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309:, who was Armando Bo's son. Armando and Isabel were lovers at the time so Victor was her stepson. In interviews, Victor later talked about the difficulty of filming the erotic scenes with Isabel "Coca" Sarli: "With Coca it was a very particular relationship, because when we had love scenes we both laughed because we were so nervous."
364:
and Sarli's body. Writer Tamara
Drajner Barredo felt that "this identification of the female body with the meat has as a correlate an identification of the sexual desire with an animalized and irrational carnal desire." This is made explicit in the final dialogue, in which Antonio tells Delicia that
416:
plays a leading role in the film: it appears a common thread that "moves the protagonists to be together, to have sexual relations, to express their desires, and it is also what allows
Delicia to move forward despite the rapes." This is explicitly the message that Bó wanted to give with the film,
328:. Reportedly, on its premiere day more than two thousand spectators made long lines to watch the movie. In the important Buenos Aires theaters Hindú and Callao, which were used for statistics, the turnout was 2,633 people, being the most watched movie of those that premiered that day.
407:
What was inside that truck was not a person. It was meat, nothing but meat. Because if those guys had seen the soul, the suffering of that woman, they would not have done it. I tried to make a parameter, between the meat that we consume every day and the meat as a sexual object.
515:
stated: "Something very striking happens with this film: it is present in our memory without necessarily having seen it, a total synthesis of the popularity of the dame of national erotic cinema. A couple of phrases have remained in history." One of these phrases is
611:–Not for me! When we play their movies here, people laugh with them, not at them: you can tell Armando was absolutely fascinated with this goddess, and there was nothing ironic in them, in any case they were pieces from another era, great innocent sex films,
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they raped her "to satisfy the animal instinct that we all carry inside. But without soul, without love." Bó always maintained that his films dealt with social issues, evident in early films such as
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511:
at number 4 in its list of "20 classic films of erotic cinema", considering it "the total representation" of Bó's work. Regarding the film's cultural influence in
Argentina, the
524:?" (English: "scoundrel, what do you want from me?"), commonly attributed to Sarli's character before being raped in a truck. Although the phrase is "engraved in Argentine
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Bó still claimed that his films "deal with social issues, but since Isabel acts in them, sex has implications in the argument." The social problem depicted in
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with a text reading at the conclusion: "The true pure love, without concessions, and the goodness of God will triumph over the violence and the wave of
1324:
425:, on the one hand, Bó seeks to denounce the violence and drama to which the worker is subjected and, on the other, to exalt the values of
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of his first films was diluted as the director and Sarli acquired national and international recognition, replacing them with traditional
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736:"Víctor Bó reveló detalles desconocidos de la historia de amor entre su padre e Isabel Sarli: "Papá nunca durmió fuera de casa""
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Castagna, Gustavo J.; Arnauld, Charlotte; Wolf, Sergio; Pailler, Claire; Mangin, Annick; Thibon, Placer (1999).
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536:" (English: "Meat on meat") constitutes the defining moment of the film and is widely remembered in Argentine
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469:". Years after its release, especially since the democratic stability that began with the presidency of
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Writers Raúl
Manrupe and María Alejandra Portela characterized the film as having "black and white
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619:, when Isabel walks to her work in a meat packing plant every day following the train tracks in
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859:"Isabel Sarli, la actriz erótica a la que Cristina Fernández Kirchner nombró embajadora"
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1023:"John Waters con Infobae: "Conozco Argentina solo a través de los ojos de Armando Bo""
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is that of violence; it might even be argued that the film seeks to draw attention to
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Delicia (Sarli) about to be raped in a truck where she was abducted by her co-workers.
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and has cited the films of Bó and Sarli as an inspiration. He told
Mariano Kairuz of
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Delicia (Sarli) hiding behind meat during the iconic "Meat on meat" rape scene.
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carried to its ultimate consequences." Throughout the film, the female body is
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for our current standards. I also love this other movie, I think it's called
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is considered a landmark in their filmography. The
Spanish edition of
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1095:: Asociación Argentina de Estudios de Cine y Audiovisual (AsAECA).
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885:"Isabel Sarli, símbolo sexual del cine argentino, cumple 80 años"
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inaugurated a new era of "excess" in Bó and Sarli's filmography.
345:
528:", it was actually never said in the film, constituting "a true
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789:(in Spanish). Buenos Aires: Ediciones Corregidor. p. 95.
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974:(in Spanish). Big Bang! News. 22 April 2016. Archived from
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from 1959. However, this intention of social criticism and
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as "a piece of meat", featuring overlays of images of
1010:(film) (in Spanish). Argentina: Flesh & Fire SRL.
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and features scenes from the film. American director
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premiered on
October 24, 1968 in various theaters in
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918:"20 películas clásicas del cine erótico — Parte 1"
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455:One of the most emblematic films by Bó and Sarli,
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139:Sociedad Independiente Filmadora Argentina (SIFA)
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785:Manrupe, Raúl; Portela, María Alejandra (2001).
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972:"#ElStyleIconDeMinitah: Isabel "La Coca" Sarli"
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787:Un diccionario de films argentinos (1930-1995)
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623:and with the complete look of a prostitute...
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562:". The group wanted to include the famous "¿
473:in 1983, their work—including films such as
1128:(in French, Spanish, and Portuguese) (7).
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29:
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554:recreated part of the film in their 2004
232:where she becomes the victim of rapists.
847:Wolf, Pailler (translation), 1999, p. 43
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865:(in Spanish). Condé Nast Digital España
268:Romualdo Quiroga as Humberto "el macho"
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595:"Armando Bo and Isabel Sarli are like
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1132:: Presses universitaires du Mirail.
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331:
13:
1489:El último amor en Tierra del Fuego
1318:...Y el demonio creó a los hombres
1047:Kairuz, Mariano (20 August 2012).
14:
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1079:Drajner Barredo, Tamara (2016).
1021:Duarte, Rodrigo (1 April 2018).
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581:claims to be a great admirer of
1122:"Armando Bó & Isabel Sarli"
1081:"¿Cosificación o uso político?
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857:Bravo, Edu (7 September 2017).
702:List of Argentine films of 1968
465:described it in 2017 as "their
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684:Erotica and pornography portal
607:Maybe a little less elegant...
421:that invades the world." With
271:Vicente Rubino as a homosexual
1:
1468:Intimidades de una cualquiera
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944:"A solas con la "Coca" Sarli"
603:," he says enthusiastically.
403:. In this matter, Bó stated:
305:has explicit sex scenes with
296:
1586:Films directed by Armando Bó
996:Drajner Barredo, 2016. p. 14
838:Drajner Barredo, 2016. p. 16
820:Drajner Barredo, 2016. p. 15
324:and the Ocean Rex cinema in
7:
1085:de Armando Bo-Isabel Sarli"
770:Drajner Barredo, 2016. p. 3
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352:as the dominant color and
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228:as Delicia, a worker in a
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1277:El trueno entre las hojas
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1126:Cinémas d'Amérique latine
952:(in Spanish). 8 July 2013
893:(in Spanish). 9 July 2015
495:—began to be revalued as
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348:without any explanation,
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1601:Films about sexual abuse
1482:Una mariposa en la noche
1385:La señora del intendente
1333:La burrerita de Ypacaraí
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564:qué pretende usted de mí
522:qué pretende usted de mí
486:Una mariposa en la noche
368:Thunder Among the Leaves
292:Pepita Muñoz as a worker
220:written and directed by
1006:Diego Curubeto (2007).
560:La argentinidad al palo
251:as Antonio and Delicia.
235:
1591:Argentine erotic films
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452:
410:
401:violence against women
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216:) is a 1968 Argentine
1364:La mujer del zapatero
712:Rape and revenge film
613:politically incorrect
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450:
405:
339:
275:Juan Carlos Altavista
243:
1393:La mujer de mi padre
1378:La tentación desnuda
1177:at Wikimedia Commons
597:Joseph von Sternberg
230:meat-packing factory
1606:Sexploitation films
1514:Una viuda descocada
1425:Desnuda en la arena
1091:(in Spanish) (14).
492:Desnuda en la arena
283:as a singing worker
116:Rosalino Caterbetti
18:1968 Argentine film
1596:1960s erotic films
1534:sexploitation film
1371:Los días calientes
1049:"Waters toma Coca"
924:. 12 February 2015
863:Vanity Fair España
552:Bersuit Vergarabat
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265:as Antonio Aicardi
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218:sexploitation film
124:Eligio Ayala Morín
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1475:El sexo y el amor
1175:Carne (1968 film)
1173:Media related to
1008:Carne sobre carne
697:Exploitation film
571:Carne sobre carne
542:Carne sobre carne
534:Carne sobre carne
433:, work and love.
332:Critical analysis
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692:1968 in film
670:1960s portal
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303:Isabel Sarli
301:In the film
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257:Isabel Sarli
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169:Running time
146:Release date
100:Pepita Muñoz
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1559:sex in film
1237:filmography
717:Sex in film
642:Film portal
579:John Waters
556:music video
513:news agency
503:. In 2015,
467:masterpiece
462:Vanity Fair
358:objectified
224:. It stars
79:Produced by
61:Directed by
1581:1968 films
1575:Categories
1539:sex symbol
1496:Insaciable
1231:Armando Bó
1089:Imagofagia
1073:References
949:El Litoral
745:7 February
621:high heels
538:cinephilia
393:Siete Días
389:picaresque
297:Production
289:as Jacinto
281:Alba Solís
259:as Delicia
222:Armando Bó
173:90 minutes
157:1968-10-24
132:Production
74:Armando Bó
71:Written by
65:Armando Bó
1529:cult film
1417:Embrujada
1284:Sabaleros
1248:Víctor Bó
1148:1267-4397
1101:1852-9550
1054:Página/12
591:in 2012:
588:Página/12
501:pop icons
381:melodrama
373:Sabaleros
307:Víctor Bó
263:Víctor Bó
245:Víctor Bó
181:Argentina
113:Edited by
95:Víctor Bó
82:Amando Bó
1544:pop icon
1357:La leona
1187:AllMovie
1130:Toulouse
628:See also
431:progress
186:Language
121:Music by
87:Starring
1153:10 July
1061:10 July
1032:10 July
1027:Infobae
982:10 July
956:10 July
928:13 July
897:10 July
869:13 July
518:canalla
507:placed
377:realism
346:footage
313:Release
202:English
189:Spanish
178:Country
155: (
134:company
46:English
1554:kitsch
1517:(1980)
1499:(1979)
1491:(1979)
1485:(1977)
1477:(1974)
1471:(1974)
1463:(1973)
1455:(1971)
1452:Fiebre
1434:(1969)
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480:Fiebre
443:Legacy
427:family
419:terror
1508:1980s
1443:1970s
1409:Fuego
1401:Carne
1312:India
1304:1960s
1268:1950s
1215:Carne
1204:Carne
1193:Carne
1182:Carne
1083:Carne
922:Télam
723:Notes
617:Carne
583:Carne
575:Carne
558:for "
550:band
509:Carne
505:Télam
475:Carne
457:Carne
437:Carne
423:Carne
397:Carne
385:crime
318:Carne
213:Flesh
197:Carne
24:Carne
1549:camp
1233:and
1209:IMDb
1155:2018
1144:ISSN
1134:ISBN
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1063:2018
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791:ISBN
747:2022
599:and
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236:Cast
207:Meat
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1218:at
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