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charts in Europe. Facing the worldwide success of the hit, and the necessities of its management, Karakos sold in debt
Celluloid to American businessman John Matarazzo for a symbolic dollar. Matarazzo was to repay Celluloid's debt to French Bank Societe Generale, which had mortgaged the whole
396:, featuring guitarist Sync66 (Chris Cunningham) and Bassist Jerry Antonias (a.k.a. Jerry Agony) both of whom also played with James Chance (a.k.a. James White). By 1983 the label released KONK Party by New York-based
729:
musical policy. The French branch of
Celluloid continued to license music for compilations on other labels, notably MauMau and Charly, while releases were sporadic at best, and largely aimed at the French market.
376:, who had already recorded a number of sides for Celluloid, and whose prime mover Bill Laswell would play an increasing role in the label's fortunes for the next five years. Celluloid also released an album of
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on the bluesy 12-inch (300 mm) "Doriella Du
Fontaine"), Karakos also started a number of associated labels. OAO Records released much of Material's early output as well as albums by the aforementioned
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and
Victory. An equally short-lived partnership with Morgan Khan, head of Street Sounds, saw albums by B-Side. Manu Dibango and Mandingo licensed for release in the UK on Khan's Streetwave label.
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recording, publishing and branding catalog. As he failed to do so, Societe
Generale got back its rights over the catalog and sold it all back to Karakos and his associates of Adageo in 1994.
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released tracks on both labels, sometimes simultaneously, and at least one LP (Vega's eponymous debut) was released with both
Celluloid and Ze logos on the sleeve.
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during that same year. Originally intended for
Celluloid's Brazilian division, the lambada music compilation and video was eventually released on
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461:). Karakos next persuaded Laswell to helm the production suite for Celluloid recordings by African artists such as Toure Kunda, Mandingo and
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band which consisted of ex-Celluloid recording artists from Toure Kunda and the main group to musically represent the repertoire of the
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Thanks to the guidance and participation of now rising producer, Bill
Laswell, the 1982 catalogue had expanded to encompass early
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for
Celluloid. The label, meanwhile, continued to release records that did not involve Laswell; this eclectic selection included
86:
58:
783:"Change The Beat: The Celluloid Records Story—Seminal Music from Bill Laswell, Afrika Bambaataa, Grand Mixer DS.T and more"
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Celluloid's prolific output continued throughout the mid-eighties. As well as funding
Laswell-related productions by
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among others. In the early eighties, Celluloid had a business relationship with Michael Zilkha and Michael Esteban's
105:
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372:'s studio called then O.A.O. in Brooklyn NY; and Tribe 2. Much of the hip-hop projects was produced by the group
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As of 2023, Karakos Productions & Publishing has gained the rights to exploit the Celluloid NY catalogue.
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By 1986, increasing demands on Laswell's time (including work on major label albums by
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268:, and some Art Ensemble Of Chicago, Archie Shepp, Don Cherry Magma and Gong material.
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513:. Moving Target catered for the niche post-rock/reggae market, releasing material by
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620:. African music also featured heavily in Celluloid's mid to late eighties output:
252:, in cities such as Paris, Lyon, Grenoble and Aix-en-Provence. In 1967, he formed
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all released albums through the label. Karakos also kept up his interest in the
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Laswell had decamped to become a producer for hire and would later found
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423:"), Laswell still found time to produce and play on Celluloid albums by
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571:(whom Laswell had tracked down in Italy and persuaded to play on PiL's
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for Celluloid, the first of many such ventures (he would later remix
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Increasingly sought out to produce artists on major labels (such as
229:(sometimes shortened to Jean Karakos) operated from 1976 to 1989 in
21:
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686:, produced in partnership with film director, Olivier Lorsac, the
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Jean Georgakarakos had previously run a chain of record shops in
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465:. At the same time he was asked to remix Fela Kuti's
46:. Unsourced material may be challenged and removed.
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280:and French avant-garde pop by artists such as
211:https://www.karakosproductions.com/celluloid/
636:scene by releasing a comeback solo album by
616:, a compilation of Japanese pop overseen by
764:"Elements of Style: Back to the Old School"
577:) and contributed to the Golden Palominos'
419:, for whom he produced the Grammy-winning "
823:Defunct record labels of the United States
445:, in her first registered song, alongside
106:Learn how and when to remove this message
709:worldwide, reaching no. 1 on top of the
662:music respectively. In conjunction with
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276:Celluloid began by releasing American
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848:1976 establishments in New York City
682:In 1989, Karakos having returned to
435:) and his own group Material (whose
292:in the UK), Mathematiques Modernes,
44:adding citations to reliable sources
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630:Mahlathini and the Mahotella Queens
427:(a power trio composed of Laswell,
13:
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585:albums, as well as recording with
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859:
843:Record labels established in 1976
781:Baker, Boojie (7 December 2012).
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838:Experimental music record labels
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678:Close of business and aftermath
650:1986), as well as a follow-up (
388:performer and cyberpunk writer
31:needs additional citations for
833:Alternative rock record labels
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1:
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690:/Brazilian music influenced,
529:, Splatcats and, incredibly,
500:(appearing posthumously with
725:which continued Celluloid's
666:, the label issued the 1987
589:and releasing an album with
492:, Shango, B-Side, Deadline,
368:, Phase II -all recorded at
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441:of 1983 featured a young
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828:Industrial record labels
509:and Cuban percussionist
394:John Shirley's Obsession
762:Hua Hsu (2006-06-06).
743:List of record labels
453:, Bernard Fowler and
818:French record labels
672:The Blood of the Kid
614:Welcome To Dreamland
400:and Afro Punk group
316:; artists including
284:(who were signed to
221:, a French/American
40:improve this article
481:for major labels).
290:Rough Trade Records
55:"Celluloid Records"
564:Horses & Trees
531:The Flying Pickets
227:Jean Georgakarakos
813:Celluloid Records
787:Magnetic Magazine
607:John McLaughlin's
535:the Goo Goo Dolls
266:Monkie-Pockie Boo
219:Celluloid Records
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189:Country of origin
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507:Golden Palominos
467:Army Arrangement
344:(under projects
342:Afrika Bambaataa
340:artists such as
306:Cabaret Voltaire
207:Official website
170:progressive rock
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378:Futuristic Funk
366:Grand Mixer DXT
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417:Herbie Hancock
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272:Early releases
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517:, Yellowman,
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502:Lightnin' Rod
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318:Was (Not Was)
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304:, The Names,
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96:February 2010
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51:Find sources:
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29:This article
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790:. Retrieved
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583:A Dead Horse
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569:Ginger Baker
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511:Daniel Ponce
498:Jimi Hendrix
483:
466:
463:Manu Dibango
447:Archie Shepp
436:
409:Nona Hendryx
406:
393:
390:John Shirley
377:
362:Fab 5 Freddy
349:
335:
294:James Chance
282:MĂ©tal Urbain
275:
265:
243:
239:Bill Laswell
223:record label
218:
217:
141:Jean Karakos
118:Record label
102:
93:
83:
76:
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62:
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38:Please help
33:verification
30:
727:avant-garde
707:CBS Records
699:dance music
670:live album
595:Eric Dolphy
551:Mick Jagger
475:Miles Davis
370:Martin Bisi
326:Lydia Lunch
258:BYG Records
180:world music
165:alternative
807:Categories
792:2022-06-18
749:References
640:guitarist
638:Television
618:Fred Frith
494:Last Poets
471:Bob Marley
433:Fred Maher
429:Fred Frith
360:'s wife),
314:Ze Records
310:Tuxedomoon
66:newspapers
711:pop music
656:Brazilian
652:Real Time
634:post-punk
626:Fela Kuti
587:Last Exit
555:Motörhead
490:Time Zone
451:Brian Eno
413:Yellowman
346:Time Zone
332:Expansion
322:Alan Vega
302:Soft Cell
298:Alan Vega
737:See also
610:Devotion
599:Iron Man
547:Yoko Ono
438:One Down
425:Massacre
374:Material
250:Pop Shop
201:New-York
197:Location
696:lambada
541:Decline
398:No Wave
338:hip-hop
278:no wave
175:no-wave
160:hip-hop
137:Founder
129:Founded
80:scholar
703:Europe
628:, and
622:Kassav
612:, and
486:Praxis
421:Rockit
354:Beside
350:Shango
348:, and
286:London
246:France
192:France
82:
75:
68:
61:
53:
719:Axiom
692:Kaoma
684:Paris
574:Album
523:Blurt
235:1980s
148:Genre
87:JSTOR
73:books
688:zouk
664:CBGB
658:and
601:and
581:and
567:for
557:and
477:and
459:Chic
431:and
415:and
402:Konk
386:funk
382:punk
308:and
296:and
254:jazz
155:Rock
132:1976
59:news
660:ska
597:'s
559:PiL
457:of
380:by
352:),
288:'s
264:'s
42:by
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