271:
25:
391:
255:, producing woodwind instruments. He nevertheless continued to work with Schott as a proof reader, and as a tubing supplier. In 1843 he produced a comprehensive teaching manual for his 17-key bassoon which had a chromatic range of 4 octaves. After Almenräder's death in 1843 his business partner, Heckel continued the manufacturing business.
231:, response, and technical ease of playing by means of augmenting and rearranging the keywork; subsequent articles further developed his ideas. Working at the Schott factory gave him the means to construct and test instruments according to these new designs, the results of which were published in
258:
Following several further upgrades today's German Almenräder-Heckel bassoon comes with between 25 and 27 keys. It has spread far beyond German speaking central Europe, defining during the twentieth century the international standards for the instrument.
289:
183:
as a bassoonist. He was now working seriously on a year-long project to develop a technically improved bassoon featuring moving keys and an improved level of balance across the tonal range. By 1819 he had temporarily moved down river to
287:
288:
428:
330:
156:. He taught himself to play the bassoon after he was given one when aged just 13. He started out in 1810 playing in a theatre orchestra in
280:
467:
487:
457:
378:
477:
93:
65:
35:
502:
462:
180:
472:
72:
421:
492:
79:
497:
482:
61:
507:
414:
50:
374:
227:
Almenräder's improvements to the bassoon began with an 1823 treatise in which he described ways of improving
197:
337:(in German and English). Translated by John G. Cale. International Double Reed Society. Archived from
338:
86:
168:, and in 1814 he gave a public performance in Frankfurt of a rondo which he had himself written.
402:
46:
452:
447:
240:
201:
8:
252:
228:
216:
161:
117:(3 October 1786 – 14 September 1843) was a German bassoonist, inventor and composer.
164:
in 1812 where by 1814 he was also obtaining solo work. He studied composition with
296:
243:
himself requested one of the newly made instruments after hearing of the papers.
129:
239:. Almenräder continued publishing and building instruments until his death, and
398:
441:
165:
133:
42:
209:
188:
where he joined his brothers in their workshop which focused on producing
308:
193:
153:
125:
24:
236:
149:
196:. In 1822 Almenräder joined the court orchestra of the Dukes of
185:
157:
121:
364:, by Theodore Baker, Alfred Remy, G. Schirmer, 1919, p. 15.
189:
137:
251:
In 1831 Almenräder started his own factory along with partner
204:(today a suburb of Wiesbaden), and he was also engaged by the
205:
177:
124:
owes a great deal to Almenräder, who, assisted by the German
390:
246:
16:
German bassoonist, inventor and composer (1786–1843)
148:The son of a teacher, Carl Almenräder was born in
439:
160:, but he switched to an orchestral position in
422:
362:Baker's Biographical Dictionary of Musicians
331:"Beethoven and the Bassoonist August Mittag"
51:introducing citations to additional sources
429:
415:
397:This article about a German composer is a
379:International Music Score Library Project
328:
212:to advise on wind instrument production.
41:Relevant discussion may be found on the
440:
247:His own instrument production facility
222:
385:
281:Potpourri: Introduzione - Allegretto
18:
132:developed the 17-key bassoon whose
13:
468:19th-century German male musicians
269:
171:
14:
519:
368:
299:(bassoon) and Neil O'Doan (piano)
488:German musical instrument makers
458:19th-century classical composers
389:
307:Problems playing this file? See
285:
34:relies largely or entirely on a
23:
478:German male classical composers
335:The Double Reed, Vol. 14, No. 3
329:Öhlberger, Karl (Winter 1991).
375:Free scores by Carl Almenräder
322:
253:Johann Adam Heckel (1812-1877)
176:In 1817 Almenräder joined the
143:
1:
503:18th-century German musicians
463:19th-century German composers
316:
473:German classical bassoonists
401:. You can help Knowledge by
7:
10:
524:
384:
355:
493:German Romantic composers
120:The design of the modern
498:Musicians from Wuppertal
262:
483:German music educators
274:
208:based music publisher
508:German composer stubs
273:
241:Ludwig van Beethoven
47:improve this article
223:Bassoon development
200:which was based at
275:
410:
409:
290:
202:Biebrich am Rhein
181:theatre orchestra
112:
111:
97:
62:"Carl Almenräder"
515:
431:
424:
417:
393:
386:
350:
349:
347:
346:
326:
292:
291:
272:
107:
104:
98:
96:
55:
27:
19:
523:
522:
518:
517:
516:
514:
513:
512:
438:
437:
436:
435:
371:
358:
353:
344:
342:
327:
323:
319:
314:
313:
305:
303:
302:
301:
300:
297:Arthur Grossman
293:
286:
283:
276:
270:
265:
249:
235:Schott's house
225:
174:
172:Career progress
146:
130:Gottfried Weber
115:Carl Almenräder
108:
102:
99:
56:
54:
40:
28:
17:
12:
11:
5:
521:
511:
510:
505:
500:
495:
490:
485:
480:
475:
470:
465:
460:
455:
450:
434:
433:
426:
419:
411:
408:
407:
394:
383:
382:
370:
369:External links
367:
366:
365:
357:
354:
352:
351:
320:
318:
315:
304:
294:
284:
279:
278:
277:
268:
267:
266:
264:
261:
248:
245:
224:
221:
173:
170:
145:
142:
136:spanned three
110:
109:
45:. Please help
31:
29:
22:
15:
9:
6:
4:
3:
2:
520:
509:
506:
504:
501:
499:
496:
494:
491:
489:
486:
484:
481:
479:
476:
474:
471:
469:
466:
464:
461:
459:
456:
454:
451:
449:
446:
445:
443:
432:
427:
425:
420:
418:
413:
412:
406:
404:
400:
395:
392:
388:
387:
380:
376:
373:
372:
363:
360:
359:
341:on 2007-10-14
340:
336:
332:
325:
321:
312:
310:
298:
295:Performed by
282:
260:
256:
254:
244:
242:
238:
234:
230:
220:
218:
213:
211:
207:
203:
199:
195:
191:
187:
182:
179:
169:
167:
166:Aloys Schmitt
163:
159:
155:
151:
141:
139:
135:
131:
127:
123:
118:
116:
106:
103:February 2017
95:
92:
88:
85:
81:
78:
74:
71:
67:
64: –
63:
59:
58:Find sources:
52:
48:
44:
38:
37:
36:single source
32:This article
30:
26:
21:
20:
403:expanding it
396:
361:
343:. Retrieved
339:the original
334:
324:
306:
257:
250:
232:
226:
214:
210:Schott Music
175:
147:
140:and a half.
119:
114:
113:
100:
90:
83:
76:
69:
57:
33:
453:1846 deaths
448:1786 births
215:He died in
144:Early years
128:researcher
442:Categories
345:2008-01-20
317:References
309:media help
229:intonation
73:newspapers
233:Caecilia,
194:clarinets
162:Frankfurt
154:Wuppertal
126:acoustics
43:talk page
217:Biebrich
150:Ronsdorf
381:(IMSLP)
377:at the
356:Sources
237:journal
186:Cologne
158:Cologne
138:octaves
122:bassoon
87:scholar
198:Nassau
190:flutes
152:near (
89:
82:
75:
68:
60:
263:Media
206:Mainz
178:Mainz
134:range
94:JSTOR
80:books
399:stub
192:and
66:news
49:by
444::
333:.
219:.
430:e
423:t
416:v
405:.
348:.
311:.
105:)
101:(
91:·
84:·
77:·
70:·
53:.
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.