Knowledge

Charanga Habanera

Source đź“ť

271:) became the new bassist. The new horn section consists of Osmani Collado, Yunior Romero (also from Bamboleo), Juan Manuel Jiménez (from Rojitas), and Carmelo "El abuelo" Andrés. Carmelo is the consummate professional trumpeter and had already had a long and successful career with Paulito y su Élite and Rojitas. Michel Maza was joined by Aned Mota and Noel Díaz on vocals. This new incarnation of the group consisted of some of the best young musical talent in Cuba. 22: 244:) with tinges of Classical music. Moore recalls testing Duarte’s ability to spontaneously create a tumbao based on a Classical piece: “I asked him to play a classical piano piece. He played part of Chopin's “Fantasie Impromptu in C#mi.” I then asked him to improvise on it in a timba style. Within ten minutes he had worked it into a piano tumbao and added a bassline. 216:
At the Festival de la Juventud y los Estudiantes in July of 1997, Charanga Habanera performed its R-rated nightclub act on live national television, resulting in a six-month government-imposed suspension. During this time, Dany Lozada and Juan Carlos González departed to form the group which recorded
247:
On "Charanguero mayor," Duarte references classical piano music, and employs extreme harmonic displacement. The following ten elements are found in Durate's variants of the "Charanguero mayor" piano tumbao, identifying it as timba: 1. song-specific hook 2. increased length 3. contrasting gestures 4.
239:
In August 1998, La Charanga Habanera consisted of a lead singer, a musical director, and one soundman. Calzado quickly assembled another successful timba band. Pianist Tirso Duarte was one of Charanga Habanera’s most significant members at this time. Duarte recorded original, highly syncopated timba
255:
The next piano tumbao uses cluster chords. it is also unusual in that Duarte leaves out the F natural from the previous variant. Duarte displays a preference for this type of harmonic tension. He changes chords earlier than anticipated or extends them further. His tumbaos eventually return to a
206:
Their first hit, "Me sube la fiebre," had made Charanga Habanera one of Cuba's most popular timba bands. The band had almost no personnel changes outside of the replacement of singer Leo Vera by Michel Maza and the addition of Danny Lozada as a third lead singer. This incarnation of La Charanga
230:
In the summer of 1998 the entire group quit en masse, with two exceptions of singer Michel "El Menor de la Salsa" Maza, and soundman Marcos Morales. Morales stayed with the group for seven years before moving to Miami to be with his family in late 2000.
221:
With the departure of González and Lozada, Calzado quickly found replacements and continued rehearsing and developing new material. Sandier Ante replaced Lozada and Roberto "Cucurucho" Carlos replaced González. Eduardo Lazaga left after recording
226:
and was replaced by Gilberto Moreaux, who had previously played with Bamboleo. This second incarnation of Charanga Habanera never released an album, but did introduce new material, which was eventually recorded by Charanga Forever.
217:
the legendary Tanto le pedí. When the suspension ended the group played until the summer of 1998 without recording and then the more famous breakup occurred, resulting in the formation of Charanga Forever—Kevin Moore (2001: web).
252:. Moore: "This tumbao is not only drastically different from the salsa formula—it’s also very different from other timba tumbaos, from other timba tumbaos by Tirso, and even from other timba tumbaos in this same song." 198:
segun Willy Gracial . The group toured internationally in Japan, Mexico, Argentina, Peru and the United States. It is currently one of the most popular timba or Cuban salsa groups in Cuba.
248:
busy left hand 5. consecutively repeated notes 6. contrary and oblique motion 7. grace note rolls 8. notes clusters and jazz voicings 9. harmonic anticipation and displacement 10.
162:, that was popular in the 1940s and 1950s. The project was popular enough that they extended it for five more years. During this time they shared stage with such famous artists as 207:
produced four historically important timba records. By 1997, La Charanga was banned by the state for its “vulgar” lyrics and risqué stage show.
138:" awards in three categories: best video, best album, and best group. Furthermore, the group has won numerous awards from Cubadiscos and 267:) took over conga and bongo duties. The young jazz pianist Helder Rojas took over the synthesizer chair. Randolf ChacĂłn (formerly with 32: 90: 62: 603: 69: 76: 582: 502: 473: 47: 58: 598: 540:
Beyond Salsa Piano v.14; The Cuban Timba Revolution. Tirso Duarte Part 1. Charanga Habanera Piano Tumbaos.
423: 83: 135: 43: 8: 154:
began in 1988 when a group of young people recently graduated from the art schools in
195: 268: 191: 159: 456: 578: 592: 503:
http://www.timba.com/artist_pages/the-first-great-charanga-habanera-1993-1997
474:
http://www.timba.com/artist_pages/the-first-great-charanga-habanera-1993-1997
183: 167: 123: 39: 468:
Serrano, Majela (2001: web) "The First Great Charanga Habanera: 1993-1997"
264: 249: 163: 139: 127: 263:, took over on timbales. The Mengual brothers, Orlandito and Lázaro (from 260: 187: 179: 175: 171: 21: 570: 486:
Rebel Dance, Renegade Stance:Timba Music and Black Identity in Cuba
431: 256:
familiar opening phrase and reestablish the harmonic equilibrium.
259:
Yulién Oviedo, a 15-year-old prodigy and son of Calixto Oviedo of
241: 119: 526:
Moore, Kevin (2013: web). " The Piano Style of Tirso Duarte"
115: 585:) about the history of Charanga Habanera by Jen Paz Films. . 158:
formed a group to do a project of Cuban music style called
155: 497:
Moore, Kevin (2001: web) "The Two Breakups - 1997-1998"
126:. The band has been nominated for awards including the 324:
Chan, chan, charanga (Tiene de Cuba tiene de melao)
488:The University of Michigan Press. Kindle Edition. 590: 452:Moore, Kevin (2013: web) "La Charanga Habanera" 134:. In 2005 Charanga Habanera was nominated for " 457:http://www.timba.com/artists/charangahabanera 48:introducing citations to additional sources 38:Relevant discussion may be found on the 513:Moore (2001: web) "The Second Breakup" 421: 591: 15: 13: 14: 615: 562: 422:Calzado, David (26 April 2010). 31:relies largely or entirely on a 20: 234: 545: 532: 520: 507: 491: 478: 462: 446: 415: 294:Love Fever (Me sube la fiebre) 274: 1: 408: 604:20th-century Cuban musicians 210: 201: 7: 484:Vaughan (2012: Kindle 737) 306:Pa' que se entere La Habana 10: 620: 367:El rey de Los charangueros 145: 538:Moore, Kevin (2013: 33) 342:Soy cubano, soy popular 361:El ciclĂłn de la Habana 336:¡Marina quiere bailar! 219: 130:in 2003 for the album 579:Trailer of "Popular!" 424:"Un Poco de Historia" 391:Se sufre pero se goza 214: 136:Orgullosamente Latino 599:Cuban musical groups 373:No mires la carátula 318:El Charanguero Mayor 112:La Charanga Habanera 44:improve this article 581:, a DVD (available 59:"Charanga Habanera" 551:Moore (2011: web) 403:Subiendo la parada 330:Live in the U.S.A. 428:Charanga Habanera 397:Vivito y coleando 196:Kool and the Gang 152:Charanga Habanera 132:Live in the U.S.A 109: 108: 94: 611: 574: 573: 571:Official website 556: 549: 543: 536: 530: 524: 518: 511: 505: 495: 489: 482: 476: 466: 460: 450: 444: 443: 441: 439: 430:. Archived from 419: 385:Charanga light 2 312:Tremendo delirio 224:Tremendo delirio 104: 101: 95: 93: 52: 24: 16: 619: 618: 614: 613: 612: 610: 609: 608: 589: 588: 569: 568: 565: 560: 559: 550: 546: 537: 533: 525: 521: 512: 508: 496: 492: 483: 479: 467: 463: 451: 447: 437: 435: 434:on 22 June 2003 420: 416: 411: 277: 240:tumbaos (piano 237: 213: 204: 192:Whitney Houston 148: 105: 99: 96: 53: 51: 37: 25: 12: 11: 5: 617: 607: 606: 601: 587: 586: 576: 564: 563:External links 561: 558: 557: 544: 531: 519: 506: 490: 477: 461: 445: 413: 412: 410: 407: 406: 405: 399: 393: 387: 381: 375: 369: 363: 357: 355:Charanga light 351: 344: 338: 332: 326: 320: 314: 308: 302: 300:Hey you, Loca! 296: 290: 284: 276: 273: 236: 233: 212: 209: 203: 200: 147: 144: 118:ensemble from 107: 106: 42:. Please help 28: 26: 19: 9: 6: 4: 3: 2: 616: 605: 602: 600: 597: 596: 594: 584: 580: 577: 572: 567: 566: 554: 548: 541: 535: 529: 523: 516: 510: 504: 500: 494: 487: 481: 475: 471: 465: 458: 455: 449: 433: 429: 425: 418: 414: 404: 400: 398: 394: 392: 388: 386: 382: 380: 376: 374: 370: 368: 364: 362: 358: 356: 352: 349: 345: 343: 339: 337: 333: 331: 327: 325: 321: 319: 315: 313: 309: 307: 303: 301: 297: 295: 291: 289: 285: 283: 279: 278: 272: 270: 266: 262: 257: 253: 251: 245: 243: 232: 228: 225: 218: 208: 199: 197: 193: 189: 185: 184:Frank Sinatra 181: 177: 173: 169: 168:Stevie Wonder 165: 161: 157: 153: 143: 141: 137: 133: 129: 125: 124:David Calzado 121: 117: 113: 103: 100:December 2018 92: 89: 85: 82: 78: 75: 71: 68: 64: 61: â€“  60: 56: 55:Find sources: 49: 45: 41: 35: 34: 33:single source 29:This article 27: 23: 18: 17: 552: 547: 539: 534: 527: 522: 514: 509: 498: 493: 485: 480: 469: 464: 453: 448: 436:. Retrieved 432:the original 427: 417: 402: 396: 390: 384: 378: 372: 366: 360: 354: 347: 341: 335: 329: 323: 317: 311: 305: 299: 293: 287: 281: 265:Pacho Alonso 258: 254: 250:cross-rhythm 246: 238: 235:1998 to 2001 229: 223: 220: 215: 205: 164:Donna Summer 151: 149: 131: 128:Latin Grammy 122:directed by 111: 110: 97: 87: 80: 73: 66: 54: 30: 438:23 December 275:Discography 261:NG La Banda 188:Jerry Lewis 180:Ray Charles 176:Barry White 172:James Brown 593:Categories 409:References 348:Buena Onda 70:newspapers 553:Timba.com 528:Timba.com 515:Timba.com 499:Timba.com 470:Timba.com 454:Timba.com 379:La suerte 350:(bootleg) 211:1997-1998 202:1993-1997 40:talk page 269:Bamboleo 160:charanga 401:(2018) 395:(2017) 389:(2013) 383:(2013) 377:(2011) 371:(2009) 365:(2007) 359:(2005) 353:(2004) 346:(2004) 340:(2003) 334:(2003) 328:(2002) 322:(2001) 316:(2000) 310:(1997) 304:(1996) 298:(1994) 292:(1992) 286:(1991) 280:(1988) 242:guajeos 146:History 84:scholar 194:, and 120:Havana 86:  79:  72:  65:  57:  140:Lucas 116:timba 114:is a 91:JSTOR 77:books 583:here 440:2010 288:Cuba 282:Life 156:Cuba 63:news 150:La 46:by 595:: 501:. 472:. 426:. 190:, 186:, 182:, 178:, 174:, 170:, 166:, 142:. 575:. 555:. 542:. 517:. 459:. 442:. 102:) 98:( 88:· 81:· 74:· 67:· 50:. 36:.

Index


single source
talk page
improve this article
introducing citations to additional sources
"Charanga Habanera"
news
newspapers
books
scholar
JSTOR
timba
Havana
David Calzado
Latin Grammy
Orgullosamente Latino
Lucas
Cuba
charanga
Donna Summer
Stevie Wonder
James Brown
Barry White
Ray Charles
Frank Sinatra
Jerry Lewis
Whitney Houston
Kool and the Gang
guajeos
cross-rhythm

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑