281:
486:
30:
22:
351:
430:
595:
362:
1854 he exhibited 'The
Friends', and in 1855 'Royal Prisoners'. In 1856 he painted 'The Embarkation of a Puritan Family for New England' for the peers' corridor in the House of Lords, for which a fresco was afterwards substituted. The main painting was sent to America, and Cope was made an honorary member of the Philadelphian Society of Arts.
439:
196:
361:
In 1850, Cope showed 'King Lear and
Cordelia' at the RA, and, in 1851, 'The Sisters,' and 'Laurence Saunders's Martyrdom'. In 1852, he painted the 'Marriage of Griselda' and in 1853, 'Othello relating his Adventures to Dessdemona'. In the same year he became seriously ill with an internal tumour. In
296:' earned him a prize of 300 pounds. In 1844 he submitted a further design called 'Meeting of Jacob and Rachel,' and was one of the six painters commissioned in July of that year to prepare preliminary drawings, coloured sketches, and specimens of fresco painting for the decoration of the
391:
395:
410:
608:
214:, which were exhibited at the Royal Academy in 1837 and 1838 respectively, and sold shortly thereafter for a considerable sum. In 1839–40 he painted a large altar-piece (16 feet by 10) for
458:(on the Thames). In 1883 he retired as a professional artist though he continued to paint for his own enjoyment and also took up boating and cycling. He wrote his autobiography,
280:
206:
After returning to
England, Cope took lodgings in Newman Street, London, then moved to 1 Russell Place, where his landlord and family became his artist's models. Here he painted
493:
There is a full date-order catalogue of Cope's works, which stretch over 50 years from 1832–82, in
Appendix II (p. 375 ff.) of his "Reminiscences" (see "further reading").
308:
312:. These commissions, and others, engaged Cope in fresco painting in the House of Lords for several years. He was also elected an associate of the Royal Academy (ARA) in 1843.
302:
417:. In 1867 he was appointed professor of painting at the Royal Academy, and delivered six lectures a year till 1875. In 1867 also he painted a third scene (moonlight) from
175:. In September of the same year he travelled to Italy, where he spent two years – earning a living for part of the time by painting pictures on commission. His painting
394:' was placed in the peers' corridor. In 1862 he painted (using the "water-glass method") the fresco of 'The Defence of Basing House,' and in 1863–64 that of the '
293:
260:
On 1 September 1840, Cope married
Charlotte Benning, the daughter of a surgeon with a large country practice. They lived first in rented furnished lodgings in
537:
321:
141:
136:
in 1829, a second medal in the Royal
Academy Life School, and therefore a life studentship. While at Sass's he established life-long friendship with
733:
94: – both painters being friends of his father. His mother was "a gifted amateur" artist in watercolours who died shortly after Charles' birth.
660:
86:, the son of Charles Cope, a watercolour landscape painter and art teacher. He was given the name 'West' after that of a celebrated painter,
748:
402:
in oil, afterwards executed in mosaic on a larger scale at the South
Kensington Museum. In the year his large posthumous portrait of
512:
698:
443:, shown in 1876. In that same year he went to America as one of the representatives of the RA at the centennial exhibition in
327:
371:
682:
339:. In that year he travelled to Italy and Germany to improve his knowledge and technique of fresco painting. He visited
613:
284:
Oliver
Cromwell and His Secretary John Milton, Receiving a Deputation Seeking Aid for the Swiss Protestants (1872)
708:
485:
703:
644:
718:
437:
Cope continued to exhibit at the Royal
Academy until 1882, his most important painting of that period being
215:
728:
241:. The club published several books of etchings illustrating various themes by well-known authors such as
105:, where he was bullied and his elbow broken, which left him with a crooked arm for life. He then went to
723:
41:
289:
578:
713:
171:
and others. In 1833 he exhibited at the Royal
Academy for the first time – a picture called
29:
403:
678:
672:
654:
474:
331:
on the wall of the upper waiting hall of the House of Lords. In 1849 he exhibited a painting
219:
743:
738:
145:
106:
666:
8:
630:
564:
336:
230:
184:
246:
560:
509:
306:. Cope received a commission to execute this design in fresco, and also another of
242:
234:
226:
21:
516:
133:
91:
350:
550:
470:
340:
297:
149:
66:
268:(which Cope himself had commissioned) in 1841. In that same year his painting
692:
599:
238:
125:
87:
54:
429:
444:
399:
261:
137:
129:
102:
409:
In 1865 and 1866 Cope finished his best frescoes in the House of Lords – '
466:
315:
In 1848 he became a Royal Academician (RA) after exhibiting a large work
288:
Cope submitted designs for a competition to decorate the interior of the
254:
250:
156:
113:
58:
50:
473:
church in Kensington, London. The artist's son from his first marriage,
604:
451:
265:
121:
117:
98:
440:
The Council of the Royal Academy selecting Pictures for the Exhibition
195:
549:
The complex history surrounding the decoration is best summarized by
477:
RA (1857–1940), became a well-known and successful portrait painter.
455:
168:
450:
In 1879 Cope married his second wife Eleanor Smart. They settled at
598: This article incorporates text from a publication now in the
180:
90:, and his only sister Ellen, given the middle-name 'Turner', after
396:
Expulsion of Fellows from Oxford for refusing to sign the Covenant
275:
648:
344:
164:
160:
62:
489:
Charles West Cope, The Pilgrim Fathers. Circa 1856. Oil study.
347:, who was working on a fresco in the Basilica of St. Boniface
83:
46:
155:
In 1832 Cope went to Paris and practiced his art by copying
109:, where he suffered from the attentions of a cruel teacher.
469:
in 1890 after a brief illness. He has a memorial tablet in
303:
Prince Henry Acknowledging the Authority of Judge Gascoigne
555:
The Decorations of the New Palace of Westminster 1841–1863
411:
Meeting of Train Bands to relieve the Siege of Gloucester
381:
Cordelia receiving the News of her father's Ill-treatment
309:
Edward the Black Prince receiving the Order of the Garter
65:. He was responsible for painting several frescos in the
421:(exhibited 1868). Cope's wife, Charlotte, died in 1868.
415:
Speaker Lenthall asserting the Privileges of the Commons
375:
in the peers' corridor (House of Lords). In 1858 came
199:
Othello Relating His Adventures (etching, 1853), from
101:, London, and afterwards to "Terry's school" (sic) at
97:
Charles was sent as a child to a boarding school in
406:was hung in the large room of the Society of Arts.
270:
Poor Law Guardians: Board-day application for bread
690:
319:. In this year he was engaged on the frescos of
300:. He also received 400 pounds for his design of
628:Cope, Charles West & Cope, Charles Henry.
317:Cardinal Wolsey's Reception at Leicester Abbey
124:, London, and in 1828 became a student of the
276:Painting frescos for the Houses of Parliament
528:Cope, H. W. "Reminiscences" (1891) p. 35 ff.
385:The Parting of Lord and Lady William Russell
77:
25:Charles West Cope, self-portrait from 1879
645:41 artworks by or after Charles West Cope
631:Reminiscences of Charles West Cope, R. A.
225:Cope founded an artists' society called '
484:
462:, which was completed in October 1889.
428:
349:
335:which was subsequently engraved for the
279:
194:
28:
20:
734:People educated at Leeds Grammar School
112:In 1827, Cope's father was killed in a
691:
679:Self portrait and photos of the artist
144:. About 1830 he lived at lodgings in
272:was exhibited at the Royal Academy.
116:accident. That same year he entered
603:
398:.' In 1865 he exhibited a study of
264:, London, then moved to a house in
257:'s "L'Allegro" and "Il ponseroso".
13:
622:
14:
760:
749:19th-century English male artists
638:
229:' which included artists such as
661:C W Cope biography and paintings
618:. London: Smith, Elder & Co.
614:Dictionary of National Biography
593:
82:Cope was born at Park Square in
72:
433:Photograph of Charles West Cope
190:
572:
543:
531:
522:
503:
424:
1:
699:19th-century English painters
496:
218:, which was exhibited at the
7:
669:(Art Renewal Center Museum)
379:, and in 1859 a picture of
61:and history scenes, and an
49:– 21 August 1890, in
10:
765:
148:, Bloomsbury close to the
16:English painter and etcher
683:National Portrait Gallery
369:and executed a fresco of
216:St George's Church, Leeds
634:(London: Bentley, 1891).
480:
387:in the peers' corridor.
292:. In 1843, his drawing '
33:Maiden Meditation (1847)
390:In 1861 the fresco of '
372:The Burial of Charles I
365:In 1857 Cope exhibited
294:The First Trial by Jury
201:The Works of Shakespere
78:Early life and training
709:British genre painters
673:The first piano lesson
490:
434:
358:
285:
203:
34:
26:
704:English male painters
569:17:1954, pp. 319–358.
488:
475:Arthur Stockdale Cope
432:
353:
283:
198:
183:and exhibited at the
32:
24:
719:English illustrators
515:23 July 2018 at the
392:Raising the Standard
383:, and the fresco of
290:Houses of Parliament
247:The Deserted Village
146:Great Russell Street
107:Leeds Grammar School
579:Art Union of London
377:The Stepping Stones
337:Art Union of London
231:William Holman Hunt
212:Osteria di Campagna
208:Paolo and Franceses
185:British Institution
729:Royal Academicians
675:(c. 1860 painting)
667:C W Cope paintings
663:(allpaintings.org)
609:Cope, Charles West
491:
435:
359:
286:
204:
53:) was an English,
45:(28 July 1811, in
35:
27:
724:English muralists
179:was completed in
142:Charles Stonhouse
38:Charles West Cope
756:
619:
616:(1st supplement)
597:
596:
582:
576:
570:
547:
541:
538:The Etching Club
535:
529:
526:
520:
507:
235:Richard Redgrave
227:The Etching Club
44:
764:
763:
759:
758:
757:
755:
754:
753:
714:English etchers
689:
688:
657:(ArtCyclopedia)
641:
625:
623:Further reading
607:, ed. (1901). "
594:
586:
585:
577:
573:
559:Journal of the
548:
544:
536:
532:
527:
523:
517:Wayback Machine
508:
504:
499:
483:
427:
278:
193:
134:Society of Arts
92:J. M. W. Turner
80:
75:
40:
17:
12:
11:
5:
762:
752:
751:
746:
741:
736:
731:
726:
721:
716:
711:
706:
701:
687:
686:
676:
670:
664:
658:
652:
640:
639:External links
637:
636:
635:
624:
621:
591:
590:
584:
583:
571:
551:T. S. R. Boase
542:
530:
521:
510:Sass's Academy
501:
500:
498:
495:
482:
479:
471:St Mary Abbots
426:
423:
341:Peter von Hess
333:The First-born
298:House of Lords
277:
274:
249:", Sonnets by
192:
189:
173:The Golden Age
150:British Museum
128:. He earned a
118:Sass's Academy
79:
76:
74:
71:
67:House of Lords
15:
9:
6:
4:
3:
2:
761:
750:
747:
745:
742:
740:
737:
735:
732:
730:
727:
725:
722:
720:
717:
715:
712:
710:
707:
705:
702:
700:
697:
696:
694:
684:
680:
677:
674:
671:
668:
665:
662:
659:
656:
653:
650:
646:
643:
642:
633:
632:
627:
626:
620:
617:
615:
610:
606:
601:
600:public domain
588:
587:
580:
575:
568:
566:
562:
556:
552:
546:
539:
534:
525:
518:
514:
511:
506:
502:
494:
487:
478:
476:
472:
468:
465:Cope died in
463:
461:
460:Reminiscences
457:
453:
448:
446:
442:
441:
431:
422:
420:
416:
412:
407:
405:
404:Prince Albert
401:
397:
393:
388:
386:
382:
378:
374:
373:
368:
363:
356:
352:
348:
346:
342:
338:
334:
330:
329:
324:
323:
318:
313:
311:
310:
305:
304:
299:
295:
291:
282:
273:
271:
267:
263:
258:
256:
252:
248:
244:
240:
239:Samuel Palmer
236:
232:
228:
223:
221:
220:Royal Academy
217:
213:
209:
202:
197:
188:
186:
182:
178:
177:The Firstborn
174:
170:
166:
162:
158:
153:
151:
147:
143:
139:
135:
131:
127:
126:Royal Academy
123:
119:
115:
110:
108:
104:
100:
95:
93:
89:
88:Benjamin West
85:
73:Life and work
70:
68:
64:
60:
56:
55:Victorian era
52:
48:
43:
39:
31:
23:
19:
647: at the
629:
612:
592:
574:
558:
554:
545:
533:
524:
505:
492:
464:
459:
449:
445:Philadelphia
438:
436:
418:
414:
408:
400:Fra Angelico
389:
384:
380:
376:
370:
366:
364:
360:
354:
332:
326:
320:
316:
314:
307:
301:
287:
269:
262:Lisson Grove
259:
224:
211:
207:
205:
200:
191:Early career
176:
172:
154:
138:Francis Cary
130:silver medal
111:
103:Great Marlow
96:
81:
37:
36:
18:
744:1890 deaths
739:1811 births
655:Cope online
605:Lee, Sidney
589:Attribution
467:Bournemouth
425:Final years
251:Shakespeare
157:Old Masters
114:stage coach
69:in London.
57:painter of
51:Bournemouth
693:Categories
567:Institutes
497:References
452:Maidenhead
266:Kensington
122:Bloomsbury
99:Camberwell
565:Courtauld
456:Berkshire
367:Affronted
355:The Thorn
243:Goldsmith
222:in 1840.
169:Rembrandt
132:from the
513:Archived
322:Griselda
181:Florence
163:such as
602::
561:Warburg
419:Othello
159:at the
649:Art UK
557:, in:
413:' and
357:(1866)
345:Munich
255:Milton
165:Titian
161:Louvre
63:etcher
481:Works
84:Leeds
59:genre
47:Leeds
651:site
563:and
328:Lara
325:and
253:and
245:'s "
237:and
210:and
140:and
611:".
454:in
343:in
120:in
695::
553:,
447:.
233:,
187:.
167:,
152:.
42:RA
685:)
681:(
581:.
540:.
519:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
