Casino Royale (novel)

29: 1075: 768:, in his 1979 examination of the Bond books, "The Narrative Structure of Ian Fleming", considered that Fleming "has a rhythm, a polish, a certain sensuous feeling for words. That is not to say that Fleming is an artist; yet he writes with art." When examining the passage relating to the death of Le Chiffre, Eco wrote that "there is a ... baroque feeling for the image, a total adaptation of the image without emotional comment, and a use of words that designate things with accuracy", and he went on to conclude that "Fleming is more literate than he gives one to understand." 377: 28: 613: 637:. Fleming explained to the ornithologist's wife "that this brief, unromantic, Anglo-Saxon and yet very masculine name was just what I needed, and so a second James Bond was born". He further explained that "When I wrote the first one in 1953, I wanted Bond to be an extremely dull, uninteresting man to whom things happened; I wanted him to be a blunt instrument ... when I was casting around for a name for my protagonist I thought by God, is the dullest name I ever heard." 1116:, to enable viewers to understand a game which was not popular in America at the time. For this Americanised version of the story, Bond is an American agent, described as working for "Combined Intelligence", while the character Leiter from the original novel is British, renamed "Clarence Leiter". The agent for Station S., Mathis, does not appear as such; his surname is given to the leading lady, named Valérie Mathis instead of Vesper Lynd. 863:. Parker agrees, and highlights a conversation between Bond and Matthis in the chapter titled "The Nature of Evil", in which Bond says: "By ... evil existence ... he was creating a norm of badness by which, and by which alone, an opposite norm of goodness could exist." The subject was also dealt with by the academic Beth Butterfield, in an examination of Bond from an 1003:, considered that "Ian Fleming has discovered the secret of the narrative art ... which is to work up to a climax unrevealed at the end of each chapter. Thus the reader has to go on reading". Publishers Jonathan Cape included many of the reviews on their advertisements for the book, which appeared in a number of national newspapers; the reviews included those from 728:, on whose physical features Fleming based Le Chiffre's. Crowley's tastes, especially in sado-masochism, were also ascribed to Le Chiffre; as Fleming's biographer Henry Chancellor notes, "when Le Chiffre goes to work on Bond's testicles with a carpet-beater and a carving knife, the sinister figure of Aleister Crowley is there lurking in the background." 825:—to the Soviet Union as having a major impact on how Britain was poorly viewed in US intelligence circles; Fleming was aware of this tension between the two countries, but he did not focus on it too strongly, and Bond and Leiter's warm relationship did not reflect the reality of the US-UK relationship. 838:

observed that "the central paradox of the classic Bond stories is that, although superficially devoted to the Anglo-American war against communism, they are full of contempt and resentment for America and Americans". David Seed, in his examination of spy fiction, disagrees, and writes that while Bond

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can be seen as Fleming's "attempt to reflect the disturbing moral ambiguity of a post-war world that could produce traitors like Burgess and Maclean". The journalist and writer Matthew Parker observes that with the defections of the two spies so recent to the publication, it was "perhaps the closest

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Speaking of Bond's origins, Fleming said that "he was a compound of all the secret agents and commando types I met during the war", although the author gave many of his own traits to the character. Bond's tastes are often taken from Fleming's own, as is some of his behaviour: Fleming used the casino

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Lynd visits Bond every day as he recuperates in hospital, and he gradually realises that he loves her; he even contemplates leaving the Secret Service to settle down with her. When he is released from hospital they spend time together at a quiet guest house and eventually become lovers. One day they

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wrote that the book belongs "pretty much to the private-eye school" of fiction. He praised the first part, saying that Fleming "manages to make baccarat clear even to one who's never played it and produced as exciting a gambling sequence as I've ever read. But then he decides to pad out the book to

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believed that Fleming was a "kind of supersonic John Buchan", but he was somewhat dismissive of the plot, observing that it is "a brilliant but improbable notion" that includes "a deal of champagne-drinking, bomb-throwing, relentless pitting of wits etc ... with a cretinous love-affair". Raven

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viewpoint. In light of Bond's conversation, Butterfield identifies a crisis of confidence in Bond's character, where he has "moved beyond good and evil" to the point where he does his job not because of principles, but to pursue personal battles. Eco comes to the same conclusion, stating that Bond

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her into helping them undermine Bond's mission, including her own faked kidnapping. She had tried to start a new life with Bond, but upon seeing Gettler—a SMERSH agent—she realised that she would never be free of her tormentors, and that staying with Bond would only put him in danger. Bond informs

783:. The journalist William Cook observes that with the decline in power of the British Empire, "Bond pandered to Britain's inflated and increasingly insecure self-image, flattering us with the fantasy that Britannia could still punch above her weight." The cultural historians Janet Woollacott and 842:

The treachery of Le Chiffre, with the overtones of a fifth column, struck a chord with the largely British readership as Communist influence in the trade unions had been an issue in the press and parliament at the time. Britain had also suffered from defections to the Soviet Union from two MI6

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and an ambassador under Hitler. Both Papen and Bond survived their assassination attempts, carried out by Bulgarians, because trees protected them from the blasts. Fleming also included four references in the novel to "Red Indians", including twice on the last page, which came from a unit of

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in illustrating Bond, Fleming commissioned an artist to create a sketch of what he believed James Bond to look like. McLusky felt that Fleming's 007 looked too "outdated" and "pre-war" and changed Bond to give him a more masculine look. A graphic novel adaptation of the book was released by

1301:, the publisher and editor who was a close friend of Peter Fleming, later remarked that "when Ian Fleming mentions any particular food, clothing or cigarettes in his books, the makers reward him with presents in kind ... Ian's are the only modern thrillers with built-in commercials." 521:

to see a copy, and remarked "I really am thoroughly ashamed of it ... after rifling through this muck you will probably never speak to me again, but I have got to take that chance." Despite this, Plomer thought the book had sufficient promise and sent a copy to the publishing house

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magazine in which he said: "I write for about three hours in the morning ... and I do another hour's work between six and seven in the evening. I never correct anything and I never go back to see what I have written ... By following my formula, you write 2,000 words a day."

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at his Goldeneye estate in Jamaica on 17 February; he typed out 2,000 words in the morning, directly from his own experiences and imagination, and finished work on the manuscript in March 1952. It was a pattern he retained for future Bond books. In May 1963 he wrote a piece for

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was inspired by certain incidents that took place during Fleming's wartime career at the Naval Intelligence Division (NID), or by events of which he was aware. On a trip to Portugal, en route to the United States, Fleming and the NID Director, Admiral Godfrey, went to the

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novels—which is to use the evil of his opponents both as a justification of his actions, and as a device to foil their own plans. Black refers to the episode of the attempted assassination of Bond by Bulgarian assassins which results in their own deaths.

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also send agents as observers. The game soon turns into an intense confrontation between Le Chiffre and Bond; Le Chiffre wins the first round, cleaning Bond out of his funds. As Bond contemplates the prospect of reporting his failure to M, the CIA agent,

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Bond, threatening to kill them both if he does not get the money back. During the torture, a SMERSH assassin enters and kills Le Chiffre as punishment for losing the money. The agent does not kill Bond, saying that he has no orders to do so, but cuts a

915:, which sold out in less than a month; a second print run the same month also sold out, as did a third run of more than 8,000 books published in May 1954. The sales figures were strong enough for Cape to offer Fleming a three-book deal. In April 1955 895:"The scent and smoke and sweat of a casino are nauseating at three in the morning. Then the soul erosion produced by high gambling – a compost of greed and fear and nervous tension – becomes unbearable and the senses awake and revolt from it." 748:

called "the Fleming effect". Amis describes it as "the imaginative use of information, whereby the pervading fantastic nature of Bond's world ... bolted down to some sort of reality, or at least counter-balanced." Within the text the novelist

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was "an extremely engaging affair", and that "the especial charm ... is the high poetry with which he invests the green baize lagoons of the casino tables". He concluded that the book was "both exciting and extremely civilized". Reviewing for

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In 1942 Fleming attended an Anglo-American intelligence summit in Jamaica and, despite the constant heavy rain during his visit, he decided to live on the island once the war was over. His friend Ivar Bryce helped find a plot of land in

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see a mysterious man named Gettler tracking their movements, which greatly distresses Lynd. The following morning, Bond finds that she has committed suicide. She leaves behind a note explaining that she had been working as an unwilling

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to introduce Bond in his first novel because "skill at gambling and knowledge of how to behave in a casino were seen ... as attributes of a gentleman". Lycett sees much of Bond's character as being "wish fulfilment" by Fleming.

753:—who later wrote a series of Bond novels—identifies what he described as the "Fleming Sweep", the use of "hooks" at the end of chapters to heighten tension and pull the reader into the next. The hooks combine with what the novelist 930:

was published on 23 March 1954 in the US, but sales were poor, totalling only 4,000 copies across the entire US during the course of the year. When the novel was released as a US paperback in 1955, it was re-titled by publisher

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was "a first-rate thriller ... with a breathtaking plot". Although he considered the book to be "schoolboy stuff", he felt the novel was "galvanised into life by the hard brilliance of the telling". Alan Ross, writing in

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novel length and leads the weary reader through a set of tough clichés to an ending which surprises nobody save Operative 007. You should certainly begin this book; but you might as well stop when the baccarat game is over."

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also dismissed Bond as an "infantile" creation, but did allow that "Fleming tells a good story with strength and distinction ... his creation of a scene, both visually and emotionally, is of a very high order indeed."

834:, pointed out that Leiter is "such a nonentity as a piece of characterization ... he, the American, takes orders from Bond, the Britisher, and that Bond is constantly doing better than he". The journalist and author 486:. In this role he oversaw the paper's worldwide network of correspondents. His contract allowed him to take two months holiday every winter in Jamaica. In 1948 Charteris gave birth to Fleming's daughter, Mary, who was 787:

agree, and consider that "Bond embodied the imaginary possibility that England might once again be placed at the centre of world affairs during a period when its world power status was visibly and rapidly declining."

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was partly based. Clare Blanchard, a former girlfriend, advised him not to publish the book, or at least to do so under a pseudonym. During the book's final draft stages, Fleming allowed his friend, and later editor,

323:. With the compliments of the USA." The game continues, despite the attempts of one of Le Chiffre's minders to kill Bond. Bond eventually wins, taking from Le Chiffre eighty million francs belonging to SMERSH. 712:

Bond's superior, M, was largely based on Godfrey, Fleming's NID superior officer; Godfrey was known for his bellicose and irascible temperament. One of the likely models for Le Chiffre was the influential English

1755: 209:. The book was given broadly positive reviews by critics at the time and sold out in less than a month after its UK release on 13 April 1953, although US sales upon release a year later were much slower. 477: 493:

Fleming had previously mentioned to friends that he wanted to write a spy novel, but it was not until early 1952, to distract himself from his forthcoming nuptials, that he began to write

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Fleming later said of his work, "while thrillers may not be Literature with a capital L, it is possible to write what I can best describe as 'thrillers designed to be read as literature

182:, and the people he met during his work, to provide plot elements; the character of Bond also reflected many of Fleming's personal tastes. Fleming wrote the draft in early 1952 at his 580:, Estoril's population had been swelled by spies and agents from the warring regimes. Fleming claimed that while there he was cleaned out by a "chief German agent" at a table playing 604:

or 30 Assault Unit (30AU), composed of specialist intelligence troops. The unit was Fleming's idea, and he nicknamed the troops his "Red Indians", although they disliked the name.

437:. Fleming joined the organisation full-time in August 1939, with the codename "17F", and worked for them throughout the war. Early in 1939 he began an affair with Ann O'Neill ( 549:

in 1951; Griswold allows a possible second timeframe and considers the story could have taken place in either May to July 1951, or May to July 1952. Griswold noted that in

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Although Fleming provided limited information regarding dates within his novels, two writers have identified different timelines based on events and situations within the

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was written after, and was heavily influenced by, the Second World War; Britain was still an imperial power, and the Western and Eastern blocs were engaged in the

697:. His genius was to repackage these antiquated adventures to fit the fashion of postwar Britain ... In Bond, he created a Bulldog Drummond for the jet age. 3106: 911:

was first released on 13 April 1953 in the UK as a hardback edition by publishers Jonathan Cape, with a cover devised by Fleming. Cape printed 4,728 copies of

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in Jamaica while awaiting his marriage. He was initially unsure whether the work was suitable for publication, but was assured by his friend, the novelist

648:, Fleming's biographer, "within the first few pages ... had introduced most of Bond's idiosyncrasies and trademarks", which included his looks, his 2902: 2639: 3171:

Butterfield, Beth (2006). "Being-Towards-Death and Taking Pleasure in Beauty: James Bond and Existentialism". In Held, Jacob M.; South, James (eds.).

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and himself, and in the novel Lynd remarks that "Bond reminds me rather of Hoagy Carmichael, but there is something cold and ruthless." According to

584:. Godfrey told a different story: that Fleming only played Portuguese businessmen, and afterwards fantasised about playing against German agents. 1180: 813:

deals with the question of Anglo-American relations, reflecting the real-world central role of the US in the defence of the West. The academic

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and his smoking and drinking habits. The full details of Bond's martini were kept until chapter seven of the book and Bond eventually named it

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Back in London, Fleming had his manuscript—which he described as his "dreadful oafish opus"—retyped by Joan Howe, his red-haired secretary at

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Following the 1967 adaptation, the rights to the film remained with Columbia Pictures until 1989 when the studio, and the rights to their

1135:. Feldman decided the best way to profit from the film rights was to make a satirical version, which was produced and released in 1967 by 4831: 4715: 4386: 3944: 3851: 534: 356: 133: 4365: 2827: 947:, but this marketing ploy failed to raise the interest. The Popular Library version also changed Bond's name, calling him "Jimmy Bond". 5074: 4796: 3968: 3836: 3761: 3438: 3188: 757:

calls "a heightened journalistic style" to produce "a speed of narrative, which hustles the reader past each danger point of mockery".

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is James Bond, an agent of the Secret Service. Fleming initially named the character James Secretan before he appropriated the name of

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still had uncleared bomb sites and sweets had ceased being rationed, but coal and other food items were still regulated. According to

2376: 4937: 1756:"'The name's Secretan ... James Secretan': Early draft of Casino Royale reveals what Ian Fleming wanted to call his super spy" 2712: 197:

deals with themes of Britain's position in the world, particularly the relationship with the US in light of the defections to the

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James Bond is the culmination of an important but much-maligned tradition in English literature. As a boy, Fleming devoured the

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Funnell, Lisa (June 2011). "'I Know Where You Keep Your Gun': Daniel Craig as the Bond–Bond Girl Hybrid in Casino Royale".

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The failed attempt to kill Bond at Royale-Les-Eaux was inspired by Fleming's knowledge of the attempted assassination of

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as Le Chiffre. A brief tutorial on baccarat is given at the beginning of the show by the presenter of the programme,

807:, Bond was "the ideal antidote to Britain's postwar austerity, rationing and the looming premonition of lost power". 526:. At first they were unenthusiastic, but were persuaded to publish on the recommendation of Fleming's older brother, 411: 158:, the treasurer of a French union and a member of the Russian secret service. Bond is supported in his endeavours by 3090: 1514: 4626: 4323: 3860: 3808: 1044:, saying that "Fleming keeps his incidents and characters spinning through their paces like juggling balls." The 279: 171: 147: 1074: 868:"abandon the treacherous life of moral mediation and of psychological anger, with all the dangers they entail." 5124: 5094: 5064: 4756: 3920: 3829: 2643: 294:

casino in northern France. As part of Bond's cover as a rich Jamaican playboy, M also assigns as his companion

5119: 5104: 4953: 4220: 4025: 3270: 1052:'s younger brother except that he never takes coffee for a bracer, just one large Martini laced with vodka." 971: 2894: 5099: 5069: 5038: 4788: 4748: 3960: 3912: 1332:, which also involves Bond before getting his 00 licence, was released in 2018 written by Anthony Horowitz. 1259:, showing Bond at the beginning of his career as a 00-agent, and overall stays true to the original novel. 577: 839:

beats Le Chiffre, his "activities are constantly supported by American agencies, financing and know-how".

4804: 4199: 3976: 1212: 581: 403: 303: 275: 167: 5114: 4910: 3048: 3022: 784: 628: 592: 452: 347:, Russian for spy) into Bond's hand so that future SMERSH agents will be able to identify him as such. 5084: 4691: 4314: 4291: 3822: 1231: 1132: 249: 241: 4993: 4732: 4331: 3896: 3797: 3566: 2120: 1285: 1281: 1170: 1032: 814: 633: 542: 480:

in May 1945, he became the Foreign Manager in the Kemsley newspaper group, which at the time owned

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and syndicated worldwide. The strip ran from 7 July 1958 to 13 December 1958, and was written by

1095: 982: 955: 459:. The name of the house and estate has many possible sources. Fleming mentioned both his wartime 223: 439: 5079: 5005: 4945: 4610: 4552: 4497: 2745: 1225: 1193: 1160: 856:-style spy story". Chancellor sees the moral ambiguity of the Cold War reflected in the novel. 830: 527: 1143:

as Bond, was made with five credited directors (plus one uncredited) and a cast that included

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his service of Lynd's duplicity, coldly telling his contact, "The bitch is dead now."

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Ian Fleming's James Bond: Annotations And Chronologies for Ian Fleming's Bond Stories

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spy ring that betrayed Western secrets to the Soviets. Thus Lycett observes that

754: 661: 601: 588: 513: 332: 291: 253: 151: 3051:; Woollacott, Janet (2003). "The Moments of Bond". In Lindner, Christoph (ed.). 4764: 4581: 4443: 4410: 4283: 4232: 4159: 4150: 4058: 3928: 3536: 3493: 3398: 3247:(2009). "The Narrative Structure of Ian Fleming". In Lindner, Christoph (ed.). 1244: 1148: 1124: 1049: 1007:, which concluded that Fleming was "the best new English thriller-writer since 864: 844: 750: 741: 690: 573: 518: 389: 336: 271: 187: 3521: 3478: 3383: 612: 5058: 4480: 4435: 4356: 4004: 3592: 3516: 3473: 3340: 2995: 1197: 1144: 994: 860: 804: 792: 745: 740:". He used well-known brand names and everyday details to produce a sense of 704: 686: 645: 523: 316: 72: 143:

by Fleming, followed by numerous continuation Bond novels by other authors.

4138: 3814: 3614: 2953:"Forever and a Day by Anthony Horowitz review – a prequel to Casino Royale" 2740: 1236: 1184: 1152: 1013: 960: 796: 423: 407: 352: 320: 312: 299: 260: 198: 163: 1297:

The "Fleming effect" was a mechanism he continued to use in future books;

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state that it was "in not much more than two months", while the academic

1156: 1140: 1109: 1008: 987: 818: 765: 694: 395: 295: 245: 202: 159: 129: 125: 62: 42: 2134: 2123:(Winter 2002–2003). "'Oh, James': 007 as International Man of History". 4903: 4398: 4183: 4098: 3846: 1248: 487: 283: 155: 139:, and it paved the way for a further eleven novels and two short story 52: 286:, the paymaster for a SMERSH-controlled trade union, in a high-stakes 4419: 3672: 1240: 919:

issued a paperback version and sold 41,000 copies in the first year.

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Fleming decided that Bond should resemble both the American singer

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Upton, John (August 1987). "The James Bond Books of Ian Fleming".

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The Politics of James Bond: from Fleming's Novel to the Big Screen

1473: 4130: 2005: 1100: 327: 232: 422:, Fleming moved through several jobs before he was recruited by 3725:

Seed, David (2003). "Spy Fiction". In Priestman, Martin (ed.).

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Kiss Kiss Bang! Bang!: the Unofficial James Bond Film Companion

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series. The episode aired live on 21 October 1954 and starred

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Ian Fleming's Commandos: The Story of 30 Assault Unit in WWII

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99 Novels. The Best in English Since 1939: A Personal Choice

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Desperate to recover the money, Le Chiffre kidnaps Lynd and

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Nudd, John (October 1989). "Ian Fleming & James Bond".

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represented Ratoff's widow and obtained the rights to make

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Benson considers the most obvious theme of the novel to be

3488:. Vol. 1 (online ed.). Oxford University Press. 1868: 1866: 1725: 1723: 1575: 1573: 455:

where, in 1945, Fleming had a house built, which he named

178:. Fleming used his wartime experiences as a member of the 2685: 2363: 2361: 2307: 1969: 1933: 1609: 1087: 555:, Fleming identifies that the events took place in 1951. 530:, an established travel writer whose books they managed. 227: 2541: 2348: 2346: 2295: 2271: 1851: 1638: 1636: 1427: 1425: 1251:

returned for her fifth Bond film as Bond's superior, M.

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in April 2018, written by Van Jensen and illustrated by

490:; Charteris and Fleming became engaged shortly in 1951. 3029:

Bond and Beyond: The Political Career of a Popular Hero

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reviewer went on to say that "As for Bond, he might be

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In the US three publishers turned the book down before

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Fleming, Ian; Gammidge, Henry; McLusky, John (1988).

2842: 2764: 2642:. Federal Reserve Bank of Minneapolis. Archived from 2415: 2403: 2391: 2343: 2259: 2153: 2041: 1981: 1921: 1911: 1909: 1907: 1905: 1903: 1839: 1827: 1696: 1648: 1633: 1597: 1558: 1490: 1488: 1422: 1376: 1374: 1372: 1345: 2673: 2658: 2511:

Ross, Alan (17 April 1953). "Spies and Charlatans".

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as secret agent "Card Sense" James 'Jimmy' Bond and

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points to the 1951 defections of two members of MI6—

402:, a wealthy banker and MP who died in action on the 16:

1953 novel by Ian Fleming, the first James Bond book

3565: 2617: 2466: 2442: 2427: 2235: 2011: 1993: 1684: 1398: 1357: 1229:. This led to Eon Productions making the 2006 film 656:, after Lynd. Bond's order, to be served in a deep 3703: 3520: 3477: 3382: 3149: 3126: 3026: 2558: 2556: 2331: 2189: 2177: 2101: 1900: 1672: 1485: 1449: 1369: 1319:$ 6,000 in 1955 is approximately $ 52,800 in 2015. 1169:was the first James Bond novel to be adapted as a 1119:In March 1955 Ian Fleming sold the film rights of 1017:, which advised their readers: "don't miss this". 871:Black also identifies a mechanism Fleming uses in 3047: 3021: 2601: 2599: 2483: 2481: 2319: 2147: 2089: 2077: 2065: 1585: 1479: 1410: 1386: 1310:$ 1,000 in 1954 is approximately $ 8,400 in 2015. 222:, and been adapted for the screen three times: a 5056: 3174:James Bond and Philosophy: Questions are Forever 2247: 1505: 1503: 4313: 3679: 2917: 2794: 2553: 2528: 2526: 2524: 2522: 2460: 2201: 1207:portfolio was acquired by the Japanese company 298:, personal assistant to the Head of Section S ( 3669:The Life of Ian Fleming: Creator of James Bond 2634: 2632: 2596: 2576: 2574: 2506: 2504: 2502: 2478: 1887: 1885: 1883: 1881: 1790: 541:—both of whom have written books on behalf of 315:, gives him an envelope of money and a note: " 4692: 3830: 3265: 3095:. Lincoln, NE: University of Nebraska Press. 2059: 1747: 1540: 1500: 5090:British novels adapted into television shows 3844: 3531:(online ed.). Oxford University Press. 3424:The James Bond Phenomenon: a Critical Reader 3393:(online ed.). Oxford University Press. 3249:The James Bond Phenomenon: a Critical Reader 3053:The James Bond Phenomenon: a Critical Reader 2887: 2854: 2533:Raven, Simon (23 April 1953). "New Novels". 2519: 1127:for $ 6,000. After Ratoff's death, producer 883: 146:The story concerns the British secret agent 4387:James Bond: The Authorized Biography of 007 3427:. Manchester: Manchester University Press. 3384:"Burgess, Guy Francis de Moncy (1911–1963)" 3251:. Manchester: Manchester University Press. 3170: 3055:. Manchester: Manchester University Press. 3002: 2901:. IGN Entertainment, Inc. 19 October 2005. 2895:"IGN: Interview: Campbell on Casino Royale" 2691: 2640:"Consumer Price Index (estimate) 1800–2014" 2629: 2571: 2499: 2313: 1892:Cook, William (28 June 2004). "Novel man". 1878: 1753: 1280:Sources differ on the end date of writing. 791:In 1953 parts of central London, including 4699: 4685: 3837: 3823: 3203: 2547: 2277: 2119: 1975: 1939: 1627: 1579: 1467: 1211:. In 1999, following legal action between 162:, a member of his own service, as well as 27: 3729:. Cambridge: Cambridge University Press. 3591: 2171: 2113: 1963: 1951: 1872: 1741: 1729: 1666: 1552: 935:; Fleming's suggestions for a new title, 33:First edition cover, conceived by Fleming 4938:Spymaker: The Secret Life of Ian Fleming 4366:The Adventures of James Bond Junior 003½ 3727:The Cambridge Companion to Crime Fiction 3347: 2860: 2207: 1784: 1615: 1073: 611: 375: 3743: 3663: 3613: 3528:Oxford Dictionary of National Biography 3515: 3485:Oxford Dictionary of National Biography 3472: 3420: 3390:Oxford Dictionary of National Biography 3289: 3121: 2923: 2806: 2727: 2609:(25 April 1954). "Criminals at Large". 2605: 2487: 2421: 2397: 2047: 1857: 1833: 1796: 1564: 1455: 1431: 1380: 1351: 1262: 1159:. The 1967 version is described by the 5057: 4643:Danger Society: The Young Bond Dossier 3698: 3644: 3453: 3177:. Chicago, IL: Open Court Publishing. 3147: 3069: 2770: 2697: 2667: 2472: 2448: 2436: 2409: 2379:from the original on 22 September 2018 2352: 2301: 2289: 2265: 2223:from the original on 10 September 2017 2159: 2035: 1987: 1927: 1845: 1714: 1702: 1690: 1654: 1642: 1603: 1443: 1404: 1363: 888: 4680: 3818: 3776: 3680:Pfeiffer, Lee; Worrall, Dave (1998). 3222: 3088: 2950: 2848: 2679: 2623: 2532: 2337: 2183: 2107: 1915: 1678: 1494: 950: 438: 132:. Published in 1953, it is the first 4661:James Bond uncollected short stories 4603:Double O Seven, James Bond, A Report 3724: 3635: 3621:. London: Constable & Robinson. 3577:. Vol. 2. London: John Murray. 3479:"Fleming, Ian Lancaster (1908–1964)" 3380: 3333:Ian Fleming: Man with the Golden Pen 3327: 3003:Barnes, Alan; Hearn, Marcus (2001). 2985: 2783:Fleming, Gammidge & McLusky 1988 2715:from the original on 6 December 2012 2510: 2253: 2241: 2195: 2023: 1999: 1891: 1812:from the original on 21 January 2012 1591: 1416: 1392: 1288:writes that it was on 18 March 1952. 1163:as "an incoherent all-star comedy". 828:Amis, in his exploration of Bond in 563: 359:. SMERSH had kidnapped her lover, a 282:, 007, to play against and bankrupt 4666:Bibliography of works on James Bond 3243: 2820:"Review: James Bond: Casino Royale" 2325: 2095: 2083: 2071: 1078:Copyright renewal registration for 631:, author of the ornithology guide, 443:Charteris), who was married to the 13: 5039:CWA Ian Fleming Steel Dagger award 4970:Fleming: The Man Who Would Be Bond 4840:Octopussy and The Living Daylights 3993:Octopussy and The Living Daylights 3764:from the original on 23 March 2023 3441:from the original on 10 April 2023 3368:from the original on 10 April 2023 3226:Legal Issues in the Music Industry 3191:from the original on 10 April 2023 3109:from the original on 23 March 2023 2905:from the original on 10 April 2023 2875:from the original on 5 August 2020 2733: 1766:from the original on 15 April 2013 1090:paid Ian Fleming $ 1,000 to adapt 414:and, briefly, the universities of 14: 5136: 5075:British novels adapted into films 5044:Ian Fleming International Airport 3787: 3599:. London: Bloomsbury Publishing. 3206:James Bond: The Man and His World 2861:Shprintz, Janet (29 March 1999). 2830:from the original on 16 June 2018 2752:from the original on 7 April 2019 2582:"Books: Murder Is Their Business" 216:has appeared as a comic strip in 4627:The James Bond Bedside Companion 4324:James Bond, The Spy Who Loved Me 3354:. Bloomington, IN: AuthorHouse. 3072:The James Bond Bedside Companion 2963:from the original on 8 June 2020 2944: 2938:10.1111/j.1540-5931.2011.00843.x 2812: 1517:from the original on 9 June 2020 1322: 943:, were disregarded in favour of 843:operatives who were part of the 248:playing "Sir James Bond", and a 4797:On Her Majesty's Secret Service 4706: 3969:On Her Majesty's Secret Service 3779:The Book and Magazine Collector 3638:The Book and Magazine Collector 3229:. Shreveport, LA: BuzzGig LLC. 3148:Butler, William Vivian (1973). 2588:. 29 March 1954. Archived from 2491:(17 April 1953). "New Novels". 2012:Lyttelton & Hart-Davis 1979 1754:O'Brien, Liam (14 April 2013). 1313: 1304: 1291: 1274: 2926:The Journal of Popular Culture 1069: 619:: Fleming's view of James Bond 558: 537:as a whole. John Griswold and 431:Director of Naval Intelligence 388:and a basis for the character 190:, that the novel had promise. 1: 4954:Ian Fleming: Where Bond Began 3747:The Rough Guide to James Bond 3381:Kerr, Sheila (January 2011). 2951:Poole, Steven (23 May 2018). 2513:The Times Literary Supplement 2148:Bennett & Woollacott 1987 1480:Bennett & Woollacott 2003 1339: 1096:one-hour television adventure 972:The Times Literary Supplement 660:, was for "three measures of 607: 398:, born in 1908, was a son of 371: 3575:Lyttelton–Hart-Davis Letters 3559:UK public library membership 3552:UK public library membership 3509:UK public library membership 3414:UK public library membership 3025:; Woollacott, Janet (1987). 1513:. Ian Fleming Publications. 1223:for MGM's partial-rights to 1219:, Sony traded the rights to 685:tales of Lieutenant Colonel 384:, Fleming's superior at the 361:Polish Royal Air Force pilot 357:Ministry of Internal Affairs 150:, gambling at the casino in 7: 4813:The Man with the Golden Gun 4200:The Man with the Red Tattoo 3985:The Man with the Golden Gun 3710:. London: Faber and Faber. 3421:Lindner, Christoph (2009). 2795:Pfeiffer & Worrall 1998 2461:Pfeiffer & Worrall 1998 1213:Sony Pictures Entertainment 470:Reflections in a Golden Eye 386:Naval Intelligence Division 180:Naval Intelligence Division 10: 5141: 4911:The Poppy Is Also a Flower 3335:. London: Mayflower-Dell. 3204:Chancellor, Henry (2005). 3007:. London: Batsford Books. 2978: 593:Vice-Chancellor of Germany 319:. Thirty-two million 274:, the Head of the British 193:Within the spy storyline, 4980: 4921: 4896: 4869: 4850: 4823: 4714: 4653: 4592: 4571: 4542: 4495: 4462: 4409: 4397: 4376: 4355: 4346: 4306: 4273: 4252: 4231: 4210: 4149: 4024: 4003: 3878: 3867: 3858: 3294:. London: Penguin Books. 3275:. London: Penguin Books. 2369:"The Great Bond Cover Up" 2060:Faulks & Fleming 2009 1760:The Independent on Sunday 1541:Faulks & Fleming 2009 884:Publication and reception 803:journalist and historian 771: 578:Portugal's neutral status 406:in May 1917. Educated at 104: 96: 88: 78: 68: 58: 48: 38: 26: 4994:Evelyn St. Croix Fleming 4332:James Bond and Moonraker 3798:Ian Fleming Publications 3750:. London: Rough Guides. 3645:Parker, Matthew (2014). 3133:. London: Summit Books. 3070:Benson, Raymond (1988). 2567:. 9 May 1953. p. 8. 1282:Ian Fleming Publications 1267: 933:American Popular Library 926:offered Fleming a deal. 731: 634:Birds of the West Indies 543:Ian Fleming Publications 84:13 April 1953 (hardback) 4859:Chitty-Chitty-Bang-Bang 4824:Short story collections 4107:The Man from Barbarossa 3684:. London: Boxtree Ltd. 3454:Lycett, Andrew (1996). 3348:Griswold, John (2006). 3313:. London: Titan Books. 3269:; Fleming, Ian (2009). 3208:. London: John Murray. 3152:The Durable Desperadoes 3074:. London: Boxtree Ltd. 2986:Amis, Kingsley (1966). 2692:Barnes & Hearn 2001 2493:The Manchester Guardian 1823:(subscription required) 1717:, pp. 152 and 221. 1139:. The film, which cast 961:The Manchester Guardian 924:Macmillan Publishing Co 689:(aka "Sapper") and the 266: 240:as an American Bond, a 4946:Ian Fleming: Bondmaker 4757:From Russia, with Love 4611:The James Bond Dossier 4498:The Moneypenny Diaries 3921:From Russia, with Love 3744:Simpson, Paul (2002). 3649:. London: Hutchinson. 3537:10.1093/ref:odnb/40227 3494:10.1093/ref:odnb/33168 3399:10.1093/ref:odnb/37244 3290:Fleming, Ian (2006) . 3089:Black, Jeremy (2005). 2988:The James Bond Dossier 2746:British Film Institute 2705:"Casino Royale (1967)" 1239:as Bond, supported by 1194:Dynamite Entertainment 1173:; it was published in 1161:British Film Institute 1083: 897: 831:The James Bond Dossier 699: 623:The lead character of 620: 512:on whom the character 392: 201:of the British agents 128:by the British author 5125:Novels set in casinos 5095:Novels by Ian Fleming 5065:Casino Royale (novel) 4957:(2008 TV documentary) 4949:(2005 TV documentary) 4878:The Diamond Smugglers 4067:Nobody Lives for Ever 3156:. London: Macmillan. 3033:. London: Routledge. 2990:. London: Pan Books. 2209:Hitchens, Christopher 2126:The National Interest 1205:intellectual property 1077: 893: 679: 615: 379: 5120:Novels set in France 5105:Novels about suicide 4789:The Spy Who Loved Me 4749:Diamonds Are Forever 4192:Never Dream of Dying 4043:For Special Services 3961:The Spy Who Loved Me 3913:Diamonds Are Forever 3796:Official website of 3223:Davis, Mark (2010). 2592:on 16 November 2010. 2217:The Atlantic Monthly 1798:Hellman, Geoffrey T. 1263:Notes and references 956:Hugh I'Anson Fausset 836:Christopher Hitchens 687:Herman Cyril McNeile 668:, half a measure of 154:to try and bankrupt 5100:Jonathan Cape books 5070:1953 British novels 5024:Operation Goldeneye 4805:You Only Live Twice 4635:The Battle for Bond 3977:You Only Live Twice 3458:. London: Phoenix. 2709:Metro-Goldwyn-Mayer 2646:on 20 December 2014 1328:A prequel novel to 1243:as Vesper Lynd and 1183:and illustrated by 1000:The Daily Telegraph 889:Publication history 875:—and in subsequent 744:, which the author 723:ceremonial magician 545:—put the events of 461:Operation Goldeneye 23: 5029:Operation Ruthless 4973:(2014 mini-series) 4914:(story idea, 1966) 4906:(attributed, 1939) 4832:For Your Eyes Only 4168:The Facts of Death 4123:Never Send Flowers 4075:No Deals, Mr. Bond 3945:For Your Eyes Only 3682:The Essential Bond 3597:For Your Eyes Only 3571:Hart-Davis, Rupert 2611:The New York Times 2304:, pp. 136–37. 2026:, pp. 111–12. 1482:, p. 1, ch 1. 1129:Charles K. Feldman 1084: 1058:The New York Times 1026:magazine examined 951:Critical reception 937:The Double-O Agent 852:Fleming came to a 621: 435:personal assistant 393: 382:John Henry Godfrey 230:television series 212:Since publication 21: 5115:1953 debut novels 5052: 5051: 5012:Amaryllis Fleming 5000:Valentine Fleming 4716:James Bond novels 4674: 4673: 4538: 4537: 4503:Samantha Weinberg 4491: 4490: 4342: 4341: 4302: 4301: 4292:Forever and a Day 4176:High Time to Kill 3757:978-1-84353-142-5 3736:978-0-521-00871-6 3717:978-0-571-25062-2 3691:978-0-7522-2477-0 3656:978-0-09-195410-9 3628:978-1-84901-857-9 3606:978-0-7475-9527-4 3584:978-0-7195-3673-1 3567:Lyttelton, George 3557:(subscription or 3550:(Subscription or 3507:(Subscription or 3465:978-1-85799-783-5 3434:978-0-7190-6541-5 3412:(Subscription or 3361:978-1-4259-3100-1 3320:978-1-85286-040-0 3301:978-0-14-102830-9 3282:978-0-14-103545-1 3267:Faulks, Sebastian 3258:978-0-7190-6541-5 3236:978-0-615-33686-2 3215:978-0-7195-6815-2 3184:978-0-8126-9607-3 3163:978-0-333-14217-2 3140:978-0-671-52407-4 3102:978-0-8032-6240-9 3081:978-1-85283-233-9 3062:978-0-7190-6541-5 3040:978-0-416-01361-0 3014:978-0-7134-8182-2 2863:"Big Bond-holder" 2826:. 11 April 2018. 2563:"Casino Royale". 1860:, pp. 52–53. 1800:(21 April 1962). 1630:, pp. 98–99. 1618:, pp. 5, 13. 1299:Rupert Hart-Davis 1235:. The film stars 1189:The Daily Express 1176:The Daily Express 1171:daily comic strip 1137:Columbia Pictures 941:The Deadly Gamble 900:Opening lines of 564:Plot inspirations 500:Books and Bookmen 453:Saint Mary Parish 445:3rd Baron O'Neill 400:Valentine Fleming 242:1967 film version 219:The Daily Express 117: 116: 89:Publication place 5132: 5085:James Bond books 4886:Thrilling Cities 4733:Live and Let Die 4701: 4694: 4687: 4678: 4677: 4619:The Book of Bond 4561:The Killing Zone 4452:By Royal Command 4407: 4406: 4353: 4352: 4315:Christopher Wood 4311: 4310: 4275:Anthony Horowitz 4212:Sebastian Faulks 4115:Death Is Forever 4091:Win, Lose or Die 3897:Live and Let Die 3876: 3875: 3839: 3832: 3825: 3816: 3815: 3782: 3773: 3771: 3769: 3740: 3721: 3709: 3700:Rankin, Nicholas 3695: 3676: 3660: 3641: 3632: 3610: 3588: 3562: 3555: 3547: 3545: 3543: 3524: 3512: 3504: 3502: 3500: 3481: 3469: 3450: 3448: 3446: 3417: 3409: 3407: 3405: 3386: 3377: 3375: 3373: 3344: 3324: 3305: 3286: 3262: 3240: 3219: 3200: 3198: 3196: 3167: 3155: 3144: 3132: 3123:Burgess, Anthony 3118: 3116: 3114: 3085: 3066: 3044: 3032: 3018: 2999: 2973: 2972: 2970: 2968: 2948: 2942: 2941: 2921: 2915: 2914: 2912: 2910: 2891: 2885: 2884: 2882: 2880: 2858: 2852: 2846: 2840: 2839: 2837: 2835: 2816: 2810: 2804: 2798: 2792: 2786: 2780: 2774: 2768: 2762: 2761: 2759: 2757: 2731: 2725: 2724: 2722: 2720: 2701: 2695: 2689: 2683: 2677: 2671: 2665: 2656: 2655: 2653: 2651: 2636: 2627: 2621: 2615: 2614: 2607:Boucher, Anthony 2603: 2594: 2593: 2578: 2569: 2568: 2560: 2551: 2545: 2539: 2538: 2530: 2517: 2516: 2508: 2497: 2496: 2485: 2476: 2470: 2464: 2458: 2452: 2446: 2440: 2434: 2425: 2419: 2413: 2407: 2401: 2395: 2389: 2388: 2386: 2384: 2365: 2356: 2350: 2341: 2335: 2329: 2323: 2317: 2314:Butterfield 2006 2311: 2305: 2299: 2293: 2287: 2281: 2275: 2269: 2263: 2257: 2251: 2245: 2239: 2233: 2232: 2230: 2228: 2211:(1 April 2006). 2205: 2199: 2193: 2187: 2181: 2175: 2169: 2163: 2157: 2151: 2145: 2139: 2138: 2117: 2111: 2105: 2099: 2093: 2087: 2081: 2075: 2069: 2063: 2057: 2051: 2045: 2039: 2033: 2027: 2021: 2015: 2009: 2003: 1997: 1991: 1985: 1979: 1973: 1967: 1961: 1955: 1949: 1943: 1937: 1931: 1925: 1919: 1913: 1898: 1897: 1889: 1876: 1870: 1861: 1855: 1849: 1843: 1837: 1831: 1825: 1824: 1821: 1819: 1817: 1802:"Bond's Creator" 1794: 1788: 1782: 1776: 1775: 1773: 1771: 1751: 1745: 1739: 1733: 1727: 1718: 1712: 1706: 1700: 1694: 1688: 1682: 1676: 1670: 1664: 1658: 1652: 1646: 1640: 1631: 1625: 1619: 1613: 1607: 1601: 1595: 1589: 1583: 1577: 1568: 1562: 1556: 1550: 1544: 1538: 1527: 1526: 1524: 1522: 1507: 1498: 1492: 1483: 1477: 1471: 1465: 1459: 1453: 1447: 1441: 1435: 1429: 1420: 1414: 1408: 1402: 1396: 1390: 1384: 1378: 1367: 1361: 1355: 1349: 1333: 1326: 1320: 1317: 1311: 1308: 1302: 1295: 1289: 1278: 1123:to the producer 1114:William Lundigan 1033:The Long Goodbye 1028:Raymond Chandler 1005:The Sunday Times 945:You Asked for It 904: 861:good versus evil 739: 726:Aleister Crowley 708: 702:William Cook in 683:Bulldog Drummond 658:champagne goblet 642:Hoagy Carmichael 617:Hoagy Carmichael 539:Henry Chancellor 483:The Sunday Times 465:Carson McCullers 442: 433:, to become his 184:Goldeneye estate 110:Live and Let Die 105:Followed by 80:Publication date 31: 24: 20: 5140: 5139: 5135: 5134: 5133: 5131: 5130: 5129: 5055: 5054: 5053: 5048: 5034:No. 30 Commando 4976: 4917: 4892: 4865: 4846: 4819: 4710: 4705: 4675: 4670: 4649: 4594: 4588: 4573: 4567: 4544: 4534: 4501: 4487: 4458: 4393: 4372: 4348: 4338: 4298: 4269: 4248: 4227: 4206: 4145: 4035:Licence Renewed 4020: 3999: 3871: 3863: 3854: 3843: 3794:Ian Fleming.com 3790: 3785: 3767: 3765: 3758: 3737: 3718: 3692: 3657: 3629: 3607: 3585: 3556: 3549: 3541: 3539: 3506: 3498: 3496: 3466: 3444: 3442: 3435: 3411: 3403: 3401: 3371: 3369: 3362: 3321: 3302: 3283: 3259: 3237: 3216: 3194: 3192: 3185: 3164: 3141: 3112: 3110: 3103: 3082: 3063: 3041: 3015: 2981: 2976: 2966: 2964: 2949: 2945: 2922: 2918: 2908: 2906: 2893: 2892: 2888: 2878: 2876: 2859: 2855: 2847: 2843: 2833: 2831: 2818: 2817: 2813: 2805: 2801: 2793: 2789: 2781: 2777: 2769: 2765: 2755: 2753: 2732: 2728: 2718: 2716: 2703: 2702: 2698: 2690: 2686: 2678: 2674: 2666: 2659: 2649: 2647: 2638: 2637: 2630: 2622: 2618: 2613:. p. BR27. 2604: 2597: 2580: 2579: 2572: 2562: 2561: 2554: 2548:Chancellor 2005 2546: 2542: 2531: 2520: 2509: 2500: 2486: 2479: 2471: 2467: 2459: 2455: 2447: 2443: 2435: 2428: 2420: 2416: 2408: 2404: 2396: 2392: 2382: 2380: 2367: 2366: 2359: 2351: 2344: 2336: 2332: 2324: 2320: 2312: 2308: 2300: 2296: 2288: 2284: 2278:Chancellor 2005 2276: 2272: 2264: 2260: 2252: 2248: 2240: 2236: 2226: 2224: 2219:. p. 101. 2206: 2202: 2194: 2190: 2182: 2178: 2170: 2166: 2158: 2154: 2146: 2142: 2129:(70): 106–112. 2118: 2114: 2106: 2102: 2094: 2090: 2082: 2078: 2070: 2066: 2058: 2054: 2046: 2042: 2034: 2030: 2022: 2018: 2010: 2006: 1998: 1994: 1986: 1982: 1976:Chancellor 2005 1974: 1970: 1962: 1958: 1950: 1946: 1940:Chancellor 2005 1938: 1934: 1926: 1922: 1914: 1901: 1890: 1879: 1871: 1864: 1856: 1852: 1844: 1840: 1832: 1828: 1822: 1815: 1813: 1795: 1791: 1783: 1779: 1769: 1767: 1752: 1748: 1740: 1736: 1728: 1721: 1713: 1709: 1701: 1697: 1689: 1685: 1677: 1673: 1665: 1661: 1653: 1649: 1641: 1634: 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1930:, p. 223. 1920: 1899: 1877: 1873:Macintyre 2008 1862: 1850: 1848:, p. 257. 1838: 1826: 1808:. p. 32. 1806:The New Yorker 1789: 1777: 1746: 1742:Macintyre 2008 1734: 1730:Macintyre 2008 1719: 1707: 1705:, p. 136. 1695: 1683: 1671: 1667:Macintyre 2008 1659: 1657:, p. 127. 1647: 1645:, p. 221. 1632: 1620: 1608: 1606:, p. 226. 1596: 1584: 1569: 1557: 1553:Macintyre 2008 1545: 1543:, p. 320. 1528: 1499: 1484: 1472: 1460: 1448: 1446:, p. 165. 1436: 1434:, p. 161. 1421: 1409: 1397: 1385: 1368: 1356: 1354:, p. 213. 1343: 1341: 1338: 1335: 1334: 1321: 1312: 1303: 1290: 1272: 1271: 1269: 1266: 1264: 1261: 1245:Mads Mikkelsen 1149:Ursula Andress 1133:a film version 1125:Gregory Ratoff 1071: 1068: 952: 949: 892: 890: 887: 885: 882: 865:existentialist 845:Cambridge Five 823:Donald Maclean 773: 770: 764:and essayist, 751:Raymond Benson 733: 730: 717:, astrologer, 691:Richard Hannay 678: 609: 606: 574:Estoril Casino 565: 562: 560: 557: 519:William Plomer 478:demobilisation 373: 370: 276:Secret Service 268: 265: 207:Donald Maclean 188:William Plomer 174:of the French 115: 114: 106: 102: 101: 98: 94: 93: 92:United Kingdom 90: 86: 85: 82: 79: 76: 75: 70: 66: 65: 60: 56: 55: 50: 46: 45: 40: 36: 35: 32: 22:Casino Royale 15: 9: 6: 4: 3: 2: 5137: 5126: 5123: 5121: 5118: 5116: 5113: 5111: 5108: 5106: 5103: 5101: 5098: 5096: 5093: 5091: 5088: 5086: 5083: 5081: 5080:Action novels 5078: 5076: 5073: 5071: 5068: 5066: 5063: 5062: 5060: 5045: 5042: 5040: 5037: 5035: 5032: 5030: 5027: 5025: 5022: 5019: 5016: 5013: 5010: 5007: 5006:Peter Fleming 5004: 5001: 4998: 4995: 4992: 4989: 4986: 4985: 4983: 4979: 4972: 4971: 4967: 4964: 4963: 4962:Age of Heroes 4959: 4956: 4955: 4951: 4948: 4947: 4943: 4940: 4939: 4935: 4932: 4931: 4927: 4926: 4924: 4920: 4913: 4912: 4908: 4905: 4902: 4901: 4899: 4895: 4888: 4887: 4883: 4880: 4879: 4875: 4874: 4872: 4868: 4861: 4860: 4856: 4855: 4853: 4849: 4842: 4841: 4837: 4834: 4833: 4829: 4828: 4826: 4822: 4815: 4814: 4810: 4807: 4806: 4802: 4799: 4798: 4794: 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46. 1786: 1785:Griswold 2006 1781: 1765: 1761: 1757: 1750: 1744:, p. 46. 1743: 1738: 1732:, p. 67. 1731: 1726: 1724: 1716: 1711: 1704: 1699: 1692: 1687: 1680: 1675: 1669:, p. 54. 1668: 1663: 1656: 1651: 1644: 1639: 1637: 1629: 1624: 1617: 1616:Griswold 2006 1612: 1605: 1600: 1593: 1588: 1581: 1576: 1574: 1567:, p. 57. 1566: 1561: 1555:, p. 19. 1554: 1549: 1542: 1537: 1535: 1533: 1516: 1512: 1511:"Ian Fleming" 1506: 1504: 1496: 1491: 1489: 1481: 1476: 1469: 1464: 1457: 1452: 1445: 1440: 1433: 1428: 1426: 1419:, p. 51. 1418: 1413: 1407:, p. 96. 1406: 1401: 1395:, p. 45. 1394: 1389: 1382: 1377: 1375: 1373: 1366:, p. 99. 1365: 1360: 1353: 1348: 1344: 1331: 1330:Casino Royale 1325: 1316: 1307: 1300: 1294: 1287: 1283: 1277: 1273: 1260: 1258: 1254: 1253:Casino Royale 1250: 1246: 1242: 1238: 1234: 1233: 1232:Casino Royale 1228: 1227: 1222: 1221:Casino Royale 1218: 1214: 1210: 1206: 1201: 1199: 1198:Dennis Calero 1195: 1190: 1186: 1182: 1178: 1177: 1172: 1168: 1167:Casino Royale 1164: 1162: 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Retrieved 1497:, p. 4. 1475: 1470:, p. 4. 1463: 1456:Lycett 2004b 1451: 1439: 1432:Pearson 1967 1412: 1400: 1388: 1381:Lycett 2004a 1359: 1352:Fleming 2006 1347: 1329: 1324: 1315: 1306: 1293: 1286:Jeremy Black 1276: 1252: 1237:Daniel Craig 1230: 1224: 1220: 1202: 1188: 1185:John McLusky 1181:Anthony Hern 1174: 1166: 1165: 1153:Orson Welles 1120: 1118: 1106:Barry Nelson 1099: 1091: 1085: 1079: 1056: 1055:Writing for 1054: 1045: 1041: 1037: 1031: 1021: 1019: 1014:The Observer 1012: 1004: 998: 993: 983:The Listener 981: 976: 970: 965: 959: 954: 944: 940: 936: 927: 921: 912: 908: 907: 901: 898: 894: 876: 872: 870: 858: 848: 841: 829: 827: 815:Jeremy Black 810: 809: 800: 797:High Holborn 790: 785:Tony Bennett 776: 775: 759: 735: 711: 703: 700: 680: 674: 654:"The Vesper" 639: 632: 624: 622: 586: 568: 567: 550: 546: 535:novel series 532: 507: 505: 499: 494: 492: 481: 475: 468: 449: 427:John Godfrey 424:Rear Admiral 394: 353:double agent 349: 344: 340: 325: 317:Marshall Aid 313:Felix Leiter 300:Soviet Union 290:game at the 270: 261:Daniel Craig 238:Barry Nelson 231: 224:1954 episode 217: 213: 211: 199:Soviet Union 194: 192: 164:Felix Leiter 145: 134: 120: 119: 118: 108: 18: 4988:Ann Fleming 4965:(2011 film) 4941:(1990 film) 4933:(1989 film) 4897:Other works 4870:Non-fiction 4781:Thunderball 4708:Ian Fleming 4572:Unpublished 4528:Final Fling 4428:Blood Fever 4014:Colonel Sun 3953:Thunderball 3880:Ian Fleming 3456:Ian Fleming 2771:Lycett 1996 2668:Benson 1988 2473:Benson 1988 2449:Benson 1988 2437:Benson 1988 2410:Parker 2014 2383:11 December 2353:Lycett 1996 2302:Parker 2014 2290:Benson 1988 2266:Parker 2014 2160:Butler 1973 2036:Benson 1988 1988:Butler 1973 1928:Lycett 1996 1846:Lycett 1996 1816:9 September 1715:Lycett 1996 1703:Rankin 2011 1691:Benson 1988 1655:Lycett 1996 1643:Lycett 1996 1604:Lycett 1996 1444:Lycett 1996 1405:Lycett 1996 1364:Lycett 1996 1157:Woody Allen 1141:David Niven 1110:Peter Lorre 1070:Adaptations 988:Simon Raven 975:wrote that 819:Guy Burgess 766:Umberto Eco 762:semiotician 695:John Buchan 693:stories of 670:Kina Lillet 600:, known as 559:Development 396:Ian Fleming 296:Vesper Lynd 257:film series 246:David Niven 203:Guy Burgess 172:René Mathis 160:Vesper Lynd 141:collections 130:Ian Fleming 126:first novel 63:Spy fiction 43:Ian Fleming 5059:Categories 4922:Portrayals 4904:Trout memo 4773:Goldfinger 4543:Unofficial 4464:Steve Cole 4400:Young Bond 4184:DoubleShot 4099:Brokenclaw 4051:Icebreaker 3937:Goldfinger 3869:James Bond 3861:James Bond 3852:literature 3847:James Bond 3809:Faded Page 3768:25 October 3671:. 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