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Cello Concerto No. 9 (Boccherini)

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Cello Concerto (In C Major, G.477) makes an appearance in bars 40-46 of the first movement, and in bars 85-96 and 151-163 of the Rondo, borrowing from the respective movements. The arpeggios of the Fifth Cello Concerto's (in D Major, G478) first movement are featured in their minor form in bars 47-53 of the first movement. Grützmacher also took the liberty of writing his own cadenzas. Despite all the changes, this Concerto holds up as one of Boccherini's best-known works.
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Grützmacher merged Boccherini's Ninth Cello Concerto with other Boccherini Cello Concertos. Besides the extensive cuts in the outer movements, Grützmacher decided to rid the Concerto of its original second movement, replacing it with that of the Seventh Cello Concerto (in G Major, G.480). The Fourth
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The Boccherini Ninth Cello Concerto has long been an integral part of standard cello instruction, because of creeping use of the full 4+
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virtuoso concerto, and in this form, widely heard, it bears only a tenuous resemblance to the original manuscript.
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Scott, Mary-Grace (August 1984). "Boccherini's B flat Cello Concerto: A reappraisal of the sources".
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have made recordings of the original work. The two works are distinguished by their origin:
61: 8: 205:. Vol. 79, no. 46. Nielsen Business Media, Inc. 18 November 1967. p. 76. 411: 239: 206: 178: 111: 99: 91: 406: 333: 268: 155: 16: 231: 198: 65: 53: 42:
range of the cello, rather than large jumps between different finger positions.
489: 416: 159: 23:, was written in either the late 1760s or early 1770s. Boccherini, a talented 532: 243: 210: 57: 49: 421: 172: 27:, composed twelve concertos for his instrument. In 1895 German cellist 485: 302: 69: 24: 64:
all made recordings of the Grützmacher version of the Concerto.
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chose this concerto to be arranged to fit the style of a
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Symphony Op. 12 No. 4 in D minor ("La Casa del Diavolo")
177:. Texas, USA: University of Texas Press. p. 227. 446: 173:
Carlos Prieto; Elena C. Murray; Álvaro Mutis (2011).
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Index

Luigi Boccherini
cellist
Friedrich Grützmacher
Romantic
octave
Pablo Casals
Pierre Fournier
Janos Starker
Jacqueline du Pré
Maurice Gendron
Yo-Yo Ma
Allegro moderato
Andante
grazioso
Adagio
Rondo


doi
10.1093/earlyj/12.3.355
ISBN
978-0292773394
"Billboard"
ISSN
0006-2510
"Billboard"
ISSN
0006-2510
"Simply Baroque II"
the original

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