28:. The company focuses on producing and developing new opera and music theater works and reviving rarely seen American operas written after the second World War. The Center for Contemporary Opera has staged the premieres of many works written during the latter half of the twentieth century. Works are performed at all stages of development from readings to workshops to full productions on the professional stage. In line with its mission to promote an interest in new operatic and music-theater culture among the American public, the company presents panel discussions and colloquia, and publishes a bi-annual newsletter
59:
was named
Artistic Director, and served in this role until 2012, when he became the company's Composer-in-Residence until his death in 2017. After James Schaeffer's retirement, Francesca Campagna was named General Director in 2019. The Principal Conductor of CCO is
276:(Center for Contemporary Opera, Sara Jobin, conductor, Amy Burton, Scott Bearden, Jonathan Blalock, Matthew Boehler, Aaron Theno, Matthew Garrett, Jason Papowitz, David Neal, Jody Karem, Cherry Duke, Deborah Lifton, Sarah Miller, Kate Oberjat)
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The company was founded in 1982 by
Richard Marshall, formerly the head of the Charlotte Opera Association in
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Long Leaf Opera
Executive Director named Center for Contemporary Opera Chief Executive Officer
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51:. In March 2008, James E. Schaeffer, Executive Director of Long Leaf Opera Festival in
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Francesca
Campagna Is Named General Director of Center for Contemporary Opera
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Notable premieres performed by the Center for
Contemporary Opera include:
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where he had commissioned, produced and conducted the world premiere of
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663:'Alice in Wonderland,' by Peter Westergaard, With Bells and Whistles'
527:'The Insect Comedy' Center for Contemporary Opera Hunter College
32:. Since 2004, the company has been a regular participant in the
414:, September 23, 2007. Accessed via subscription 26 March 2008.
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by
Victoria Bond and Isaiah Sheffer (World Premiere, 2004)"
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36:'s annual festival, "Vox: Showcasing American Composers".
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Giving a Face and a Voice to Kafka's Cruel
Fantasy Father
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101:- Martin Kalmanoff and Lewis Allen (World Premiere, 1993)
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Renowned composer, 90, is honored by his adopted state
478:Where Musicals and Opera Overlap, a Hybrid Emerges
646:Caught Under the Spell of Mann's Musical Magician
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20:(CCO) is a professional opera company based in
467:, September 25, 2019. Accessed 8 October 2019.
127:and Joan Vail Thorne (New York Premiere, 1998)
688:Blog on the last ConOp Carnegie Hall recital
397:, February 19, 1988. Accessed 26 March 2008.
516:, January 27, 1987. Accessed 26 March 2008.
323:, January 24, 2003. Accessed 26 March 2008.
629:A Bevy of Eccentrics In a Dreaming Frenzy
561:Two Familiar Tales in Unfamiliar Settings
391:'An Opera Innovator Readies Britten Work'
360:, March 05, 2008. Accessed 26 March 2008.
227:(World Premiere of work in progress 2006)
669:, June 21, 2006. Accessed 26 March 2008.
618:, March 1, 2002. Accessed 26 March 2008.
601:, June 30, 2000. Accessed 26 March 2008.
584:, July 2, 1998. Accessed 26 March 2008.
550:, June 21, 2002. Accessed 26 March 2008.
484:, July 14, 2002. Accessed 26 March 2008.
567:, May 28, 1999. Accessed 26 March 2008.
533:, May 29, 1993. Accessed 26 March 2008.
500:March 30, 1987. Accessed 26 March 2008.
380:, June 6, 2004. Accessed 26 March 2008.
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652:, May 2, 2005. Accessed 26 March 2008.
635:, July 1, 2003.Accessed 26 March 2008.
544:An Edith Wharton Novella, Set to Music
450:, August 2001. Accessed 26 March 2008.
340:, August 1997. Accessed 26 March 2008.
217:(First professional performance 2005)
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197:(World Staged Premiere, 2003)
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151:(New York Premiere, 1998)
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95:(New York Premiere 1987)
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412:The Charlotte Observer
356:July 25, 2011, at the
252:Mario and the Magician
207:Mario and the Magician
181:(U. S. Premiere, 2003)
167:by Stanley Walden and
161:(U. S. Premiere, 2000)
147:by Stephen Paulus and
141:(World Premiere, 1999)
83:(World Premiere 1987)
77:Tomorrow and Tomorrow
718:Contemporary theatre
661:Tommasini, Anthony,
627:Tommasini, Anthony,
559:Tommasini, Anthony,
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302:May 9, 2008, at the
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171:(U.S. Premiere 2002)
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263:Alice in Wonderland
261:Peter Westergaard:
131:Sorry, Wrong Number
49:Abelard and Heloise
34:New York City Opera
723:Contemporary music
684:Official web site.
667:The New York Times
650:The New York Times
633:The New York Times
616:The New York Times
599:The New York Times
593:Holland, Bernard,
582:The New York Times
576:Holland, Bernard,
565:The New York Times
548:The New York Times
531:The New York Times
514:The New York Times
509:Will Crutchfield,
498:The New York Times
482:The New York Times
429:2008-03-25 at the
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389:Holland, Bernard,
378:The New York Times
321:The New York Times
272:Michael Dellaira:
24:, and a member of
525:James Oestreich,
444:Future Indefinite
334:'Let's get small'
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225:Peter Westergaard
186:Vera of Las Vegas
175:La Priere du Loup
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135:Jack Beeson
115:Anne Sexton
111:Conrad Susa
53:Chapel Hill
45:Robert Ward
30:Opera Today
697:Categories
448:Opera News
338:Opera News
285:References
62:Sara Jobin
465:OperaWire
245:Recording
427:Archived
354:Archived
300:Archived
269:TROY1198
258:TROY832
121:Summer
221:Alice
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