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few minutes later, Kerman expressed his personal dislike of
Deodato in several interviews. He described Deodato as remorseless and uncaring on set and stated that he did not believe that Deodato had a soul. Kerman also noted hostile treatment of other cast and crew members by Deodato, stating: "He was a sadist. He was particularly sadistic to people that couldn't answer back, people that were Colombian, people that were Italian but could be sent home." Yorke and co-star Perry Pirkkanen also did not get along, which Yorke attributed to disappointment that Pirkkanen felt after his friend dropped out of the production. Yorke also alienated Ciardi after he declined to have sex with her in preparation for filming their sex scene.
392:. They encounter a group of Shamatari warriors and follow them to a riverbank, where Monroe's team saves a smaller group of Ya̧nomamö from death. The Ya̧nomamö invite the team back to their village in gratitude, but they are still suspicious of the foreigners. Monroe bathes naked in a river to gain their trust, where a group of Ya̧nomamö women joins him. The women lead Monroe from the river to a shrine, where he discovers the skeletal remains of the filmmakers with their film reels nearby. Shocked by what he sees, he confronts the Ya̧nomamö in the village, where he plays music from a tape recorder. The intrigued natives agree to trade it for the reels of film.
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the set and screamed at her in
Italian until she agreed to perform the scene as instructed. Yorke also became severely upset while filming a scene in which his character takes a part in the rape of a native girl. The film's content had given Yorke anxiety throughout his time in Colombia, and this tension peaked during the rape scene. His experiences on set ultimately weighed so heavily on him that Yorke ended his relationship with his girlfriend in New York shortly after his return from the Amazon.
909:. When his character was scripted to kill a pig on camera, Yorke refused, leaving the duty to Luca Barbareschi. Yorke had traveled with the pig to the set and felt he had formed a relationship with the animal. When it was shot, the emotional impact of hearing the pig squeal subsequently caused Yorke to botch a long monologue, and retakes were not an option because the production did not have access to additional pigs. Kerman similarly objected to the killing of the
826:, we see the actors kill and rip apart a giant sea turtle and other animals. The brain has been conditioned to accept that which it's now seeing as real. This mixture of real and staged violence, combined with the handheld camerawork and the rough, unedited quality of the second half of the movie, is certainly enough to convince someone that what they are watching is real." Deodato says he included the execution footage in
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the Ya̧nomamö. Alan insists that they attempt to rescue her, but Mark continues to film as she is stripped naked, gang-raped, beaten to death, and beheaded. The Ya̧nomamö then locate and kill the last two team members as the camera drops to the ground. Disturbed by what they have seen, the executives order all of the footage to be burned. Monroe leaves the station, pondering "who the real cannibals are".
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Yacumo in a clearing, Jack shoots one in the leg so they can easily follow him to the village. Once they arrive, the crew proceeds to intimidate the tribe and kill a young child's pet pig before herding the natives into a hut, which they burn down to stage a massacre for their film. Monroe expresses apprehension about the staged footage and the treatment of the natives, but his concerns are ignored.
661:, which was written to depict soldiers advancing upon an enemy position, also went unused, as Deodato instead decided to use stock footage of political executions for the segment in order to draw further parallels to the films of Jacopetti. The character names Mark Williams and Shanda Tommaso in Clerici's screenplay were also changed to Mark Tomaso and Faye Daniels, respectively, in the film.
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Ya̧nomamö girl, whom the men take turns raping against Faye's protests, stating they are wasting film footage. A Ya̧nomamö man can be seen in the background stalking them as the incident occurs. They later encounter the same girl impaled on a wooden pole by a riverbank, where they claim that the natives killed her for loss of
1351:. The greater theme of the film is the difference between the civilized and the uncivilized. Though the graphic violence can be hard for most to stomach, the most disturbing aspect of the film is what Deodato is saying about modern society. The film asks the questions 'What is it to be 'civilized'?' and 'Is it a good thing?
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segment, which causes variances even among uncensored releases. An extended version includes approximately 10 seconds of footage not seen in an alternative, shorter version. This additional footage includes a wide-angle shot of firing-squad executions, a close-up of a dead victim and extended footage
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whose work described the
Yanomami as "the fierce people" who lived in a constant state of warfare. According to Chagnon, rape and domestic violence were commonplace in Yanomami culture when he conducted field research. These findings were disputed by other anthropologists and Chagnon's reputation was
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Film historian David
Kerekes contends that the film's sense of reality is based on the direction and the treatment of the film team's recovered footage, noting that the "shaky hand-held camerawork commands a certain realism, and 'The Green Inferno,' the ill-fated team's film-within-a-film here, is no
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is a variety of styles, from a gentle melody in the "Main Theme", to a sad and flowing score in "Crucified Woman", and faster and more upbeat tracks in "Cameraman's
Recreation", "Relaxing in the Savannah", and "Drinking Coco", to the sinister-sounding "Massacre of the Troupe". The instrumentation is
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The film's sexual content also proved a point of contention among the cast members. Ciardi did not want to bare her breasts during the sex scene between her and Yorke, and she became agitated with him during the filming of the scene. When she refused to comply with the direction, Deodato led her off
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before completely mutilating Jack's lifeless body. Thereafter, an exhausted Alan says they have gotten completely lost trying to escape and are now surrounded by the natives who pursued them. Alan attempts to scare them off with a flare gun as a last resort. During the commotion, Faye is captured by
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Interpersonal relationships were strained on the set. Kerman and
Deodato frequently clashed, as the two got into long, drawn-out arguments every day of shooting, usually because of remarks made by Deodato to which Kerman took offense. Although Deodato noted that the two were always friendly again a
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Production on the film was delayed numerous times while in the Amazon. After the actor originally cast as Alan Yates dropped out of the role, filming was halted for two weeks until new casting calls were completed and Yorke arrived in
Leticia. During principal filming with Kerman, the father of the
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Back in New York, executives of the Pan
American Broadcasting System invited Monroe to host a broadcast of the documentary to be made from the recovered film. Still, Monroe insists on viewing the raw footage before making a decision. One of the executives introduces him to Alan's work by showing an
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murder trial often claim that the actors had signed contracts with the production which ensured that they would not appear in any type of media, motion pictures, or commercials for one year following the film's release. Deodato himself has claimed this was the case. However, actor Carl Yorke has
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in
English in order to appeal to a wider audience and to lend the film credibility. However, the film had to establish a European nationality so that it could be more easily distributed among European countries. Under Italian law, for the film to be recognized as Italian, at least two actors who
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Monroe then begins to view the recovered footage, which follows the group's trek through the rainforest. After walking for days, their guide, Felipe, is bitten by a venomous snake. The group amputates Felipe's leg with a machete to save his life, but he dies and is left behind. Upon locating the
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and is introduced to his guides, Chaco and his assistant, Miguel. After several days of trekking through the jungle, the rescue team encounters the Yacumo. They arrange the release of their hostage in exchange for being taken to the Yacumo village. Once there, the group is initially greeted with
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Robert
Firsching of AllMovie made similar criticisms of the film's content, saying: "While the film is undoubtedly gruesome enough to satisfy fans, its mixture of nauseating mondo animal slaughter, repulsive sexual violence, and pie-faced attempts at socially conscious moralizing make it rather
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was confiscated under the orders of a local magistrate, and Ruggero Deodato was charged with obscenity. As all copies were to be turned over to the authorities, the film was released in other countries like the United Kingdom via subterfuge. In January 1981, during the film's theatrical run in
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on the modern world. Sean Axmaker praised the structure and setup of the film, saying: "It's a weird movie with an awkward narrative, which Deodato makes all the more effective with his grimy sheen of documentary realism, while Riz Ortolani's unsettlingly lovely, elegiac score provides a weird
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After he finishes viewing the remaining footage, Monroe expresses his disgust toward the station's decision to air the documentary. He shows the executives the remaining unedited footage that only he has seen to convince them otherwise. The final two reels begin with the filmmakers locating a
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and decided that he would direct after all, citing it as a similarly violent film that was given a mainstream release in the United States. Although the screenplay, written by Christine Conradt, was completed, a financial conflict between Deodato and the film's producer led to the project's
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wrote a letter to Deodato, which stated (translated): "Dear Ruggero, what a movie! The second part is a masterpiece of cinematographic realism, but everything seems so real that I think you will get in trouble with all the world." In the ten days before it was seized, the film had grossed
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should give an indication of where its sympathies lie", while Schager says Deodato is "pathetically justifying the unrepentant carnage by posthumously damning his eaten filmmaker protagonists with a 'who are the real monsters – the cannibals or us?' anti-imperialism morale."
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concern the on-screen killings of animals. Deodato himself has condemned his past actions, saying: "I was stupid to introduce animals." Although six animal deaths appear onscreen, seven animals were killed for the production, as the scene depicting the monkey's death was
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said: "While it's hard to defend the director for some of the truly repugnant images with which he has chosen to convey his message, there is indeed an underlying point to the film, if one is able to look beyond the sometimes unwatchable images that assault the viewer."
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with five minutes and 44 seconds of cuts to remove scenes of animal cruelty and sexual violence; all but 15 seconds of these cuts were waived for a re-release in 2011. The latter also includes a new edit sponsored by Deodato, which reduces the violence toward animals.
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representative Sandro Perotti each received a four-month suspended sentence after they were all convicted of obscenity and violence. Deodato fought in the courts for three additional years to get his film unbanned. In 1984, the courts ruled in favor of Deodato, and
1759:. The BBFC made a similar conclusion regarding the censorship of scenes in which the deaths were quick and painless, noting: "Removing these sequences would be inconsistent with the BBFC's decisions to permit quick clean kills in several other films, such as
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and stormed off the set while its death scene was filmed; he had repeatedly pressed Deodato to let the animal go in the minutes leading up to filming. Pirkkanen cried after filming the butchering of a turtle, and crew members vomited off camera when a
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Multiple cast and crew members were uncomfortable with the film's graphic content, in particular the genuine killing of animals. Yorke described the shoot as having "a level of cruelty unknown to me" and was initially unsure if he was taking part in a
1408:, Nathan Wardinski observes that "the fictionalized native people of this film personify Western and specifically US attitudes toward the region and its people." The film is also relevant to the contentious history of western anthropologists and the
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of bodies being carried into the back of a truck. The longer version also includes different titles that correctly name the film crew as they appear in the final film, while the shorter version gives the names that originally appear in the script.
1366:. Carter explores this, claiming that " is shown through the interaction between Professor Monroe and the news agency that had backed the documentary crew. They continually push Monroe to finish editing the footage because blood and guts equal
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asserts this as well and believes that Deodato only uses his films to "put on a show". Robert Kerman contradicts these assertions, stating that Deodato did tell him of political concerns involving the media in the making of this film.
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did not operate properly, and the piranha were difficult to control. As a result, Deodato abandoned his efforts, and still photographs taken during the scene's setup are its only known depiction. The originally scripted version of
1573:, which was successfully prosecuted and banned. The film was not approved for release in the UK until 2001, albeit with nearly six minutes of mandated cuts. In 2011, the BBFC waived all but one of these previous edits and passed
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countries, and the difference between Western and non-Western cultures, yet these interpretations have also been met with criticism, with any perceived subtext deemed hypocritical or insincere due to the film's presentation.
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was innovative in its plot structure, specifically with the concept of the "found footage" being brought back to civilization and later viewed to determine the fate of the crew that shot it. This was later popularized as a
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with an R18+ rating for the uncut print, including the consumer advice, "High level sexual violence, high level violence, animal cruelty." In 2006, the film was rejected for classification and banned in its entirety by the
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denied that he ever signed any sort of contract of this kind nor was he asked to appear in court. Furthermore, actors Robert Kerman, Perry Pirkkanen, and Francesca Ciardi worked in films released during and shortly after
1510:. Although it has been rumored that Deodato was charged with murder, there is no evidence that the Italian authorities believed this to be the case. Neither Deodato nor the film's producers were ever charged with murder.
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to film exterior shots in the city. Leticia was only accessible by aircraft, and from there, the cast and crew had to travel by boat to reach the set. The interior shots of New York were filmed later in a studio in Rome.
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Film historian Andrew DeVos has argued that the animal deaths have been harshly condemned because of the film's classification as exploitation, whereas animal mutilations in films perceived by critics to be classics or
933:. The native extras also went unpaid for their work despite their involvement in numerous dangerous scenes, including a scene in which they were forced to stay inside a burning hut for a prolonged period of time.
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but released afterward. The screenplay included multiple scenes that did not make the film's final cut, including a scene in which a group of Ya̧nomamö cuts off the leg of a Shamatari warrior and feeds him to
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A friend of Pirkkanen was initially cast to play Alan Yates, but he dropped out of the film shortly before the production team left for the Amazon. He instead appears in the film as an ex-colleague of Yates.
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by Go Video in 1982 with approximately six minutes of cuts. These cuts were self-imposed by the distributor, possibly due to technical limitations of the tape. In 2001, the film was passed for release on
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production, Yorke originally wanted to be credited under the stage name Christopher Savage, although he ultimately decided it to be unnecessary due to the film's obscurity and remote filming location.
1957:. Deodato was originally hesitant about directing his new film, as he thought that he would make it too violent for American audiences. However, while he was in Prague filming his cameo appearance in
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and death. Jack is hit by a spear, and Alan shoots him to prevent his escape. The scene then moves to the crew filming the natives undressing Jack in their captivity and castrating him with a large
690:, were cast as Mark Tomaso and Faye Daniels, respectively, in part because they were native Italian speakers who also spoke English. Deodato also hired an American from the Actors Studio,
368:, agrees to lead a rescue mission in hopes of finding the missing filmmakers. In anticipation of his arrival, military personnel stationed in the rainforest conduct a raid on the local
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1665:, resulting in the death of two monkeys. Both of the animals were eaten by indigenous cast members, who consider monkey brains a delicacy. The animals that were killed onscreen were:
292:, particularly the presentation of the documentary crew's lost footage, which constitutes approximately half of the film. The treatment of this footage, which is noted for its visual
1801:, both of which use similar storytelling devices. Each film uses the idea of a lost film team making a documentary in the wilderness, and their footage returned. Advertisements for
1374:. Goodall and film historians David Slater and David Kerekes have also suggested that Deodato was attempting to comment on the documentary works of Antonio Climati with his film.
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quality to the film team's footage, writing: "The viewer feels as if they are there with the crew, experiencing the horrors with them." Deodato was proud of other aspects of the
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while filming a documentary about indigenous cannibal tribes. The team comprises director Alan Yates, scriptwriter Faye Daniels, and two cameramen, Jack Anders and Mark Tomaso.
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in a river. This scene was to take place directly after Monroe's team rescues a smaller group of Ya̧nomamö from the Shamatari. Attempts were made to film this scene, but the
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terrorism. Deodato believed the news reports to be staged, an idea that became an integral aspect of the film's story. Additional story elements were also influenced by the
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884:, which may have been influential on Deodato's direction. After shooting with the film team was completed, Kerman flew down to film his scenes in the rainforest and then to
600:. Mondo films focused on sensational and graphic content from around the world, including local customs, violence, sexuality, and death. Deodato included similar content in
332:. The film was released from seizure in 1982. It was banned in the United Kingdom, Australia, South Africa and several other countries due to its graphic content, including
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and believed that journalists staged certain news angles in order to obtain more sensational footage. The Italian media was symbolized by the behavior in the film team in
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were produced in the years following its release. The titles of these films were changed following their original theatrical releases in order to associate the film with
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to attend his father's funeral. The locale also presented problems for the production, in particular the heat and sudden rain storms, which sporadically delayed filming.
549:. He accepted the project and immediately went in search of a producer, choosing his friend Francesco Palaggi. The two first flew to Colombia to scout filming locations.
2060:'s home video releases contain an "Animal Cruelty Free" version that omits the six animal deaths. Other versions also contain alternative footage shot specifically for
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that the film presents. Nick Schager criticized the brutality of the film, saying: "As clearly elucidated by its shocking gruesomeness—as well as its unabashedly
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Due to its graphic content, there are several different versions in circulation, edited to varying degrees. In the United Kingdom, it was originally released on
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itself is highly sensationalized. Firsching claims that "The fact that the film's sole spokesperson for the anti-exploitation perspective is played by porn star
340:. Although some nations have since revoked the ban, it is still upheld in several countries. Critical reception of the film is mixed, although it has received a
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Deodato's intentions regarding the Italian media coverage of the Red Brigades have also fallen under critical examination and has been expanded to include all
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is nothing more than a shoddy exercise in sadism and animal cruelty." Reviewer Andrew Parkinson also notes: "At the end, there is a basic attempt to validate
1359:, also contends the film's message is "the rape of the natural world by the unnatural; the exploitation of 'primitive' cultures for Western entertainment."
1210:. Although the courts later confiscated the film based on a citizen's complaint, the initial audience reaction was positive. After seeing the film, director
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has been the target of censorship by moral and animal activists. Other than graphic gore, the film contains several scenes of sexual violence and genuine
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compiled a list of 72 video releases that were not brought before the BBFC for certification and declared them prosecutable for obscenity. This list of "
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and several other countries. The movie was briefly released in the US by Trans American Films in 1985, but this release was commercially doomed because
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due to the genuine animal slayings, citing animal cruelty laws. Deodato, Franco Palaggi, Franco Di Nunzio, Gianfranco Clerici, producer Alda Pia and
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s Eric Henderson said it is "artful enough to demand serious critical consideration, yet foul enough to christen you a pervert for even bothering."
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achieved notoriety as its graphic violence aroused a great deal of controversy. After its premiere in Italy, it was ordered to be seized by a local
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The film's impalement scene was one of several scenes examined by the courts to determine whether the violence depicted was staged or genuine.
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767:. Kerman's girlfriend at the time was cast as one of the station executives, as she was available to film in both New York City and Rome.
744:, in which Kerman played an air traffic controller, and his performance impressed Deodato enough to have Kerman cast as Harold Monroe in
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exception", and that "this very instability gives the 'Green Inferno' film its authentic quality." David Carter of the cult horror
1370:." Lloyd Kaufman claims that this form of exploitative journalism can still be seen in the media today and in programming such as
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as the tenth greatest horror film of all time, and the film was included in a similar list of the top 25 horror films compiled by
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997:. Deodato was particularly fond of the film's main theme, "Ti guarderò nel cuore", which was given lyrics and became a worldwide
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590:, a documentary filmmaker of whom Deodato was a fan. Jacopetti and his partner, Franco Prosperi, are credited with popularizing
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also faced censorship issues in other countries around the world. In 1981, video releases were not required to pass before the
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with fifteen seconds of cuts. It was determined that the only scene that breached the BBFC's guidelines was the killing of a
412:, although it is implied that the group themselves killed her and staged it as a murder by the natives for dramatic effect.
328:. Deodato, screenwriter Gianfanco Clerici, and producers Francesco Palaggi, Alda Pia, and Franco Di Nunzio were convicted of
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approximately $ 2 million. In Japan, it grossed $ 21 million, becoming the second highest-grossing film of that time after
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714:, was chosen in part because he was the right size for the costumes and boots, which had already been purchased. Because
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557:, who suggested the town as a location ideal for filming. Other locations had been considered, specifically those where
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In August 2022, UK based distributor 88 Films announced a newly restored 4K UHD Blu-ray will be available in November.
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1221:. Deodato has claimed the film has grossed as much as $ 200 million worldwide in the wake of its various re-releases.
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on various aspects of modern civilization by comparing Western society to that of the cannibals. David Carter says: "
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and was less than what had been agreed upon. He refused to continue shooting until he was paid the correct amount in
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also promoted the idea that the footage is genuine. Deodato has acknowledged the similarities between his film and
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in New Zealand. Cuts to retain an R18 classification were offered by the Office, but they were eventually refused.
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was chosen as the principal filming location after Deodato met a Colombian documentary filmmaker at the airport in
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there, thus avoiding the possible banning of the film. This did not save the movie, however, because in 1983, the
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These interpretations have also been criticized as hypocritical and poor justification for the film's content, as
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people (referred to as Yanomamö in the film). The Yanomami were brought to worldwide attention by anthropologist
1885:, posing that old chestnut of whether civilised man is actually more savage than the uncivilised tribespeople."
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2408:"The Meat of 'Cannibal Holocaust' and the Zombie Film That Never Was: The Definitive Ruggero Deodato Interview"
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Deodato conceived of the film's premise while talking to his son about news coverage of the terrorism of the
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2010:. The game is being developed by Fantastico Studios and was expected to be available from November 2020 for
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to locate a crew of filmmakers that have gone missing while filming a documentary on local cannibal tribes.
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Detractors, however, criticize the over-the-top gore and the genuine animal slayings and also point to the
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still fails where Deodato succeeds. Lenzi attempts to tackle cultural defilement and racial issues, but
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3918:"'Cannibal Holocaust' Video Game 'Cannibal' Retitled 'Borneo: A Jungle Nightmare'; Watch New Trailer"
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tribes interacting with mostly inexperienced American and Italian actors recruited in New York City.
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and distributed worldwide by Cult Epics. It would eventually get a two-disc DVD release in 2005 by
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Yorke experienced unfair payment practices when his first payment for the film came in the form of
344:. The film's plot and violence have been noted as commentary on journalism ethics, exploitation of
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style that mimicked an observational documentary, a technique Deodato had learned from his mentor
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3585:(9 December 1999). "The Facts About The Last Broadcast" (Interview). Interviewed by Guido Henkel.
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Although the snuff film allegations were successfully refuted, the Italian courts decided to ban
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actor who played Miguel was murdered, and production was again halted as the actor flew back to
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was granted a rating certificate of VM18 for a cut print. It would later be re-released uncut.
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after which she informs Monroe that Alan staged dramatic scenes to get more exciting footage.
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was contacted by West German film distributors to make a film similar to his previous work,
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The Gore-Met (December 2005). "A Forbidden Feast of Flesh". Rue Morgue Magazine #52, 30–32.
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is relevant to the historical relationship between the United States and Latin America. In
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Despite these interpretations, Deodato has said in interviews that he had no intentions in
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DeVos, Andrew (2010). "The More You Rape Their Senses, the Happier They Are: A History of
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It was revealed in April 2020, that the movie would be getting a video game sequel called
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The next day, Monroe and his guides head deeper into the rainforest to locate two warring
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resembles a Mondo film. The scene of Monroe bathing naked in a river and the scene of a
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began on 4 June 1979. The scenes featuring the film team were shot first with handheld
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Shortly afterward, they are attacked by the Ya̧nomamö tribe as revenge for the girl's
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tribe and take a young man hostage to negotiate with the natives. Monroe flies in via
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1873:. In a mixed review, film journalist Jay Slater claims: "Certainly a tough customer,
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rite have also been noted as being similar to scenes in Antonio Climati's Mondo film
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suggested that certain deaths depicted in the film were real, which would have made
1437:. There is evidence that Clerici used Chagnon's work as the basis for the script to
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are often ignored. DeVos cites several examples of this double standard, including
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2011:
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hostility and learns that the filmmakers caused great unrest among the people.
2964:
1869:, such as comparison of Western violence to perceived uncivilized cultures and
1849:
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1755:
1749:
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3946:
Trash or Treasure?: Censorship and the Changing Meanings of the Video Nasties
3550:
3174:
2616:
2608:
2541:
2533:
2512:
2169:
2027:
2015:
1938:
1394:
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equally mixed, ranging from full orchestras to electronics and synthesizers.
885:
807:
764:
749:
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687:
683:
470:
434:
345:
262:
91:
2815:
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had been shot, but Deodato rejected these locations due to lack of suitable
3833:
3810:
3582:
3374:. Office of Film and Literature Classification, New Zealand. Archived from
2620:
2545:
2354:
2173:
1685:
1681:
1612:
1420:
Darkness in El Dorado: How Scientists and Journalists Devastated the Amazon
1211:
1033:
990:
792:
753:
575:
281:
140:
37:
3787:
3505:
1483:
2694:
2189:. Weiner, Robert G.; Cline, John (Editors). Scarecrow Press, Inc., 2010.
2061:
1996:
1992:
1936:. Previously known for his work in Mondo films, Antonio Climati directed
1604:
1566:
707:
591:
4034:
1949:
In 2005, Deodato announced that he planned to make a companion piece to
3611:
Slater, Jay (2002). ""The Cannibal/The Zombie"". In Slater, Jay (ed.).
1925:
1827:
1822:
1507:
1465:
has been marketed as having been banned in over 50 countries. In 2006,
1301:
1258:
folks it purports to sympathize with —the actual savages involved with
981:
906:
835:
729:
596:
568:
524:
494:
373:
285:
1924:. In addition to the new title, Slater notes similarities between the
791:, namely the numerous moving shots using a standard, shoulder-mounted
3559:
2872:
1628:
1608:
1588:
1292:
gives the film an approval rating of 67% based on 18 reviews, with a
1247:
998:
796:
719:
711:
409:
329:
300:
style of filmmaking that was later popularized in American cinema by
265:
as Harold Monroe, an anthropologist who leads a rescue team into the
3218:
The Spectacle of The Real: From Hollywood to 'Reality' TV and Beyond
1013:
The film's main theme was used in 2022 for the American teen series
993:, whom Deodato specifically requested because of Ortolani's work in
894:
554:
4022:
2789:
2473:
Making and Distributing Films in Europe: The Problem of Nationality
2019:
1991:
The film's influence has extended to other media as well. In 2001,
1980:, which takes its title from the fictional documentary produced in
1964:
1893:
1821:
was a major influence. Nonetheless, the film was cited by director
1732:
1409:
1297:
1239:
1203:
385:
369:
311:
3882:"HHFF Welcomes Controversial Italian Gore-Meister Ruggero Deodato"
3086:. New York: Harcourt Brace & Company. pp. 239, 209, 216.
2717:"Cannibal Holocaust - Limited Valentine's Edition of 2,000 Copies"
4108:
1888:
1743:
1720:
1696:
1674:
1600:
1596:
1357:
Sweet & Savage: The World Through the Shockumentary Film Lens
802:
Kerekes noted the animal slaughter and inclusion of footage from
777:
649:
420:
3904:
Infamous Movie Cannibal Holocaust Is Getting a Video Game Sequel
1461:
in the midst of controversy to this day. Due to this notoriety,
989:
The film's soundtrack was composed entirely by Italian composer
850:
2330:
2327:
Sweet and Savage: The World Through the Shockumentary Film Lens
1592:
1251:
272:
Produced as part of the contemporary cannibal trend of Italian
3598:
Found Footage Horror Films: Fear and the Appearance of Reality
3533:
Cinema Inferno: Celluloid Explosions from the Cultural Margins
2187:
Cinema Inferno: Celluloid Explosions from the Cultural Margins
1833:
1578:
1207:
910:
878:. This same style was also used by Climati in his Mondo film
563:
310:
was filmed primarily on location in the Amazon rainforest of
3139:. UK: VIPCO (Video Instant Picture Company). 2004. VIP666SE.
2211:. Jefferson, NC: McFarland & Company, Inc. p. 223.
1813:
received for being an original production. The producers of
1553:(BBFC), which had power to ban films in the United Kingdom.
1280:
has received accolades in various publications as well as a
1233:. Supporters of the film cite it as a serious and well-made
674:
spoke Italian as a native language had to star in the film.
586:, the depiction of whom was also influenced by the works of
2507:
Yorke, Carl Gabriel (12 May 2005). "Alan Yates Uncovered".
1662:
1431:
was questioned. The book was the basis for the documentary
865:
416:
2690:
Season 2 Soundtrack: Full List of Songs in Zendaya Series"
633:). He had collaborated with Deodato in his previous films
3993:"'Cannibal Holocaust' Gets 4K Ultra HD Release in the UK"
3701:. Baltimore: Midnight Marquee Press, Inc. pp. 34–35.
3630:. Baltimore: Midnight Marquee Press, Inc. pp. 63–65.
2821:(5th ed.). Fort Worth, Texas: Wadsworth Publishing.
2611:(12 November 2000). "Cannibal Holocaust DVD Commentary".
2209:
Proibito! A History of Italian Film Censorship, 1913-2021
2048:
2043:
1716:
1317:
3648:(Interview). Interviewed by Sage Stallone, Bob Murawski.
2034:
and delayed to Spring 2021, but has yet to be released.
3966:. UK: Shameless Screen Entertainment. 2011. B0051ZH8CC.
2813:(15 November 1996) . George and Louise Spindler (ed.).
1999:
released a song entitled "Cannibal Holocaust" from the
1914:
in different markets. In 1985, Mario Gariazzo directed
1825:
as a source of inspiration for the found footage films
857:
was filmed mainly in the Amazon rainforest in Colombia.
732:
under the pseudonym R. Bolla, including the well-known
3948:. Manchester: Manchester University Press. p. 59.
3682:: Review by Andrew Parkinson"". In Slater, Jay (ed.).
4086:
3478:. Film and Video Labelling Body of NZ. Archived from
2376:
2374:
2372:
2370:
2368:
2380:
1865:
has also been noted as containing similar themes to
594:, a genre of documentary, with their first release,
19:
This article is about the film. For other uses, see
16:
1980 Italian horror film directed by Ruggero Deodato
2847:"The Nick Schager Film Project: Cannibal Holocaust"
2383:
Killing for Culture: Death Film from Mondo to Snuff
2030:. However, in December 2020, the game was retitled
3502:"Pointless Cannibal Holocaust Sequel in the Works"
2814:
2570:: Review by Lloyd Kaufman". In Slater, Jay (ed.).
2365:
2037:
357:In 1979, an American film crew disappeared in the
1475:as the 20th most controversial film of all time.
4227:
3906:". IGN. April 9, 2020. Retrieved August 8, 2020.
3718:Eaten Alive!: Italian Cannibal and Zombie Movies
3716:: Review by Jay Slater"". In Slater, Jay (ed.).
3684:Eaten Alive!: Italian Cannibal and Zombie Movies
3665:Eaten Alive!: Italian Cannibal and Zombie Movies
3663:: Review by Jay Slater"". In Slater, Jay (ed.).
3613:Eaten Alive!: Italian Cannibal and Zombie Movies
2744:Eaten Alive!: Italian Cannibal and Zombie Movies
2572:Eaten Alive!: Italian Cannibal and Zombie Movies
2110:
2108:
3976:: CS1 maint: others in cite AV media (notes) (
3595:
3352:. New Zealand: Tonight & Independent Online
3149:: CS1 maint: others in cite AV media (notes) (
3111:. Lanham, MD: Lexington Books. pp. 57–58.
3044:In the Jungle: The Making of Cannibal Holocaust
2742:: Review by Jay Slater". In Slater, Jay (ed.).
2636:In the Jungle: The Making of Cannibal Holocaust
2590:In the Jungle: The Making of Cannibal Holocaust
2359:In the Jungle: The Making of Cannibal Holocaust
2117:In the Jungle: The Making of Cannibal Holocaust
2106:
2104:
2102:
2100:
2098:
2096:
2094:
2092:
2090:
2088:
1921:Cannibal Holocaust 2: The Catherine Miles Story
1347:is not merely focused on the societal taboo of
806:as adding to the sense of reality of the film.
3960:Cannibal Holocaust: Ruggero Deodato's New Edit
3857:"Eli Roth on the Horrors of The Green Inferno"
3834:"'Cannibal Holocaust' Companion Piece D-E-A-D"
3784:"Ruggero Deodato Talks 'Cannibal Holocaust 2'"
2574:. London: Plexus Publishing. pp. 104–106.
2381:Kerekes, David; Slater, David (January 1996).
2255:
2253:
2251:
2249:
2156:
2154:
2152:
2150:
2148:
2146:
4072:
3545:
3531:". In Weiner, Robert G.; Cline, John (eds.).
2870:
2536:(15 November 2000). "Robert Kerman Exposed".
2502:
2446:
2444:
2144:
2142:
2140:
2138:
2136:
2134:
2132:
2130:
2128:
2126:
969:Thirty second audio sample of the theme from
3615:. London: Plexus Publishing. pp. 14–15.
3242:. Lanham, MD: Lexington Books. p. 184.
2761:. Super Unleaded Design, Inc. Archived from
2651:
2627:
2500:
2498:
2496:
2494:
2492:
2490:
2488:
2486:
2484:
2482:
2085:
1988:and other cannibal films from the same era.
1637:Office of Film and Literature Classification
3854:
3337:
3267:. Lanham, MD: Lexington Books. p. 11.
3133:Cannibal Holocaust 25th Anniversary Edition
3061:. Lanham, MD: Lexington Books. p. 74.
2963:. Future Publishing Limited. Archived from
2893:
2866:
2864:
2783:
2246:
1984:. Roth's film was intended as an homage to
461:as Jack Anders (credited as Perry Pirkanen)
4101:Phenomenal and the Treasure of Tutankhamen
4079:
4065:
4027:
3990:
3317:
3315:
3288:
3286:
3284:
3046:(Documentary). Italy: Alan Young Pictures.
2922:"The Most Controversial Films of All-Time"
2840:
2838:
2638:(Documentary). Italy: Alan Young Pictures.
2603:
2601:
2599:
2592:(Documentary). Italy: Alan Young Pictures.
2561:
2559:
2557:
2555:
2528:
2526:
2524:
2522:
2441:
2361:(Documentary). Italy: Alan Young Pictures.
2123:
2119:(Documentary). Italy: Alan Young Pictures.
1853:also stars Kerman and Pirkkanen, and star
1688:and its limbs, shell, and entrails removed
1381:but to make a film about cannibals. Actor
1206:on 7 February 1980 in the Italian city of
280:was inspired by Italian media coverage of
36:
3720:. London: Plexus Publishing. p. 190.
3686:. London: Plexus Publishing. p. 163.
3677:
3667:. London: Plexus Publishing. p. 159.
3262:
3237:
3106:
3056:
2844:
2756:
2746:. London: Plexus Publishing. p. 108.
2583:
2581:
2479:
2430:
2428:
2320:
2318:
2316:
2314:
2312:
2310:
2259:
1857:says it was made based on the success of
1478:
1229:Critics remain split on their stances of
625:wrote the script under the working title
3811:"Deodato Holds New 'Holocaust' Hostage?"
3754:
3752:
3563:(Interview). Interviewed by Joshua Klein
3177:: Entertainment Weekly Inc. 16 June 2006
3042:Barbareschi, Luca (interviewee) (2003).
2861:
2405:
2286:
1887:
1482:
849:
748:. Kerman went on to star in the Italian
643:, the latter of which was filmed before
523:
3786:. Bloody-Disgusting LLC. Archived from
3535:. The Scarecrow Press, Inc. p. 93.
3423:
3312:
3281:
3165:"The 25 Most Controversial Movies Ever"
3081:
2835:
2809:
2634:D'Offizi, Sergio (interviewee) (2003).
2596:
2565:
2552:
2519:
2466:
2464:
2347:
2324:
2160:
2115:Deodato, Ruggero (interviewee) (2003).
396:excerpt from his previous documentary,
4228:
3915:
3758:
3711:
3696:
3658:
3625:
3610:
3581:
3399:"BANNED: THE MOST CONTROVERSIAL FILMS"
3199:, p. 189 (Krause Publications, 2010).
2985:
2737:
2683:
2607:
2588:Gelend, Antonio (interviewee) (2003).
2578:
2532:
2425:
2307:
1916:Schiave bianche: violenza in Amazzonia
1491:Ten days after its premiere in Milan,
682:, two inexperienced students from the
4060:
3831:
3808:
3749:
3526:
3396:
3343:
2506:
2470:
2206:
2164:(12 November 2000). "Cult-Con 2000".
1974:cancellation. In 2013, Roth directed
1843:has been regarded as the apex of the
1639:in Australia lifted the ban, passing
1177:
1166:
1155:
1144:
1133:
1100:
1089:
1078:
1067:
1056:
702:Bill Williams subsequently contacted
3943:
3736:British Board of Film Classification
3298:British Board of Film Classification
3035:
2461:
2053:British Board of Film Classification
1224:
783:says that Deodato's methods added a
364:Harold Monroe, an anthropologist at
3714:Amazonia: The Catherine Miles Story
3646:Cannibal ferox DVD special features
3644:. "Cannibal ferox DVD Commentary".
3596:Heller-Nicholas, Alexandra (2014).
3426:"'Cannibal' banned in South Africa"
3372:"Cannibal Holocaust, OFLC decision"
2291:. Little White Lies. Archived from
2067:There are multiple versions of the
2064:markets that do not depict nudity.
1656:Many of the censorship issues with
728:had years of experience working in
476:Lionello Pio Di Savoia as Executive
21:Cannibal Holocaust (disambiguation)
13:
3991:Mendelsohn, Jon (27 August 2022).
3640:
2988:"25 Best Horror Films of All Time"
2873:"Cannibal Holocaust > Overview"
2684:Knight, Lewis (28 February 2022).
2475:, European Audiovisual Observatory
1331:
1315:. The film also came in eighth on
943:
14:
4442:
4341:Films directed by Ruggero Deodato
4165:The House on the Edge of the Park
4014:
3781:
3759:Butane, Johnny (25 August 2008).
2166:Cannibal Holocaust DVD Commentary
1677:in the film), killed with a knife
1651:
1262:are the ones behind the camera."
1238:undercurrent." Jason Buchanan of
1181:"Cannibal Holocaust (End Titles)"
1060:"Cannibal Holocaust (Main Theme)"
955:"Cannibal Holocaust (Main Theme)"
640:The House on the Edge of the Park
42:Italian theatrical release poster
4271:Animal cruelty incidents in film
3916:Wilson, Mike (2 December 2020).
3884:. Housecore Horror Film Festival
2898:. Slant Magazine. Archived from
2896:"Film Review:Cannibal Holocaust"
2786:"Cannibal Holocaust > Review"
2406:Ercolani, Eugenio (1 May 2020).
1444:
1022:
980:Problems playing this file? See
959:
830:to draw further similarities to
4416:Obscenity controversies in film
4125:Live Like a Cop, Die Like a Man
3984:
3952:
3937:
3909:
3896:
3874:
3848:
3832:Miska, Brad (3 February 2009).
3825:
3802:
3775:
3724:
3705:
3690:
3671:
3652:
3634:
3619:
3604:
3589:
3575:
3539:
3520:
3494:
3468:
3443:
3417:
3397:Davis, Laura (5 October 2010).
3390:
3364:
3344:Davis, Laura (16 August 2009).
3256:
3231:
3210:
3189:
3157:
3125:
3100:
3084:Yanomamo: The Last Days of Eden
3075:
3050:
3005:
2986:Snyder, Jon (28 October 2010).
2979:
2953:
2936:
2914:
2887:
2803:
2777:
2750:
2731:
2709:
2677:
2661:. Movie Grooves. Archived from
2659:"Cannibal Holocaust soundtrack"
2642:
2399:
2289:"Cannibal Holocaust DVD Review"
2264:. Savage Cinema. Archived from
2038:Alternate versions (home media)
1942:in 1988, which was released as
1587:was banned at various times in
1563:Director of Public Prosecutions
4301:Film censorship in New Zealand
4286:English-language Italian films
3424:Pearson, Bryan (16 May 2001).
3013:"IGN Top 10 Grind House Films"
2280:
2200:
2180:
1773:Found footage (film technique)
1266:distasteful morally as well."
1121:
1044:
519:
488:Enrico Papa as TV Interviewer
1:
3761:"Ruggero on Cannibals, Natas"
3265:Dissecting Cannibal Holocaust
3240:Dissecting Cannibal Holocaust
3109:Dissecting Cannibal Holocaust
3059:Dissecting Cannibal Holocaust
2613:Cannibal Holocaust DVD Extras
2538:Cannibal Holocaust DVD Extras
2509:Cannibal Holocaust DVD Extras
2078:
1918:, which was also released as
1551:British Board of Film Censors
1525:
1406:Dissecting Cannibal Holocaust
936:
539:began in 1979, when director
514:
4346:Films scored by Riz Ortolani
4326:Films about hunter-gatherers
4266:1980s Italian-language films
3855:Chris Tilly (1 March 2013).
3809:Miska, Brad (23 June 2008).
3678:Parkinson, Andrew (2002). ""
3325:. Refused-Classification.com
2615:(Interview). Interviewed by
2540:(Interview). Interviewed by
2511:(Interview). Interviewed by
2168:(Interview). Interviewed by
1932:and Riz Ortolani's score in
1712:, decapitated with a machete
1705:, also killed with a machete
1449:Since its original release,
1324:s list of the ten greatest "
1026:
770:
506:as Man on University Campus
7:
4381:Films shot in New York City
2849:. Nick Schager Film Project
1339:is seen by some critics as
706:to play the role. Yorke, a
10:
4447:
4406:Italian mockumentary films
4361:Films set in South America
4356:Films set in New York City
4331:Films about missing people
4316:Films about animal cruelty
4291:Film censorship in Iceland
3763:. Dread Central Media, LCC
3504:. Fangoria. Archived from
3263:Wardinski, Nathan (2024).
3238:Wardinski, Nathan (2024).
3107:Wardinski, Nathan (2024).
3082:Chagnon, Napoleon (1992).
3057:Wardinski, Nathan (2024).
2032:Borneo: A Jungle Nightmare
1770:
1719:, shot in the head with a
1621:Motion Picture Association
1355:" Mark Goodall, author of
1195:
1032:All tracks are written by
845:
664:
437:as Professor Harold Monroe
18:
4401:Italian independent films
4173:The Atlantis Interceptors
4095:
3642:Radice, Giovanni Lombardo
3600:. McFarland. p. 187.
3555:"The Blair Witch Project"
3346:"Gratuitous Gore and Sex"
2008:Ruggero Deodato, Cannibal
1930:The Catherine Miles Story
1766:
1427:although the accuracy of
1218:E.T. the Extraterrestrial
1148:"Relaxing in the Savanna"
1128:
1125:
1120:
1051:
1048:
1043:
918:was killed for the film.
881:Ultime grida dalla savana
814:compares these scenes to
621:The Italian screenwriter
482:Kate Weiman as Executive
467:Ricardo Fuentes as Miguel
464:Salvatore Basile as Chaco
228:
211:
203:
193:
179:7 February 1980
170:
160:
146:
136:
128:
120:
84:
67:
57:
47:
35:
30:
4296:Film censorship in Italy
4256:1980s exploitation films
3220:(Intellect Ltd., 2005).
2566:Kaufman, Lloyd (2002). "
2515:. Palo Alto, California.
1855:Giovanni Lombardo Radice
1296:of 5.5/10. British film
1093:"Massacre of the Troupe"
1082:"Cameramen's Recreation"
1071:"Adulteress' Punishment"
795:, forgoing the use of a
676:Luca Giorgio Barbareschi
669:Deodato decided to film
447:Luca Giorgio Barbareschi
4396:Italian adventure films
4366:Films set in the Amazon
4336:Films about snuff films
3836:. Bloody-Disgusting LLC
3813:. Bloody-Disgusting LLC
2207:Curti, Roberto (2023).
1946:in the United Kingdom.
1811:The Blair Witch Project
1807:The Blair Witch Project
1803:The Blair Witch Project
1798:The Blair Witch Project
1417:devastated by the book
694:, to play Jack Anders.
427:
352:
338:violence toward animals
303:The Blair Witch Project
4421:Rape and revenge films
4411:Italian splatter films
4376:Films shot in Colombia
4371:Films set in Venezuela
4321:Films about filmmaking
4133:Ultimo mondo cannibale
3732:"Cannibal Holocaust 2"
3712:Slater, Jay (2002). ""
3659:Slater, Jay (2002). ""
2623:. Tarrytown, New York.
2548:. Tarrytown, New York.
2471:Gyory, Michel (2000),
2385:. UK: Creation Books.
2357:(interviewee) (2003).
2325:Goodall, Mark (2006).
2176:. Tarrytown, New York.
1906:Unofficial sequels to
1903:
1488:
1479:Snuff film allegations
948:
858:
785:first-person narration
710:who had studied under
635:Ultimo mondo cannibale
580:journalistic integrity
532:
398:The Last Road to Hell,
4311:Films about massacres
4251:1980s adventure films
2738:Slater, Jay (2002). "
2434:Clerici, Gianfranco.
1944:Cannibal Holocaust II
1892:Ruggero Deodato with
1891:
1738:The Rules of the Game
1536:United Artists Europa
1496:France, the magazine
1486:
1429:Darkness in El Dorado
1001:hit under the title "
947:
931:United States dollars
862:Principal photography
853:
828:The Last Road to Hell
804:The Last Road to Hell
659:The Last Road to Hell
527:
165:United Artists Europa
4426:United Artists films
4149:Concorde Affaire '79
3697:Harper, Jim (2002).
3626:Harper, Jim (2002).
3476:"Cannibal Holocaust"
3294:"Cannibal Holocaust"
3170:Entertainment Weekly
2902:on 30 September 2007
2811:Chagnon, Napoleon A.
2456:Grindhouse Releasing
2058:Grindhouse Releasing
1671:South American coati
1633:Grindhouse Releasing
1468:Entertainment Weekly
1457:, issues which find
1434:Secrets of the Tribe
631:The Sons of the Moon
155:F.D. Cinematografica
4391:Found footage films
4276:Cannibal-boom films
4261:1980s Italian films
4213:The Washing Machine
3972:cite AV media notes
3944:Egan, Kate (2002).
3790:on 26 February 2007
3508:on 21 February 2007
3455:www.filmratings.com
3145:cite AV media notes
2871:Firsching, Robert.
2295:on 10 November 2014
1619:was rated X by the
1117:
1040:
840:Gualtiero Jacopetti
812:Troma Entertainment
763:, both directed by
741:The Concorde Affair
588:Gualtiero Jacopetti
546:Last Cannibal World
366:New York University
290:Gualtiero Jacopetti
274:exploitation cinema
4386:Films shot in Rome
4306:Film controversies
4241:1980 controversies
4157:Cannibal Holocaust
4087:Films directed by
4047:Cannibal Holocaust
4036:Cannibal Holocaust
3529:Cannibal Holocaust
3197:Horror Movie Freak
2967:on 3 November 2008
2944:Cannibal Holocaust
2759:"Digital Delirium"
2740:Cannibal Holocaust
2568:Cannibal Holocaust
2452:Cannibal Holocaust
2436:Cannibal Holocaust
2412:Bloody Disgusting!
1986:Cannibal Holocaust
1982:Cannibal Holocaust
1951:Cannibal Holocaust
1934:Cannibal Holocaust
1912:Cannibal Holocaust
1908:Cannibal Holocaust
1904:
1867:Cannibal Holocaust
1859:Cannibal Holocaust
1841:Cannibal Holocaust
1819:Cannibal Holocaust
1815:The Last Broadcast
1792:The Last Broadcast
1778:Cannibal Holocaust
1658:Cannibal Holocaust
1641:Cannibal Holocaust
1625:Cannibal Holocaust
1617:Cannibal Holocaust
1585:Cannibal Holocaust
1575:Cannibal Holocaust
1571:Cannibal Holocaust
1555:Cannibal Holocaust
1547:Cannibal Holocaust
1541:Cannibal Holocaust
1532:Cannibal Holocaust
1520:Cannibal Holocaust
1515:Cannibal Holocaust
1504:Cannibal Holocaust
1493:Cannibal Holocaust
1489:
1473:Cannibal Holocaust
1463:Cannibal Holocaust
1459:Cannibal Holocaust
1455:cruelty to animals
1451:Cannibal Holocaust
1439:Cannibal Holocaust
1402:Cannibal Holocaust
1391:Cannibal Holocaust
1379:Cannibal Holocaust
1372:reality television
1345:Cannibal Holocaust
1337:Cannibal Holocaust
1307:Cannibal Holocaust
1278:Cannibal Holocaust
1260:Cannibal Holocaust
1231:Cannibal Holocaust
1201:Cannibal Holocaust
1115:
1038:
1007:Cannibal Holocaust
971:Cannibal Holocaust
949:
876:Roberto Rossellini
859:
855:Cannibal Holocaust
832:Cannibal Holocaust
824:Cannibal Holocaust
746:Cannibal Holocaust
735:Debbie Does Dallas
716:Cannibal Holocaust
704:Carl Gabriel Yorke
671:Cannibal Holocaust
645:Cannibal Holocaust
627:I figli della luna
623:Gianfranco Clerici
606:Cannibal Holocaust
602:Cannibal Holocaust
584:Cannibal Holocaust
537:Cannibal Holocaust
533:
441:Carl Gabriel Yorke
322:Cannibal Holocaust
308:Cannibal Holocaust
278:Cannibal Holocaust
259:Gianfranco Clerici
243:Cannibal Holocaust
97:Carl Gabriel Yorke
62:Gianfranco Clerici
31:Cannibal Holocaust
4351:Films set in 1979
4246:1980 horror films
4223:
4222:
3923:Bloody Disgusting
3902:Oloman, Jordan. "
3274:978-1-66691-402-3
3249:978-1-66691-402-3
3205:978-1-4402-0824-9
3118:978-1-66691-402-3
3068:978-1-66691-402-3
3017:IGN Entertainment
2894:Henderson, Eric.
2784:Buchanan, Jason.
2333:, UK: Headpress.
2238:value: checksum (
2195:978-0-8108-7656-9
2069:Last Road to Hell
1977:The Green Inferno
1967:, Deodato viewed
1817:have denied that
1725:point blank range
1559:straight-to-video
1341:social commentary
1286:Review aggregator
1276:In recent years,
1235:social commentary
1225:Critical response
1193:
1192:
1188:
1187:
1137:"Crucified Women"
1111:
1110:
964:
816:Vsevolod Pudovkin
654:underwater camera
551:Leticia, Colombia
359:Amazon rainforest
288:documentaries of
267:Amazon rainforest
239:
238:
4438:
4205:Phantom of Death
4081:
4074:
4067:
4058:
4057:
4031:
4026:
4025:
4023:Official website
4008:
4007:
4005:
4003:
3988:
3982:
3981:
3975:
3967:
3964:Deodato, Ruggero
3956:
3950:
3949:
3941:
3935:
3934:
3932:
3930:
3913:
3907:
3900:
3894:
3893:
3891:
3889:
3878:
3872:
3871:
3869:
3867:
3852:
3846:
3845:
3843:
3841:
3829:
3823:
3822:
3820:
3818:
3806:
3800:
3799:
3797:
3795:
3779:
3773:
3772:
3770:
3768:
3756:
3747:
3746:
3744:
3742:
3728:
3722:
3721:
3709:
3703:
3702:
3694:
3688:
3687:
3675:
3669:
3668:
3656:
3650:
3649:
3638:
3632:
3631:
3623:
3617:
3616:
3608:
3602:
3601:
3593:
3587:
3586:
3579:
3573:
3572:
3570:
3568:
3553:(22 July 1999).
3547:Sánchez, Eduardo
3543:
3537:
3536:
3524:
3518:
3517:
3515:
3513:
3498:
3492:
3491:
3489:
3487:
3472:
3466:
3465:
3463:
3461:
3447:
3441:
3440:
3438:
3436:
3421:
3415:
3414:
3412:
3410:
3394:
3388:
3387:
3385:
3383:
3368:
3362:
3361:
3359:
3357:
3341:
3335:
3334:
3332:
3330:
3319:
3310:
3309:
3307:
3305:
3300:. 5 October 2011
3290:
3279:
3278:
3260:
3254:
3253:
3235:
3229:
3214:
3208:
3193:
3187:
3186:
3184:
3182:
3173:. No. 882.
3161:
3155:
3154:
3148:
3140:
3137:Deodato, Ruggero
3129:
3123:
3122:
3104:
3098:
3097:
3079:
3073:
3072:
3054:
3048:
3047:
3039:
3033:
3032:
3030:
3028:
3023:on 10 April 2007
3019:. Archived from
3009:
3003:
3002:
3000:
2998:
2983:
2977:
2976:
2974:
2972:
2957:
2951:
2940:
2934:
2933:
2931:
2929:
2918:
2912:
2911:
2909:
2907:
2891:
2885:
2884:
2882:
2880:
2868:
2859:
2858:
2856:
2854:
2842:
2833:
2832:
2820:
2807:
2801:
2800:
2798:
2796:
2781:
2775:
2774:
2772:
2770:
2765:on 18 April 2008
2754:
2748:
2747:
2735:
2729:
2728:
2726:
2724:
2719:. Soundtrack.net
2713:
2707:
2706:
2704:
2702:
2681:
2675:
2674:
2672:
2670:
2655:
2649:
2646:
2640:
2639:
2631:
2625:
2624:
2605:
2594:
2593:
2585:
2576:
2575:
2563:
2550:
2549:
2530:
2517:
2516:
2504:
2477:
2476:
2468:
2459:
2448:
2439:
2432:
2423:
2422:
2420:
2418:
2403:
2397:
2396:
2378:
2363:
2362:
2351:
2345:
2344:
2322:
2305:
2304:
2302:
2300:
2284:
2278:
2277:
2275:
2273:
2257:
2244:
2243:
2237:
2232:
2230:
2222:
2218:978-14766-8856-3
2204:
2198:
2184:
2178:
2177:
2162:Deodato, Ruggero
2158:
2121:
2120:
2112:
2001:eponymous record
1871:anti-imperialism
1787:Hollywood cinema
1695:, killed with a
1673:(mistaken for a
1627:was released on
1414:Napoleon Chagnon
1383:Luca Barbareschi
1354:
1323:
1294:weighted average
1123:
1118:
1114:
1046:
1041:
1037:
1027:
1005:". The music of
966:
965:
946:
836:Mondo filmmaking
700:Casting director
680:Francesca Ciardi
559:Gillo Pontecorvo
509:
500:
491:
485:
453:Francesca Ciardi
296:, innovated the
186:
184:
132:Vincenzo Tomassi
107:Luca Barbareschi
102:Francesca Ciardi
74:Franco Di Nunzio
40:
28:
27:
4446:
4445:
4441:
4440:
4439:
4437:
4436:
4435:
4226:
4225:
4224:
4219:
4091:
4089:Ruggero Deodato
4085:
4052:Rotten Tomatoes
4021:
4020:
4017:
4012:
4011:
4001:
3999:
3989:
3985:
3969:
3968:
3958:
3957:
3953:
3942:
3938:
3928:
3926:
3914:
3910:
3901:
3897:
3887:
3885:
3880:
3879:
3875:
3865:
3863:
3853:
3849:
3839:
3837:
3830:
3826:
3816:
3814:
3807:
3803:
3793:
3791:
3780:
3776:
3766:
3764:
3757:
3750:
3740:
3738:
3730:
3729:
3725:
3710:
3706:
3695:
3691:
3676:
3672:
3657:
3653:
3639:
3635:
3624:
3620:
3609:
3605:
3594:
3590:
3580:
3576:
3566:
3564:
3544:
3540:
3525:
3521:
3511:
3509:
3500:
3499:
3495:
3485:
3483:
3482:on 4 March 2016
3474:
3473:
3469:
3459:
3457:
3449:
3448:
3444:
3434:
3432:
3422:
3418:
3408:
3406:
3403:The Independent
3395:
3391:
3381:
3379:
3370:
3369:
3365:
3355:
3353:
3342:
3338:
3328:
3326:
3321:
3320:
3313:
3303:
3301:
3292:
3291:
3282:
3275:
3261:
3257:
3250:
3236:
3232:
3215:
3211:
3194:
3190:
3180:
3178:
3163:
3162:
3158:
3142:
3141:
3131:
3130:
3126:
3119:
3105:
3101:
3094:
3080:
3076:
3069:
3055:
3051:
3041:
3040:
3036:
3026:
3024:
3011:
3010:
3006:
2996:
2994:
2984:
2980:
2970:
2968:
2961:"Shock Horror!"
2959:
2958:
2954:
2949:Rotten Tomatoes
2941:
2937:
2927:
2925:
2920:
2919:
2915:
2905:
2903:
2892:
2888:
2878:
2876:
2869:
2862:
2852:
2850:
2845:Schager, Nick.
2843:
2836:
2829:
2808:
2804:
2794:
2792:
2782:
2778:
2768:
2766:
2757:Axmaker, Sean.
2755:
2751:
2736:
2732:
2722:
2720:
2715:
2714:
2710:
2700:
2698:
2682:
2678:
2668:
2666:
2665:on 13 June 2008
2657:
2656:
2652:
2647:
2643:
2633:
2632:
2628:
2606:
2597:
2587:
2586:
2579:
2564:
2553:
2531:
2520:
2505:
2480:
2469:
2462:
2449:
2442:
2433:
2426:
2416:
2414:
2404:
2400:
2393:
2379:
2366:
2353:
2352:
2348:
2341:
2323:
2308:
2298:
2296:
2285:
2281:
2271:
2269:
2268:on 2 April 2017
2262:"Savage Cinema"
2260:Carter, David.
2258:
2247:
2235:
2233:
2224:
2223:
2219:
2205:
2201:
2185:
2181:
2159:
2124:
2114:
2113:
2086:
2081:
2040:
2012:Nintendo Switch
1960:Hostel: Part II
1899:Hostel: Part II
1775:
1769:
1710:squirrel monkey
1703:boa constrictor
1654:
1635:. In 2005, the
1528:
1481:
1471:magazine named
1447:
1425:Patrick Tierney
1352:
1334:
1332:Interpretations
1321:
1290:Rotten Tomatoes
1227:
1198:
1189:
1170:"Drinking Coco"
1112:
1104:"Love with Fun"
1025:
987:
986:
978:
976:
975:
974:
973:
967:
960:
957:
950:
944:
939:
927:Colombian pesos
916:squirrel monkey
848:
773:
692:Perry Pirkkanen
667:
615:Savana violenta
610:forced abortion
541:Ruggero Deodato
530:Ruggero Deodato
522:
517:
512:
507:
504:Ruggero Deodato
498:
489:
483:
459:Perry Pirkkanen
455:as Faye Daniels
430:
355:
314:with a cast of
257:and written by
255:Ruggero Deodato
224:
196:
189:
182:
180:
173:
156:
151:
149:
124:Sergio D'Offizi
116:
80:
52:Ruggero Deodato
43:
24:
17:
12:
11:
5:
4444:
4434:
4433:
4428:
4423:
4418:
4413:
4408:
4403:
4398:
4393:
4388:
4383:
4378:
4373:
4368:
4363:
4358:
4353:
4348:
4343:
4338:
4333:
4328:
4323:
4318:
4313:
4308:
4303:
4298:
4293:
4288:
4283:
4281:Censored films
4278:
4273:
4268:
4263:
4258:
4253:
4248:
4243:
4238:
4221:
4220:
4218:
4217:
4209:
4201:
4197:The Barbarians
4193:
4185:
4177:
4169:
4161:
4153:
4145:
4137:
4129:
4121:
4113:
4105:
4096:
4093:
4092:
4084:
4083:
4076:
4069:
4061:
4055:
4054:
4043:
4032:
4016:
4015:External links
4013:
4010:
4009:
3983:
3962:(back cover).
3951:
3936:
3908:
3895:
3873:
3847:
3824:
3801:
3774:
3748:
3723:
3704:
3699:Italian Horror
3689:
3680:Cannibal Ferox
3670:
3661:Cannibal Ferox
3651:
3633:
3628:Italian Horror
3618:
3603:
3588:
3574:
3538:
3519:
3493:
3467:
3442:
3416:
3389:
3363:
3336:
3311:
3280:
3273:
3255:
3248:
3230:
3209:
3188:
3156:
3135:(back cover).
3124:
3117:
3099:
3092:
3074:
3067:
3049:
3034:
3004:
2978:
2952:
2935:
2924:. Filmsite.org
2913:
2886:
2860:
2834:
2827:
2802:
2776:
2749:
2730:
2708:
2676:
2650:
2641:
2626:
2609:Kerman, Robert
2595:
2577:
2551:
2534:Kerman, Robert
2518:
2478:
2460:
2440:
2424:
2398:
2391:
2364:
2346:
2339:
2306:
2287:Bitel, Anton.
2279:
2245:
2217:
2199:
2179:
2122:
2083:
2082:
2080:
2077:
2062:Middle Eastern
2039:
2036:
1896:on the set of
1883:Cannibal Ferox
1879:Cannibal Ferox
1875:Cannibal Ferox
1863:Cannibal Ferox
1850:Cannibal Ferox
1845:cannibal genre
1783:distinct style
1768:
1765:
1761:Apocalypse Now
1756:Apocalypse Now
1750:Wake in Fright
1728:
1727:
1713:
1706:
1699:
1689:
1678:
1653:
1652:Animal cruelty
1650:
1527:
1524:
1513:Rumors of the
1480:
1477:
1446:
1443:
1364:sensationalism
1333:
1330:
1282:cult following
1269:Slant Magazine
1226:
1223:
1197:
1194:
1191:
1190:
1186:
1185:
1182:
1179:
1175:
1174:
1171:
1168:
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1113:
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1098:
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1080:
1076:
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1072:
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1065:
1064:
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1054:
1053:
1050:
1047:
1030:
1024:
1021:
977:
968:
958:
953:
952:
951:
942:
941:
940:
938:
935:
847:
844:
822:, saying: "In
789:cinematography
772:
769:
760:Cannibal Ferox
750:cannibal films
666:
663:
535:Production on
521:
518:
516:
513:
511:
510:
501:
492:
486:
480:
479:Luigina Rocchi
477:
474:
468:
465:
462:
456:
450:
449:as Mark Tomaso
444:
438:
431:
429:
426:
354:
351:
346:South American
342:cult following
334:sexual assault
237:
236:
230:
226:
225:
223:
222:
219:
215:
213:
209:
208:
205:
201:
200:
197:
194:
191:
190:
188:
187:
176:
174:
171:
168:
167:
162:
161:Distributed by
158:
157:
154:
152:
147:
144:
143:
138:
134:
133:
130:
126:
125:
122:
121:Cinematography
118:
117:
115:
114:
112:Perry Pirkanen
109:
104:
99:
94:
88:
86:
82:
81:
79:
78:
77:Franco Palaggi
75:
71:
69:
65:
64:
59:
55:
54:
49:
45:
44:
41:
33:
32:
15:
9:
6:
4:
3:
2:
4443:
4432:
4431:Video nasties
4429:
4427:
4424:
4422:
4419:
4417:
4414:
4412:
4409:
4407:
4404:
4402:
4399:
4397:
4394:
4392:
4389:
4387:
4384:
4382:
4379:
4377:
4374:
4372:
4369:
4367:
4364:
4362:
4359:
4357:
4354:
4352:
4349:
4347:
4344:
4342:
4339:
4337:
4334:
4332:
4329:
4327:
4324:
4322:
4319:
4317:
4314:
4312:
4309:
4307:
4304:
4302:
4299:
4297:
4294:
4292:
4289:
4287:
4284:
4282:
4279:
4277:
4274:
4272:
4269:
4267:
4264:
4262:
4259:
4257:
4254:
4252:
4249:
4247:
4244:
4242:
4239:
4237:
4234:
4233:
4231:
4215:
4214:
4210:
4207:
4206:
4202:
4199:
4198:
4194:
4191:
4190:
4186:
4183:
4182:
4178:
4175:
4174:
4170:
4167:
4166:
4162:
4159:
4158:
4154:
4151:
4150:
4146:
4143:
4142:
4141:Last Feelings
4138:
4135:
4134:
4130:
4127:
4126:
4122:
4119:
4118:
4117:Waves of Lust
4114:
4111:
4110:
4106:
4103:
4102:
4098:
4097:
4094:
4090:
4082:
4077:
4075:
4070:
4068:
4063:
4062:
4059:
4053:
4049:
4048:
4044:
4042:
4038:
4037:
4033:
4030:
4024:
4019:
4018:
3998:
3994:
3987:
3979:
3973:
3965:
3961:
3955:
3947:
3940:
3925:
3924:
3919:
3912:
3905:
3899:
3883:
3877:
3862:
3858:
3851:
3835:
3828:
3812:
3805:
3789:
3785:
3782:Miska, Brad.
3778:
3762:
3755:
3753:
3737:
3733:
3727:
3719:
3715:
3708:
3700:
3693:
3685:
3681:
3674:
3666:
3662:
3655:
3647:
3643:
3637:
3629:
3622:
3614:
3607:
3599:
3592:
3584:
3583:Weiler, Lance
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4000:. Retrieved
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3927:. Retrieved
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3886:. Retrieved
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3864:. Retrieved
3860:
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3838:. Retrieved
3827:
3817:29 September
3815:. Retrieved
3804:
3792:. Retrieved
3788:the original
3777:
3767:29 September
3765:. Retrieved
3739:. Retrieved
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3510:. Retrieved
3506:the original
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3484:. Retrieved
3480:the original
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3458:. Retrieved
3454:
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3433:. Retrieved
3429:
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3402:
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3376:the original
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3025:. Retrieved
3021:the original
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2965:the original
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2900:the original
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2779:
2767:. Retrieved
2763:the original
2752:
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2721:. Retrieved
2711:
2699:. Retrieved
2693:
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2667:. Retrieved
2663:the original
2653:
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2635:
2629:
2621:Bob Murawski
2612:
2589:
2571:
2567:
2546:Bob Murawski
2537:
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2451:
2435:
2415:. Retrieved
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2401:
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2326:
2297:. Retrieved
2293:the original
2282:
2270:. Retrieved
2266:the original
2208:
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2182:
2174:Bob Murawski
2165:
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1349:flesh eating
1344:
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1300:
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1254:portrait of
1245:
1230:
1228:
1216:
1212:Sergio Leone
1200:
1199:
1034:Riz Ortolani
1031:
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991:Riz Ortolani
988:
979:
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754:Eaten Alive!
752:
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576:Red Brigades
573:
562:
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508:(uncredited)
499:(uncredited)
490:(uncredited)
484:(uncredited)
473:as Executive
414:
406:
402:
397:
394:
384:tribes, the
382:endocannibal
379:
363:
356:
336:and genuine
321:
320:
307:
301:
282:Red Brigades
277:
271:
253:directed by
242:
241:
240:
195:Running time
172:Release date
141:Riz Ortolani
25:
4181:Cut and Run
3866:17 November
3840:2 September
3551:Myrick, Dan
3304:23 December
3027:21 November
2997:10 November
2971:21 November
2906:15 February
2879:16 February
2853:15 February
2795:16 February
2769:15 February
2695:Radio Times
2669:13 February
2272:6 September
2236:|isbn=
1997:Necrophagia
1993:Death metal
1686:decapitated
1605:New Zealand
1569:" included
730:adult films
708:stage actor
592:Mondo films
520:Development
261:. It stars
68:Produced by
48:Directed by
4236:1980 films
4230:Categories
4189:Body Count
4002:5 December
3929:6 December
3794:14 January
3567:16 January
3512:13 January
3486:12 January
3382:27 January
3329:15 January
3181:1 February
2875:. AllMovie
2723:6 February
2299:20 October
2079:References
1823:Paco Plaza
1771:See also:
1663:shot twice
1579:coatimundi
1526:Censorship
1508:snuff film
1326:grindhouse
1302:Total Film
1256:indigenous
995:Mondo Cane
982:media help
937:Soundtrack
907:snuff film
597:Mondo cane
569:rainforest
515:Production
495:David Sage
374:floatplane
326:magistrate
316:indigenous
246:is a 1980
199:96 minutes
183:1980-02-07
148:Production
58:Written by
3888:7 January
3741:30 August
3560:The Onion
3409:2 October
3323:"Films C"
2928:6 January
2227:cite book
1955:Cannibals
1953:entitled
1733:art films
1693:tarantula
1629:laserdisc
1609:Singapore
1589:Australia
1328:" films.
1248:hypocrisy
1204:premiered
797:steadicam
771:Direction
720:non-union
712:Uta Hagen
528:Director
410:virginity
390:Shamatari
386:Ya̧nomamö
330:obscenity
212:Languages
129:Edited by
3997:Collider
3460:5 August
3451:"Search"
3435:5 August
3405:. London
3356:19 March
2817:Yanomamö
2790:AllMovie
2688:Euphoria
2454:). DVD.
2417:5 August
2020:Xbox One
1965:Eli Roth
1894:Eli Roth
1410:Yanomami
1298:magazine
1288:website
1240:AllMovie
1116:Side two
1039:Side one
1016:Euphoria
886:New York
834:and the
650:piranhas
388:and the
312:Colombia
137:Music by
85:Starring
4109:Zenabel
3430:Variety
3350:Tonight
2458:, 2005.
2051:by the
1744:El Topo
1721:shotgun
1697:machete
1675:muskrat
1601:Iceland
1597:Finland
1368:ratings
1305:ranked
1196:Release
846:Filming
820:montage
778:webzine
665:Casting
421:machete
294:realism
248:Italian
235:100,000
221:Spanish
218:English
204:Country
181: (
150:company
4216:(1993)
4208:(1988)
4200:(1987)
4192:(1986)
4184:(1985)
4176:(1983)
4168:(1980)
4160:(1980)
4152:(1979)
4144:(1978)
4136:(1977)
4128:(1976)
4120:(1975)
4112:(1969)
4104:(1968)
3271:
3246:
3224:
3203:
3115:
3090:
3065:
2825:
2701:13 May
2389:
2337:
2331:London
2234:Check
2215:
2193:
2028:mobile
1970:Hostel
1902:(2007)
1767:Legacy
1753:, and
1593:Norway
1252:racist
1129:Length
1052:Length
895:Bogotá
793:camera
718:was a
555:Bogotá
370:Yacumo
229:Budget
2992:Wired
1995:band
1926:score
1834:REC 2
1499:Photo
1322:'
1312:Wired
1208:Milan
1126:Title
1049:Title
911:coati
564:Burn!
286:Mondo
207:Italy
4041:IMDb
4004:2022
3978:link
3931:2020
3890:2015
3868:2015
3842:2009
3819:2008
3796:2007
3769:2008
3743:2017
3569:2007
3514:2007
3488:2014
3462:2024
3437:2024
3411:2014
3384:2008
3358:2010
3331:2007
3306:2013
3269:ISBN
3244:ISBN
3222:ISBN
3201:ISBN
3183:2014
3151:link
3113:ISBN
3088:ISBN
3063:ISBN
3029:2021
2999:2010
2973:2021
2930:2012
2908:2007
2881:2007
2855:2007
2823:ISBN
2797:2007
2771:2007
2725:2017
2703:2023
2671:2007
2419:2024
2387:ISBN
2335:ISBN
2301:2011
2274:2006
2240:help
2213:ISBN
2191:ISBN
2026:and
1963:for
1831:and
1795:and
1646:OFLC
1184:3:53
1173:3:24
1162:3:40
1151:3:08
1140:2:20
1107:2:53
1096:3:52
1085:3:11
1074:3:21
1063:2:55
1003:More
866:16mm
757:and
678:and
637:and
428:Cast
417:rape
353:Plot
233:US$
4050:at
4039:at
3861:IGN
2947:at
2049:DVD
2044:VHS
1928:in
1828:REC
1789:by
1785:in
1763:."
1723:at
1717:pig
1680:an
1423:by
1318:IGN
1122:No.
1045:No.
999:pop
838:of
810:of
686:in
561:'s
4232::
3995:.
3974:}}
3970:{{
3920:.
3859:.
3751:^
3734:.
3557:.
3549:;
3453:.
3428:.
3401:.
3348:.
3314:^
3296:.
3283:^
3167:.
3147:}}
3143:{{
3015:.
2990:.
2863:^
2837:^
2788:.
2692:.
2619:,
2598:^
2580:^
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