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139:, Chapter 17 (1455a lines 22 to 29), Aristotle discusses the necessity for a playwright to see the composition on the stage, rather than just in print, in order to weed out any inconsistencies. Aristotle points to an unnamed play of Carcinus which had a character, Amphiaraus, exit a temple. For some reason this seemed outrageously inconsistent when viewed on the stage, and the audience "hissed" the actors right off the stage.
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was in the 100th
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311:"An Ancient Theatre Dynasty: The Elder Carcinus, the Young Xenocles and the Sons of Carcinus in Aristophanes"
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74:. His exact dates are uncertain, though he was certainly active in the 370s BC. According to the
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published a fragment of a musical papyrus written by
Carcinus that contains parts of his
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Green, J. R. (1990). "Carcinus and the Temple: a Lesson in the
Staging of Tragedy".
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Green, J. R. (1990). "Carcinus and the Temple: a Lesson in the
Staging of Tragedy".
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This article is about the Greek tragedian. For the crab genus of the same name, see
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records that he wrote one hundred and sixty plays. He won eleven victories at the
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Comptes rendus des séances de l'Académie des
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and grandson of
Carcinus. Another Xenocles, mentioned by a scholiast on
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was a patron of
Carcinus. Nine or ten titles of his plays are known:
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Rothwell, Kenneth (1994). "Was
Carcinus I a Tragic Playwright?".
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Webster, T. L. (1954). "Fourth
Century Tragedy and the Poetics".
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Sutton, Dana Ferrin (1987). "The
Theatrical Families of Athens".
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This article about an Ancient Greek writer or poet is a
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16:4th-century BC Greek tragedian
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120:Thyestes
71:Dionysia
50:Xenocles
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35:Καρκίνος
27:Carcinus
21:Carcinus
136:Poetics
112:Orestes
108:Oedipus
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292:Hermes
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218:: 18.
152:Louvre
116:Semele
88:Aerope
78:, his
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331:S2CID
228:JSTOR
168:Jason
164:Medea
160:arias
148:Medea
104:Medea
96:Alope
59:Frogs
44:from
31:Greek
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391:(3).
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