966:
1889:
Odes in any book.) This central ode is flanked by two odes, 3.3 and 3.5, whose closely parallel structure has been noted. Among other points, both contain a long speech starting at line 18, one by Juno, the other by
Regulus; one speaks of the fall of Troy, the other of Carthage. These in turn are flanked by 3.2 and 3.6, one describing the virtue required of Roman men, the other the moral degeneracy to be deplored in Roman women. According to this arrangement, the first ode, 3.1, serves as an introduction to the other five; its first eight lines in particular anticipate the themes of 3.4, marking out Horace as the priest of the Muses, and equating the victory of Jupiter over the giants with Augustus's rule over the empire.
643:
1789:
love affairs by stating that he has dedicated his clothes or lyre in the temple of the god or goddess of the sea. The 6th ode (1.6), in which he claims that the Muse forbids him from singing the praises of Caesar (Octavian), contrasts with the 6th from the end (3.25), in which he declares that
Bacchus has inspired him to sing Caesar's praises. The 10th poem (1.10) is a hymn to Mercury, and the 10th from the end (3.21) is a hymn to a wine jar.
4345:
2342:; the greater asclepiad has two extra choriambs. It is used in 5 different patterns, which are numbered differently in different authors. The numbers 1, 2, 3, 4, 5 used by Klingner (1939), Nisbet & Hubbard (1970), D. West (1995), and Mayer (2012), (followed here) are called 1, 4, 5, 3, 2 by Wickham (1896) and Raven (1965), and 1, 3, 4, 2, 5 by Page (1895), Bennett (1914), and Rudd (2004). In their joint edition of
2106:
1845:
balances another group of eight odes from 3.17β3.24. Similarly, the group 1.30β1.38 balances 2.13β2.20. Within each group, there may be internal correspondences: for example, 1.8 and 1.13 are both love poems addressed to Lydia. Thus the entire collection can be seen as symmetrical, even though the two halves are not of equal length (1040 and 1412 lines respectively).
1893:
length of 3.5 and 3.6 (also 104 lines), making a symmetrical frame around the central ode. Another symmetry is that the combined length of 3.2 and 3.6 (80 lines) is equal to the length of the central ode 3.4 itself (also 80 lines). Similar numerical schemes have been found in other
Augustan poetry collections such as Virgil's
1820:
In one or two cases the position of the corresponding poems is not quite exact: for example, ode 1.3, in which Horace prays for a safe voyage across the dangerous
Adriatic Sea for his friend Virgil, has links not to 3.28 (the 3rd from the end) but with 3.27, which starts by praying for a safe journey
1788:
For example, in the first (1.1) and last ode (3.30), which are both in the same rare metre and both addressed to
Maecenas, Horace boasts of being the first poet to imitate aeolic-style lyric poetry in Latin. In both the 5th poem (1.5) and the 5th from the end (3.26) Horace signals his retirement from
998:
read the first six odes of this book as a single sequence, one unified by a common moral purpose and addressed to all patriotic citizens of Rome. These six "Roman odes", as they have since been called (by H.T. PlΓΌss in 1882), share a common metre and take as a common theme the glorification of Roman
866:
Horace pleads the unfitness of his lyric poetry to record the wars of the Romans or the battles of mythology. He advises
Maecenas to write in prose the history of Caesar's campaigns, while he himself will sing the praises of Licymnia (some commentators say that Licymnia was another name for Terentia,
1960:
The poem at the centre of the book, 4.8, is unusual in that it uses the rare 1st
Asclepiad metre, otherwise only used for the first and last poems of Odes 1β3; all three of these poems describe how Horace will gain everlasting fame through his poetry. With 38 lines it is also the only one of the 103
1940:
For book 4, several schemes have been suggested, such as pentadic or triadic, but a number of scholars such as Eduard
Fraenkel have seen the central three poems (4.7β4.9), dealing with the inevitability of death, as forming a separate group. Helena Dettmer points out that this central group of three
1884:
The six odes which begin book 3, all in the Alcaic metre, and on serious subjects such as the Roman Empire, virtue, and
Augustus, have long been recognised as forming an independent group within the collection. Since PlΓΌss (1882) they have generally been known as the "Roman Odes". At 336 lines, they
1824:
The central two poems, according to this symmetrical scheme, are 2.6 and 2.7 (the 44th from the beginning and 44th from the end respectively), which are both on the theme of friendship: in one Horace describes the places he imagines his friend
Septimius would like to visit with him in the future, in
252:
The subject of this ode is the overflowing of the Tiber, which recalls to the poet the flood of Deucalion. He imagines that the disaster is caused by the wrath of Ilia (the wife of Tiber), the civil wars, and the assassination of Julius Caesar. Octavian, as Mercury in human shape, is invoked to save
1727:
For these and other reasons Hutchinson argues that rather than being published all together, as is usually thought, it is likely that the first two books were at first published individually, but that all three books were later issued as a collection in 23 BC. This republication is probably what is
1736:
According to L. P. Wilkinson, there is no certain evidence that any of the Odes were written before 30 BC. In his view it would seem that Horace completed both the Epodes and the second book of his Satires in 30 BC, and immediately started work on the Odes. However, Nisbet and Hubbard, noting that
1984:
The metres are not all evenly spread. Asclepiad metres, which are common in books 1, 3, and 4, are found only once in book 2. In book 2, all the odd-numbered poems are Alcaic, as well as 2.14 and 2.20; while most of the even numbered poems are Sapphic. The first nine poems of book 1 (known as the
1888:
Scholars have suggested a number of schemes showing how the six odes are structured, but a common view is that the longest ode, 3.4, describing the lifelong protection given to Horace by the Muses and the victory of Jupiter over the giants, is central. (At 80 lines, this is the longest of all the
1784:
Although the first three books have different characters (e.g. book 1 starts with a variety of metres, while 3.1β6 are all in the same metre), yet there are some indications of a pattern in the arrangement of the poems in the collection as a whole. A number of schemes have been suggested, but one
3209:
There tends to be a word-break after each metron, although not every time. The above arrangement is as given in Wickham's Oxford Classical Text. Other editors arrange the stanzas 4 + 4 + 2 or 4 + 3 + 3. Other editors, such as Gould (1977) and Quinn (1980), prefer to arrange the poem in four-line
1848:
Other scholars have noted that in some cases poems are paired thematically with the poem which follows. Thus in book 2, 2.2 and 2.3 both give philosophical advice; 2.4 and 2.5 both give advice on love affairs; 2.6 and 2.7 are both poems about friendship; 2.8 and 2.9 love poems; and 2.10 and 2.11
1964:
Dettmer notes further links between the first six poems and the last six, though these are not completely systematic. For example, 4.1~4.10 (Ligurinus), 4.2~4.11 (Celebration of Augustus's return / Maecenas's birthday, both in Sapphics), 4.3~4.12 (Horace and Virgil), 4.6~4.15 (both addressed to
1892:
The placing of 3.4 as the central ode is confirmed by the lengths of the odes. For it has been pointed out that if the lengths of the six odes, 48, 32, 72, 80, 56, and 48 lines, are examined, it will be seen that the combined length of 3.2 and 3.3 (104 lines) is exactly the same as the combined
716:
Book 2 consists of 20 poems. This book is noticeably different in style from book 1: the great variety of metres of book 1 has gone: instead, all but two of the odes are either Alcaic or Sapphic. The odes are a little longer on average than those in book 1: only one ode has less than 6 stanzas,
2402:
In Horace, there is almost always a word-break after the sixth syllable of the asclepiad. In the Greek poets the first two syllables of the asclepiad, pherecratean, and glyconic can be long or short (making the so called "Aeolic base"), but in Horace they are always long (except apparently at
1844:
However, not all the odes are matched individually with their opposite in the other half of the collection. For example, the eight odes 1.8β1.14 appear to form an independent cycle. Within this group only one poem (1.10) can be matched with its opposite number (3.21), but the group as a whole
90:
cover a range of subjects β love; friendship; wine; religion; morality; patriotism; poems of eulogy addressed to Augustus and his relations; and verses written on a miscellany of subjects and incidents, including the uncertainty of life, the cultivation of tranquility and contentment, and the
1904:
Another possibility is to take 3.1 and 3.2 together as balancing 3.6, keeping 3.4 as the central ode as before. This arrangement can also be supported by line numbers, since the sum of outer frame 3.1 + 3.2 + 3.6 (128 lines) is equal to that of the inner frame 3.3 + 3.5 (also 128 lines). The
1751:, a title he was granted in that year. The title also occurs in books 3 and 4, but is not found in book 1, although Octavian is mentioned in that book six times, always under the name "Caesar". In 2.4, Horace claims to be 40 years old, an age he reached in December 25 BC. The mention of the
878:
This ode owes its origin to Horace's narrow escape from sudden death by the falling of a tree on his Sabine estate. (This same event is also alluded to in Odes, II.17 line 28 and III.4 line 27.) After expressing his indignation against the person who planted the tree, he passes to a general
2087:
In the Alcaic stanza the first two lines start with an iambic rhythm. The first syllable is sometimes short (13 times in book 1), but usually long. There is almost always a word-break after the 5th syllable. The third line has an iambic rhythm, but the fourth line starts with two dactyls.
1785:
principle of arrangement appears to be that there is a symmetry (that is, a chiastic or ring structure) between the first and second half of the collection, so that several of the odes in the first half have a thematic or phrasal connection with corresponding odes in the second half.
729:, who was Maecenas's brother-in-law, and a certain Quinctius, who may have been Pollio's brother-in-law. 13 of the 20 poems are addressed to living individuals, a higher proportion than in books 1 and 3. In many of them Horace gives advice drawn from different philosophical schools.
1692:
From these observations Nisbet and Hubbard deduce that the odes in books 1 to 3 are probably arranged roughly in order of composition, though they do not rule out that some of the poems in book 1 might be comparatively late. They add, however, that the use of lines of the type
2665:
The greater asclepiad is similar to the lesser asclepiad, but lengthened by an extra choriamb (β α΄ α΄ β). In Horace it has a word-break after both the 6th and the 10th syllable. This metre is also found in Theocritus 28, 30 and Catullus 30, as well as several poems by Alcaeus.
167:
Book 1 consists of 38 poems. The opening sequence of nine poems are all in a different metre, with a tenth metre appearing in 1.11. It has been suggested that poems 1.12β1.18 form a second parade, this time of allusions to or imitations of a variety of Greek lyric poets:
4348:
3600:
In the last stanza Horace advises Murena "In difficult circumstances, appear courageous and brave"; from which Nisbet and Hubbard (1975, pp. 156β157) deduce that the ode was written at a time when Murena's downfall had already begun (he was to be put to death in 22
2226:
The first three lines of a Sapphic stanza have a trochaic rhythm. In Sappho and Alcaeus the fourth syllable can sometimes be short, but in Horace it is always long. There is normally a word-break after the fifth syllable, but occasionally (especially in the
102:
have been considered traditionally by English-speaking scholars as purely literary works. Recent evidence by a Horatian scholar suggests they may have been intended as performance art, a Latin re-interpretation of Greek lyric song. The Roman writer
1068:
The Muses have guarded and given counsel to Horace since his youth. They also do so to Augustus, and prompt him to clemency and kindness. The evils of violence and arrogance, on the other hand, are exemplified by the Titans and Giants, and others.
1420:
Horace complains that in advancing age he is vexed with new desires by the cruel goddess of love. He bids her to turn to a more youthful and worthy subject, his friend Paulus Maximus. But why is he, Horace, pining for the handsome Ligurinus?
791:
To Horace's friend, the Roman knight Septimius, who would go with him to the ends of the earth. The poet prays that Tibur may be the resting-place of his old age; or, if that may not be, he will choose the country which lies around Tarentum.
1709:'and' pronounced as two syllables. In the four books of Odes, it occurs in 0.8%, 0.7%, 0.1%, and 0.3% of lines respectively. This trend is seen not only in the Odes, but also in other works of Horace and even in other poets such as Virgil.
1792:
Sometimes the poems are linked by phrases rather than thematically. For example, the 18th poem (in praise of wine) and the 18th from the end (the spring of Bandusia) have little in common thematically, but are linked by the similar phrases
1530:
An ode on the same springtime theme as I.4 β Addressed to his friend Torquatus. Though the earth renews itself, and the waning moon waxes afresh, yet death is the ending of human life. Let us then make the best of our days while they last.
236:
Every man is governed by his ruling passion: the Olympian charioteer, the politician, the trader, the husbandman, the merchant, the man of pleasure, the soldier, and the hunter. To win the title of a lyric poet is all that Horace desires.
1627:, the elder son of the empress Livia, on his victories over the tribes of the Raetian Alps. He then praises Augustus, whom he extols as the glory of the war, the defense of Roman and Italy, and as the undisputed ruler of the world.
1600:
Addressed to Virgil (although not necessarily the poet, who died in 19 BC). The breezes and birds have returned β An invitation to a feast of Spring β The poet agrees to supply some fine wine, if Virgil will bring a jar of perfume.
1699:
may not by itself be indicative of a late date, since such lines are associated with a grandiloquent style: in book 3, for example, there are 21 such lines in the six Roman Odes (3.1β6), but none in the slighter 3.17, 3.21, 3.23.
361:
The poet seeks to dissuade Leuconoe from giving heed to the false arts of astrologers and diviners. It is vain to inquire into the future β Let us enjoy the present, for this is all we can command. It closes with the famous line:
1346:
was carried away across the sea. It has been argued that the poem is allegorical: one suggestion is that Galatea is a girl about to embark on the stormy seas of love; another is that there is a reference to the Roman province of
345:
Mercury is addressed as the god of eloquence and the promoter of the civilization of man; as the messenger of the gods and the inventor of the lyre; skilled in craft and cunning; and the conductor of souls to the Underworld.
1770:
In 4.1 Horace tells us that he is now "about" 50 years old, dating this poem to about 15 BC. The dramatic date of odes 4.2 and 4.5 is before summer 13 BC, which is probably the year when the fourth book was published.
1373:
Horace invites Maecenas to leave the smoke and wealth and bustle of Rome, and come to visit him on his Sabine farm. He bids him to remember that we must live wisely and well in the present, as the future is uncertain.
717:
compared with 24 in book 1; also there are no odes longer than 10 stanzas, a contrast with book 3, where 10 of the odes are longer. The poems seem carefully arranged: the first and last are addressed respectively to
945:
The poet celebrates Bacchus as all-powerful, all-conquering, and lord of creation; whom the earth, the sea and all nature obey; to whom men are subject, and the giants and the monsters of Orcus are all brought low.
2058:(11 and 51) in Sapphic stanzas are not counted. Asclepiades lived in the 3rd century BC, and did not write in the Aeolic dialect. Only a few epigrams written by him survive, none of them in the asclepiadean metre.
3243:
This four-line arrangement is felt to be more in keeping with the rest of the Odes. Another advantage is that the number of lines in 3.7β3.19 (336) now becomes exactly the same as that of 3.1β3.6 and 3.20β3.30.
1744:(30 BC). 1.31 appears to be set at the time of Octavian's dedication of the temple to Apollo on the Palatine Hill in 28 BC. 1.29 probably refers to Aelius Gallus's expedition to Arabia Felix in 26/25 BC.
1837:'friend' as the last word of each. The four poems preceding these (2.2β2.5) and four poems following them (2.8β2.11) also show symmetry: for example, in both 2.3 and 2.10 Horace recommends living by the "
1905:
combination of 3.1 and 3.4 also adds up to 128 lines. It may perhaps not be a coincidence that the cycle in the second half of book 2 (2.13 to 2.20) can be divided into two halves, each of 128 lines.
1121:
Horace invites Maecenas to celebrate with him the festival of the Calends of March (the Feast of the Matrons), which was also the anniversary of his narrow escape from sudden death by a falling tree.
433:
The poet has offended some lady by the intemperate utterances of his verse; he now seeks forgiveness for the fault. He describes the sad effects of unbridled anger, and urges her to restrain hers.
1309:
Boundless riches cannot banish fear or avert death. A simple life like that of the Scythians is the healthiest and best. Stringent laws are needed to curb the present luxury and licentiousness.
1550:
gift. Horace would give bronze vases, or tripods, or gems of Grecian art, but he does not have these. What he has to give instead is the immortality of a poem. (The ode contains the line (28)
1638:
Horace records in song the victories of Augustus β Peace, good order, the establishment of public morals, the extended glory of the Roman name abroad, and security and happiness at home.
264:
The ode begins with a prayer for the safe voyage of Virgil to Athens, which suggests the daring of the earliest mariners and the boldness of men in overcoming difficulties set by Nature.
738:β To Asinius Pollio, the writer of tragedy, who is now composing a history of the civil wars. A lament for the carnage caused by the conflicts of the Romans with their fellow-citizens.
1099:
Horace condemns the prevailing domestic immorality and contempt of the institutions of religion, and earnestly urges a speedy return to the simpler and purer manners of ancient times.
814:
On the courtesan Barine's utter faithlessness, which Heaven will not punish β Indeed, her beauty and fascination are ever-increasing. She brings dread to mothers, fathers, and wives.
1331:
Scorned by the haughty Chloe, the poet, like a discharged soldier, abandons the arms of love. But he begs of Venus, as a last request, that his slighted love may not go unavenged.
1035:
Philosophy is a mystery which the uninitiated crowd cannot understand. The worthlessness of riches and rank. The praise of contentment. Care cannot be banished by change of scene.
2723:
The remaining metres are only used in one or two poems each. As with the asclepiad metres, there is no general agreement among scholars as to the names of the archilochian ones.
1342:
Addressed to Galatea, whom the poet wishes well on a voyage she is about to make across the stormy Adriatic Sea. He bids her to beware β for it was through lack of caution that
1821:
across the Adriatic for a certain Galatea; and the 20th poem (1.20), an invitation to Maecenas, matches not 3.11 as expected, but 3.8, which is also an invitation to Maecenas.
1651:
In their commentary on Odes book 1, Nisbet and Hubbard (1970) observe certain developments in the style of Horace's Alcaics across the four books. These include, for example:
3530:, pp. 317β8. Others see it as a dialogue between a passing merchant and the deceased Archytas; but Nisbet and Hubbard argue that the first sentence of the ode rules this out.
399:
Horace refers to a period during which the Roman state was tossed and nearly wrecked by perpetual storms. He exhorts it to beware of fresh perils and keep safely in harbor.
1908:
Ode 3.2 (29th from the end of books 1β3) is one of the poems which has links to its counterpart in the first half of the book, 1.29 (29th from the beginning). The phrase
1132:
Often referred to as an "Amoebaean" ode (from the Greek Ξ±ΞΌΞ΅Ξ―Ξ²Ο β to exchange), it describes, in graceful dialogue, a quarrel between two lovers and their reconciliation.
890:
Addressed to Postumus, a rich friend. Nothing can stay the advance of decay and death, the common doom of all on earth. Men pile up wealth, only for another to waste it.
1655:
a gradual decrease in the percentage of short first syllables in the first three lines of the stanza (7.2% in book 1, 3.1% in book 2, 2.0% in book 3, and 0% in book 4).
1180:
Tomorrow a sacrifice will be offered to the fountain of Bandusia, whose refreshing coolness is offered to the flocks and herds, and which is now immortalized in verse.
639:
After hearing thunder in a cloudless sky, Horace renounces his former error and declares his belief in Jupiter, Fortuna, and the superintending providence of the gods.
3143:
Nisbet and Hubbard cite no other examples of this metrical form in Horace or in other poets. The metre is not found in the surviving fragments of Sappho and Alcaeus.
1298:
Horace assures the rustic Phidyle that the favor of the gods is gained not by costly offerings, but simple sacrifices such as salted meal offered with true feeling.
669:
The poet invokes Fortune as an all-powerful goddess. He implores her to preserve Octavian in his distant expeditions, and to save the state from ruinous civil wars.
923:
Horace says that the same day must of necessity bring death to them both β Their horoscopes are wonderfully alike and they have both been saved from extreme peril.
1817:). In 1.24 Horace depicts Virgil as weeping for his friend Quintilius, while in 3.7 (24th from the end) he depicts a girl Asterie as weeping for her friend Gyges.
4301:
829:
on the death of a boy called Mystes. Since all troubles have their natural end, do not mourn overmuch. Rather let us celebrate the latest victories of Augustus.
3983:
Not all scholars see the poems as arranged around the central ode. Woodman (2021) prefers to see the poems as arranged in two groups of three: Woodman (2021).
1703:
G. O. Hutchinson (2002) looks at several other stylistic features which support the view that the books were written in sequence. One is the decreasing use of
1351:, which became part of the Roman Empire in 25 BC. It has also been noted that Horace develops the story of Europa as if she were a heroine in a tragic drama.
63:
format and style has been emulated since by other poets. Books 1 to 3 were published in 23 BC. A fourth book, consisting of 15 poems, was published in 13 BC.
1825:
the other he mentions places he has visited in the past with his friend Pompeius. There are also verbal echoes between these two poems, for example the word
159:
has 76 lines.) The number of poems in each book is 38, 20, 30, and 15. The odes range from 8 lines to 80 lines in length, the average being about 30 lines.
1213:
Gold is all-powerful, but its possession brings care and restlessness. True contentment is to be satisfied with little, as Horace is with his Sabine farm.
556:
At a wine party, Horace endeavors to restrain his quarrelsome companions β He asks the brother of Megilla of Opus to confide the object of his affections.
678:β An Ode of Congratulation to Plotius Numida, on his safe return from Spain, where he had been serving under Octavian in a war against the Cantabrians.
1154:
To Mercury β Horace begs the god to teach him such melody as will overcome the unkindness of Lyde. The ode concludes with the tale of the daughters of
1849:
again philosophical, making a chiastic arrangement. However, some scholars claim that it is difficult to continue this principle throughout the book.
3876:
3329:
501:β Begins as a solemn praise of honest living and ends in a mock-heroic song of love for sweetly laughing "Lalage" (cf. II.5.16, Propertius IV.7.45).
1169:
Joyless is the life of Neobule, ever under the watchful eye of a strict guardian. Only thoughts of handsome Hebrus take her mind off her troubles.
1932:'betrothed'. In both poems Horace appears to sympathise with the conquered barbarians more than the Roman conquerors, greedy for loot and slaves.
3678:
It has been argued that two of the lines of this ode (17 and 34) are spurious. On this, and on the ode in general, see: Harrison, S. J. (1990).
593:
Venus is invoked to abandon for a while her beloved Cyprus, and to honor with her presence the temple prepared for her at the home of Glycera.
1737:
1.37 "does not read like a first attempt at Alcaics", believe that it is not possible to be sure that some the Odes were not written earlier.
1728:
referred to in Epistle 1.13, in which Horace requests his friend Vinnius to present a collection of books to Augustus at an opportune moment.
1961:
odes to have a number of lines not divisible by four (although some critics have tried to remedy this by suggesting two lines for deletion).
153:
is included). They are not all of equal length. Books 1, 2, 3, and 4 have 876 lines, 572 lines, 1004 lines, and 582 lines respectively. (The
1885:
form exactly one third of book 3, the 13 poems from 3.7 to 3.19 forming the second third, and the 11 poems from 3.20 to 3.30 the remainder.
3247:
Another possibility, also in four-line stanzas, was suggested in the 19th century by a certain "S.S.I.", with a 3 + 3 + 3 + 1 arrangement.
749:
To Sallustius Crispus (nephew of the historian Sallust). The love of gain grows by self-indulgence. The moderate man is the genuine king.
4470:
4458:
4454:
4446:
4438:
2403:
1.15.36). The asclepiad can easily be distinguished from the Alcaic and Sapphic metres by the three long syllables with which it begins.
1519:, a hymn to be sung at the Saecular festival. This ode is an invocation to Apollo, begging help and inspiration for this important task.
1088:(who was released from Carthage to negotiate a peace, but dissuaded the Senate, and then returned to Carthage to be tortured to death).
4482:
4478:
4474:
4466:
4462:
4450:
1191:
Horace proclaims a festal day on the return of Augustus from Spain (c. 24 BC), where he had reduced to subjection the fierce Cantabri.
1057:
The merit of integrity and resolution: the examples of Pollux, Hercules and Romulus. Juno's speech to the gods on the destiny of Rome.
334:) β To Thaliarchus. The snow is deep and the frost is keen β Pile high the hearth and bring out old wine β Leave all else to the gods.
1385:
In this closing poem, Horace confidently predicts his enduring fame as the first and greatest of the lyric poets of Rome. He asserts:
448:, and describes the air of tranquility and security there, blessed as it is with favoring protection of Faunus and the rural deities.
965:
697:(30 BC). The tone of triumph over the fallen queen is tempered by a tribute of admiration to her lofty pride and resolute courage.
1320:
Horace fancies himself carried along by Bacchus amid woods and wilds to celebrate, in some distant cave, the praises of Augustus.
2295:
The Sapphic stanza can be distinguished from the Alcaic and Asclepiad by the cretic rhythm (β α΄ β) of its first three syllables.
1965:
Apollo) and so on. The book begins and ends by naming the goddess Venus, who like Apollo was particularly venerated by Augustus.
1403:
in 13 BC consisting of 15 poems. Horace acknowledged the gap in time with the first words of the opening poem of the collection:
1224:
To Aelius Lamia β The crow foretells a stormy day tomorrow β Gather some firewood while you may, and spend the day in festivity.
1046:
Horace extols the virtue of endurance and valor in fighting for one's country, of integrity in politics, and of religious honor.
4601:
1543:
1085:
1017:
makes explicit identification of Augustus as a new Jove destined to restore in modern Rome the valor of past Roman heroes like
803:
An ode of congratulation to Pompeius Varus, once the poet's comrade in the army of Brutus, on his restoration to civil rights.
1724:(2 syllables + 3). The two types are equally common in book 1, but in later books the first type becomes increasingly common.
934:
The poet, content with his own moderate fortune, inveighs against the blindness of avarice β for the same end awaits all men.
901:
Horace describes the extravagant luxury prevalent among the rich, and praises the simplicity and frugality of the old Romans.
3428:
4102:"What's Latin about Latin Versification or Why Asclepiads Aren't Boring: A Case Study of Accent and Meter in Horatian Lyric"
4535:
3735:, 1957, p. 418) strongly rejected the identification, but Nisbet and Hubbard (1970, p. 40) think it is "probably" the poet.
2302:
had already used the Sapphic stanza in poems 11 and 51 (the latter being a translation of one of Sappho's poems). The poet
1985:"parade odes") are each in a different metre; the first six poems of book 3 (known as the "Roman odes") are all in Alcaic.
1080:
Augustus will be recognized as a god on earth for his subjugation of the Britons and Parthians. The disgraceful actions of
1006:
582:
A remonstrance addressed to Iccius on his intention of giving up philosophy and of joining the expedition to Arabia Felix.
545:
The poet bids the Muses to inspire him to sing the praises of Aelius Lamia, a man distinguished for his exploits in war.
1202:
Horace taunts Chloris with her attempts to appear young, and with her frivolous life, while she is really an old woman.
1459:
To the Muse Melpomene Horace ascribes his poetic inspiration and the honors which he enjoys as the lyric poet of Rome.
1250:
Horace invites Telephus to give up for a time his historical researches, and join him at a banquet in honor of Murena.
301:β Horace pleads his inability to worthily sing the praises of M. Vipsanius Agrippa, the distinguished Roman Commander.
957:
Transformed into a swan, the poet will soar away from the abodes of men, nor will he need the empty honors of a tomb.
1981:. A variety of different metres is used, but the main ones are Alcaic, Sapphic, and the various forms of Asclepiad.
1273:
4381:
760:
To Quintus Dellius. Let us enjoy our life while we may, for death will soon strip us all alike of our possessions.
82:
are some of Horace's models. His genius lay in applying these older forms to the social life of Rome in the age of
3574:. Oxford, pp. 77β78, argue that it is more likely that Horace is addressing himself rather than an unnamed friend.
1497:
Horace begs Augustus to return to Rome, and describes the peace and good order of the principate under his reign.
3018:
This metre is also called the "4th Archilochian". The first of these lines is known as a "greater Archilochian".
1567:
As in IV.8, Horace promises immortality through his verses, this time to Lollius, a man of wisdom and integrity.
1758:
In book 3 there are few certain dates, except for 3.14, which marks the return of Augustus from Spain in 24 BC.
388:
Addressed to Lydia β The poet contrasts the misery of jealousy with the happiness secured by constancy in love.
2169:
The Alcaic stanza does not appear to have been used by any Roman poet before Horace. It is used in one poem of
1852:
A chiastic arrangement has also been observed in other books of poems of this period, for example, in Virgil's
1712:
Another indication that the books were written sequentially is the proportion of Sapphic 4th lines of the type
1110:
Horace consoles Asterie on the absence of her lover Gyges, and warns her not to be unfaithful to her own vows.
4322:
1805:'more shining than glass' in the first line of 3.13. In 1.19, Horace admires the 'shining beauty of Glycera' (
288:β To the flirt Pyrrha, who is as faithless as the winds or seas, and whose fancy no lover can hold onto. (See
3583:
Pronounced with three long vowels: BΔrΔ«nΔ. The name means "the girl from Bari" (Nisbet & Hubbard (1978),
3299:
comes at the end of a line where its anomalous short final vowel can perhaps be licensed by the principle of
1261:
Horace humorously describes a contest between Pyrrhus and some maiden for the exclusive regards of Nearchus.
377:
The poet praises Octavian by associating him with gods and heroes, and distinguished Romans of earlier days.
1841:"; in 2.5 and 2.8 he describes two courtesans, one as yet inexperienced, the other experienced; and so on.
855:
Horace in a half-playful tone advises his friend Quinctius Hirpinus to enjoy life wisely, and not to fret.
841:
726:
133:
3913:
3367:
2180:
The Alcaic stanza was often used by Horace for poems in the grand style, for example, the six Roman Odes (
4606:
2177:. 4.5), imitating Horace, otherwise it does not appear to have been written by any major Latin poet.
1914:'fierce warfare' is found in line 2 of both poems, and they are also linked by the shared vocabulary
1084:'s troops (who married Parthians after being taken prisoner) are contrasted by the noble example of
912:
All men long for repose, which riches cannot buy. Contentment, not wealth, makes genuine happiness.
131:
provided "jewels five-words long, that on the stretched forefinger of all Time / Sparkle for ever" (
1838:
1362:
An invitation to Lyde to visit the poet on the festival of Neptune, and join him in wine and song.
1343:
310:β Fairest of Spots, O Plancus, is Tibur β There, or wherever you may be, drown your cares in wine.
92:
31:
1988:
The metre of most of the poems can be deduced from the first three syllables of their first line:
1811:), and in 3.12 (19th from the end) the young girl Neobule admires the 'shining beauty of Hebrus' (
17:
3974:
Further details of the parallelism between 3.3 and 3.5 are given in Dettmer (1983), pp. 387β392.
2233:
and Odes book 4) it can come after the 6th syllable. The fourth line is an adonean (β α΄ α΄ β x).
613:
The poet addresses his lyre, and blends with the address the praises of the Greek poet Alcaeus.
2184:
3.1β6), and the odes in praise of Drusus (4.4), Tiberius (4.14) and Augustus (4.15) in book 4.
1444:
ode. Horace declines, alleging lack of talent, and requests Iulus to compose the poem himself.
1018:
1957:, while those of 4.10β4.13 are Old Age and Love β Invitation β Invitation β Old Age and Love.
1612:
Horace taunts Lyce, now growing old, on her desperate attempts to seem young and fascinating.
2318:
579β606) in Sapphic stanzas, as well as sometimes writing the longer line continuously (e.g.
2298:
Although called "Sapphic", in fact this metre was used by both Alcaeus and Sappho. In Latin,
124:
1941:
poems is flanked by two other groups (4.3β4.6 and 4.10β4.13), each consisting of four poems
571:
with some philosophical reflections, then requests a passing merchant to stop and bury him.
4503:
4411:
4374:
3724:
3409:
by Charles E. Bennett and John Carew Rolfe. Boston: Allyn & Bacon, 1901, pp. xvii-xxii.
2346:
book 3 (2004), Nisbet and Rudd drop the numbering and simply refer to "Asclepiad systems".
1761:
After this there was a gap of a few years, and in this time, in 17 BC, Horace composed the
1623:(A companion to Ode IV.4, which praises Drusus.) Horace honors the courage and exploits of
1471:
995:
780:
The beautiful Lalage is still too young to return his passion β Soon it will be otherwise.
718:
3210:
stanzas. Woodman (2021) agrees and prints it with a 2 + 2 + 4 + 2 arrangement as follows:
275:
The changing season warns us of the shortness of life. Horace urges his friend Sestius β
8:
4580:
2033:
983:
769:β To Xanthias Phoceus β Horace encourages his friend on his love for Phyllis, his slave.
331:
177:
79:
3405:
by James Lonsdale, M.A. and Samuel Lee, M.A. London: Macmillan and Co., 1883, p. 22 and
1664:) in the 3rd line of the stanza in books 3 and 4: 5.0%, 5.8%, 24.6%, 30.2% respectively.
1589:
An invitation to Phyllis to celebrate the birthday of Maecenas at Horace's Sabine farm.
1239:
to bless his flocks and fields, for when Faunus is near, the whole countryside is glad.
2331:
2311:
1942:
654:
192:
in 1.17, and Alcaeus again in 1.18. The book contains many well-known phrases, such as
70:
were developed as a conscious imitation of the short lyric poetry of Greek originals β
3570:
Horace leaves it unclear to whom the ode is addressed; but Nisbet and Hubbard (1978).
4563:
4489:
4338:
4222:
3424:
1682:
the gradual decrease in the number of 4th lines beginning with a dactylic word (e.g.
1482:. His stepfather Augustus is praised as having trained him to greatness. A speech of
445:
411:
195:
4317:
708:
Horace directs his servant to make the simplest preparations for his entertainment.
4549:
4496:
4406:
2048:
3.30.13β14) claimed to be "the first to have brought Aeolic song to Latin poetry" (
1976:
1860:
1287:
Horace dedicates a pine tree to Diana, and vows to the goddess a yearly sacrifice.
690:
319:β To Lydia, who has transformed Sybaris from a hardy athlete into a doting lover.
148:
4137:"Rhythm in a Sinuous Stanza: The Anatomy and Acoustic Contour of the Latin Alcaic"
3944:
This depends on 3.12 being formatted in four-line stanzas: Woodman, A. J. (2021).
3005:'Harsh winter is being loosened with a welcome change of spring and the West Wind;
1740:
In book 1 some odes can be approximately dated. 1.37 describes the death of Queen
4418:
4367:
4329:
3316:
3302:
3152:
2864:
2830:
1898:
1873:
1869:
1475:
1433:
498:
4087:
The details on metre are taken from Nisbet, R. G. M. & Hubbard, M. (1970).
3136:
3077:
2636:
2193:
722:
44:
3526:
According to the interpretation of Nisbet, R. G. M. & Hubbard, M. (1970).
725:(Horace's two patrons), and the two central odes (10 and 11) are addressed to
4595:
4542:
3497:
by James Lonsdale, M.A. and Samuel Lee, M.A. London: Macmillan and Co., 1883;
2852:
2153:
2109:
2067:
1440:
and stepson of Augustus' sister Octavia) to sing of Augustus' victories in a
826:
3503:
by Charles E. Bennett and John Carew Rolfe. Boston: Allyn & Bacon, 1901;
1667:
the complete avoidance of quadrisyllabic or double disyllabic endings (e.g.
3073:
3026:(a trochaic dimeter catalectic, followed by an iambic trimeter catalectic)
3011:
the cattle no longer rejoice in their stables or the ploughman in his fire;
2728:
2497:
2165: and the rivers have frozen with sharp frost?'
2113:
2041:
987:
534:
Horace taunts Lydia with her approaching old age and her lack of admirers.
52:
4334:
3723:, Vol. 110 (1980), pp. 1β20; for arguments against see Cairns, F. (2019).
2570: For whom do you bind up your yellow hair...?
982:, III.3, on the gravestone of Elliot Charles Bovill, Chief Justice of the
4556:
3961:
iii.5 and that of iii.3 show a marked parallelism": Fraenkel, E. (1957).
3008: and machines are dragging the dry keels (to the shore);
1437:
879:
reflection on the uncertainty of life and the realms of dark Proserpine.
477:
You will drink poor Sabine wine in modest bowls when you visit the poet.
185:
181:
4136:
4101:
3708:
3632:
3444:
1578:
An ode to a beautiful boy, Ligurinus, and the inevitability of old age.
4528:
3828:
3767:
3696:
3649:
3611:
3461:
3338:
2945:
2711:
Babylonian astrology. How much better it is to suffer whatever will be,
1865:
1747:
In book 2, 2.9 must be after January 27 BC, since it names Octavian as
1547:
642:
356:
203:
3716:
3679:
2925:'The snows have fled away and the grass is now returning to the plains
2867:
12, and it is the only metre Horace uses in both the Odes and Epodes.
1973:
Altogether the four books contain 103 odes, to which may be added the
4442:
2941:
2860:
1741:
1479:
1470:(A companion to Ode IV.14, which praises Tiberius). This ode praises
1454:
1143:
Horace warns Lyce that he cannot put up with her unkindness forever.
694:
511:
119:
104:
1658:
a much larger proportion of polysyllable + disyllable endings (e.g.
107:, writing less than a century after Horace's death, remarked on the
4434:
4430:
4354:
4234:
2849:
2834:
2813:
2410:
2339:
2335:
2299:
2055:
1894:
1854:
1752:
1748:
1624:
1483:
1000:
625:
568:
289:
247:
231:
189:
83:
4359:
2714:
whether Jupiter will grant more winters, or has granted our last.'
1011:("It is sweet and honorable to die for one's country"). Ode III.5
442:β An Invitation to Tyndaris to Enjoy the Delights of the Country β
3721:
Transactions of the American Philological Association (1974-2014)
2823:
2819:
2356:
2303:
2170:
1348:
1081:
1474:, the younger son of the Empress Livia, on his victory over the
4521:
4391:
3695:
For arguments for the identification see Minadeo, R. (1975β6).
3130:
this truly, why do you hasten to destroy Sybaris by loving him,
2842:
2838:
2809:
2708:
have given to me, and what to you, LeuconoΓ«; and do not try out
2639:
2477:
2037:
1441:
1236:
1155:
975:
415:
173:
169:
75:
71:
56:
3809:(e.g. Eclogues: 0.7%; Georgics: 0.4%; Aeneid books 1β6: 0.1%).
145:
The four books of odes contain 103 poems in total (104 if the
3881:. University of MichiganβPhD. (See also: Dettmer, H. (1983).
3199:'It is only sad girls who do not play with love, or wash away
3014: nor are the meadows white with hoar frost.'
2349:
Altogether the various asclepiad metres are used in 34 odes.
2044:
dialect, their metres are known as "Aeolic". Horace himself (
1513:
In the year 17 BC, Augustus commissioned Horace to write the
2105:
567:
An unburied corpse first addresses the deceased philosopher
2486:
now the meadows are no long frozen, nor do the rivers roar,
1799:'more transparent than glass' in the last line of 1.18 and
457:β The Praise of Wine, and the ill effects of intemperance.
419:
3177:
MiserΔrum (e)st / nequ(e) amΕrΔ« / dare lΕ«dum / neque dulcΔ«
1556:'A man worthy of praise the Muse does not allow to die'.)
366:(Seize the day, trusting tomorrow as little as possible).
279:(The brief sum of life forbids us cling to far-off hope).
4304:, republished online by Cambridge University Press (2015)
2734:(a dactylic hexameter followed by a dactylic tetrameter)
2705:'Do not inquire β it is a sin to know β what end the gods
60:
4291:
Woodman, A. J. (2021). Horace: Odes Book III. Cambridge.
3205: of the lashings of an uncle's tongue.'
2875:(a dactylic hexameter followed by a dactylic hemiepes.)
2647:
to return my mind to the loves I thought were finished.'
1621:β In Praise of Tiberius, the Elder Stepson of Augustus β
1468:β In Praise of Drusus, the Younger Stepson of Augustus β
789:β Fairest of All is Tibur β Yet Tarentum, Too, Is Fair β
3800:(e.g. Satires 1: 3.7%; Epodes: 1.4%; Epistles 1: 1.1%).
3515:
by J.L. Lincoln. New York: D. Appleton & Co, 1851.
2677:
tΕ« nΔ quaesierΔ«s, / scΔ«re nefΔs, / quem mihi, quem tibΔ«
1755:
in 2.6 perhaps refers to the rebellion of 25 or 24 BC.
1391:(I have raised a monument more permanent than bronze).
3509:
by Charles Anthon, LL.D. London: Tegg & Son, 1835;
3281:
He suggested that by moving the position of the words
602:β Prayer to Apollo on the consecration of his temple.
328:β Winter Without Bids Us Make Merry Within (Soracte) β
3707:, Vol. 71, No. 2, pp. 161β164; Porter, D. H. (1972).
3680:"The Praise Singer: Horace, Censorinus and Odes 4. 8"
1272:
Horace, preparing to entertain his friend the orator
4001:
Skutsch, O. (1980). "Numbers in Virgil's Bucolics".
3715:, T. 31, Fasc. 1, pp. 71β87; Belmont, D. E. (1980).
3139:, though he can well tolerate the dust and the sun?'
2990:
ac neque iam stabulΔ«s gaudet pecus / aut arΔtor ignΔ«
2932:
This metre is also known as the "1st Archilochian".
2698:
seu plΕ«rΔ«s hiemΔs, / seu tribuit / Iuppiter ultimam.
2691:
temptΔrΔ«s numerΕs. / ut melius, / quidquid erit patΔ«
2355:(a continuous series of lesser asclepiad lines used
2282:'By now the Father has sent enough snow and fearsome
1097:β Piety & Chastity β Return to the Old Morals! β
1021:, whose story occupies the second half of the poem.
910:β Contentment With Our Lot the Only True Happiness β
758:β The Wisdom of Moderation, The Certainty of Death β
523:β To Virgil β A Lament for the Death of Quintilius
3397:For a discussion of the classification of Horace's
486:β Hymn to Diana and Apollo and their mother Latona
3917:Die Anordnung in GedichtbΓΌchern augusteischer Zeit
3371:Die Anordnung in GedichtbΓΌchern augusteischer Zeit
2654:(a series of greater asclepiads used stichically)
2051:prΔ«nceps Aeolium carmen ad ΔͺtalΕs/ dΔdΕ«xisse modΕs
3127: 'Lydia, by all the gods tell me
3120:Εderit campum, patiΔns / pulveris atque sΕlis,...
2975:Solvitur Δcris hiΔms grΔtΔ vice / vΔris et FavΕnΔ«
2077:Book 2: 1, 3, 5, 7, 9, 11, 13, 14, 15, 17, 19, 20
1679:) in the 3rd line of the stanza in books 3 and 4.
1409:(Venus, you return to battles long interrupted).
454:Nullam, Vare, sacra vite prius severis arborem...
277:vitae summa brevis spem nos vetat incohare longam
4593:
3202:their troubles with sweet wine or faint for fear
2863:(or Alcmanic) stanza. The metre is also used in
2162: no longer sustain their burden
4318:Odes of Horace, translated by Christopher Smart
3768:"The Publication and Individuality of Horace's
3495:The Works of Horace Rendered into English Prose
3403:The Works of Horace Rendered into English Prose
3339:"The Publication and Individuality of Horace's
2944:(= 3 trochees), followed by an iambic trimeter
2684:fΔ«nem dΔ« dederint, / LeuconoΔ, / nec BabylΕniΕs
2567: in a pleasant grotto, Pyrrha?
510:β Fear Me Not, Chloe, and do not shun me. (See
4003:Bulletin of the Institute of Classical Studies
3744:Nisbet & Hubbard (1970), pp. xxviii, xliv.
3184:mala vΔ«nΕ / laver(e) aut exanimΔrΔ« / metuentΔ«s
2928: and the leaves to the trees'
2285:hail on the earth, and by casting thunderbolts
1831:'with me' in the first line of each poem, and
999:virtues and the attendant glory of Rome under
974:β "a man just and steadfast in purpose", from
693:, the capture of Alexandria, and the death of
30:"Carmina" redirects here. For other uses, see
4375:
3665:xxxiii, 1914, p. 72 argued that the spelling
2792:moenia vel BacchΕ ThΔbΔs vel Apolline DelphΕs
2483:which calm the sea, are driving on the sails;
2159:white with deep snow, and the labouring woods
2074:Book 1: 9, 16, 17, 26, 27, 29, 31, 34, 35, 37
307:Laudabunt alii claram Rhodon aut Mytilenen...
226:β Dedication of the First Three Books of the
3915:
3633:"Horace, Odes 3.27: a new world for Galatea"
3369:
3253:MiserΔrum (e)st / nequ(e) amΕrΔ« / dare lΕ«dum
3133: why does he shun the sunny
3105:hoc deΕs vΔrΔ, Sybarin / cΕ«r properΔs amandΕ
2910:DiffΕ«gΔre nivΔs / redeunt iam grΔmina campΔ«s
2561:'What slender boy, drenched in perfumed oil,
2489: swollen with winter snow.'
2409:(a series of three asclepiads followed by a
2080:Book 3: 1, 2, 3, 4, 5, 6, 17, 21, 23, 26, 29
921:β To Maecenas on His Recovery from Illness β
495:β Upright of Life and Free from Wickedness β
394:O navis, referent in mare te novi fluctus...
4273:Nisbet, & Hubbard (1970), pp. xlivβxlv.
4160:
4158:
3731:, Vol. 73, No. 3/4, pp. 279β292. Fraenkel (
3507:The Works of Horace, with Explanatory Notes
3359:Nisbet, R. G. M. & Hubbard, M. (1978).
3352:Nisbet, R. G. M. & Hubbard, M. (1970).
3300:
3294:
3288:
3282:
3273:
3265:
3258:
3251:
3235:
3228:
3221:
3214:
3190:
3182:
3175:
3118:
3111:
3103:
3096:
3051:
3044:
2996:
2988:
2981:
2973:
2916:
2908:
2798:
2790:
2783:
2775:
2696:
2689:
2682:
2675:
2623:
2616:
2608:
2601:
2552:
2544:
2536:
2529:
2467:
2461:iam nec prΔta rigent, / nec fluviΔ« strepunt
2459:
2452:
2445:
2386:
2379:
2273:
2265:
2258:
2251:
2228:
2218:
2197:
2143:
2135:
2127:
2120:
2049:
2024:
2018:
2012:
2006:
1974:
1952:
1946:
1927:
1921:
1915:
1909:
1832:
1826:
1812:
1806:
1800:
1794:
1774:
1762:
1719:
1713:
1704:
1694:
1688:): 35.0%, 22.1%, 17.8%, 13.2% respectively.
1683:
1674:
1668:
1659:
1631:
1616:
1605:
1593:
1582:
1571:
1560:
1551:
1535:
1523:
1514:
1506:
1501:
1490:
1463:
1448:
1425:
1413:
1406:Intermissa, Venus, diΕ« / rΕ«rsus bella movΔs
1404:
1386:
1378:
1366:
1355:
1335:
1324:
1313:
1302:
1291:
1280:
1265:
1254:
1243:
1228:
1217:
1206:
1195:
1184:
1173:
1162:
1147:
1136:
1125:
1114:
1103:
1092:
1073:
1061:
1050:
1039:
1028:
1012:
1004:
969:
955:β The Poet Prophesies His Own Immortality β
950:
938:
927:
916:
905:
894:
883:
871:
859:
848:
833:
818:
807:
796:
784:
773:
764:
753:
742:
733:
701:
682:
673:
662:
632:
617:
606:
597:
586:
575:
560:
549:
538:
527:
518:
505:
490:
481:
470:
461:
452:
437:
426:
403:
392:
381:
370:
350:
338:
323:
314:
305:
298:ScribΔris Vario fortis et hostium victor...
296:
283:
268:
257:
241:
221:
209:
201:
193:
154:
146:
108:
4382:
4368:
3260:neque dulcΔ« / mala vΔ«nΕ / laver(e) aut ex-
3230:mala vΔ«nΕ laver(e) aut exanimΔrΔ« metuentΔs
2777:LaudΔbunt aliΔ« clΔram Rhodon aut MytilΔnΔn
2395:'Maecenas, descended from ancestral kings,
2291: has terrified the City.'
2288:with red right hand at the sacred citadels
1951:β Praise of Drusus β Praise of Augustus β
1486:about Rome's resilience is also included.
540:Musis amicus tristitiam et metus tradam...
51:) are a collection in four books of Latin
4302:"Metrical Arrangement Restored to Horace"
3462:"A Parade of Lyric Predecessors: Horace,
3060: 'No ivory and no golden
2447:Iam vΔris comitΔs, / quae mare temperant,
2206:Book 1: 2, 10, 12, 20, 22, 25, 30, 32, 38
2054:); which is true if two poems written by
1945:arranged: thus the themes of 4.3β4.6 are
1276:, sings of the manifold virtues of wine.
1152:β Take Warning, Lyde, from the Danaids! β
1078:β To Augustus β On Virtue and Fortitude β
844:. The moderate life is the perfect life.
599:Quid dedicatum poscit Apollinem vates?...
472:Vile potabis modicis Sabinum cantharis...
4155:
4117:Nisbet & Hubbard (1970), pp. xlβxli.
4037:Horace Odes Book IV and Carmen Saeculare
4031:
4029:
2644:and wanton Licentiousness are bidding me
2104:
1646:
1105:Quid fles, Asterie, quem tibi candidi...
964:
689:An ode of joy for Octavian's victory at
641:
414:hurries from Sparta to Troy with Helen,
364:carpe diem, quam minimum credula postero
217:The poems can be summarised as follows:
4143:, Vol. 133, No. 1, pp. 117β152; p. 118.
3878:The Structural Pattern of Horace's Odes
3445:"Three Horace Translations by Tennyson"
3331:The Structural Pattern of Horace's Odes
3167:α΄ α΄ β β / α΄ α΄ β β / α΄ α΄ β β / α΄ α΄ β β /
3164:α΄ α΄ β β / α΄ α΄ β β / α΄ α΄ β β / α΄ α΄ β β /
2388:Ε et praesidi(um) et / dulce decus meum
1164:Miserarum est neque amori dare ludum...
624:A consolation to the contemporary poet
250:, The Deliverer and Hope of the State β
14:
4594:
4195:Nisbet & Hubbard (1970), p. xxxix.
3997:
3995:
3993:
3513:The Works of Horace with English Notes
3451:. Vol. 4, No. 1, pp. 16-24; see p. 19.
3063:panelled ceiling glitters in my house'
2577:(a glyconic followed by an asclepiad)
1641:
1296:β Humble Sacrifices Devoutly Offered β
850:Quid bellicosus Cantaber et Scythes...
285:Quis multa gracilis te puer in rosa...
4363:
4152:Nisbet & Hubbard (1970), p. xliv.
4026:
3935:Nisbet & Hubbard (1978), pp. 5β6.
3778:, Vol. 52, No. 2 (2002), pp. 517β537.
3650:"A tragic Europa?: Horace, odes 3.27"
3418:
3349:, Vol. 52, No. 2 (2002), pp. 517β537.
2983:trahuntque siccΔs / mΔchinae carΔ«nΔs,
2531:Quis multΔ gracilis / tΔ puer in rosΔ
2398:and o! my protection and sweet glory'
1998:β β β = Asclepiadic (except 1.7, 4.7)
1186:Herculis ritu modo dictus, o plebs...
1175:O fons Bandusiae splendidior vitro...
1149:Mercuri, β nam te docilis magistro...
1003:. Ode III.2 contains the famous line
940:Bacchum in remotis carmina rupibus...
835:Rectius vives, Licini, neque altum...
820:Non semper imbres nubibus hispidos...
634:Parcus deorum cultor et infrequens...
529:Parcius iunctas quatiunt fenestras...
520:Quis desiderio sit pudor aut modus...
262:β To Virgil, Setting Out for Greece β
243:Iam satis terris nivis atque dirae...
4536:Dulce et decorum est pro patria mori
3787:See also Nisbet and Hubbard (1975),
3755:A Commentary on Horace Odes, Book ii
3572:A Commentary on Horace Odes, Book ii
3552:Nisbet & Hubbard (1975), p. 168.
3541:A Commentary on Horace Odes, Book II
3412:
3361:A Commentary on Horace Odes, Book II
2625:fΔ«nΔ«tΔ«s animum / redder(e) amΕribus.
2325:
2253:Iam satis terrΔ«s / nivis atque dΔ«rae
1633:Phoebus volentem proelia me loqui...
1618:Quae cura patrum quaeve Quiritium...
1537:Donarem pateras grataque commodus...
1427:Pindarum quisquis studet aemulari...
1230:Faune, Nympharum fugientum amator...
1158:, and their doom in the underworld.
1130:β The Reconciliation of Two Lovers β
1116:Martis caelebs quid agam Kalendis...
1052:Iustum et tenacem propositi virum...
1007:Dulce et decorum est pro patria mori
861:Nolis longa ferae bella Numantiae...
637:β The Poet's Conversion from Error β
608:Poscimus, si quid vacui sub umbra...
330:(with borrowing from an original by
316:Lydia, dic, per omnis te deos oro...
4389:
3990:
3846:A Commentary on Horace Odes, Book 1
3717:"The Vergilius of Horace, Ode 4.12"
2998:nec prΔta cΔnΔ«s / albicant pruΔ«nΔ«s.
2935:
2870:
2726:
2670:β β β α΄ α΄ β / β α΄ α΄ β / β α΄ α΄ β α΄ x
2610:ThΔbΔnaeque iubet / mΔ Semelae puer
2454:impellunt animae / lintea ThrΔciae,
1492:Divis orte bonis, optume Romulae...
1465:Qualem ministrum fulminis alitem...
1430:β Not for Me to Sing of Augustus! β
1318:β To Bacchus in Honor of Augustus β
1138:Extremum Tanain si biberes, Lyce...
775:Nondum subacta ferre iugum valet...
766:Ne sit ancillae tibi amor pudori...
735:Motum ex Metello consule civicum...
664:O diva, gratum quae regis Antium...
619:Albi, ne doleas plus nimio memor...
577:Icci, beatis nunc Arabum invides...
325:Vides ut alta stet nive candidum...
24:
4089:A Commentary on Horace Odes Book 1
3561:Nisbet & Hubbard (1978), p. 2.
3528:A Commentary on Horace Odes Book 1
3354:A Commentary on Horace Odes Book 1
3267:animΔrΔ« / metuentΔ«s / patruae ver-
3067:
2538:perfΕ«sus liquidΔ«s / urget odΕribus
2260:grandinis mΔ«sit / Pater et rubente
2122:VidΔs ut altΔ / stet nive candidum
1584:Est mihi nonum superantis annum...
1562:Ne forte credas interitura quae...
1553:dignum laude virum MΕ«sa vetat morΔ«
1399:Horace published a fourth book of
1380:Exegi monumentum aere perennius...
1256:Non vides quanto moveas periclo...
1075:Caelo tonantem credidimus Iovem...
1063:Descende caelo et dic age tibia...
918:Cur me querellis exanimas tuis?...
798:O saepe mecum tempus in ultimum...
786:Septimi, Gadis aditure mecum et...
744:Nullus argento color est avaris...
551:Natis in usum laetitiae scyphis...
492:Integer vitae scelerisque purus...
428:O matre pulchra filia pulchrior...
418:stills the winds and prophesies β
340:Mercuri, facunde nepos Atlantis...
25:
4618:
4311:
4141:The American Journal of Philology
3789:Commentary on Horace Odes Book II
3725:"'Vergilius' in Horace Odes 4.12"
2564:is pressing you on a bed of roses
2212:Book 3: 8, 11, 14, 18, 20, 22, 27
2187:
2129:Soracte nec iam / sustineant onus
1879:
1528:β The Lesson of Spring's Return β
1388:ExΔgΔ« monument(um) aere perennius
1368:Tyrrhena regum progenies, tibi...
1274:Marcus Valerius Messalla Corvinus
1211:β Contentment is Genuine Wealth β
1094:Delicta maiorum inmeritus lues...
1055:β On Integrity and Perseverance β
971:Justum et tenacem propositi virum
896:Iam pauca aratro iugera regiae...
885:Eheu fugaces, Postume, Postume...
812:β The Baleful Charms of Barine β
755:Aequam memento rebus in arduis...
588:O Venus, regina Cnidi Paphique...
580:β The Scholar Turned Adventurer β
507:Vitas inuleo me similis, ChloΓ«...
483:Dianam tenerae dicite virgines...
439:Velox amoenum saepe Lucretilem...
91:observance of moderation or the "
4343:
2859:This metre is also known as the
2267:dexterΔ sacrΔs / iaculΔtus arcΔs
2061:
1337:Impios parrae recinentis omen...
1066:β On Wise Counsel and Clemency β
1041:Angustam amice pauperiem pati...
873:Ille et nefasto te posuit die...
703:Persicos odi, puer, apparatus...
223:Maecenas atavis edite regibus...
4294:
4285:
4276:
4267:
4258:
4249:
4240:
4228:
4216:
4207:
4198:
4189:
4180:
4171:
4146:
4129:
4120:
4111:
4094:
4081:
4068:
4055:
4042:
4017:
4008:
3977:
3968:
3951:
3938:
3929:
3906:
3897:
3888:
3869:
3860:
3851:
3838:
3821:
3812:
3803:
3794:
3781:
3760:
3747:
3738:
3689:
3672:
3655:
3642:
3637:The Cambridge Classical Journal
3625:
3604:
3594:
3577:
3564:
3555:
3090:β α΄ β β β α΄ α΄ β / β α΄ α΄ β α΄ β x
3021:
2718:
2632:'The cruel mother of the Cupids
2595:β β β α΄ α΄ β / β α΄ α΄ β α΄ x.
2381:MaecΔnΔs atavΔ«s / Δdite rΔgibus
2196:is used in 25 odes, and in the
2070:is used in 37 Odes. These are:
1731:
1525:Diffugere nives, redeunt iam...
1282:Montium custos nemorumque virgo
1222:β Prepare for Storms Tomorrow β
1219:Aeli vetusto nobilis ab Lamo...
1208:Inclusam Danaen turris aenea...
1030:Odi profanum vulgus et arceo...
1014:Caelo tonantem credidimus Jovem
907:Otium divos rogat in patenti...
823:β A Truce to Sorrow, Valgius! β
562:Te maris et terrae numeroque...
444:Horace invites Tyndaris to his
3546:
3533:
3520:
3484:
3475:
3454:
3437:
3391:
3322:
3155:(α΄ α΄ β β) repeated ten times)
2785:aut Epheson bimarisve CorinthΔ«
2551:
2496:(two asclepiads followed by a
2476:'Now spring's companions, the
2374:β β β α΄ α΄ β / β α΄ α΄ β α΄ x
2306:wrote one poem in this metre (
2202:. The odes in this metre are:
2142:
1607:Audivere, Lyce, di mea vota...
1573:O crudelis adhuc et Veneris...
1293:Caelo supinas si tuleris manus
1267:O nata mecum consule Manlio...
952:Non usitata nec tenui ferar...
809:Ulla si iuris tibi peierati...
706:β Away With Oriental Luxury! β
532:β Lydia, Thy Charms Are Past β
466:β The Poet's Love for Glycera
13:
1:
4602:1st-century BC books in Latin
4106:American Journal of Philology
3844:Nisbet & Hubbard (1970).
3829:"The earliest odes of Horace"
3753:Nisbet & Hubbard (1978).
3652:. Hermes, 116(H. 4), 427-434.
3539:Nisbet & Hubbard (1978),
3384:
3334:. University of MichiganβPhD.
3216:MiserΔrum (e)st nequ(e) AmΕrΔ«
3053:meΔ renΔ«det / in domΕ lacΕ«nar
2584:Book 3: 9, 15, 19, 24, 25, 28
1995:β α΄ β = Sapphic (except 2.18)
1329:β Love's Triumphs Are Ended β
1326:Vixi puellis nuper idoneus...
1024:Book 3 consists of 30 poems.
687:β Now Is the Time to Drink! β
647:
543:β In Praise of Aelius Lamia β
475:β An Invitation to Maecenas β
113:(studied spontaneity) of the
4078:. Olms Weidman. pp. 488β491.
4076:Horace: A Study in Structure
4063:Horace: A Study in Structure
3883:Horace: A Study in Structure
3684:The Journal of Roman Studies
3287:in the 3rd stanza to follow
2243:β α΄ β β β / α΄ α΄ β α΄ β x
2240:β α΄ β β β / α΄ α΄ β α΄ β x
2237:β α΄ β β β / α΄ α΄ β α΄ β x
1779:
1450:Quem tu, Melpomene, semel...
1383:β The Poet's Immortal Fame β
1315:Quo me, Bacche, rapis tui...
1178:β O, Fountain of Bandusia! β
842:Lucius Licinius Varro Murena
727:Lucius Licinius Varro Murena
372:Quem virum aut heroa lyra...
7:
4353:public domain audiobook at
4091:. Oxford. pp. xxxviiiβxlvi.
3421:Music in the Odes of Horace
3310:
2808:'Others will praise famous
2800:Δ«nsignΔ«s aut Thessala TempΔ
2145:flΕ«mina cΕnstiterint acΕ«tΕ?
1935:
1911:acrem militiam/acri militia
1718:) (3 syllables + 2) versus
1636:β The Praises of Augustus β
1248:β Invitation to a Banquet β
1245:Quantum distet ab Inacho...
375:β The Praises of Octavian β
259:Sic te diva potens Cypri...
10:
4623:
4108:, 137(2), 287β320; p. 289.
4014:Dettmer (1983), pp. 6, 19.
3948:. Cambridge; introduction.
3894:Dettmer (1976), pp. 14β15.
3875:Dettmer, H. M. R. (1976).
3866:Hutchinson (2002), p. 520.
3857:Hutchinson (2002), p. 521.
3818:Hutchinson (2002), p. 519.
3766:Hutchinson, G. O. (2002).
3501:Horace: The Complete Works
3481:Hutchinson (2002), p. 529.
3449:Tennyson Research Bulletin
3407:Horace: The Complete Works
3337:Hutchinson, G. O. (2002).
3328:Dettmer, H. M. R. (1976).
2518:β β β α΄ α΄ β / β α΄ α΄ β α΄ x.
2515:β β β α΄ α΄ β / β α΄ α΄ β α΄ x.
2437:β β β α΄ α΄ β / β α΄ α΄ β α΄ x.
2434:β β β α΄ α΄ β / β α΄ α΄ β α΄ x.
2431:β β β α΄ α΄ β / β α΄ α΄ β α΄ x.
2209:Book 2: 2, 4, 6, 8, 10, 16
1598:β The Delights of Spring β
1371:β Invitation to Maecenas β
1200:β Chloris, Act Your Age! β
1189:β The Return of Augustus β
864:β The Charms of Licymnia β
646:A bust of Octavian, dated
611:β Invocation to the Lyre β
565:β Death, The Doom of All β
408:β The Prophecy of Nereus β
140:
29:
4573:
4513:
4398:
3827:Wilkinson, L. P. (1956).
3709:"Horace, Carmina, IV, 12"
3490:Summaries are taken from:
2940:(a dactylic tetrameter +
2554:cui flΔvam religΔs comam?
2546:grΔtΕ, Pyrrha, sub antrΕ?
2137:silvae labΕrantΔs gelΕ«que
1968:
1696:fΔtΔlis incestusque iΕ«dex
1685:torquibus exiguΔ«s renΔ«det
1676:prΕnΕs relΔbΔ« posse rΔ«vΕs
1661:fΔtΔlis incestusque iΕ«dex
1503:Dive, quem proles Niobaea
1415:Intermissa, Venus, diu...
1394:
1127:Donec gratus eram tibi...
960:
747:β The Wise Use of Money β
711:
622:β The Faithless Glycera β
162:
4335:Works of Horace in Latin
3648:Harrison, S. J. (1988).
3237:patruae verbera linguae.
3192:patruae verbera linguae.
3146:
2005:Thus the poem beginning
1775:Arrangement of the poems
1565:β In Praise of Lollius β
1542:This ode was written to
1511:β Invocation to Apollo β
1457:, Muse of Lyric Poetry β
1357:Festo quid potius die...
932:β The Vanity of Riches β
929:Non ebur neque aureum...
675:Et ture et fidibus iuvat
554:β Let Moderation Reign β
463:Mater saeva Cupidinum...
273:β A Hymn to Springtime β
32:Carmina (disambiguation)
4065:. Olms Weidman. p. 486.
4023:Dettmer (1983), p. 373.
4005:, 27(1), 95β96; note 8.
3776:The Classical Quarterly
3585:A Commentary on Horace
3423:. Aris & Phillips.
3347:The Classical Quarterly
3046:NΕn ebur nequ(e) aureum
3038:x β α΄ β x / β α΄ β α΄ β x
2968:x β α΄ β β / β α΄ β α΄ β x
2095:x β α΄ β β / β α΄ α΄ β α΄ x
2092:x β α΄ β β / β α΄ α΄ β α΄ x
1546:and probably sent as a
1540:β In Praise of Poetry β
1307:β The Curse of Mammon β
1141:β A Lover's Complaint β
1119:β A Happy Anniversary β
1108:β Constancy, Asterie! β
888:β Death is Inevitable β
867:the wife of Maecenas).
422:'s doom is inevitable.
270:Solvitur acris hiems...
123:118). The English poet
27:Latin poetry collection
4135:Becker, A. S. (2012).
4100:Becker, A. S. (2016).
3916:
3419:Lyons, Stuart (2010).
3370:
3301:
3295:
3289:
3283:
3274:
3266:
3259:
3252:
3236:
3229:
3223:dare lΕ«dum neque dulcΔ«
3222:
3215:
3191:
3183:
3176:
3119:
3112:
3104:
3097:
3052:
3045:
2997:
2989:
2982:
2974:
2917:
2909:
2799:
2791:
2784:
2776:
2697:
2690:
2683:
2676:
2624:
2617:
2609:
2602:
2553:
2545:
2537:
2530:
2468:
2460:
2453:
2446:
2387:
2380:
2274:
2266:
2259:
2252:
2229:
2219:
2198:
2144:
2136:
2128:
2121:
2116:
2050:
2025:
2019:
2013:
2007:
1975:
1953:
1947:
1928:
1922:
1916:
1910:
1833:
1827:
1813:
1807:
1801:
1795:
1763:
1720:
1714:
1705:
1695:
1684:
1675:
1669:
1660:
1632:
1617:
1606:
1594:
1583:
1576:β Beauty Is Fleeting β
1572:
1561:
1552:
1536:
1524:
1515:
1507:
1502:
1491:
1464:
1449:
1426:
1414:
1405:
1387:
1379:
1367:
1360:β In Neptune's Honor β
1356:
1336:
1325:
1314:
1304:Intactis opulentior...
1303:
1292:
1281:
1266:
1255:
1244:
1229:
1218:
1207:
1197:Uxor pauperis Ibyci...
1196:
1185:
1174:
1163:
1148:
1137:
1126:
1115:
1104:
1093:
1074:
1062:
1051:
1040:
1029:
1019:Marcus Atilius Regulus
1013:
1005:
991:
970:
951:
939:
928:
917:
906:
895:
884:
872:
860:
853:β Enjoy Life Wisely! β
849:
834:
819:
808:
797:
785:
774:
765:
754:
743:
734:
702:
683:
674:
663:
658:
633:
618:
607:
598:
587:
576:
561:
550:
539:
528:
519:
506:
491:
482:
471:
462:
453:
438:
427:
405:Pastor cum traheret...
404:
393:
382:
371:
351:
339:
324:
315:
306:
297:
284:
269:
258:
242:
222:
210:
202:
194:
155:
147:
109:
48:
4048:Fraenkel, E. (1957),
4039:. Cambridge. pp. 7β8.
4035:Thomas, R. F. (2011)
3903:Dettmer (1976). p. 9.
3705:The Classical Journal
3631:Mitchell, E. (2012).
3620:The Classical Journal
3098:LΘ³dia, dΔ«c, per omnΔ«s
2848: or
2818: or
2603:MΔter saeva CupΔ«dinum
2581:Book 1: 3, 13, 19, 36
2504:Book 1: 5, 14, 21, 23
2469:hΔ«bernΔ nive turgidΔ«.
2417:Book 1: 6, 15, 24, 33
2108:
1670:nΕdΕ coercΔs vΔ«perΔ«nΕ
1647:Developments of style
1587:β A Joyous Birthday β
1544:C. Marcius Censorinus
1495:β Augustus, Return! β
968:
645:
591:β A Prayer to Venus β
397:β The Ship of State β
4074:Dettmer, H. (1983).
4061:Dettmer, H. (1983).
3985:Horace Odes book III
3946:Horace Odes Book III
3848:, Oxford; p. xxviii.
3835:, 84(H. 4), 495β499.
3697:"Vergil in Horace's
3443:Pollard, A. (1982).
3113:perdere, cΕ«r aprΔ«cum
2112:(Soracte) seen from
2083:Book 4: 4, 9, 14, 15
2023:is Asclepiadic, and
1595:Iam veris comites...
1432:Horace was asked by
1340:β Galatea, Beware! β
684:Nunc est bibendum...
4581:Spring of Bandusium
4164:D. S. Raven (1965)
3616:: Horace, Ode 3.27"
3610:Clay, J. S. (1992).
3460:Lowrie, M. (1995).
2965:β α΄ α΄ / β α΄ β α΄ β x
2618:et lascΔ«va Licentia
2101:β α΄ α΄ β α΄ α΄ β α΄ β x
1642:Date of composition
1418:β Venus, Forbear! β
1167:β Unhappy Neobule β
994:The ancient editor
984:Straits Settlements
943:β Hymn to Bacchus β
876:β A Narrow Escape β
838:β The Golden Mean β
801:β A Joyful Return β
667:β Hymn to Fortuna β
352:Tu ne quaesieris...
343:β Hymn to Mercury β
234:(Horace's Patron) β
137:, part II, l.355).
4225:, goddess of love.
3957:"The structure of
3926:, 81(1-4); p. 299.
3272:
3189:
3110:
3095:
3043:
2995:
2980:
2918:arboribusque comae
2915:
2797:
2782:
2615:
2600:
2543:
2466:
2312:Seneca the Younger
2272:
2134:
2117:
1233:β Hymn to Faunus β
992:
988:Fort Canning Green
899:β Against Luxury β
659:
655:Capitoline Museums
628:over a lost love.
127:declared that the
4589:
4588:
4564:Ut pictura poesis
4339:The Latin Library
4300:S. S. I. (1813),
4052:. Oxford. p. 426.
3912:Port, W. (1926).
3622:, 88(2), 167β177.
3430:978-0-85668-844-7
3366:Port, W. (1926).
3170:α΄ α΄ β β / α΄ α΄ β β
2326:Asclepiad systems
2098:x β α΄ β β β α΄ β x
1926:'virgin(s)', and
1802:splendidior vitro
1796:perlucidior vitro
1270:β To a Wine-Jar β
651: 30 BC
196:nunc est bibendum
110:curiosa felicitas
16:(Redirected from
4614:
4607:Poetry by Horace
4550:Nullius in verba
4497:Carmen Saeculare
4384:
4377:
4370:
4361:
4360:
4347:
4346:
4305:
4298:
4292:
4289:
4283:
4280:
4274:
4271:
4265:
4262:
4256:
4253:
4247:
4244:
4238:
4232:
4226:
4220:
4214:
4211:
4205:
4202:
4196:
4193:
4187:
4184:
4178:
4175:
4169:
4162:
4153:
4150:
4144:
4133:
4127:
4124:
4118:
4115:
4109:
4098:
4092:
4085:
4079:
4072:
4066:
4059:
4053:
4046:
4040:
4033:
4024:
4021:
4015:
4012:
4006:
3999:
3988:
3981:
3975:
3972:
3966:
3955:
3949:
3942:
3936:
3933:
3927:
3919:
3910:
3904:
3901:
3895:
3892:
3886:
3873:
3867:
3864:
3858:
3855:
3849:
3842:
3836:
3825:
3819:
3816:
3810:
3807:
3801:
3798:
3792:
3785:
3779:
3764:
3758:
3751:
3745:
3742:
3736:
3693:
3687:
3676:
3670:
3659:
3653:
3646:
3640:
3629:
3623:
3608:
3602:
3598:
3592:
3581:
3575:
3568:
3562:
3559:
3553:
3550:
3544:
3537:
3531:
3524:
3518:
3488:
3482:
3479:
3473:
3458:
3452:
3441:
3435:
3434:
3416:
3410:
3395:
3373:
3306:
3298:
3292:
3286:
3277:
3269:
3262:
3255:
3239:
3232:
3225:
3218:
3194:
3186:
3179:
3122:
3115:
3107:
3100:
3055:
3048:
3000:
2992:
2985:
2977:
2936:3rd Archilochian
2920:
2912:
2871:2nd Archilochian
2802:
2794:
2787:
2779:
2700:
2693:
2686:
2679:
2627:
2620:
2612:
2605:
2556:
2548:
2540:
2533:
2524:β β β α΄ α΄ β α΄ x.
2500:and a glyconic)
2471:
2463:
2456:
2449:
2440:β β β α΄ α΄ β α΄ x.
2390:
2383:
2314:wrote a chorus (
2277:
2269:
2262:
2255:
2232:
2230:Carmen Saeculare
2222:
2220:Carmen Saeculare
2215:Book 4: 2, 6, 11
2201:
2199:Carmen Saeculare
2152:'Do you see how
2147:
2139:
2131:
2124:
2053:
2028:
2022:
2020:Ε fΕns Bandusiae
2016:
2010:
1980:
1977:Carmen Saeculare
1956:
1954:Carmen Saeculare
1950:
1948:Carmen Saeculare
1931:
1925:
1919:
1913:
1836:
1830:
1816:
1810:
1804:
1798:
1766:
1764:Carmen saeculare
1723:
1717:
1708:
1698:
1687:
1678:
1672:
1663:
1635:
1620:
1609:
1597:
1586:
1575:
1564:
1555:
1539:
1527:
1518:
1516:Carmen Saeculare
1510:
1505:
1494:
1467:
1452:
1429:
1417:
1408:
1390:
1382:
1370:
1359:
1339:
1328:
1317:
1306:
1295:
1284:
1269:
1258:
1247:
1232:
1221:
1210:
1199:
1188:
1177:
1166:
1151:
1140:
1129:
1118:
1107:
1096:
1077:
1065:
1054:
1043:
1033:β On Happiness β
1032:
1016:
1010:
973:
954:
942:
931:
920:
909:
898:
887:
875:
863:
852:
837:
822:
811:
800:
788:
777:
768:
757:
746:
737:
705:
686:
677:
666:
652:
649:
636:
621:
610:
601:
590:
579:
564:
553:
542:
531:
522:
509:
494:
485:
474:
465:
456:
441:
430:
407:
396:
385:
383:Cum tu, Lydia...
374:
354:
342:
327:
318:
309:
300:
287:
272:
261:
245:
225:
213:
207:
199:
158:
156:Carmen Saeculare
152:
149:Carmen Saeculare
112:
21:
4622:
4621:
4617:
4616:
4615:
4613:
4612:
4611:
4592:
4591:
4590:
4585:
4569:
4509:
4394:
4388:
4344:
4330:Perseus Project
4314:
4309:
4308:
4299:
4295:
4290:
4286:
4281:
4277:
4272:
4268:
4263:
4259:
4254:
4250:
4245:
4241:
4233:
4229:
4221:
4217:
4212:
4208:
4203:
4199:
4194:
4190:
4185:
4181:
4176:
4172:
4163:
4156:
4151:
4147:
4134:
4130:
4125:
4121:
4116:
4112:
4099:
4095:
4086:
4082:
4073:
4069:
4060:
4056:
4047:
4043:
4034:
4027:
4022:
4018:
4013:
4009:
4000:
3991:
3982:
3978:
3973:
3969:
3956:
3952:
3943:
3939:
3934:
3930:
3911:
3907:
3902:
3898:
3893:
3889:
3874:
3870:
3865:
3861:
3856:
3852:
3843:
3839:
3826:
3822:
3817:
3813:
3808:
3804:
3799:
3795:
3786:
3782:
3765:
3761:
3757:. Oxford; p. 5.
3752:
3748:
3743:
3739:
3694:
3690:
3677:
3673:
3660:
3656:
3647:
3643:
3630:
3626:
3614:Providus auspex
3609:
3605:
3599:
3595:
3582:
3578:
3569:
3565:
3560:
3556:
3551:
3547:
3538:
3534:
3525:
3521:
3491:
3489:
3485:
3480:
3476:
3472:, 49(1), 33β48.
3459:
3455:
3442:
3438:
3431:
3417:
3413:
3396:
3392:
3387:
3325:
3317:Prosody (Latin)
3313:
3303:brevis in longo
3284:simul ... undis
3149:
3078:greater Sapphic
3070:
3068:Greater Sapphic
3024:
2938:
2873:
2732:
2721:
2635:and the son of
2592:β β β α΄ α΄ β α΄ x
2328:
2190:
2064:
1971:
1938:
1899:Tibullus book 2
1882:
1870:Tibullus book 1
1868:book 1, and in
1782:
1777:
1734:
1649:
1644:
1637:
1622:
1611:
1610:β Retribution β
1599:
1588:
1577:
1566:
1541:
1529:
1512:
1496:
1469:
1458:
1431:
1419:
1397:
1384:
1372:
1361:
1341:
1330:
1319:
1308:
1297:
1286:
1271:
1260:
1249:
1234:
1223:
1212:
1201:
1190:
1179:
1168:
1153:
1142:
1131:
1120:
1109:
1098:
1079:
1067:
1056:
1045:
1034:
963:
956:
944:
933:
922:
911:
900:
889:
877:
865:
854:
839:
824:
813:
802:
790:
779:
759:
748:
714:
707:
688:
668:
650:
638:
623:
612:
592:
581:
566:
555:
544:
533:
499:Aristius Fuscus
496:
476:
443:
432:
409:
398:
387:
376:
360:
344:
329:
274:
263:
251:
235:
211:nil desperandum
165:
143:
125:Alfred Tennyson
59:. The Horatian
35:
28:
23:
22:
15:
12:
11:
5:
4620:
4610:
4609:
4604:
4587:
4586:
4584:
4583:
4577:
4575:
4571:
4570:
4568:
4567:
4560:
4553:
4546:
4539:
4532:
4525:
4517:
4515:
4511:
4510:
4508:
4507:
4500:
4493:
4486:
4422:
4415:
4402:
4400:
4396:
4395:
4387:
4386:
4379:
4372:
4364:
4358:
4357:
4341:
4332:
4320:
4313:
4312:External links
4310:
4307:
4306:
4293:
4284:
4275:
4266:
4257:
4248:
4239:
4237:, god of wine.
4227:
4215:
4206:
4197:
4188:
4179:
4170:
4154:
4145:
4128:
4119:
4110:
4093:
4080:
4067:
4054:
4041:
4025:
4016:
4007:
3989:
3987:, note on 3.4.
3976:
3967:
3950:
3937:
3928:
3905:
3896:
3887:
3885:, Hildesheim.)
3868:
3859:
3850:
3837:
3820:
3811:
3802:
3793:
3780:
3759:
3746:
3737:
3688:
3671:
3654:
3641:
3639:, 58, 165β180.
3624:
3603:
3593:
3576:
3563:
3554:
3545:
3532:
3519:
3517:
3516:
3510:
3504:
3498:
3483:
3474:
3453:
3436:
3429:
3411:
3389:
3388:
3386:
3383:
3382:
3381:
3364:
3357:
3350:
3335:
3324:
3321:
3320:
3319:
3312:
3309:
3279:
3278:
3270:
3263:
3256:
3241:
3240:
3233:
3226:
3219:
3207:
3206:
3203:
3200:
3196:
3195:
3187:
3180:
3172:
3171:
3168:
3165:
3161:
3160:
3148:
3145:
3141:
3140:
3134:
3131:
3128:
3124:
3123:
3116:
3108:
3101:
3092:
3091:
3088:
3085:
3076:followed by a
3069:
3066:
3065:
3064:
3061:
3057:
3056:
3049:
3040:
3039:
3036:
3032:
3031:
3023:
3020:
3016:
3015:
3012:
3009:
3006:
3002:
3001:
2993:
2986:
2978:
2970:
2969:
2966:
2954:
2953:
2937:
2934:
2930:
2929:
2926:
2922:
2921:
2913:
2905:
2904:
2901:
2881:
2880:
2872:
2869:
2857:
2856:
2846:
2833:, notable for
2829:city walls or
2827:
2816:
2805:
2804:
2795:
2788:
2780:
2772:
2771:
2760:
2740:
2739:
2731:
2725:
2720:
2717:
2716:
2715:
2712:
2709:
2706:
2702:
2701:
2694:
2687:
2680:
2672:
2671:
2663:
2662:
2659:
2658:Book 1: 11, 18
2649:
2648:
2645:
2642:
2633:
2629:
2628:
2621:
2613:
2606:
2597:
2596:
2593:
2589:
2588:
2585:
2582:
2572:
2571:
2568:
2565:
2562:
2558:
2557:
2549:
2541:
2534:
2526:
2525:
2522:
2519:
2516:
2512:
2511:
2508:
2505:
2491:
2490:
2487:
2484:
2481:
2473:
2472:
2464:
2457:
2450:
2442:
2441:
2438:
2435:
2432:
2428:
2427:
2424:
2423:Book 3: 10, 16
2421:
2418:
2400:
2399:
2396:
2392:
2391:
2384:
2376:
2375:
2371:
2370:
2367:
2364:
2338:with an extra
2327:
2324:
2293:
2292:
2289:
2286:
2283:
2279:
2278:
2275:terruit Urbem,
2270:
2263:
2256:
2248:
2247:
2244:
2241:
2238:
2224:
2223:
2216:
2213:
2210:
2207:
2194:Sapphic stanza
2189:
2188:Sapphic stanza
2186:
2167:
2166:
2163:
2160:
2157:
2149:
2148:
2140:
2132:
2125:
2103:
2102:
2099:
2096:
2093:
2085:
2084:
2081:
2078:
2075:
2066:The four-line
2063:
2060:
2003:
2002:
1999:
1996:
1993:
1992:x β α΄ = Alcaic
1970:
1967:
1937:
1934:
1929:sponsus/sponso
1923:virginum/virgo
1920:'Persian(s)',
1881:
1880:The Roman Odes
1878:
1808:Glycerae nitor
1781:
1778:
1776:
1773:
1733:
1730:
1690:
1689:
1680:
1665:
1656:
1648:
1645:
1643:
1640:
1434:Iulus Antonius
1396:
1393:
1259:β The Rivals β
962:
959:
713:
710:
431:β An Apology β
164:
161:
142:
139:
26:
9:
6:
4:
3:
2:
4619:
4608:
4605:
4603:
4600:
4599:
4597:
4582:
4579:
4578:
4576:
4572:
4566:
4565:
4561:
4559:
4558:
4554:
4552:
4551:
4547:
4545:
4544:
4543:In medias res
4540:
4538:
4537:
4533:
4531:
4530:
4526:
4524:
4523:
4519:
4518:
4516:
4512:
4506:
4505:
4501:
4499:
4498:
4494:
4492:
4491:
4487:
4484:
4480:
4476:
4472:
4468:
4464:
4460:
4456:
4452:
4448:
4444:
4440:
4436:
4432:
4428:
4427:
4423:
4421:
4420:
4416:
4413:
4409:
4408:
4404:
4403:
4401:
4397:
4393:
4385:
4380:
4378:
4373:
4371:
4366:
4365:
4362:
4356:
4352:
4351:
4342:
4340:
4336:
4333:
4331:
4327:
4325:
4321:
4319:
4316:
4315:
4303:
4297:
4288:
4279:
4270:
4261:
4252:
4243:
4236:
4231:
4224:
4219:
4210:
4201:
4192:
4183:
4174:
4167:
4161:
4159:
4149:
4142:
4138:
4132:
4123:
4114:
4107:
4103:
4097:
4090:
4084:
4077:
4071:
4064:
4058:
4051:
4045:
4038:
4032:
4030:
4020:
4011:
4004:
3998:
3996:
3994:
3986:
3980:
3971:
3964:
3960:
3954:
3947:
3941:
3932:
3925:
3921:
3918:
3909:
3900:
3891:
3884:
3880:
3879:
3872:
3863:
3854:
3847:
3841:
3834:
3830:
3824:
3815:
3806:
3797:
3790:
3784:
3777:
3773:
3771:
3763:
3756:
3750:
3741:
3734:
3730:
3726:
3722:
3718:
3714:
3710:
3706:
3702:
3700:
3692:
3685:
3681:
3675:
3668:
3664:
3658:
3651:
3645:
3638:
3634:
3628:
3621:
3617:
3615:
3607:
3597:
3590:
3586:
3580:
3573:
3567:
3558:
3549:
3542:
3536:
3529:
3523:
3514:
3511:
3508:
3505:
3502:
3499:
3496:
3493:
3492:
3487:
3478:
3471:
3467:
3465:
3457:
3450:
3446:
3440:
3432:
3426:
3422:
3415:
3408:
3404:
3400:
3394:
3390:
3379:
3375:
3372:
3365:
3362:
3358:
3355:
3351:
3348:
3344:
3342:
3336:
3333:
3332:
3327:
3326:
3318:
3315:
3314:
3308:
3305:
3304:
3297:
3296:Bellerophonte
3291:
3285:
3276:
3275:bera linguae.
3271:
3268:
3264:
3261:
3257:
3254:
3250:
3249:
3248:
3245:
3238:
3234:
3231:
3227:
3224:
3220:
3217:
3213:
3212:
3211:
3204:
3201:
3198:
3197:
3193:
3188:
3185:
3181:
3178:
3174:
3173:
3169:
3166:
3163:
3162:
3158:
3157:
3156:
3154:
3144:
3138:
3135:
3132:
3129:
3126:
3125:
3121:
3117:
3114:
3109:
3106:
3102:
3099:
3094:
3093:
3089:
3087:β α΄ α΄ β α΄ β x
3086:
3083:
3082:
3081:
3079:
3075:
3074:aristophaneus
3062:
3059:
3058:
3054:
3050:
3047:
3042:
3041:
3037:
3035:β α΄ β α΄ β α΄ x
3034:
3033:
3029:
3028:
3027:
3019:
3013:
3010:
3007:
3004:
3003:
2999:
2994:
2991:
2987:
2984:
2979:
2976:
2972:
2971:
2967:
2964:
2960:
2956:
2955:
2951:
2950:
2949:
2947:
2943:
2933:
2927:
2924:
2923:
2919:
2914:
2911:
2907:
2906:
2903:β α΄ α΄ β α΄ α΄ x
2902:
2899:
2895:
2891:
2887:
2883:
2882:
2878:
2877:
2876:
2868:
2866:
2862:
2854:
2851:
2847:
2844:
2840:
2836:
2832:
2828:
2825:
2822:or two-sea'd
2821:
2817:
2815:
2811:
2807:
2806:
2801:
2796:
2793:
2789:
2786:
2781:
2778:
2774:
2773:
2769:
2765:
2761:
2758:
2754:
2750:
2746:
2742:
2741:
2738:Book 1: 7, 28
2737:
2736:
2735:
2730:
2724:
2713:
2710:
2707:
2704:
2703:
2699:
2695:
2692:
2688:
2685:
2681:
2678:
2674:
2673:
2669:
2668:
2667:
2660:
2657:
2656:
2655:
2653:
2652:5th Asclepiad
2646:
2643:
2641:
2638:
2634:
2631:
2630:
2626:
2622:
2619:
2614:
2611:
2607:
2604:
2599:
2598:
2594:
2591:
2590:
2586:
2583:
2580:
2579:
2578:
2576:
2575:4th Asclepiad
2569:
2566:
2563:
2560:
2559:
2555:
2550:
2547:
2542:
2539:
2535:
2532:
2528:
2527:
2523:
2521:β β β α΄ α΄ β x
2520:
2517:
2514:
2513:
2509:
2507:Book 3: 7, 13
2506:
2503:
2502:
2501:
2499:
2495:
2494:3rd Asclepiad
2488:
2485:
2482:
2479:
2475:
2474:
2470:
2465:
2462:
2458:
2455:
2451:
2448:
2444:
2443:
2439:
2436:
2433:
2430:
2429:
2426:Book 4: 5, 12
2425:
2422:
2419:
2416:
2415:
2414:
2412:
2408:
2407:2nd Asclepiad
2404:
2397:
2394:
2393:
2389:
2385:
2382:
2378:
2377:
2373:
2372:
2368:
2365:
2362:
2361:
2360:
2358:
2354:
2353:1st Asclepiad
2350:
2347:
2345:
2341:
2337:
2333:
2323:
2321:
2317:
2313:
2309:
2305:
2301:
2296:
2290:
2287:
2284:
2281:
2280:
2276:
2271:
2268:
2264:
2261:
2257:
2254:
2250:
2249:
2245:
2242:
2239:
2236:
2235:
2234:
2231:
2221:
2217:
2214:
2211:
2208:
2205:
2204:
2203:
2200:
2195:
2185:
2183:
2178:
2176:
2172:
2164:
2161:
2158:
2155:
2151:
2150:
2146:
2141:
2138:
2133:
2130:
2126:
2123:
2119:
2118:
2115:
2111:
2110:Monte Soratte
2107:
2100:
2097:
2094:
2091:
2090:
2089:
2082:
2079:
2076:
2073:
2072:
2071:
2069:
2068:Alcaic stanza
2062:Alcaic stanza
2059:
2057:
2052:
2047:
2043:
2040:wrote in the
2039:
2035:
2030:
2027:
2026:miserΔrum est
2021:
2015:
2014:integer vΔ«tae
2009:
2001:α΄ α΄ β = Ionic
2000:
1997:
1994:
1991:
1990:
1989:
1986:
1982:
1979:
1978:
1966:
1962:
1958:
1955:
1949:
1944:
1933:
1930:
1924:
1918:
1912:
1906:
1902:
1900:
1896:
1890:
1886:
1877:
1875:
1871:
1867:
1863:
1862:
1857:
1856:
1850:
1846:
1842:
1840:
1835:
1829:
1822:
1818:
1815:
1809:
1803:
1797:
1790:
1786:
1772:
1768:
1765:
1759:
1756:
1754:
1750:
1745:
1743:
1738:
1729:
1725:
1722:
1721:rara iuventΕ«s
1716:
1715:terruit urbem
1710:
1707:
1701:
1697:
1686:
1681:
1677:
1671:
1666:
1662:
1657:
1654:
1653:
1652:
1639:
1634:
1628:
1626:
1619:
1613:
1608:
1602:
1596:
1590:
1585:
1579:
1574:
1568:
1563:
1557:
1554:
1549:
1545:
1538:
1532:
1526:
1520:
1517:
1509:
1504:
1498:
1493:
1487:
1485:
1481:
1477:
1473:
1466:
1460:
1456:
1451:
1445:
1443:
1439:
1435:
1428:
1422:
1416:
1410:
1407:
1402:
1392:
1389:
1381:
1375:
1369:
1363:
1358:
1352:
1350:
1345:
1338:
1332:
1327:
1321:
1316:
1310:
1305:
1299:
1294:
1288:
1283:
1277:
1275:
1268:
1262:
1257:
1251:
1246:
1240:
1238:
1231:
1225:
1220:
1214:
1209:
1203:
1198:
1192:
1187:
1181:
1176:
1170:
1165:
1159:
1157:
1150:
1144:
1139:
1133:
1128:
1122:
1117:
1111:
1106:
1100:
1095:
1089:
1087:
1083:
1076:
1070:
1064:
1058:
1053:
1047:
1044:β On Virtue β
1042:
1036:
1031:
1025:
1022:
1020:
1015:
1009:
1008:
1002:
997:
989:
985:
981:
977:
972:
967:
958:
953:
947:
941:
935:
930:
924:
919:
913:
908:
902:
897:
891:
886:
880:
874:
868:
862:
856:
851:
845:
843:
836:
830:
828:
827:Valgius Rufus
821:
815:
810:
804:
799:
793:
787:
781:
776:
770:
767:
761:
756:
750:
745:
739:
736:
730:
728:
724:
720:
709:
704:
698:
696:
692:
685:
679:
676:
670:
665:
656:
644:
640:
635:
629:
627:
620:
614:
609:
603:
600:
594:
589:
583:
578:
572:
570:
563:
557:
552:
546:
541:
535:
530:
524:
521:
515:
513:
508:
502:
500:
497:Addressed to
493:
487:
484:
478:
473:
467:
464:
458:
455:
449:
447:
440:
434:
429:
423:
421:
417:
413:
406:
400:
395:
389:
384:
378:
373:
367:
365:
358:
353:
347:
341:
335:
333:
326:
320:
317:
311:
308:
302:
299:
293:
291:
286:
280:
278:
271:
265:
260:
254:
249:
244:
238:
233:
229:
224:
218:
215:
212:
208:(1.9.7), and
206:
205:
198:
197:
191:
187:
183:
179:
175:
171:
160:
157:
151:
150:
138:
136:
135:
130:
126:
122:
121:
116:
111:
106:
101:
96:
94:
89:
85:
81:
77:
73:
69:
64:
62:
58:
54:
50:
46:
42:
41:
33:
19:
4562:
4555:
4548:
4541:
4534:
4527:
4520:
4502:
4495:
4488:
4425:
4424:
4417:
4405:
4349:
4323:
4296:
4287:
4278:
4269:
4260:
4251:
4242:
4230:
4218:
4209:
4200:
4191:
4182:
4173:
4165:
4148:
4140:
4131:
4122:
4113:
4105:
4096:
4088:
4083:
4075:
4070:
4062:
4057:
4049:
4044:
4036:
4019:
4010:
4002:
3984:
3979:
3970:
3962:
3958:
3953:
3945:
3940:
3931:
3923:
3908:
3899:
3890:
3882:
3877:
3871:
3862:
3853:
3845:
3840:
3832:
3823:
3814:
3805:
3796:
3788:
3783:
3775:
3769:
3762:
3754:
3749:
3740:
3732:
3728:
3720:
3712:
3704:
3698:
3691:
3686:, 80, 31β43.
3683:
3674:
3666:
3663:Journ. Phil.
3662:
3657:
3644:
3636:
3627:
3619:
3613:
3606:
3596:
3588:
3584:
3579:
3571:
3566:
3557:
3548:
3540:
3535:
3527:
3522:
3512:
3506:
3500:
3494:
3486:
3477:
3469:
3466:. 1.12β1.18"
3463:
3456:
3448:
3439:
3420:
3414:
3406:
3402:
3398:
3393:
3377:
3360:
3353:
3346:
3340:
3330:
3280:
3246:
3242:
3208:
3150:
3142:
3071:
3025:
3022:Hipponactean
3017:
2962:
2958:
2939:
2931:
2897:
2893:
2889:
2885:
2874:
2858:
2767:
2763:
2756:
2752:
2748:
2744:
2733:
2729:Archilochian
2722:
2719:Rarer metres
2664:
2651:
2650:
2587:Book 4: 1, 3
2574:
2573:
2498:pherecratean
2493:
2492:
2406:
2405:
2401:
2352:
2351:
2348:
2343:
2329:
2319:
2315:
2307:
2297:
2294:
2225:
2191:
2181:
2179:
2174:
2168:
2156:is standing,
2114:Via Flaminia
2086:
2065:
2045:
2042:Aeolic Greek
2031:
2017:is Sapphic,
2008:Δheu fugΔcΔs
2004:
1987:
1983:
1972:
1963:
1959:
1943:chiastically
1939:
1917:Medo/Parthos
1907:
1903:
1891:
1887:
1883:
1859:
1853:
1851:
1847:
1843:
1823:
1819:
1791:
1787:
1783:
1769:
1760:
1757:
1746:
1739:
1735:
1732:Datable odes
1726:
1711:
1702:
1691:
1650:
1629:
1614:
1603:
1591:
1580:
1569:
1558:
1533:
1521:
1499:
1488:
1461:
1446:
1436:(the son of
1423:
1411:
1400:
1398:
1376:
1364:
1353:
1333:
1322:
1311:
1300:
1289:
1285:β To Diana β
1278:
1263:
1252:
1241:
1235:Horace asks
1226:
1215:
1204:
1193:
1182:
1171:
1160:
1145:
1134:
1123:
1112:
1101:
1090:
1071:
1059:
1048:
1037:
1026:
1023:
993:
979:
948:
936:
925:
914:
903:
892:
881:
869:
857:
846:
831:
816:
805:
794:
782:
778:β Not Yet! β
771:
762:
751:
740:
731:
715:
699:
680:
671:
660:
630:
615:
604:
595:
584:
573:
558:
547:
536:
525:
516:
503:
488:
479:
468:
459:
450:
435:
424:
401:
390:
386:β Jealousy β
379:
368:
363:
348:
336:
321:
312:
303:
294:
281:
276:
266:
255:
253:the empire.
239:
227:
219:
216:
166:
144:
134:The Princess
132:
128:
118:
114:
99:
97:
87:
67:
65:
39:
38:
36:
4557:Sapere aude
4504:Ars Poetica
4166:Latin Metre
3669:is correct.
3323:Works cited
3293:, the word
2942:ithyphallic
2357:stichically
2011:is Alcaic,
1858:, Horace's
1839:golden mean
1834:amici/amico
1814:nitor Hebri
1753:Cantabrians
1548:Saturnalian
1438:Mark Antony
990:, Singapore
446:Sabine farm
186:Stesichorus
182:Bacchylides
93:golden mean
53:lyric poems
4596:Categories
4529:Carpe diem
4514:Quotations
4326:in English
4282:Odes 3.12.
4246:Odes 1.11.
4204:Odes 4.12.
3924:Philologus
3772:Books 1-3"
3385:References
3378:Philologus
3343:Books 1-3"
3159:Book 3: 12
3151:(an ionic
3030:Book 2: 18
2946:catalectic
2850:Thessalian
2661:Book 4: 10
2510:Book 4: 13
2420:Book 2: 12
2366:Book 3: 30
2334:line is a
2322:274β324).
2029:is Ionic.
1866:Propertius
996:Porphyrion
357:Carpe Diem
214:(1.7.27).
204:carpe diem
200:(1.37.1),
4390:Works by
4213:Odes 1.5.
4186:Odes 1.1.
4177:Odes 1.2.
4168:, p. 144.
4126:Odes 1.9.
3965:, p. 272.
3791:, p. 322.
3661:Housman,
3591:, p. 125.
3589:, book ii
3380:, 81(1-4)
3363:. Oxford.
3356:. Oxford.
3084:Book 1: 8
2952:Book 1: 4
2900:β α΄ α΄ β x
2879:Book 4: 7
2861:Alcmanian
2770:β α΄ α΄ β x
2759:β α΄ α΄ β x
2369:Book 4: 8
2363:Book 1: 1
2332:asclepiad
2310:4.7) and
2246:β α΄ α΄ β x
1780:Books 1β3
1742:Cleopatra
1508:magnae...
1480:Vindelici
1455:Melpomene
825:To Gaius
695:Cleopatra
512:Odes 1.23
188:in 1.16,
184:in 1.15,
180:in 1.14,
176:in 1.13,
172:in 1.12,
120:Satyricon
105:Petronius
4490:Epistles
4355:LibriVox
4264:Odes 1.4
4255:Odes 1.7
3311:See also
2814:Mytilene
2480:breezes,
2478:Thracian
2411:glyconic
2340:choriamb
2336:glyconic
2300:Catullus
2056:Catullus
2032:Because
1895:Eclogues
1864:book 1,
1855:Eclogues
1749:Augustus
1625:Tiberius
1484:Hannibal
1442:Pindaric
1377:III.30,
1365:III.29,
1354:III.28,
1334:III.27,
1323:III.26,
1312:III.25,
1301:III.24,
1290:III.23,
1279:III.22,
1264:III.21,
1253:III.20,
1242:III.19,
1227:III.18,
1216:III.17,
1205:III.16,
1194:III.15,
1183:III.14,
1172:III.13,
1161:III.12,
1146:III.11,
1135:III.10,
1001:Augustus
723:Maecenas
626:Tibullus
569:Archytas
290:Odes 1.5
248:Octavian
232:Maecenas
190:Anacreon
84:Augustus
4574:Related
4407:Satires
4328:at the
4235:Bacchus
3729:Phoenix
3713:Latomus
3543:, p. 1.
3470:Phoenix
2835:Bacchus
2824:Corinth
2820:Ephesus
2320:Phaedr.
2304:Statius
2171:Statius
2154:Soracte
2034:Alcaeus
1861:Satires
1630:IV.15,
1615:IV.14,
1604:IV.13,
1592:IV.12,
1581:IV.11,
1570:IV.10,
1349:Galatia
1124:III.9,
1113:III.8,
1102:III.7,
1091:III.6,
1086:Regulus
1082:Crassus
1072:III.5,
1060:III.4,
1049:III.3,
1038:III.2,
1027:III.1,
949:II.20,
937:II.19,
926:II.18,
915:II.17,
904:II.16,
893:II.15,
882:II.14,
870:II.13,
858:II.12,
847:II.11,
832:II.10,
332:Alcaeus
178:Alcaeus
141:Summary
80:Alcaeus
49:Carmina
18:Carmina
4522:Ab ovo
4419:Epodes
4399:Poetry
4392:Horace
4050:Horace
3963:Horace
3833:Hermes
3733:Horace
3427:
3401:, see
3290:victus
3153:metron
3137:Campus
3080:line)
2843:Apollo
2839:Delphi
2831:Thebes
2810:Rhodes
2640:Semele
2637:Theban
2038:Sappho
1969:Metres
1936:Book 4
1559:IV.9,
1534:IV.8,
1522:IV.7,
1500:IV.6,
1489:IV.5,
1472:Drusus
1462:IV.4,
1447:IV.3,
1424:IV.2,
1412:IV.1,
1395:Book 4
1344:Europa
1237:Faunus
1156:Danaus
976:Horace
961:Book 3
817:II.9,
806:II.8,
795:II.7,
783:II.6,
772:II.5,
763:II.4,
752:II.3,
741:II.2,
732:II.1,
719:Pollio
712:Book 2
700:I.38,
691:Actium
681:I.37,
672:I.36,
661:I.35,
657:, Rome
631:I.34,
616:I.33,
605:I.32,
596:I.31,
585:I.30,
574:I.29,
559:I.28,
548:I.27,
537:I.26,
526:I.25,
517:I.24,
504:I.23,
489:I.22,
480:I.21,
469:I.20,
460:I.19,
451:I.18,
436:I.17,
425:I.16,
416:Nereus
402:I.15,
391:I.14,
380:I.13,
369:I.12,
349:I.11,
337:I.10,
220:I.1,
174:Sappho
170:Pindar
163:Book 1
86:. The
76:Sappho
72:Pindar
57:Horace
4223:Venus
3701:4.12"
3147:Ionic
2865:Epode
2853:Tempe
2837:, or
2316:Medea
2308:Silv.
1828:mecum
1706:atque
1476:Raeti
1453:β To
986:, in
420:Ilium
412:Paris
322:I.9,
313:I.8,
304:I.7,
295:I.6,
282:I.5,
267:I.4,
256:I.3,
246:β To
240:I.2,
45:Latin
4471:3.30
4459:2.14
4455:2.10
4447:1.37
4443:1.23
4439:1.11
4426:Odes
4350:Odes
4324:Odes
3959:Odes
3770:Odes
3699:Odes
3667:-aea
3601:BC).
3587:Odes
3425:ISBN
3399:Odes
3341:Odes
3072:(an
2892:β /
2841:for
2751:β /
2727:1st
2344:Odes
2330:The
2192:The
2182:Odes
2175:Silv
2046:Odes
2036:and
1897:and
1872:and
1478:and
1401:Odes
980:Odes
721:and
228:Odes
129:Odes
115:Odes
100:Odes
98:The
88:Odes
78:and
68:Odes
66:The
40:Odes
37:The
4483:4.7
4479:4.3
4475:4.1
4467:3.6
4463:3.2
4451:2.3
4435:1.5
4431:1.1
4412:2.5
4337:at
2963:α΄ α΄
2959:α΄ α΄
2898:α΄ α΄
2894:α΄ α΄
2890:α΄ α΄
2886:α΄ α΄
2812:or
2768:α΄ α΄
2764:α΄ α΄
2757:α΄ α΄
2753:α΄ α΄
2749:α΄ α΄
2745:α΄ α΄
1673:or
978:'s
840:To
514:.)
410:As
359:! β
292:.)
230:to
95:."
61:ode
55:by
4598::
4481:,
4477:,
4473:,
4469:,
4465:,
4461:,
4457:,
4453:,
4449:,
4445:,
4441:,
4437:,
4433:,
4157:^
4139:.
4104:.
4028:^
3992:^
3922:.
3831:.
3774:.
3727:,
3719:.
3711:.
3703:.
3682:.
3635:.
3618:.
3468:.
3447:.
3376:.
3345:.
3307:.
2961:β
2957:β
2948:)
2896:β
2888:β
2884:β
2855:.'
2826:'s
2766:β
2762:β
2755:β
2747:β
2743:β
2413:)
2359:)
1901:.
1876:.
1767:.
653:.
648:c.
355:β
74:,
47::
4485:)
4429:(
4414:)
4410:(
4383:e
4376:t
4369:v
3920:"
3914:"
3612:"
3464:C
3433:.
3374:"
3368:"
2845:,
2803::
2173:(
1874:2
117:(
43:(
34:.
20:)
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