 5373: 5366: 5361: 5359: 5354: 5352: 5347: 5346: 5343: 5331: 5327: 5323: 5320:Discography: 5319: 5317: 5314: 5312: 5309: 5308: 5305: 5298: 5295: 5293: 5290: 5288: 5285: 5283: 5280: 5278: 5275: 5273: 5270: 5268: 5265: 5263: 5259: 5257: 5254: 5252: 5249: 5247: 5244: 5242: 5239: 5237: 5234: 5232: 5228: 5226: 5223: 5221: 5217: 5215: 5212: 5210: 5207: 5205: 5202: 5200: 5196: 5193: 5189: 5187: 5184: 5182: 5179: 5177: 5174: 5172: 5169: 5167: 5161: 5159: 5156: 5153: 5149: 5145: 5141: 5137: 5133: 5129: 5126: 5124: 5121: 5119: 5116: 5114: 5111: 5109: 5104: 5103:Late parodies 5100: 5098: 5095: 5093: 5090: 5088: 5085: 5083: 5080: 5078: 5075: 5073: 5070: 5068: 5065: 5063: 5058: 5054: 5053: 5050: 5044: 5037: 5034: 5032: 5029: 5027: 5024: 5022: 5016: 5014: 5011: 5009: 5006: 5004: 5001: 4999: 4996: 4994: 4991: 4989: 4986: 4984: 4981: 4979: 4976: 4974: 4971: 4969: 4966: 4964: 4961: 4959: 4956: 4954: 4951: 4949: 4946: 4944: 4941: 4939: 4936: 4934: 4931: 4929: 4926: 4924: 4921: 4919: 4916: 4914: 4911: 4909: 4906: 4904: 4901: 4899: 4896: 4894: 4891: 4889: 4886: 4884: 4878: 4876: 4873: 4871: 4868: 4866: 4860: 4859: 4856: 4854: 4850: 4843: 4840: 4838: 4835: 4833: 4830: 4828: 4822: 4820: 4817: 4815: 4812: 4810: 4807: 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4366: 4364: 4361: 4359: 4356: 4354: 4351: 4349: 4346: 4344: 4341: 4339: 4336: 4334: 4331: 4329: 4326: 4324: 4321: 4319: 4316: 4314: 4311: 4309: 4306: 4304: 4301: 4299: 4296: 4294: 4291: 4289: 4286: 4284: 4281: 4279: 4276: 4274: 4271: 4269: 4266: 4264: 4261: 4259: 4253: 4252: 4249: 4247: 4241: 4234: 4231: 4229: 4226: 4224: 4221: 4219: 4216: 4214: 4211: 4209: 4206: 4204: 4201: 4199: 4196: 4194: 4191: 4189: 4186: 4184: 4181: 4179: 4176: 4174: 4171: 4169: 4166: 4164: 4161: 4159: 4156: 4154: 4151: 4149: 4146: 4144: 4141: 4139: 4136: 4134: 4131: 4129: 4126: 4124: 4120: 4117: 4115: 4112: 4110: 4107: 4105: 4102: 4100: 4097: 4095: 4092: 4090: 4087: 4085: 4082: 4080: 4076: 4073: 4072: 4069: 4063: 4058: 4053: 4046: 4041: 4039: 4034: 4032: 4027: 4026: 4023: 4014: 4005: 3999: 3993: 3990: 3989: 3985: 3981: 3976: 3969: 3967:9780393651799 3963: 3959: 3958: 3953: 3949: 3945: 3944: 3933: 3930:.bach-digital 3924: 3919: 3911: 3905: 3901: 3897: 3896: 3891: 3885: 3878: 3874: 3870: 3867: 3862: 3855: 3851: 3846: 3840: 3834: 3828: 3822: 3816: 3812: 3811: 3806: 3802: 3797: 3791: 3787: 3785: 3780: 3775: 3768: 3764: 3763: 3758: 3746: 3741: 3739: 3731: 3727: 3721: 3714: 3710: 3704: 3702: 3700: 3692: 3688: 3682: 3676: 3672: 3668: 3665: 3663: 3658: 3656: 3650: 3645: 3638: 3634: 3630: 3627:(23/6/2017), 3626: 3622: 3616: 3614: 3612: 3604: 3600: 3594: 3588: 3584: 3580: 3576: 3574: 3569: 3565: 3561: 3556: 3554: 3552: 3550: 3548: 3546: 3544: 3524: 3520: 3514: 3507: 3503: 3502: 3497: 3493: 3488: 3486: 3484: 3482: 3480: 3478: 3476: 3474: 3467: 3463: 3462:9783842357259 3459: 3455: 3453: 3446: 3444: 3442: 3440: 3438: 3436: 3434: 3432: 3430: 3428: 3426: 3424: 3422: 3420: 3418: 3416: 3414: 3406: 3397: 3393: 3392:2-221-00749-2 3389: 3385: 3379: 3377: 3357: 3353: 3347: 3345: 3343: 3341: 3336: 3329: 3327: 3319: 3318:Klaus Hofmann 3314: 3312: 3308: 3304: 3299: 3297: 3293: 3289: 3285: 3280: 3278: 3274: 3270: 3262: 3258: 3254: 3253: 3248: 3244: 3240: 3237:Bach's early 3235: 3233: 3229: 3225: 3214: 3209: 3207: 3203: 3201: 3199: 3195: 3192: 3190: 3186: 3184: 3182: 3178: 3177: 3176: 3160: 3158: 3154: 3147: 3145: 3141: 3140: 3139: 3127: 3109: 3107: 3103: 3092: 3088: 3086: 3082: 3075: 3073: 3069: 3058: 3056: 3052: 3049: 3037: 3035: 3031: 3024: 3016: 2996: 2988: 2986: 2982: 2981: 2980: 2969: 2965: 2961: 2957: 2952: 2948: 2945: 2941: 2937: 2933: 2930: 2926: 2922: 2921: 2918: 2914: 2911: 2908: 2904: 2902: 2897: 2896: 2895: 2893: 2892:, BWV 80 2891: 2884: 2874: 2865: 2852: 2850: 2841: 2838: 2836: 2834: 2825: 2822: 2820: 2819:, BWV 68 2818: 2809: 2806: 2804: 2803:, BWV 74 2802: 2793: 2790: 2788: 2786: 2777: 2774: 2772: 2770: 2761: 2758: 2756: 2755:, BWV 87 2754: 2745: 2744:Rogate Sunday 2742: 2740: 2738: 2732:29 April 1725 2729: 2726: 2724: 2722: 2716:22 April 1725 2713: 2710: 2709: 2708: 2706: 2702: 2698: 2694: 2690: 2686: 2682: 2676: 2666: 2646: 2636: 2626: 2622: 2618: 2617:, BWV 85 2616: 2610:15 April 1725 2607: 2604: 2601: 2598:paraphrasing 2597: 2596:Johann Walter 2585: 2571: 2565: 2564:Martin Luther 2561: 2555: 2550: 2544: 2538: 2537:, BWV 42 2536: 2527: 2524: 2521: 2519: 2510: 2507: 2502: 2496: 2492: 2482: 2480: 2471: 2470:Easter Monday 2468: 2467: 2466: 2464: 2460: 2455: 2452: 2448: 2447:Easter Monday 2435: 2431: 2430: 2421: 2417: 2413: 2412: 2407: 2404: 2400: 2399: 2392: 2387: 2386: 2385: 2379: 2371: 2367: 2366:Sebald Heyden 2363: 2359: 2354:30 March 1725 2352: 2348: 2347: 2346: 2344: 2340: 2336: 2332: 2331: 2326: 2316: 2301: 2288: 2282: 2278: 2276: 2270:25 March 1725 2267: 2263: 2260: 2259: 2258: 2256: 2252: 2248: 2247:Passion music 2240: 2236: 2223: 2219: 2217: 2208: 2205: 2202: 2198: 2196: 2187: 2184: 2181: 2177: 2175: 2166: 2163: 2160: 2156: 2155:, BWV 92 2154: 2145: 2142: 2141: 2140: 2138: 2134: 2130: 2126: 2122: 2121:Ash Wednesday 2114: 2110: 2108: 2099: 2096: 2093: 2089: 2087: 2078: 2075: 2072: 2068: 2066: 2057: 2054: 2053: 2052: 2050: 2037: 2033: 2031: 2022: 2019: 2018: 2017: 2011: 2007: 2006:, BWV 41 2005: 1996: 1992: 1989: 1986: 1982: 1980: 1971: 1968: 1965: 1961: 1959: 1950: 1947: 1944: 1940: 1938: 1929: 1926: 1923: 1919: 1918:, BWV 91 1917: 1908: 1904: 1903:Christmas Day 1901: 1900: 1899: 1897: 1889: 1885: 1884:, BWV 62 1883: 1874: 1871: 1870: 1869: 1859: 1851: 1847: 1843: 1839: 1830: 1822: 1821:Trinity XXVII 1819: 1816: 1815: 1809: 1806: 1803: 1802: 1799: 1794: 1791: 1788: 1787: 1784: 1779: 1776: 1773: 1772: 1769: 1764: 1763:Trinity XXIII 1761: 1758: 1757: 1754: 1749: 1746: 1743: 1742: 1739: 1733: 1727: 1724: 1721: 1720: 1717: 1712: 1709: 1706: 1705: 1702: 1697: 1694: 1691: 1690: 1687: 1682: 1676: 1675: 1672: 1667: 1666:Trinity XVIII 1664: 1661: 1660: 1657: 1652: 1649: 1646: 1645: 1642: 1637: 1634: 1631: 1630: 1627: 1622: 1619: 1616: 1615: 1612: 1607: 1604: 1601: 1600: 1597: 1592: 1589: 1586: 1585: 1582: 1577: 1574: 1571: 1570: 1567: 1559: 1556: 1553: 1552: 1549: 1544: 1541: 1538: 1537: 1534: 1529: 1526: 1523: 1522: 1519: 1514: 1508: 1507: 1504: 1499: 1496: 1493: 1492: 1489: 1484: 1481: 1478: 1477: 1474: 1466: 1463: 1460: 1459: 1456: 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170: 168: 167: 162: 158: 154: 150: 146: 142: 138: 134: 130: 129: 124: 120: 116: 112: 108: 107: 96: 94: 90: 86: 82: 78: 73: 69: 67: 58: 56: 49: 44: 42: 38: 34: 30: 26: 22: 18: 6809: 6777:Compositions 6759: 6642: 6621: 6614: 6273: 6169: 5468: 5311:Bach cantata 5199:BWV 34a 5166:BWV 119 5062:BWV 149 4883:BWV 110 4865:BWV 168 4827:BWV 117 4493:Second cycle 4492: 4003: 3978: 3956: 3918: 3893: 3884: 3861: 3853: 3845: 3833: 3825:Poole, o.c. 3821: 3809: 3796: 3783: 3774: 3769:. 1884–1885. 3760: 3730:Bach Digital 3720: 3713:Bach Digital 3691:Bach Digital 3681: 3661: 3654: 3644: 3637:Bach Digital 3603:Bach Digital 3593: 3572: 3530:. Retrieved 3513: 3499: 3451: 3383: 3363:. Retrieved 3326:Bach Archive 3315: 3300: 3281: 3250: 3236: 3228:Thomaskantor 3220: 3212: 3205: 3197: 3193:(incomplete) 3188: 3180: 3169: 3156: 3143: 3133: 3121: 3105: 3090: 3084: 3071: 3054: 3033: 2997:(= Christmas 2984: 2978: 2942:years 1725 ( 2929:BWV 163 2916: 2913:BWV 80b 2900: 2889: 2886: 2871: 2855: 2848: 2832: 2816: 2800: 2784: 2768: 2752: 2736: 2720: 2678: 2656: 2614: 2547:" (1632) by 2534: 2530:8 April 1725 2528:(Easter I), 2517: 2513:3 April 1725 2481:, BWV 6 2478: 2474:2 April 1725 2456: 2444: 2427: 2409: 2405: 2382:1 April 1725 2375: 2357: 2328: 2322: 2307:II, Epiphany 2302: 2294: 2286: 2277:, BWV 1 2274: 2262:Annunciation 2239:Annunciation 2232: 2215: 2194: 2173: 2165:Purification 2152: 2144:Septuagesima 2125:Septuagesima 2118: 2106: 2098:Epiphany III 2088:, BWV 3 2085: 2064: 2046: 2029: 2015: 2003: 1978: 1957: 1936: 1915: 1893: 1881: 1835: 1829:BWV 140 1808:Trinity XXVI 1778:Trinity XXIV 1748:Trinity XXII 1732:BWV 80b 1651:Trinity XVII 1576:Trinity XIII 1566:BWV 137 1498:Trinity VIII 1425:BWV 177 1250:BWV 128 1093:BWV 249 1062:Annunciation 1017:Purification 1002:Septuagesima 943:Epiphany III 742: 725: 721:Trinity XXIV 708: 691: 687:Trinity XXII 674: 657: 640: 623: 606: 589: 585:Trinity XVII 572: 555: 538: 521: 504: 500:Trinity XIII 475: 458: 441: 424: 420:Trinity VIII 407: 384: 367: 344: 326:, BWV 7 323: 305:, BWV 2 302: 283: 237: 216:Annunciation 207: 202: 195: 180: 171: 164: 126: 104: 102: 77:Bach Revival 74: 65: 54: 45: 41:Thomaskantor 20: 15: 5108:BWV 36 5021:BWV 82 4853:Third cycle 4779:BWV 80 4513:BWV 20 4372:BWV 40 4258:BWV 75 4244:First cycle 4123:BWV 61 3877:Bärenreiter 3815:pp. 198–199 3560:Alfred Dürr 3498:Volume 27: 3294:(1882) and 3239:biographers 2944:BWV 79 2844:27 May 1725 2828:22 May 1725 2812:21 May 1725 2796:20 May 1725 2780:13 May 1725 2764:10 May 1725 2552: [ 2451:vox Christi 2414:. It was a 2351:Good Friday 2255:Palm Sunday 2251:Good Friday 2123:are called 2077:Epiphany II 1896:silent time 1856:December), 1793:Trinity XXV 1738:BWV 80 1711:Trinity XXI 1681:Trinity XIX 1621:Trinity XVI 1591:Trinity XIV 1558:Trinity XII 1483:Trinity VII 1402:Trinity III 1319:Pentecost 3 1297:Pentecost 2 1261:Ascension I 989:Epiphany VI 966:BWV 14 958:Epiphany IV 928:Epiphany II 887:BWV 58 848:Christmas I 833:Christmas 3 818:Christmas 2 738:Trinity XXV 653:Trinity XXI 619:Trinity XIX 551:Trinity XVI 517:Trinity XIV 488:Trinity XII 403:Trinity VII 181:All extant 6844:Categories 5260:Doubtful: 4716:BWV 6 4079:BWV 4 3988:chronology 3765:Volume 3. 3757:pp. 64–108 3675:0674059263 3587:0199297762 3332:References 3226:, who was 3029:I cantata. 3023:p. 133 ff. 2881:See also: 2748:6 May 1725 2673:See also: 2281:K 114 2222:K 113 2201:K 112 2186:Sexagesima 2180:K 111 2159:K 110 2129:Sexagesima 2113:K 109 2092:K 108 2071:K 107 2056:Epiphany I 2036:K 106 2010:K 105 1985:K 104 1964:K 103 1943:K 102 1922:K 101 1888:K 100 1868:January): 1696:Trinity XX 1606:Trinity XV 1543:Trinity XI 1513:Trinity IX 1473:BWV 9 1465:Trinity VI 1435:Visitation 1417:Trinity IV 1372:Trinity II 1185:Easter III 1099:BWV 4 1087:BWV 4 1032:Sexagesima 976:Epiphany V 913:Epiphany I 878:New Year I 636:Trinity XX 534:Trinity XV 471:Trinity XI 437:Trinity IX 397:Trinity VI 363:Trinity IV 359:Visitation 252:Visitation 81:St. Thomas 25:year-cycle 6815:3rd cycle 6810:2nd cycle 6805:1st cycle 6730:1140–1141 5218:Funeral: 5197:Wedding: 5048:and other 4246:(1723–24) 3839:p. 174ff. 3241:(his son 3217:Reception 3200:, BWV 100 3191:, BWV 192 3183:, BWV 117 3159:, BWV 129 3146:, BWV 112 3108:, BWV 140 3101:XII 1724. 3087:, BWV 137 3057:, BWV 177 2792:Pentecost 2760:Ascension 2705:Pentecost 2697:Ascension 2647:'s hymn " 2051:in 1725: 1850:Christmas 1528:Trinity X 1450:Trinity V 1357:Trinity I 1279:Pentecost 1239:Ascension 1203:Easter IV 1165:Easter II 803:Christmas 765:Occasion 749:K 99 745:, BWV 116 732:K 98 715:K 97 711:, BWV 139 698:K 96 694:, BWV 115 681:K 95 664:K 94 647:K 93 643:, BWV 180 630:K 92 613:K 91 596:K 90 592:, BWV 114 579:K 89 575:, BWV 130 562:K 88 545:K 87 528:K 86 511:K 85 482:K 84 478:, BWV 113 465:K 83 461:, BWV 101 454:Trinity X 448:K 82 431:K 81 427:, BWV 178 414:K 80 410:, BWV 107 391:K 79 380:Trinity V 374:K 78 353:K 77 332:K 76 311:K 75 290:K 74 242:included 6827: ; 6784: ; 6782:Cantatas 6761:spurious 6756:doubtful 5448:oratorio 5372:Cantatas 4500:cantatas 4007:1724–25 3950:(2020). 3869:Archived 3827:p. 88ff. 3669:, 1991. 3581:, 2006. 3577:Oxford: 3521:(2004). 3466:p. 32–37 3354:(2002). 3252:Nekrolog 3208:, BWV 97 3175:Thomas: 3126:Thomas. 3080:VI 1724. 3036:, BWV 14 2991:New Year 2987:, BWV 58 2685:Jubilate 2635:Psalm 23 2434:Picander 2207:Estomihi 2133:Estomihi 2021:Epiphany 1991:New Year 1858:New Year 1846:Epiphany 1221:Easter V 1147:Easter I 1127:Easter 3 1109:Easter 2 1047:Estomihi 898:Epiphany 863:New Year 788:Advent I 728:, BWV 26 677:, BWV 80 660:, BWV 38 609:, BWV 96 541:, BWV 99 524:, BWV 78 507:, BWV 33 444:, BWV 94 387:, BWV 93 370:, BWV 10 198:, BWV 80 68:, BWV 80 6775:Lists: 6750:Anh. 18 6745:Anh. 11 6675:248 III 5326:Koopman 5229:Other: 5190:(lost: 4498:chorale 4067:Leipzig 3879:website 3875:at the 3639:website 3259:in his 3249:in the 3074:, BWV 9 2909:" hymn. 2840:Trinity 2689:Cantate 2362:Passion 1798:BWV 116 1768:BWV 139 1753:BWV 115 1701:BWV 180 1656:BWV 114 1641:BWV 130 1548:BWV 113 1533:BWV 101 1503:BWV 178 1488:BWV 107 1407:BWV 135 1347:BWV 129 1342:BWV 176 1337:Trinity 1324:BWV 175 1266:BWV 183 1244:BWV 128 1208:BWV 108 1190:BWV 103 1175:BWV 112 1133:BWV 158 1052:BWV 127 1037:BWV 126 1022:BWV 125 948:BWV 111 918:BWV 124 903:BWV 123 853:BWV 122 838:BWV 133 823:BWV 121 777:cantata 775:Chorale 770:cantata 626:, BWV 5 250:June), 210:, BWV 1 57:, BWV 4 37:Trinity 33:Leipzig 23:is the 6800:Weimar 6740:Anh. 9 6735:Anh. 5 6690:248 VI 6680:248 IV 6670:248 II 5384:number 5330:Teldec 4119:Weimar 4065:Before 3964:  3906:  3790:p. 133 3753:  3749:  3673:  3585:  3532:5 June 3460:  3394:. See 3390:  3365:5 June 3265:  3257:Forkel 3232:Müller 3173:  3150:  3136:  3124:  3116:  3112:  3099:  3095:  3078:  3065:  3061:  3044:  3040:  3027:  3019:  2999:  2993:  2959:cycle. 2883:BWV 80 2877:BWV 80 2862:  2858:  2776:Exaudi 2701:Exaudi 2693:Rogate 2663:  2659:  2489:", by 2426:: the 2416:parody 2378:Easter 2325:Easter 2313:  2309:  2305:  2298:  2243:  1866:  1862:  1854:  1842:Advent 1836:A new 1783:BWV 26 1716:BWV 38 1671:BWV 96 1611:BWV 99 1596:BWV 78 1581:BWV 33 1518:BWV 94 1455:BWV 93 1440:BWV 10 1362:BWV 20 1308:BWV 68 1302:BWV 68 1284:BWV 74 1226:BWV 87 1170:BWV 85 1152:BWV 42 1081:Easter 1007:BWV 92 868:BWV 41 808:BWV 91 793:BWV 62 779:cycle 772:cycle 768:Second 272:Advent 268:  264:  256:  248:  228:  224:  220:  187:  157:BWV 14 133:BWV 62 85:motets 6795:Early 6685:248 V 6665:248 I 6032:motet 5046:Later 5018:1727: 4496:(and 4075:Early 3726:00098 3724:Work 3709:00099 3707:Work 3687:00198 3685:Work 3621:00101 3619:Work 3599:00100 3597:Work 3526:(PDF) 3359:(PDF) 3224:Doles 2556:] 2418:of a 1686:BWV 5 1626:BWV 8 1392:BWV 7 1377:BWV 2 1114:BWV 6 1071:BWV 1 933:BWV 3 558:BWV 8 218:on 25 111:BWV 2 6825:Late 6720:1127 6715:1083 6710:1045 6705:1040 6700:249b 6695:249a 6660:244a 6603:216a 6568:210a 6553:208a 6543:207a 6528:205a 6483:197a 6458:193a 6438:190a 6346:173a 6209:147a 6135:134a 6114:131a 6053:120b 6048:120a 5241:120b 5236:190a 5225:244a 5209:120a 5158:1083 5072:197a 4143:147a 4133:186a 3962:ISBN 3904:ISBN 3671:ISBN 3583:ISBN 3534:2012 3458:ISBN 3388:ISBN 3367:2012 3255:and 3245:and 3089:, a 3021:12, 2938:The 2625:hymn 2574:": " 2566:'s " 2493:and 2368:'s " 2349:For 2235:Lent 2131:and 159:and 151:and 121:and 6758:); 6655:224 6650:223 6644:222 6637:221 6630:220 6623:219 6616:218 6609:217 6598:216 6593:215 6588:214 6583:213 6578:212 6573:211 6563:210 6558:209 6548:208 6538:207 6533:206 6523:205 6518:204 6513:203 6508:202 6503:201 6498:200 6493:199 6488:198 6478:197 6473:196 6468:195 6463:194 6453:193 6448:192 6443:191 6433:190 6427:189 6421:188 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Index

Johann Sebastian Bach
year-cycle
church cantatas
Leipzig
Trinity
Thomaskantor
chorale cantata
Christ lag in Todes Banden, BWV 4
Ein feste Burg ist unser Gott, BWV 80
Bach Revival
St. Thomas
motets
Philipp Spitta
biography of the composer
Achtliederbuch
BWV 2
9
38
117
Erfurt Enchiridion
BWV 62
91
96
114
121
178
BWV 14
125
Eyn geystlich Gesangk Buchleyn
church cantatas

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