111:
267:
33:
520:
241:'s plans for the Basilica and provide designs for an extended nave with a palatial façade. The façade (completed in 1612) is constructed to allow for Papal blessings from the emphatically enriched balcony above the central door. This forward extension of the basilica that grew from Michelangelo's Greek cross to the present Latin cross, has been criticized because it blocks the view of the dome when seen from the
466:
403:
The last work by
Maderno at St. Peter's was a crypt-like space under the dome that is referred to as the "Confessio". From there, privileged persons such as cardinals could descend in order to be near the burial place of Saint Peter. Its marble steps are remnants of the old basilica. Around the
211:. The structure is a dynamic rhythm of columns and pilasters, with a protruding central bay and condensed central decoration add complexity to the structure. There is an incipient playfulness with the rules of classic design, while still maintaining rigour.
298:
1621–25) on its high windowed drum. The earliest design is from 1608; construction took place from 1621 to 1625. At
Maderno's death, the façade remained only half-built; it was completed to Maderno's original conception by
195:. He worked initially as a marble cutter. This background in sculptural workmanship would help mould his architecture. His first solo project, in 1596, was an utterly confident and mature façade for the ancient church of
248:
Most of
Maderno's work continued to be the remodelling of existing structures. The only building designed by Maderno (except for the facade) and completed under his supervision was the layout and interior
444:
245:. Such criticism often ignores the fact that the approaching avenue is modern. Maderno did not have so much freedom in designing this building as he had for other structures.
282:, is not entirely his. There he designed the façade and executed the dome, the third largest in Rome after St. Peter's and the Pantheon. The church had been designed for the
313:—with whole columns embedded in snug dark recesses that outline their profiles with shadow—, and in similar elements that are re-grouped for a tighter, more sprung rhythm.
530:
850:
845:
613:
558:
290:
in 1540: it follows a familiar Jesuit plan, cruciform, its wide nave without aisles, with chapels beyond arched openings. The
509:
Il Divoto
Pellegrino Guidato, ed Istruito nella Visita delle quattro Basiliche di Roma, per il Giubileo dell'Anno Santo 1750.
407:
Maderno died in Rome on 31 January 1629, at the age of 73; his body was buried in the church of San
Giovanni dei Fiorentini.
825:
855:
680:
389:
250:
840:
785:
774:
738:
321:
674:
606:
333:
656:
279:
191:
quarries of the far north, before moving to Rome in 1588 with four of his brothers to assist his uncle
156:
110:
426:
644:
344:
580:
377:
Maderno was called upon to design chapels within existing churches: the Chapel of St. Lawrence in
668:
422:
378:
291:
234:
152:
115:
336:(where he is buried). He directed the construction of the dome and the main body of the church.
707:
662:
599:
307:
is given more movement and depth—in the varying planes of the frieze and cornice—and increased
259:
219:
686:
535:
242:
184:
53:
835:
830:
803:
769:
752:
325:
144:
638:
8:
797:
748:
734:
445:
Leader, Anne and
Bollini, Martina. "This Day in History: January 31", Italian Art Society
329:
287:
586:
730:
304:
295:
208:
744:
348:
779:
382:
192:
791:
507:
359:
355:
340:
164:
317:
266:
724:
393:
371:
512:, Stamperia del Characas, presso San Marco al Corso, Rome, 1749, page 338-339.
404:
balustrade of the
Confessio are 95 bronze lamps that remaine lit perpetually.
819:
703:
650:
524:
470:
460:
358:(1628 and completed 1633; much remodeled since). In the Palazzo Barberini at
300:
271:
215:
196:
148:
238:
75:
309:
230:
32:
367:
352:
283:
204:
180:
136:
523: This article incorporates text from a publication now in the
176:
133:
49:
463:
Vol. 9. New York: Robert
Appleton Company, 1910. 30 November 2022
665:(original project by Francesco Capriani; completion in 1604–1609)
469:
This article incorporates text from this source, which is in the
397:
363:
254:
200:
160:
102:
591:
294:
contains the high altar, lit under
Maderno's dome (frescoed by
188:
140:
388:
He designed the base supporting the Marian column in front of
362:, Maderno's work is overshadowed at times by details added by
253:(1608–20), where Maderno's work is often ignored in favour of
567:
Pelican
History of Art, Art and Architecture Italy, 1600–1750
461:
Gietmann, Gerhard. "Carlo Maderna." The Catholic Encyclopedia
370:. His design of palaces is best represented by his design of
119:
71:
143:, Switzerland, who is remembered as one of the fathers of
159:
were of key importance in the evolution of the Italian
303:. In this façade, the standard formula established at
163:. He often is referred to as the brother of sculptor
485:, Rione V, Ponte, Parte IV, 1975, p.16 (in Italian)
817:
496:Carlo Maderno and Roman Architecture, 1580-1630
552:Carlo Maderno and Roman Architecture 1580–1630
316:His other works include the Roman churches of
607:
392:, which later served as a model for numerous
214:In this period, Maderno reconfigured the new
179:, in today's Ticino, which at the time was a
569:. 1980. Penguin Books Ltd. pp. 110–115.
167:, but this is not universally agreed upon.
614:
600:
528:
456:
454:
452:
278:Even Maderno's masterpiece, the church of
31:
564:
265:
109:
549:
449:
332:in 1602, Moderno took over the work at
233:, who appointed him chief architect of
818:
37:An anonymous portrait of Carlo Maderno
595:
440:
438:
436:
539:. New York: Robert Appleton Company.
207:conventions that are exemplified in
199:(1597–1603); it was among the first
677:(direction of the works, 1602–1620)
653:(reconstruction project, 1595–1603)
286:by Giuseppe Francesco Grimaldi and
13:
529:Herbermann, Charles, ed. (1913). "
433:
400:, he designed the fortifications.
187:, Maderno began his career in the
14:
867:
641:(co-autorship, late 16th-century)
621:
574:
681:Santa Maria della Vittoria, Rome
518:
464:
390:Basilica di Santa Maria Maggiore
132:(1556 – 31 January 1629) was an
851:17th-century Italian architects
846:16th-century Italian architects
689:(possible collaboration, 1620s)
237:. Maderno was forced to modify
647:(façade and other works, 1600)
501:
488:
476:
416:
339:In addition, he worked on the
1:
410:
320:(although this is disputed),
16:Italian architect (1556–1629)
775:San Giacomo degli Incurabili
671:(façade and nave, 1602–1615)
381:and the Cappella Caetani in
322:San Giacomo degli Incurabili
229:façade won the attention of
170:
7:
675:San Giovanni dei Fiorentini
334:San Giovanni dei Fiorentini
10:
872:
826:Italian Baroque architects
587:Confessio by Carlo Maderno
581:Biography of Carlo Maderno
565:Wittkower, Rudolf (1993).
543:
257:'s Cornaro Chapel and its
251:Santa Maria della Vittoria
203:façades to break with the
762:
741:; involvement, 1603–1623)
717:
696:
645:Santa Maria sopra Minerva
629:
345:Palace of Castel Gandolfo
98:
90:
82:
60:
42:
30:
23:
550:Hibbard, Howard (1972).
856:Italian Roman Catholics
657:Sant'Andrea della Valle
427:Encyclopædia Britannica
379:San Paolo fuori le Mura
280:Sant'Andrea della Valle
218:, formerly Foscari, in
157:Sant'Andrea della Valle
841:Architects from Ticino
708:Santa Maria del Popolo
663:San Giacomo in Augusta
275:
260:Ecstasy of St. Theresa
220:Santa Maria del Popolo
122:
536:Catholic Encyclopedia
483:Guide Rionali di Roma
328:. After the death of
269:
113:
804:Gian Lorenzo Bernini
770:Baroque architecture
753:Gian Lorenzo Bernini
669:St. Peter's Basilica
430:. Web. 18 June 2011.
326:Santa Lucia in Selci
153:St. Peter's Basilica
145:Baroque architecture
116:St. Peter's Basilica
798:Francesco Borromini
749:Francesco Borromini
747:(co-autorship with
735:Giacomo della Porta
733:(co-autorship with
659:(new project, 1608)
632:religious buildings
330:Giacomo della Porta
288:Giacomo della Porta
794:(possible brother)
731:Villa Aldobrandini
687:Sant'Ignazio, Rome
296:Giovanni Lanfranco
276:
139:, born in today's
123:
813:
812:
745:Palazzo Barberini
718:Secular buildings
639:Trinità dei Monti
349:Palazzo Barberini
185:Swiss Confederacy
147:. His façades of
108:
107:
68:(aged 72–73)
54:Swiss Confederacy
863:
786:Giovanni Fontana
780:Domenico Fontana
739:Giovanni Fontana
616:
609:
602:
593:
592:
583:(German/Italian)
570:
555:
540:
522:
521:
513:
505:
499:
494:Howard Hibbard,
492:
486:
480:
474:
468:
467:
458:
447:
442:
431:
423:"Carlo Maderno."
420:
383:Santa Pudenziana
193:Domenico Fontana
67:
35:
21:
20:
871:
870:
866:
865:
864:
862:
861:
860:
816:
815:
814:
809:
792:Stefano Maderno
758:
713:
692:
631:
625:
620:
577:
546:
519:
516:
506:
502:
493:
489:
481:
477:
465:
459:
450:
443:
434:
421:
417:
413:
360:Quattro Fontane
356:Pope Urban VIII
341:Quirinal Palace
173:
165:Stefano Maderno
78:
69:
65:
64:31 January 1629
56:
47:
38:
26:
17:
12:
11:
5:
869:
859:
858:
853:
848:
843:
838:
833:
828:
811:
810:
808:
807:
806:(collaborator)
801:
800:(collaborator)
795:
789:
783:
777:
772:
766:
764:
760:
759:
757:
756:
742:
728:
725:Palazzo Mattei
721:
719:
715:
714:
712:
711:
710:(c. 1601–1605)
700:
698:
694:
693:
691:
690:
684:
678:
672:
666:
660:
654:
648:
642:
635:
633:
627:
626:
619:
618:
611:
604:
596:
590:
589:
584:
576:
575:External links
573:
572:
571:
562:
559:Vitruvio site:
556:
545:
542:
515:
514:
500:
487:
475:
448:
432:
414:
412:
409:
394:Marian columns
372:Palazzo Mattei
270:The façade of
172:
169:
106:
105:
100:
96:
95:
92:
91:Known for
88:
87:
84:
80:
79:
70:
62:
58:
57:
48:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
868:
857:
854:
852:
849:
847:
844:
842:
839:
837:
834:
832:
829:
827:
824:
823:
821:
805:
802:
799:
796:
793:
790:
787:
784:
781:
778:
776:
773:
771:
768:
767:
765:
761:
754:
750:
746:
743:
740:
736:
732:
729:
726:
723:
722:
720:
716:
709:
705:
704:Cerasi Chapel
702:
701:
699:
695:
688:
685:
682:
679:
676:
673:
670:
667:
664:
661:
658:
655:
652:
651:Santa Susanna
649:
646:
643:
640:
637:
636:
634:
628:
624:
623:Carlo Maderno
617:
612:
610:
605:
603:
598:
597:
594:
588:
585:
582:
579:
578:
568:
563:
561:Carlo Maderno
560:
557:
553:
548:
547:
541:
538:
537:
532:
531:Carlo Maderna
526:
525:public domain
511:
510:
504:
497:
491:
484:
479:
472:
471:public domain
462:
457:
455:
453:
446:
441:
439:
437:
429:
428:
424:
419:
415:
408:
405:
401:
399:
395:
391:
386:
384:
380:
375:
374:(1598–1618).
373:
369:
365:
361:
357:
354:
350:
346:
342:
337:
335:
331:
327:
323:
319:
314:
312:
311:
306:
302:
301:Carlo Fontana
297:
293:
289:
285:
281:
273:
272:Santa Susanna
268:
264:
262:
261:
256:
252:
246:
244:
240:
236:
232:
228:
227:Santa Susanna
223:
221:
217:
216:Cerasi Chapel
212:
210:
206:
202:
198:
197:Santa Susanna
194:
190:
186:
182:
178:
168:
166:
162:
158:
154:
150:
149:Santa Susanna
146:
142:
138:
135:
131:
127:
126:Carlo Maderno
121:
117:
112:
104:
101:
97:
93:
89:
85:
81:
77:
73:
63:
59:
55:
51:
45:
41:
34:
29:
25:Carlo Maderno
22:
19:
755:, 1627–1633)
630:Churches and
622:
566:
551:
534:
517:
508:
503:
495:
490:
482:
478:
425:
418:
406:
402:
387:
376:
343:, the Papal
338:
318:Gesù e Maria
315:
308:
277:
258:
247:
239:Michelangelo
226:
224:
213:
174:
129:
125:
124:
94:Architecture
76:Papal States
66:(1629-01-31)
18:
836:1629 deaths
831:1556 births
727:(1598–1618)
683:(1605–1620)
310:chiaroscuro
235:St. Peter's
231:Pope Paul V
83:Nationality
820:Categories
411:References
114:Façade of
368:Borromini
353:Barberini
284:Theatines
205:Mannerist
181:bailiwick
171:Biography
137:architect
351:for the
347:and the
292:crossing
209:the Gesù
177:Capolago
175:Born in
99:Movement
50:Capolago
788:(oncle)
782:(oncle)
763:Related
697:Chapels
544:Sources
527::
498:, 1971.
398:Ferrara
364:Bernini
305:Il Gesù
255:Bernini
201:Baroque
183:of the
161:Baroque
134:Italian
130:Maderna
103:Baroque
86:Italian
274:, Rome
243:Piazza
189:marble
155:, and
141:Ticino
706:, in
396:. At
118:from
751:and
737:and
366:and
225:The
120:Rome
72:Rome
61:Died
46:1556
43:Born
533:".
128:or
822::
451:^
435:^
385:.
324:,
263:.
222:.
151:,
74:,
52:,
615:e
608:t
601:v
554:.
473:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
