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through characters who are refused work due to their visible injuries caused by the bombs and the radiation. However, the film also promotes Japanâs sentiment of victimization through the tragedy of nuclear attacks. It leaves out the struggles of other Asian countries during the war and how Japan was also a victimizer. There is a lack of a larger context of wartime Japan within the film as it depicts Japan as a calm and prosperous place before the bombs. The film displays the victimization of Japan in flashback scenes of the bombing, where children cry over their dead mother's bodies, representing a broken bond of life. The filmâs emphasis on the destruction that followed the bombing resonates with the anti-war and pro-democracy messages of several social interest groups, including the Japan
Teachers Union.
252:. She sees a beggar and recognises him as Iwakichi, a former servant of her parents, now burned on the face and partially blind. She follows him to his poor shack, where he is looked after by a woman living next door, and asks about his family. With his wife, his son and daughter-in-law dead, Iwakichi's only surviving relative is his grandson TarÅ, who lives in an orphanage. Takako visits the orphanage and finds the children barely have enough to eat. She offers to take Iwakichi and his grandson back with her, but Iwakichi refuses, running away.
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She returns to
Iwakichi's house and asks him again to let her take TarÅ back to the island. At first he refuses, but later his neighbour convinces him to let Takako take care of TarÅ. However, TarÅ still refuses to leave his grandfather. On the last evening before Takako's departure, Iwakichi invites
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Takako goes on to visit Natsue
Morikawa, a former colleague at the kindergarten where she used to teach, and now a midwife. Natsue has been rendered sterile as an aftereffect of the bomb, and is planning to adopt a child with her husband. Natsue and Takako visit the site of the kindergarten, which is
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The film was successful in Japan on its initial release, but the Japan
Teachers Union, which had commissioned the film, criticized its "outsider" view of the physical and personal devastation of the bombing and especially the lack of clear political and social criticism, concentrating instead on the
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The film commemorates the a-bomb attack on
Hiroshima and the tragedies that followed, which the U.S. forces censored during their occupation of Japan that ended months before the filmâs release. The film commemorates the hibakusha people and highlights how they were ostracized in Japanese society
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After staying the night in Natsue's house, she then goes to visit another student, Heita. His sister, who has an injured leg, is just about to get married, and Takako dines with her. She talks to Heita's older brother KÅji about the people who died or were injured in the war.
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The father of the first student she visits, Sanpei, has suddenly been taken ill from a radiation-related illness and dies just before she arrives. Another one of the students is terminally ill and dying in a church, where many people with bomb-related injuries are gathered.
436:, J. Hoberman called it "a somber melodrama" which lacks in subtlety but has "the capacity to wound". Film scholar Alexander Jacoby resumed, "it remains one of Shindoâs most moving films, and a testament to the anti-war spirit that took root in Japan after its defeat".
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TarÅ for a meal, gives him new shoes he bought for him, and sends him to Takako with a letter. Then he sets his house on fire. He survives the fire but is badly burned and eventually dies. TarÅ leaves
Hiroshima together with Takako, carrying his grandfather's ashes.
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perceived a major weakness in the film, its "coupling of the most lifelike naturalism with truly excessive sentimentality", but emphasized that "it showed the aftermath of the bomb without any vicious polemic".
427:â the clarity of focus, the graceful balance within the frames â provides some relief from the grimness of his subject. He contemplates Japanâs wartime experience with regret, rather than indignation".
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was met with positive reviews on its
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and was based on first-person testimonies gathered by
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Dower, John (Spring 1995). "The Bombed: Hiroshimas and
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The film holds a score of 86/100 on review aggregation site
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Films about the atomic bombings of Hiroshima and Nagasaki
728:"Classical virtues: Shindo Kaneto and Yoshimura Kozaburo"
661:. Rutland, Vermont and Tokyo: Charles E. Tuttle Company.
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1237:A Last Note
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329:EijirÅ TÅno
286:as Iwakichi
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502:References
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182:98 Minutes
165:1952-08-06
90:Written by
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1272:(2010)
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1248:(1999)
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781:: 283.
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1165:Sanka
1125:Akuto
853:(PDF)
190:Japan
44:Kanji
1029:Wolf
1021:Dobu
930:2021
887:IMDb
864:2023
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816:ISBN
761:2016
739:2021
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690:2021
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559:2021
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272:Cast
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