749:, called Lewton and told him to fire the director. According to Tourneur, Lewton subsequently contacted Koerner, who viewed the raw unedited footage of the film the following day and expressed satisfaction with Tourneur's performance. Simon frequently clashed with co-stars as well as Tourneur during the shoot and displayed a significant temper. Randolph recalled that Simon frequently upstaged her during their scenes together, to the point that Tourneur confronted Simon: "He really bawled her out—in French. And she didn't like that either." Randolph also recalled Simon intentionally pouring coffee on one of her costumes in order to halt the production for the day. In a 1994 interview, Simon commented on her reputation in the United States: "I had a reputation of being temperamental – I never knew why – but this became part of my temperamental legend." Tourneur also clashed with higher-ups at RKO, recalling a later scene in the film, which featured a panther: "The front office made me put a cat in the drafting room scene: I had only intended to suggest the cat's presence by shadows." The director finished this scene by shooting it in a way that "you couldn't really be sure what you were seeing. That's the only way to do it."
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764:. Additional photography took place at the Royal Palms Hotel in downtown Los Angeles, where the swimming pool sequence involving a character believing she is stalked by a panther was shot. The location was chosen by the production team due to its claustrophobic atmosphere. Bodeen also stated that the scene was inspired by his own experience of nearly drowning when swimming alone at night in a pool while Tourneur said that the scene was based on his own experience of swimming alone in a friend's pool while the friend's pet cheetah escaped and began pacing nearby. Filming was concluded on August 21. The film's final cost sheet was $ 141,659.88, which was $ 22,711.88 over-budget.
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obsessed with abnormal fears, and a female office worker. According to
Tourneur, he was not content with the period setting of "Ancient Sorceries", stating, "if you're going to have horror, the audience must be able to identify with the characters in order to be frightened." Lewton contributed heavily to the screenplay. During the writing process, Tourneur recalled driving by Lewton's home in the evening to find a light turned on where Lewton was still working on the screenplay. Bodeen described the screenplay as a "group project", saying Lewton had the original idea and he wrote the treatment and screenplay, collaborating with Tourneur and Lewton, and later the film's editor
624:. Tourneur added that Lewton was not sure what to do with the title and recalled Lewton deciding to not make a "cheap horror movie that the studio expected but something intelligent and in good taste". Bodeen's version involved him being hired by Lewton at RKO as a contract writer. He had previously watched British and American horror and suspense films that he felt were "typical of what we did not want to do". According to Bodeen, Koerner felt that werewolves, vampires and man-made monsters were over-exploited, and that "nobody has done much with cats". Bodeen added that Lewton was unhappy with the proposed title of
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his assistant, Alice Moore. Alice confesses to Oliver that she loves him. When Irena spots Oliver and Alice seated together at a restaurant, she follows Alice home. Just as Alice hears a menacing sound, a bus pulls up and she boards it. Soon afterward, a groundskeeper discovers several freshly killed sheep. The paw prints leading away turn into imprints of a woman's shoes. A disheveled Irena returns to her apartment; she is shown afterward weeping in the bathtub. Irena dreams of Dr. Judd dressed up as King John speaking of "the key". She later steals the key to the panther's cage at the zoo.
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the film opened up with a Disney cartoon about a kitten, which led to the audience meowing. The audience cat-called and meowed further at the films opening title screen, according to Bodeen. Upon seeing an early preview, Randolph commented that she thought she was "terrible" in the film, while Simon was terrified that people would laugh at her performance, specifically in the pool scene. Bodeen found that as the story progressed the audience calmed and became more involved in the film. By late
October, Lewton and Tourneur were already shooting their next film together,
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1414:'s character jogging through a park as she appears to be stalked. Bailey and Schrader also remade the swimming pool scene, with Bailey recalling that they carefully studied the original scene, taking note of how the shadows reflected against the pool, and stating that this sequence was the most similar part of the remake to the original film because "we didn't think we could do it any better". The remake was released in April 1982 to mixed reviews.
816:, the scene involved Alice walking through a park alone at night as the film cuts to close ups of her face while her expression changes from chipper to distressed as she quickens her walking pace. Alice looks over her shoulder and turns to the sudden sound of a bus's air brakes. Robson stated that he "put a loud sound of air brakes on it so that it knocked viewers out of their seats. That became the 'bus' and we used it in every film."
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is looking for Oliver. Alice later finds her bathrobe torn to shreds. After an appointment with Dr. Judd, Irena tells Oliver that she is no longer afraid, but Oliver tells her it is too late: he has realized that he loves Alice and intends to divorce Irena. Later at work, Oliver and Alice are cornered by a snarling animal. Oliver and Alice manage to get out of the building, but not before smelling Irena's perfume.
1166:"may have lost some of its edge over the years and what remains may be a bit tarnished, but it is infinitely better than Paul Schrader's 1982 remake". Tourneur himself held varying opinions about the film, once saying that it was "very childish but audiences in those days were more naive than they are today but there are some very good things in it". On another occasion, he suggested that
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Simon's acting. On the other hand, Fujiwara wrote that, although "not delicately nuanced", Simon's performance "is effective in its mixture of narcissism and hesitant uncertainty". Newman described Simon's performance as "remarkably affecting, strange accent and all", adding that "there's a sense of life in her performance that makes
256:. The film tells the story of Irena Dubrovna, a newly married Serbian fashion illustrator obsessed with the idea that she is descended from an ancient tribe of Cat People who metamorphose into black panthers when aroused. When her husband begins to show interest in one of his co-workers, Irena begins to stalk her. The film stars
1170:-era audiences "all love war and love to be frightened, and in wartime people had money from plants, money to burn, and they loved that kind of film". Critic Ken Hanke remarked: "It isn't because the are unsuccessful in themselves. It's simply that they threw the baby out with the bathwater by rejecting
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stated that the film was "well-made on a moderate budget outlay" and relies upon "developments of surprises confined to psychology and mental reaction, rather than transformation to grotesque and marauding characters for visual impact on the audiences". The review went on to say that the script would
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estimated its rentals in 1943 as $ 1.2 million. Gregory Mank stated that RKO files report that domestic rentals were $ 360,000 and foreign rentals were $ 175,000, leading to a total of $ 535,000, and a profit of $ 183,000. Mank noted that rentals are not equivalent to gross revenue, and, assuming the
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Irena never consummates the marriage, fearful of the consequences. Oliver is patient with her, but eventually persuades her to see a psychiatrist, Dr. Louis Judd. Judd tries to convince her that her fears stem from childhood traumas. Meanwhile, Irena is unhappy to discover that Oliver has confided in
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Prior to its official release, the higher-up executives at RKO saw the film at a studio projection room and expressed disapproval. Early test screenings took place in
October at the RKO Hill Street Theatre, a testing site for sneak previews, with the cast and crew in attendance. Bodeen recalled that
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Oliver buys Irena a kitten, but upon meeting her, it hisses. Irena suggests they go to the pet shop to exchange it. When they enter the shop, the animals go wild in her presence, and Irena becomes uneasy. Irena gradually reveals to Oliver that she believes she is descended from the cat people of her
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in his list of "Great Movies" in 2006. He remarked that the film would work for contemporary audiences depending on their tastes, stating that it is "frightening in an eerie, mysterious way that was hard to define" with "an undertone of sexual danger that was more ominous because it was never acted
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Irena, Oliver, and Alice visit a museum, and Irena is angered when the two virtually ignore her. That evening, when Alice decides to use the basement swimming pool of her apartment building, she is stalked by an animal. When Alice screams for help, Irena appears, turning on the lights, and says she
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French town inhabited by a group of devil-worshipping cat people. According to Bodeen, as the rights were about to be purchased, Lewton changed his mind at the last minute and told Bodeen that the film would be set in contemporary New York and involve a love triangle between a man, a foreign woman
660:, but if you read the screenplay you would find everything in the film was in the original script – and that's simply because it was a group project. Val, Tourneur, myself, Robson – we all talked about it and I put it down on paper." By May 1, 1942, Bodeen had a fifty-page treatment completed for
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Alice calls Judd to warn him to stay away from Irena, but he hangs up when Irena arrives for her appointment with him. He kisses Irena passionately, causing her to transform into a panther and subsequently kill him. When Oliver and Alice arrive, Irena slips away and goes to the zoo. She opens the
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was the first film upon which the team worked. They were given the title by an RKO executive, who instructed them to develop a film from it. After researching various horror films and cat-related literature, Bodeen and Lewton developed the script with Lewton doing extensive uncredited work on the
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grossed $ 19,500 at the same theatre in
December 1941. The film received a wide release on December 25, distributed by RKO Radio Pictures. It had its Los Angeles premiere on January 14, 1943, at the Hawaii Theater, where it broke the attendance record. RKO reissued the film theatrically in 1952.
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had been cast in a supporting role, following Simon's casting as the lead. Tom Conway was cast as Dr. Judd, a psychiatrist who evaluates Irena and initially believes her fears to be delusional. Jane
Randolph, then a young actress who had recently begun her film career, was cast as Alice Moore, a
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s retrospective critical status by stating that it "is so famous that it has, inevitably, suffered a backlash, and now it might even be called underrated". Less enthusiastic reviews came from
Charles Higam and Joel Greenberg, who wrote that the film now appeared "so understated that much of its
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described the film as a "labored and obvious attempt to induce shock", and said that its themes are explored "at tedious and graphically unproductive length". He commented on Simon's acting, stating that actresses who are trying to portray " temptations – in straight horror pictures, at least –
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The critical reception to Simon's acting has historically been mixed. Siegel critiqued her acting, stating that her range was "too narrow for the film's more dramatic moments, a problem heightened by her difficulties with
American pronunciation". Tourneur also stated that he was not happy with
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on
December 5, 1942, before having a wider release on December 25. Initial critical reviews ranged from negative to mildly enthusiastic. The film did well at the box office, being one of RKO's biggest hits of the season. Several horror films of the 1940s and 1950s were influenced by
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panther's cage with the stolen key and is struck down by the escaping panther, which is accidentally hit and killed by a car. Next to the panther's cage, Oliver and Alice find Irena's dead body lying on the ground. Oliver says, "She never lied to us," and leads Alice away.
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intended effect is dissipated its total impression is distinctly tepid". Joel E. Siegel spoke about the film in his book on Lewton, stating it was "seriously weakened by passages of lumpy, strained dialogue, uncertain performance and uneven pacing". Richard Combs of the
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Simone Simon was cast in the role of Irena
Dubrovna by producer Lewton. Lewton commented that, "I'd like to have a girl with a little kitten face like Simone Simon, cute and soft and cuddly and seemingly not at all dangerous." He compared his decision to the casting of
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in 1993. Retrospective reception of the original has been varied. Some modern critics have described the film as being too subdued for the genre and have deprecated the quality of the acting. Others have praised the film's atmosphere and sophistication, with the critic
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found the film "grim and unrelenting ... a dose of horror best suited to addicts past the curable stage", and noted that the film was "definitely not for children, young or old ... Potent stuff, straight from the psychopathic clinic". A critic writing in the
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was "a fantastic story, reasonably produced and directed", and complimented the photography and acting, noting that Simon "only partly succeeds in interpreting the part of Irena, but lighting and camera work and sound recording help to make her performance adequate".
1200:. He wrote that, through numerous viewings of the film, he discovered "new aspect, some unnoticed detail carefully crafted I would happily rewatch it this evening which may be the highest praise I can give any film". In his book on Tourneur, Fujiwara declared that
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at RKO's Stage 2A. Part of the score was influenced by Simon. Lewton found Simon singing a tune at RKO that went "doo-doo-baby-doo", subsequently taking her to see Webb, who developed the tune into the film's score. The score of the film, along with those of
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reflected "a growing awareness of homosexuality, homosexual communities, and the dynamics of homosexual oppression as it was played out in society and the military" during that era, which led to a more nuanced depiction of monsters in films of that era.
698:(1932), where she portrayed the Panther Woman, stating that any attempt at securing a wild, cat-like appearance in their casting would be disastrous. Simon, a star in her native France, had recently garnered fame in the United States for her role in
382:. When King John drove the Mameluks out and saw what the villagers had become, he had them killed. However, "the wisest and the most wicked" escaped into the mountains. Oliver is dismissive of the legend even though Irena clearly takes it seriously.
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Oliver Reed, who strikes up a conversation. Irena invites him to her apartment for tea. At her apartment, Oliver is intrigued by a statue of a medieval warrior on horseback impaling a large cat with his sword. Irena informs Oliver that the figure is
1339:, as it also features Tom Conway playing Dr. Judd, as well as another haunted woman eager to embrace death. In the film, Judd recalls that he once knew a mysterious woman who was in fact a "raving lunatic", even though Judd's character died in
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be "hazy for the average audience in several instances, carries sufficient punch in the melodramatic sequences to hold it together in good style", elaborating that
Tourneur "does a fine job with a most difficult assignment". A reviewer at
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is, "with all its flaws, a perfect film", and added that even its flaws "have become classic", dismissing the "careful", "tepid", "strained", and "uneven" qualities that some critics have complained about. He also stated that
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Newman praised the film, noting that it was the first major supernatural horror film with a contemporary, urban, American setting and "normal people, engaged in normal occupations" as leading characters, and concluded that
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upon". Ebert also praised the filmmakers, writing that Tourneur and Musuraca were "masters of light and shadow", and called the films Lewton produced in the 1940s "landmark in American movie history". In 1993, the
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Production began in 1942, with Lewton being placed in charge of developing RKO's low-budget horror films. He brought together a team of filmmakers that he had worked with in the past, including Tourneur, editor
322:, either drawing on the film's shadowy visuals or containing a female character who fears that she possesses a hereditary trait that makes her transform into a monster. The film was followed by a sequel,
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1319:, portrayed by Simon. In addition to Simon, Smith, and Randolph, Elizabeth Russell appears in the sequel in a different role, that of Barbara Farren. Lewton unsuccessfully attempted to have the title of
1388:. According to Ormsby, Vadim was very concerned that the film would appear sexist, as the woman who was sexually intense had to be destroyed, so he created a male character who has the same problem.
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in 1995. This release contained an audio commentary by Bruce Eder, trailers for other Val Lewton titles and his filmography, and a section with production stills, lobby cards, and production photos.
1453:, particularly by having a female character who fears she has inherited the tendency to turn into a monster, or attempted to replicate the shadowy visual style of Tourneur and Musuraca, among them
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scores "represent distinctly non-traditional suspense scores, built around memorable core motifs, dealing with their central characters' struggle with the forces of evil within and without".
1347:, Conway's character was referred to as "Mr. Siegfried", leading film scholars to believe that the character's name was changed to create continuity between the two films and capitalize on
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1251:"is still contagious; the viewer can still share the surprise and pleasure the film evoked in audiences who discovered this unheralded B horror film on its initial release". Critic
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revenue was split evenly between theaters and the studio, the film grossed over $ 1 million. He wrote that this was still "excellent business", comparing it to the profit of RKO's
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was conceived. Tourneur said that Lewton called him from RKO to direct the film after Koerner attended a party where it was suggested to him that he develop a film with the title
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and that the cat represents evil. According to legend, in medieval times, the Christian residents of her home village gradually turned to witchcraft after being enslaved by the
390:. Despite this, Oliver asks her to marry him, and she agrees. During the dinner after their wedding at a Serbian restaurant, a cat-like woman walks over and addresses Irena as
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on December 5, 1942, and it was released regionally the following day in New York City. Its first two weeks at the Rialto Theatre, the film took in $ 17,000; in comparison,
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792:, which was a financial failure on its release. Robson felt that he was assigned to Lewton's horror film unit because RKO punished anyone who had worked with Welles.
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at $ 4 million domestically and $ 4 million in foreign markets. Film historians Chris Fujiwara and Joel Siegel also put the domestic box office at $ 4 million.
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Discussing the history of horror films, Newman stated that, if a horror film in the 1940s was financially successful, it was likely to become a franchise.
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compared the film unfavorably to other Lewton productions, stating that "it is perhaps easier to prefer the more mellow, less heavily fingered fantasy of
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to play Alice, but was prevented from casting her by Selznick, who had other plans for Jones. Among the rest of the crew was the composer of the score
704:(1941). Opposite Simon, Kent Smith was cast as Oliver Reed. Smith allegedly received the role after Lewton spotted him cycling across the studio lot.
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studios in Hollywood. Tourneur recalled that he was nearly fired three days into shooting after executive producer Lew Ostrow saw the daily
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Some of the film sets were re-used from previous productions, such as the hallway and staircase in Dubrovna's apartment, which were from
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In March 1999, a second remake was announced as a co-production between Universal Pictures and Overbrook Entertainment. Written by
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Into the Lion's Mouth: The True Story of Dusko Popov: World War II Spy, Patriot, and the Real-Life Inspiration for James Bond
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from RKO with plans to develop a remake. Subotsky later passed the property to Universal, which initially planned to have
1343:, making the relationship between the two fictional narratives incoherent. In memos and early drafts of the screenplay of
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was unimpressed by the film, writing that it "tries hard to be a melodrama ... but it doesn't try hard enough".
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was the "master text" of Tourneur's career, stating that most of his later films have some connection with
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The film's box office receipts are disputed. Film historian Edmund Bansak has estimated the box office for
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RKO Home Video released the film on home video in 1986 as part of their horror series. It was released on
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1421:, it would have been updated to the present day and set in New York, but this project was never filmed.
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2932:"'Cat People', With Simone Simon and Jack Holt, at Rialto -- New Swedish Film at 48th Street; Purrrr"
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647:'s 1906 short story "Ancient Sorceries". Blackwood's story had a contemporary setting and involved a
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into a story about a sideshow performer who dresses as a mermaid and is concerned she actually is a
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America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry
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were mixed. Newman compiled the reviews after the film's premiere in New York, stating that
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Newman referred to the reviews after the film opened in Los Angeles as "somewhat better".
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McCormick, Moira (August 23, 1986). "RKO Focuses on Upscale Market for Classic Films".
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and released on compact disc in 1999. In his review of the album, Bruce Eder wrote for
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had a budget of around $ 135,000, which was significantly less than Universal spent on
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Mary Halsey as Blondie, the front desk clerk at Alice's apartment building (uncredited)
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by The Criterion Collection. This Blu-ray was from a new digital transfer created at
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1410:, Schrader paid homage to the stalking scene in the original with a scene featuring
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describing it and the other Val Lewton productions as landmark films of the 1940s.
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story. The film was shot at RKO's studios reusing sets from previous films such as
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direct. Three drafts of the screenplay were developed, the first two written by
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as the "Cat Woman" at The Belgrade (voice dubbed by Simone Simon) (uncredited)
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compared the Lewton productions to RKO's own B-movie mystery series based on
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reviews were "more positive, if not really enthusiastic". Wanda Hale of the
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should exercise their digits a bit more freely than does Simone Simon".
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Elizabeth Dunne as Mrs. Plunkett, the owner of the pet shop (uncredited)
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RKO Radio Pictures Horror, Science Fiction and Fantasy Films, 1929–1956
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The Very Witching Time of Night: Dark Alleys of Classic Horror Cinema
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1186:, like most great monster movies, as much a tragedy as a melodrama".
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and said, "if you want to get out now, I won't hold it against you."
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616:(1943). Tourneur and Bodeen offered conflicting accounts as to how
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and condescending for genre fans to feel comfortable about them."
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Lewton selected most of the film's main crew, including director
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is described by Newman as being "an unacknowledged spin-off" of
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Bodeen then began researching cat-related literature, including
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Mank, Gregory (2016). "Audio commentary with Gregory Mank".
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of the Universal product. Moreover, the films are a bit too
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2085:
1520:
made two films as tributes to Lewton's work. The first was
1162:". In his 1995 book on Lewton, Edmund G. Bansak found that
916:
adorned with promotional materials for the film's premiere.
473:
as Mrs. Agnew, the scrubwoman at Oliver's work (uncredited)
3277:. Vol. 108, no. 12. Nielsen Business Media, Inc.
3268:. Vol. 107, no. 14. Nielsen Business Media, Inc.
2779:
2767:
2755:
2745:
2743:
1879:
1877:
1875:
3259:. Vol. 98, no. 34. Nielsen Business Media, Inc.
2974:"Cat People [Classic Music for Val Lewton Films]"
2606:
Monsters in the Closet: Homosexuality and the Horror Film
2546:
2425:
2423:
2421:
2419:
2417:
2233:
2231:
2195:. Vol. 153, no. 4. January 5, 1944. p. 54.
1860:
1708:
990:
501:
ended his working relationship with independent producer
3273:
McGowan, Chris (March 23, 1996). "Isn't That Special?".
2126:
2099:
2082:
2043:
2016:
1930:
1620:
1618:
1616:
1614:
452:
as "Doc" Carver, one of Oliver's co-workers (uncredited)
3102:. Oakland, California: University of California Press.
2740:
2698:
2696:
2694:
2643:
2510:
2500:
2498:
2483:
2447:
2321:
2319:
2216:
2167:
2070:
1982:
1980:
1978:
1976:
1974:
1889:
1872:
1836:
1826:
1824:
1822:
1794:
1792:
1747:
1725:
1723:
1698:
1696:
1694:
718:
woman vying for Oliver's affections. Lewton had wanted
517:
horror feature films. Writing in 2009, the film critic
386:
village, and that she will transform into a panther if
3758:
2679:
2414:
2255:
2228:
2206:
2204:
2202:
2145:
2143:
2141:
2116:
2114:
2060:
2058:
1961:
1959:
1957:
1920:
1918:
1916:
1901:
1848:
1809:
1807:
1779:
1777:
1764:
1762:
1735:
3383:. Los Angeles, California – via Newspapers.com.
3099:
Slow Fade to Black: The Decline of RKO Radio Pictures
2922:. Vol. 48, no. 564. British Film Institute.
2471:
2279:
2243:
1681:
1679:
1666:
1664:
1662:
1637:
1635:
1633:
1611:
1030:
At the time of its original release, the reviews for
513:, becoming the head of a new unit created to develop
2815:
2803:
2791:
2691:
2655:
2565:
2563:
2561:
2534:
2522:
2495:
2459:
2343:
2316:
2267:
1992:
1971:
1942:
1819:
1789:
1720:
1691:
1647:
479:
as Minnie, the waitress at Sally Lunn's (uncredited)
3390:
Phantom Ladies: Hollywood Horror and the Home Front
3304:Newman, Kim (November 1999). "Bring Back the Cat".
2199:
2138:
2111:
2055:
2004:
1954:
1913:
1804:
1774:
1759:
1599:
2331:
1676:
1659:
1630:
1429:A number of contemporary films were influenced by
3392:. Rutgers, New Jersey: Rutgers University Press.
2558:
4266:
3044:
2441:
3264:McGowan, Chris (April 8, 1995). "Laser Scans".
2302:(liner notes). The Criterion Collection. 2016.
2033:
2031:
989:, were issued in 2005 as both a double feature
3410:(July 1982). "Alan Ormsby on the Cat People".
3375:"'America' Gets Signal; Spencer Tracy to Star"
2999:"DVD Savant Review: The Val Lewton Collection"
2717:
2715:
2713:
2711:
4073:
3744:
3616:
2361:
545:(1944), but had larger budgets than those of
2028:
1283:argues that the films of Val Lewton such as
956:, which had worldwide rentals of $ 361,000.
575:(1943), but more than the $ 97,000 that the
2896:
2708:
2673:
2608:. Manchester University Press. p. 88.
796:contains a stalking scene that ends with a
4355:United States National Film Registry films
4236:Shadows in the Dark: The Val Lewton Legacy
4080:
4066:
3751:
3737:
3623:
3609:
3534:
3518:
3500:
3484:
3468:
3435:More than Night: Film Noir in its Contexts
3045:Greenberg, Joel; Highham, Charles (1970).
2621:
446:as "Commodore" C. R. Cooper, Oliver's boss
303:that Lewton used in his subsequent films.
29:
3432:
3372:
3252:
3162:
3056:"'Cat People' Claws Nerves at the Rialto"
3027:Jacques Tourneur: The Cinema of Nightfall
2285:
2222:
1842:
3326:
3215:. Jefferson, North Carolina: McFarland.
3196:. Jefferson, North Carolina: McFarland.
3023:
2996:
2926:
2797:
2604:Benshoff, Harry M. (November 15, 1997).
2603:
2552:
2453:
2429:
2349:
2273:
1907:
1854:
1624:
671:
3387:
3272:
3263:
2880:Fearing the Dark: The Val Lewton Career
2685:
2355:
2261:
2249:
2237:
1156:, and even the reconciled ambitions of
4267:
3406:
3303:
3281:
3141:
3095:
3081:. Sheffield, England: Tomahawk Press.
3076:
2877:
2850:
2833:
2821:
2809:
2785:
2773:
2761:
2749:
2702:
2661:
2649:
2540:
2528:
2516:
2504:
2489:
2477:
2325:
2173:
2161:
1998:
1986:
1948:
1936:
1895:
1830:
1798:
1753:
1741:
1729:
1714:
1702:
1653:
1641:
1605:
4310:Cultural depictions of Serbian people
4061:
3732:
3604:
3573:
3353:
3177:from the original on December 5, 2018
3127:(Blu-ray). The Criterion Collection.
3116:
3064:. New York City, New York. p. 98
2997:Erickson, Glenn (September 9, 2005).
2949:
2916:Combs, Richard (1981). "Cat People".
2915:
2851:Bailey, John (2016). "John Bailey on
2569:
2465:
2381:from the original on October 27, 2016
2149:
1866:
1587:from the original on December 4, 2018
1561:
1559:
1557:
1555:
1553:
1534:. The second was the television film
1125:, a British publication, stated that
741:commenced on July 28, 1942, at RKO's
730:, who were seasoned veterans at RKO.
3310:. Vol. 9, no. 11. London:
3229:
3210:
3189:
3163:Macek III, J. C. (January 9, 2017).
3053:
2622:Crucchiola, Jordan (June 26, 2018).
2337:
2210:
2132:
2120:
2105:
2093:
2076:
2064:
2049:
2022:
2010:
1965:
1924:
1883:
1813:
1783:
1768:
1685:
1670:
3373:Schallert, Edwin (August 4, 1942).
2963:. Chicago, Illinois. Archived from
2393:
1526:(1961), which reworked the plot of
852:The Slovak Radio Symphony Orchestra
13:
4325:Films directed by Jacques Tourneur
4305:American supernatural horror films
4248:Val Lewton: The Man in the Shadows
3426:
3327:Petrikin, Chris (March 29, 1999).
3120:Val Lewton: The Man in the Shadows
3079:Boris Karloff: More Than a Monster
3030:. Baltimore, Maryland: McFarland.
3011:from the original on July 28, 2012
2575:
1550:
767:
604:teams for Selnick's production of
440:as Alice Moore, Oliver's assistant
14:
4371:
3452:
2624:"55 Essential Queer Horror Films"
1384:and the final version written by
667:
434:as Dr. Louis Judd, a psychiatrist
3054:Hale, Wanda (December 6, 1942).
2971:
2901:. New York: Simon and Schuster.
2037:
1133:
898:
889:
679:in a 1942 promotional photo for
4295:1940s supernatural horror films
2843:
2597:
2291:
2179:
1194:was a progenitor of films like
1025:
997:DVD box set. In December 2016,
823:conducted Roy Webb's score for
758:. Other sets were re-used from
572:Frankenstein Meets the Wolf Man
547:Producers Releasing Corporation
369:. She catches the attention of
4300:American black-and-white films
4087:
3630:
3566:– essay by Chuck Bowen on the
3542:Filmsite capsule of Cat People
3211:Mank, Gregory William (2014).
3190:Mank, Gregory William (2005).
3049:. New York: Paperback Library.
2897:Christopher, Nicholas (2010).
2406:. Vol. 10, no. 109.
1058:"all went thumbs down", while
492:
1:
4360:English-language horror films
3821:Nick Carter, Master Detective
3682:Cat People (Putting Out Fire)
3548:Cat People: Darkness Betrayed
3148:. New York: Berkley Caliber.
1543:
959:
713:reported in August 1942 that
487:
467:as the zookeeper (uncredited)
16:1942 film by Jacques Tourneur
4330:Films produced by Val Lewton
4290:1940s English-language films
3515:AFI Catalog of Feature Films
3416:. Vol. 4, no. 11.
3193:Women in Horror Films, 1940s
2442:Greenberg & Highham 1970
1576:AFI Catalog of Feature Films
1424:
1020:
995:Val Lewton Horror Collection
701:The Devil and Daniel Webster
7:
4152:The Curse of the Cat People
3655:The Curse of the Cat People
3072:– via Newspapers.com.
2878:Bansak, Edmund G. (2003) .
2187:"Top Grosses of the Season"
1579:. Los Angeles, California:
1321:The Curse of the Cat People
1308:The Curse of the Cat People
1043:The New York Herald Tribune
986:The Curse of the Cat People
325:The Curse of the Cat People
184:December 25, 1942
10:
4376:
4340:Films set in New York City
3433:Narenmore, James (2008) .
3354:Pitts, Michael R. (2015).
1361:
1357:
1296:
1242:. Fujiwara concluded that
880:
733:
169:December 5, 1942
4345:Films shot in Los Angeles
4320:Films about shapeshifting
4226:
4095:
3797:The Concierge's Daughters
3773:All That's Not Worth Love
3767:
3691:
3673:
3638:
3024:Fujiwara, Chris (2000) .
1291:
1073:New York Journal-American
789:The Magnificent Ambersons
782:had previously worked on
755:The Magnificent Ambersons
344:for preservation in the
296:The Magnificent Ambersons
225:
217:
209:
199:
160:
152:
136:
126:
116:
106:
70:
60:
50:
40:
35:Theatrical release poster
28:
23:
4335:Films scored by Roy Webb
3989:Great Day in the Morning
3557:The Criterion Collection
3236:The Criterion Collection
3096:Jewell, Richard (2016).
3077:Jacobs, Stephen (2011).
3047:Hollywood in the Forties
2861:The Criterion Collection
2375:Penske Media Corporation
1001:was reissued on DVD and
974:The Criterion Collection
925:had its premiere at the
821:Constantin Bakaleinikoff
761:The Devil and Miss Jones
596:, who all worked on the
497:In March 1942, producer
309:had its premiere at the
242:supernatural horror film
3965:Appointment in Honduras
3925:The Flame and the Arrow
2727:American Film Institute
1581:American Film Institute
1468:The Woman Who Came Back
1154:Curse of the Cat People
1055:New York World-Telegram
637:The Eyes of the Panther
409:
356:
260:as Irena, and features
4120:I Walked with a Zombie
3853:I Walked with a Zombie
3574:Eagan, Daniel (2010).
3568:National Film Registry
3312:British Film Institute
3289:. Palgrave Macmillan.
3142:Loftis, Larry (2016).
2899:Somewhere in the Night
2408:British Film Institute
2365:Staff (January 1942).
2298:"About the Transfer".
2164:, p. 319 fn. 147.
1510:Daughter of Dr. Jekyll
1364:Cat People (1982 film)
1277:Monsters in the Closet
1270:National Film Registry
979:In the United States,
875:I Walked with a Zombie
831:I Walked with a Zombie
684:
346:National Film Registry
4037:The Comedy of Terrors
4021:The Giant of Marathon
3973:Stranger on Horseback
3388:Snelson, Tim (2014).
3329:"'Cat' Scratch Again"
3117:Jones, Kent (2016). "
2919:Monthly Film Bulletin
2836:, pp. 19, 69–70.
2585:. Library of Congress
2403:Monthly Film Bulletin
1462:The Soul of a Monster
1372:bought the rights to
1362:Further information:
1149:Monthly Film Bulletin
1122:Monthly Film Bulletin
850:, was re-recorded by
739:Principal photography
675:
649:Medieval architecture
276:in supporting roles.
4315:Films about big cats
4285:1940s American films
3586:. pp. 358–360.
2930:(December 7, 1942).
1717:, pp. 9–10, 74.
1391:In the early 1980s,
1279:, the film theorist
1138:Fujiwara summarized
1049:New York Sunday News
953:The Falcon's Brother
726:and cinematographer
695:Island of Lost Souls
607:A Tale of Two Cities
579:studio PRC spent on
340:, being selected by
192: (United States)
3885:Experiment Perilous
3061:New York Daily News
2967:on August 28, 2014.
2955:"Cat People (1942)"
2723:"Cat People (1982)"
2676:, pp. 216–218.
2410:. 1943. p. 27.
1886:, pp. 139–140.
1480:The Catman of Paris
1440:Cry of the Werewolf
1262:Library of Congress
1221:Experiment Perilous
1088:New York Daily News
993:and as part of the
376:King John of Serbia
342:Library of Congress
240:is a 1942 American
4350:RKO Pictures films
4136:The Seventh Victim
4045:City Under the Sea
4005:Night of the Demon
3949:Anne of the Indies
3837:Doctors Don't Tell
3759:Films directed by
3700:The Seventh Victim
3532:TCM Movie Database
3341:on August 10, 2016
2953:(March 12, 2006).
2936:The New York Times
1939:, pp. 42, 57.
1474:She-Wolf of London
1393:Universal Pictures
1345:The Seventh Victim
1332:The Seventh Victim
1325:Amy and Her Friend
1215:Night of the Demon
1098:The New York Times
1037:The New York Times
864:The Seventh Victim
836:The Seventh Victim
809:The Seventh Victim
685:
645:Algernon Blackwood
507:RKO Radio Pictures
388:aroused to passion
156:RKO Radio Pictures
146:RKO Radio Pictures
4280:1942 horror films
4262:
4261:
4208:Please Believe Me
4176:The Body Snatcher
4160:Mademoiselle Fifi
4104:No Man of Her Own
4055:
4054:
3933:Stars in My Crown
3813:They All Come Out
3805:Romance of Radium
3726:
3725:
3444:978-0-520-93445-0
3399:978-0-8135-7042-6
3380:Los Angeles Times
3307:Sight & Sound
3296:978-0-85170-741-9
3245:978-1-68143-201-4
3222:978-0-786-44955-2
3203:978-0-7864-2335-4
3155:978-0-425-28181-9
3134:978-1-68143-201-4
3109:978-0-520-28966-6
3088:978-0-955-76704-3
2960:Chicago Sun-Times
2908:978-1-4391-3761-1
2870:978-1-68143-201-4
2752:, pp. 32–33.
2652:, pp. 20–21.
2615:978-0-7190-4473-1
2555:, pp. 83–84.
2519:, pp. 72–73.
2492:, pp. 71–72.
2309:978-1-68143-201-4
2176:, pp. 19–20.
1898:, pp. 13–14.
1756:, pp. 15–16.
1518:Curtis Harrington
1498:Cult of the Cobra
1435:Columbia Pictures
1368:British producer
1015:fine-grain master
858:noting that both
841:The Body Snatcher
728:Nicholas Musuraca
710:Los Angeles Times
549:(PRC) films like
539:productions like
529:productions like
503:David O. Selznick
459:Elizabeth Russell
284:and screenwriter
248:and produced for
233:
232:
111:Nicholas Musuraca
4367:
4200:My Own True Love
4184:Isle of the Dead
4082:
4075:
4068:
4059:
4058:
3941:Circle of Danger
3869:Reward Unlimited
3761:Jacques Tourneur
3753:
3746:
3739:
3730:
3729:
3716:The Cat Creature
3625:
3618:
3611:
3602:
3601:
3597:
3593:978-0826-42977-3
3553:Geoffrey O'Brien
3538:
3522:
3504:
3488:
3472:
3448:
3421:
3403:
3384:
3369:
3350:
3348:
3346:
3337:. Archived from
3323:
3300:
3278:
3269:
3260:
3249:
3226:
3207:
3186:
3184:
3182:
3159:
3138:
3113:
3092:
3073:
3071:
3069:
3050:
3041:
3020:
3018:
3016:
2993:
2991:
2989:
2984:on July 27, 2020
2980:. Archived from
2968:
2946:
2944:
2942:
2928:Crowther, Bosley
2923:
2912:
2893:
2874:
2837:
2831:
2825:
2819:
2813:
2807:
2801:
2795:
2789:
2783:
2777:
2771:
2765:
2759:
2753:
2747:
2738:
2737:
2735:
2733:
2719:
2706:
2700:
2689:
2683:
2677:
2674:Christopher 2010
2671:
2665:
2659:
2653:
2647:
2641:
2640:
2638:
2636:
2619:
2601:
2595:
2594:
2592:
2590:
2579:
2573:
2567:
2556:
2550:
2544:
2538:
2532:
2526:
2520:
2514:
2508:
2502:
2493:
2487:
2481:
2475:
2469:
2463:
2457:
2451:
2445:
2439:
2433:
2427:
2412:
2411:
2397:
2391:
2390:
2388:
2386:
2359:
2353:
2347:
2341:
2335:
2329:
2323:
2314:
2313:
2295:
2289:
2283:
2277:
2271:
2265:
2259:
2253:
2247:
2241:
2235:
2226:
2220:
2214:
2208:
2197:
2196:
2183:
2177:
2171:
2165:
2159:
2153:
2147:
2136:
2130:
2124:
2118:
2109:
2103:
2097:
2091:
2080:
2074:
2068:
2062:
2053:
2047:
2041:
2035:
2026:
2020:
2014:
2008:
2002:
1996:
1990:
1984:
1969:
1963:
1952:
1946:
1940:
1934:
1928:
1922:
1911:
1905:
1899:
1893:
1887:
1881:
1870:
1864:
1858:
1852:
1846:
1840:
1834:
1828:
1817:
1811:
1802:
1796:
1787:
1781:
1772:
1766:
1757:
1751:
1745:
1744:, pp. 9–10.
1739:
1733:
1727:
1718:
1712:
1706:
1700:
1689:
1683:
1674:
1668:
1657:
1651:
1645:
1639:
1628:
1622:
1609:
1603:
1597:
1596:
1594:
1592:
1563:
1537:The Cat Creature
1504:The She-Creature
1353:
1317:invisible friend
1305:was followed by
1239:Circle of Danger
1144:
1084:
1061:The New York Sun
983:and its sequel,
902:
893:
868:
777:
590:Jacques Tourneur
363:Central Park Zoo
246:Jacques Tourneur
229:≈ $ 135,000
191:
189:
176:
174:
45:Jacques Tourneur
33:
21:
20:
4375:
4374:
4370:
4369:
4368:
4366:
4365:
4364:
4265:
4264:
4263:
4258:
4228:
4222:
4168:Youth Runs Wild
4128:The Leopard Man
4091:
4086:
4056:
4051:
3957:Way of a Gaucho
3901:Out of the Past
3861:The Leopard Man
3829:Phantom Raiders
3763:
3757:
3727:
3722:
3687:
3669:
3634:
3629:
3594:
3584:A & C Black
3498:Rotten Tomatoes
3455:
3445:
3429:
3427:Further reading
3424:
3400:
3366:
3344:
3342:
3297:
3246:
3223:
3204:
3180:
3178:
3156:
3135:
3110:
3089:
3067:
3065:
3038:
3014:
3012:
2987:
2985:
2940:
2938:
2909:
2890:
2871:
2846:
2841:
2840:
2832:
2828:
2820:
2816:
2808:
2804:
2796:
2792:
2784:
2780:
2772:
2768:
2760:
2756:
2748:
2741:
2731:
2729:
2721:
2720:
2709:
2701:
2692:
2684:
2680:
2672:
2668:
2660:
2656:
2648:
2644:
2634:
2632:
2616:
2602:
2598:
2588:
2586:
2581:
2580:
2576:
2568:
2559:
2551:
2547:
2539:
2535:
2527:
2523:
2515:
2511:
2503:
2496:
2488:
2484:
2476:
2472:
2464:
2460:
2452:
2448:
2440:
2436:
2428:
2415:
2399:
2398:
2394:
2384:
2382:
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2356:
2348:
2344:
2336:
2332:
2324:
2317:
2310:
2297:
2296:
2292:
2284:
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2272:
2268:
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2256:
2248:
2244:
2236:
2229:
2221:
2217:
2209:
2200:
2185:
2184:
2180:
2172:
2168:
2160:
2156:
2148:
2139:
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2127:
2119:
2112:
2104:
2100:
2092:
2083:
2075:
2071:
2063:
2056:
2048:
2044:
2036:
2029:
2021:
2017:
2009:
2005:
1997:
1993:
1985:
1972:
1964:
1955:
1947:
1943:
1935:
1931:
1923:
1914:
1906:
1902:
1894:
1890:
1882:
1873:
1865:
1861:
1853:
1849:
1841:
1837:
1829:
1820:
1812:
1805:
1797:
1790:
1782:
1775:
1767:
1760:
1752:
1748:
1740:
1736:
1728:
1721:
1713:
1709:
1705:, pp. 8–9.
1701:
1692:
1684:
1677:
1669:
1660:
1652:
1648:
1640:
1631:
1623:
1612:
1604:
1600:
1590:
1588:
1565:
1564:
1551:
1546:
1427:
1412:Annette O'Toole
1370:Milton Subotsky
1366:
1360:
1351:
1299:
1294:
1227:Out of the Past
1210:The Leopard Man
1208:, specifically
1197:Rosemary's Baby
1142:
1136:
1093:Bosley Crowther
1082:
1067:New-York Mirror
1028:
1023:
970:Voyager Company
962:
920:
919:
918:
917:
905:
904:
903:
895:
894:
883:
866:
803:The Leopard Man
775:
770:
768:Post-production
736:
670:
552:The Mad Monster
511:Charles Koerner
495:
490:
485:
412:
394:("my sister").
371:marine engineer
359:
328:, in 1944, and
202:
195:
187:
185:
172:
170:
163:
148:
141:
139:
102:
36:
17:
12:
11:
5:
4373:
4363:
4362:
4357:
4352:
4347:
4342:
4337:
4332:
4327:
4322:
4317:
4312:
4307:
4302:
4297:
4292:
4287:
4282:
4277:
4260:
4259:
4257:
4256:
4244:
4231:
4229:
4227:Documentaries
4224:
4223:
4221:
4220:
4212:
4204:
4196:
4188:
4180:
4172:
4164:
4156:
4148:
4144:The Ghost Ship
4140:
4132:
4124:
4116:
4108:
4099:
4097:
4093:
4092:
4085:
4084:
4077:
4070:
4062:
4053:
4052:
4050:
4049:
4041:
4033:
4025:
4017:
4013:The Fearmakers
4009:
4001:
3993:
3985:
3977:
3969:
3961:
3953:
3945:
3937:
3929:
3921:
3913:
3909:Berlin Express
3905:
3897:
3893:Canyon Passage
3889:
3881:
3873:
3865:
3857:
3849:
3841:
3833:
3825:
3817:
3809:
3801:
3793:
3785:
3777:
3768:
3765:
3764:
3756:
3755:
3748:
3741:
3733:
3724:
3723:
3721:
3720:
3712:
3704:
3695:
3693:
3689:
3688:
3686:
3685:
3677:
3675:
3671:
3670:
3668:
3667:
3659:
3651:
3642:
3640:
3636:
3635:
3628:
3627:
3620:
3613:
3605:
3599:
3598:
3592:
3571:
3559:
3551:– an essay by
3544:
3539:
3523:
3517:
3505:
3489:
3473:
3454:
3453:External links
3451:
3450:
3449:
3443:
3428:
3425:
3423:
3422:
3404:
3398:
3385:
3370:
3365:978-1476616834
3364:
3351:
3324:
3301:
3295:
3279:
3270:
3261:
3250:
3244:
3227:
3221:
3208:
3202:
3187:
3160:
3154:
3139:
3133:
3114:
3108:
3093:
3087:
3074:
3051:
3042:
3036:
3021:
2994:
2969:
2947:
2924:
2913:
2907:
2894:
2888:
2875:
2869:
2847:
2845:
2842:
2839:
2838:
2826:
2814:
2802:
2790:
2778:
2766:
2754:
2739:
2707:
2690:
2688:, p. 179.
2678:
2666:
2654:
2642:
2614:
2596:
2574:
2557:
2545:
2533:
2521:
2509:
2494:
2482:
2480:, p. 139.
2470:
2468:, p. 144.
2458:
2456:, p. 294.
2446:
2434:
2413:
2400:"Cat People".
2392:
2354:
2342:
2330:
2315:
2308:
2290:
2286:Macek III 2017
2278:
2266:
2264:, p. 104.
2254:
2242:
2240:, p. 102.
2227:
2223:McCormick 1986
2215:
2213:, p. 239.
2198:
2178:
2166:
2154:
2137:
2125:
2123:, p. 262.
2110:
2098:
2081:
2069:
2067:, p. 237.
2054:
2042:
2027:
2015:
2013:, p. 220.
2003:
1991:
1970:
1968:, p. 238.
1953:
1941:
1929:
1927:, p. 221.
1912:
1900:
1888:
1871:
1859:
1847:
1843:Schallert 1942
1835:
1818:
1816:, p. 139.
1803:
1788:
1786:, p. 116.
1773:
1771:, p. 218.
1758:
1746:
1734:
1719:
1707:
1690:
1688:, p. 222.
1675:
1673:, p. 140.
1658:
1656:, p. 297.
1646:
1629:
1610:
1598:
1548:
1547:
1545:
1542:
1486:The Cat Creeps
1426:
1423:
1399:to direct the
1359:
1356:
1311:, directed by
1298:
1295:
1293:
1290:
1281:Harry Benshoff
1159:The Ghost Ship
1135:
1132:
1027:
1024:
1022:
1019:
961:
958:
927:Rialto Theatre
910:Rialto Theatre
907:
906:
897:
896:
888:
887:
886:
885:
884:
882:
879:
819:On October 5,
769:
766:
735:
732:
720:Jennifer Jones
690:Kathleen Burke
669:
668:Pre-production
666:
641:Margaret Irwin
633:Ambrose Bierce
494:
491:
489:
486:
484:
483:
480:
477:Theresa Harris
474:
468:
462:
456:
453:
447:
441:
435:
429:
428:as Oliver Reed
423:
421:Irena Dubrovna
413:
411:
408:
358:
355:
332:, directed by
311:Rialto Theatre
231:
230:
227:
223:
222:
219:
215:
214:
211:
207:
206:
203:
200:
197:
196:
194:
193:
182:
179:Rialto Theatre
166:
164:
161:
158:
157:
154:
153:Distributed by
150:
149:
144:
142:
137:
134:
133:
128:
124:
123:
118:
114:
113:
108:
107:Cinematography
104:
103:
101:
100:
95:
90:
85:
80:
74:
72:
68:
67:
62:
58:
57:
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
4372:
4361:
4358:
4356:
4353:
4351:
4348:
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4343:
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4318:
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4308:
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4270:
4254:
4250:
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4245:
4242:
4238:
4237:
4233:
4232:
4230:
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4218:
4217:
4213:
4210:
4209:
4205:
4202:
4201:
4197:
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4173:
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4149:
4146:
4145:
4141:
4138:
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4133:
4130:
4129:
4125:
4122:
4121:
4117:
4114:
4113:
4109:
4106:
4105:
4101:
4100:
4098:
4094:
4090:
4083:
4078:
4076:
4071:
4069:
4064:
4063:
4060:
4047:
4046:
4042:
4039:
4038:
4034:
4031:
4030:
4026:
4023:
4022:
4018:
4015:
4014:
4010:
4007:
4006:
4002:
3999:
3998:
3994:
3991:
3990:
3986:
3983:
3982:
3978:
3975:
3974:
3970:
3967:
3966:
3962:
3959:
3958:
3954:
3951:
3950:
3946:
3943:
3942:
3938:
3935:
3934:
3930:
3927:
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3922:
3919:
3918:
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3910:
3906:
3903:
3902:
3898:
3895:
3894:
3890:
3887:
3886:
3882:
3879:
3878:
3877:Days of Glory
3874:
3872:(short, 1944)
3871:
3870:
3866:
3863:
3862:
3858:
3855:
3854:
3850:
3847:
3846:
3842:
3839:
3838:
3834:
3831:
3830:
3826:
3823:
3822:
3818:
3815:
3814:
3810:
3808:(1937, short)
3807:
3806:
3802:
3799:
3798:
3794:
3791:
3790:
3786:
3783:
3782:
3778:
3775:
3774:
3770:
3769:
3766:
3762:
3754:
3749:
3747:
3742:
3740:
3735:
3734:
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3718:
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3656:
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3641:
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3607:
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3603:
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3585:
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3577:
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3564:
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3549:
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3516:
3513:
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3506:
3503:
3499:
3495:
3494:
3490:
3487:
3483:
3479:
3478:
3474:
3471:
3466:
3462:
3461:
3457:
3456:
3446:
3440:
3436:
3431:
3430:
3419:
3415:
3414:
3409:
3405:
3401:
3395:
3391:
3386:
3382:
3381:
3376:
3371:
3367:
3361:
3358:. McFarland.
3357:
3352:
3340:
3336:
3335:
3330:
3325:
3321:
3317:
3313:
3309:
3308:
3302:
3298:
3292:
3288:
3284:
3280:
3276:
3271:
3267:
3262:
3258:
3257:
3251:
3247:
3241:
3237:
3233:
3228:
3224:
3218:
3214:
3209:
3205:
3199:
3195:
3194:
3188:
3176:
3172:
3171:
3166:
3161:
3157:
3151:
3147:
3146:
3140:
3136:
3130:
3126:
3122:
3121:
3115:
3111:
3105:
3101:
3100:
3094:
3090:
3084:
3080:
3075:
3063:
3062:
3057:
3052:
3048:
3043:
3039:
3037:0-8018-6561-1
3033:
3029:
3028:
3022:
3010:
3006:
3005:
3000:
2995:
2983:
2979:
2975:
2972:Eder, Bruce.
2970:
2966:
2962:
2961:
2956:
2952:
2948:
2937:
2933:
2929:
2925:
2921:
2920:
2914:
2910:
2904:
2900:
2895:
2891:
2885:
2882:. McFarland.
2881:
2876:
2872:
2866:
2862:
2858:
2854:
2849:
2848:
2835:
2830:
2824:, p. 68.
2823:
2818:
2812:, p. 69.
2811:
2806:
2799:
2798:Petrikin 1999
2794:
2787:
2782:
2775:
2770:
2763:
2758:
2751:
2746:
2744:
2728:
2724:
2718:
2716:
2714:
2712:
2705:, p. 70.
2704:
2699:
2697:
2695:
2687:
2682:
2675:
2670:
2664:, p. 20.
2663:
2658:
2651:
2646:
2631:
2630:
2625:
2617:
2611:
2607:
2600:
2584:
2578:
2571:
2566:
2564:
2562:
2554:
2553:Fujiwara 2000
2549:
2543:, p. 73.
2542:
2537:
2531:, p. 65.
2530:
2525:
2518:
2513:
2507:, p. 72.
2506:
2501:
2499:
2491:
2486:
2479:
2474:
2467:
2462:
2455:
2454:Fujiwara 2000
2450:
2444:, p. 64.
2443:
2438:
2432:, p. 83.
2431:
2430:Fujiwara 2000
2426:
2424:
2422:
2420:
2418:
2409:
2405:
2404:
2396:
2380:
2376:
2372:
2368:
2364:
2358:
2351:
2350:Crowther 1942
2346:
2340:, p. 98.
2339:
2334:
2328:, p. 63.
2327:
2322:
2320:
2311:
2305:
2301:
2294:
2287:
2282:
2275:
2274:Erickson 2005
2270:
2263:
2258:
2252:, p. 62.
2251:
2246:
2239:
2234:
2232:
2225:, p. 66.
2224:
2219:
2212:
2207:
2205:
2203:
2194:
2193:
2188:
2182:
2175:
2170:
2163:
2158:
2152:, p. 58.
2151:
2146:
2144:
2142:
2134:
2129:
2122:
2117:
2115:
2107:
2102:
2095:
2090:
2088:
2086:
2078:
2073:
2066:
2061:
2059:
2051:
2046:
2039:
2034:
2032:
2024:
2019:
2012:
2007:
2001:, p. 45.
2000:
1995:
1989:, p. 42.
1988:
1983:
1981:
1979:
1977:
1975:
1967:
1962:
1960:
1958:
1951:, p. 25.
1950:
1945:
1938:
1933:
1926:
1921:
1919:
1917:
1910:, p. 28.
1909:
1908:Fujiwara 2000
1904:
1897:
1892:
1885:
1880:
1878:
1876:
1868:
1863:
1857:, p. 73.
1856:
1855:Fujiwara 2000
1851:
1845:, p. 15.
1844:
1839:
1833:, p. 19.
1832:
1827:
1825:
1823:
1815:
1810:
1808:
1801:, p. 11.
1800:
1795:
1793:
1785:
1780:
1778:
1770:
1765:
1763:
1755:
1750:
1743:
1738:
1732:, p. 10.
1731:
1726:
1724:
1716:
1711:
1704:
1699:
1697:
1695:
1687:
1682:
1680:
1672:
1667:
1665:
1663:
1655:
1650:
1643:
1638:
1636:
1634:
1627:, p. 72.
1626:
1625:Fujiwara 2000
1621:
1619:
1617:
1615:
1608:, p. 78.
1607:
1602:
1586:
1582:
1578:
1577:
1572:
1570:
1562:
1560:
1558:
1556:
1554:
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1541:
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1506:
1505:
1500:
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1442:
1441:
1436:
1432:
1422:
1420:
1415:
1413:
1409:
1405:
1404:
1398:
1397:Paul Schrader
1394:
1389:
1387:
1383:
1379:
1375:
1371:
1365:
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1304:
1289:
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1278:
1273:
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1234:
1229:
1228:
1223:
1222:
1217:
1216:
1211:
1207:
1203:
1199:
1198:
1193:
1187:
1185:
1179:
1177:
1173:
1169:
1165:
1161:
1160:
1155:
1151:
1150:
1141:
1134:Retrospective
1131:
1128:
1124:
1123:
1117:
1116:
1110:
1109:
1103:
1100:
1099:
1094:
1090:
1089:
1081:
1080:
1075:
1074:
1069:
1068:
1063:
1062:
1057:
1056:
1051:
1050:
1045:
1044:
1039:
1038:
1033:
1018:
1016:
1012:
1008:
1007:2K resolution
1004:
1000:
996:
992:
988:
987:
982:
977:
975:
971:
967:
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954:
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638:
634:
629:
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623:
619:
615:
614:
609:
608:
603:
599:
595:
594:DeWitt Bodeen
591:
586:
584:
583:
582:The Devil Bat
578:
574:
573:
568:
564:
563:
558:
554:
553:
548:
544:
543:
542:The Uninvited
538:
534:
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481:
478:
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3576:"Cat People"
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3408:Warren, Bill
3389:
3378:
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3339:the original
3332:
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2982:the original
2965:the original
2958:
2951:Ebert, Roger
2939:. Retrieved
2935:
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2898:
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2856:
2852:
2844:Bibliography
2829:
2817:
2805:
2793:
2781:
2769:
2757:
2730:. Retrieved
2686:Snelson 2014
2681:
2669:
2657:
2645:
2635:December 30,
2633:. Retrieved
2627:
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2605:
2599:
2587:. Retrieved
2577:
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2485:
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2385:December 11,
2383:. Retrieved
2370:
2367:"Cat People"
2362:
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2299:
2293:
2281:
2269:
2262:McGowan 1995
2257:
2250:McGowan 1996
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2238:McGowan 1995
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1644:, p. 7.
1601:
1589:. Retrieved
1574:
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1507:(1956), and
1502:
1496:
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1456:Jungle Woman
1454:
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1446:The Wolf Man
1444:
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1026:Contemporary
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935:The Wolf Man
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784:Orson Welles
772:
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677:Simone Simon
661:
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621:
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611:
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587:
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566:
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532:The Wolf Man
530:
505:to work for
496:
417:Simone Simon
404:
400:
396:
391:
384:
360:
323:
319:
306:
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294:
289:
278:
258:Simone Simon
244:directed by
236:
235:
234:
201:Running time
78:Simone Simon
18:
3917:Easy Living
3789:To Be Loved
3283:Newman, Kim
3248:. CC2674BD.
3234:(Blu-ray).
3181:December 5,
3137:. CC2674BD.
3015:December 5,
2873:. CC2674BD.
2859:(Blu-ray).
2834:Newman 2009
2822:Newman 2009
2810:Newman 2009
2788:, 00:15:54.
2786:Bailey 2016
2776:, 00:14:10.
2774:Bailey 2016
2764:, 00:12:43.
2762:Bailey 2016
2750:Warren 1982
2703:Newman 2009
2662:Newman 1999
2650:Newman 1999
2541:Newman 2009
2529:Newman 2009
2517:Newman 2009
2505:Newman 2009
2490:Newman 2009
2478:Bansak 2003
2326:Newman 2009
2312:. CC2674BD.
2174:Jewell 2016
2162:Loftis 2016
2135:, 01:04:35.
2108:, 01:03:55.
2096:, 01:02:25.
2052:, 01:01:50.
2025:, 00:05:26.
1999:Newman 2009
1987:Newman 2009
1949:Newman 2009
1937:Newman 2009
1896:Newman 2009
1869:, 00:14:01.
1831:Newman 2009
1799:Newman 2009
1754:Newman 2009
1742:Newman 2009
1730:Newman 2009
1715:Newman 2009
1703:Newman 2009
1654:Jacobs 2011
1642:Newman 2009
1606:Newman 2009
1591:December 4,
1492:The Creeper
1408:John Bailey
1386:Alan Ormsby
1378:Roger Vadim
1354:s success.
1323:changed to
1313:Robert Wise
1253:Roger Ebert
1218:, but also
972:as part of
780:Mark Robson
743:Gower Gulch
654:Mark Robson
602:second unit
592:and writer
577:poverty row
562:The Ape Man
559:films like
555:(1942), or
535:(1941), or
493:Development
450:Alan Napier
392:moja sestra
351:Roger Ebert
282:Mark Robson
121:Mark Robson
61:Produced by
41:Directed by
4275:1942 films
4269:Categories
4112:Cat People
4089:Val Lewton
3845:Cat People
3663:Cat People
3647:Cat People
3632:Cat People
3563:Cat People
3527:Cat People
3509:Cat People
3493:Cat People
3477:Cat People
3460:Cat People
3287:Cat People
3232:Cat People
3170:PopMatters
3125:Cat People
2889:0786417099
2857:Cat People
2853:Cat People
2570:Ebert 2006
2466:Combs 1981
2300:Cat People
2150:Pitts 2015
2079:, 1:02:25.
1867:Jones 2016
1569:Cat People
1544:References
1528:Cat People
1523:Night Tide
1451:Cat People
1433:, such as
1431:Cat People
1403:Cat People
1401:remake of
1374:Cat People
1349:Cat People
1341:Cat People
1337:Cat People
1303:Cat People
1285:Cat People
1266:Cat People
1257:Cat People
1249:Cat People
1244:Cat People
1206:Cat People
1202:Cat People
1192:Cat People
1184:Cat People
1172:everything
1164:Cat People
1140:Cat People
1127:Cat People
1052:, and the
1032:Cat People
999:Cat People
981:Cat People
960:Home media
943:Cat People
923:Cat People
860:Cat People
825:Cat People
814:Cat People
798:jump scare
794:Cat People
773:Cat People
681:Cat People
662:Cat People
658:Cat People
626:Cat People
622:Cat People
618:Cat People
567:Cat People
523:The Falcon
519:Kim Newman
499:Val Lewton
488:Production
471:Dot Farley
465:Alec Craig
432:Tom Conway
426:Kent Smith
320:Cat People
307:Cat People
301:jump scare
290:Cat People
266:Tom Conway
262:Kent Smith
254:Val Lewton
237:Cat People
205:73 minutes
188:1942-12-25
173:1942-12-05
138:Production
88:Tom Conway
83:Kent Smith
65:Val Lewton
51:Written by
24:Cat People
3997:Nightfall
3418:Marvel UK
3413:Starburst
3345:April 30,
3320:0037-4806
3285:(2009) .
3275:Billboard
3266:Billboard
3256:Billboard
3068:April 17,
2988:April 13,
2732:April 30,
2338:Hale 1942
2211:Mank 2014
2133:Mank 2016
2121:Mank 2014
2106:Mank 2016
2094:Mank 2016
2077:Mank 2016
2065:Mank 2014
2050:Mank 2016
2023:Mank 2016
2011:Mank 2014
1966:Mank 2014
1925:Mank 2014
1884:Mank 2005
1814:Mank 2005
1784:Mank 2005
1769:Mank 2014
1686:Mank 2014
1671:Mank 2005
1516:Director
1425:Influence
1382:Bob Clark
1255:included
1233:Nightfall
1176:trés snob
1115:BoxOffice
1021:Reception
966:laserdisc
931:Manhattan
715:Jack Holt
613:Jane Eyre
598:treatment
537:Paramount
527:Universal
444:Jack Holt
315:Manhattan
274:Jack Holt
117:Edited by
98:Jack Holt
4029:Timbuktu
3482:AllMovie
3175:Archived
3009:Archived
3004:DVD Talk
2978:AllMusic
2941:July 29,
2379:Archived
1585:Archived
1513:(1957).
1501:(1955),
1495:(1948),
1489:(1946),
1483:(1946),
1477:(1946),
1471:(1945),
1465:(1944),
1459:(1944),
914:New York
856:AllMusic
724:Roy Webb
585:(1940).
565:(1943).
557:Monogram
380:Mameluks
330:a remake
218:Language
131:Roy Webb
127:Music by
71:Starring
3981:Wichita
3692:Related
3570:website
3530:at the
3512:at the
3334:Variety
2629:Vulture
2371:Variety
2363:Variety
2192:Variety
1358:Remakes
1297:Sequels
1264:deemed
1108:Variety
1013:safety
1009:from a
1003:Blu-ray
968:by the
947:Variety
881:Release
778:editor
734:Filming
515:B-movie
361:At the
338:B-movie
221:English
210:Country
186: (
171: (
140:company
4219:(1951)
4211:(1950)
4203:(1949)
4195:(1946)
4192:Bedlam
4187:(1945)
4179:(1945)
4171:(1944)
4163:(1944)
4155:(1944)
4147:(1943)
4139:(1943)
4131:(1943)
4123:(1943)
4115:(1942)
4107:(1932)
4048:(1965)
4040:(1964)
4032:(1959)
4024:(1959)
4016:(1958)
4008:(1957)
4000:(1956)
3992:(1956)
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3976:(1955)
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3944:(1951)
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3928:(1950)
3920:(1949)
3912:(1948)
3904:(1947)
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3880:(1944)
3864:(1943)
3856:(1943)
3848:(1942)
3840:(1941)
3832:(1940)
3824:(1939)
3816:(1939)
3800:(1934)
3792:(1933)
3784:(1933)
3776:(1931)
3719:(1973)
3711:(1944)
3703:(1943)
3666:(1982)
3658:(1944)
3650:(1942)
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776:'s
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226:Budget
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3674:Music
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4253:2007
4241:2005
3781:Toto
3588:ISBN
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3394:ISBN
3360:ISBN
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2990:2020
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