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Ulrich W. Hiesinger, "The
Paintings of Vincenzo Camuccini, 1771–1844," The Art Bulletin, vol. 60, 1978, pp. 297–320. (definitive modern study with much more recent information than in current account –
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He expended no small portion of his wealth in the purchase of a fine collection of objects of art. In 1856, the greater portion of the pictures, upwards of seventy in number, were purchased being bought by
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masters living in the 16th and 17th centuries, with some specimens of an earlier date, and a few others of the Dutch and
Flemish painters of the 17th century. He purchased a Raphael, known as
431:, and Camuccini was commissioned to draw the archaeological discovery, which he did with religious precision, as if a new holy martyr, but this time for art, had been discovered.
394:. Pope Pius VII conferred upon him the title of Baron, with hereditary succession, and the Emperor Francis I the order of the Iron Crown. In 1829, he was elected into the
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183:'s classic Roman themes and style; but it is more likely both were emerging from the rising Neoclassic refocus towards images of and derived from Greco-Roman themes.
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As a portrait painter he attained considerable eminence; among the best he produced are those of Pope Pius VII (now in the
Gallery at
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received a commission for two large canvases for the chapel of the
Madonna of the Rosary in the church of San Giovanni in
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202:. The canvases by the two artists were completed in the early spring of 1806, and were exhibited side by side at the
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Lucinda
Lubbock. "Camuccini." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 26 Dec. 2016
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to
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173:. Camuccini's first major independent work, completed around 1798, was a large canvas of
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390:. He was a member of the Institute of France, during some years president of the
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625:. Vol. 5 (11th ed.). Cambridge University Press. pp. 139, 140.
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179:. This led to the assessment that Camuccini may have been influenced by
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This article incorporates text from a publication now in the
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histories and religious paintings. He was considered the premier
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Dictionary of
Painters and Engravers, Biographical and Critical
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559:Bryan, Michael (1886). Robert Edmund Graves (ed.).
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222:Of pictures on classic Greco-Roman history were:
165:As an original painter, Camuccini belongs to the
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488:(in Italian). Gangemi Editore spa. p. 50.
576:. London: Longmans, Green & Co. pp.
376:I Fasti principali della Vita di GesĂş Cristo
461:. Metropolitan Museum of Art. p. 49.
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190:(copy of mosaic) by the Vatican. In 1806,
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434:Among his many pupils and followers were
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582:Ashton Rollins Willard History Modern.
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398:as an Honorary member. He died at
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312:(1834) for the basilica of
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27:Italian painter (1771–1844)
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455:Wolk-Simon, Linda (2006).
408:the duke of Northumberland
396:National Academy of Design
278:Presentation in the Temple
215:The Death of Julius Caesar
200:Presentation in the Temple
176:The Death of Julius Caesar
109:The Death of Julius Caesar
330:Portrait of Pope Pius VII
268:Incredulity of St. Thomas
188:Incredulity of St. Thomas
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314:San Paolo fuori le Mura
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288:Death of the Magdalen
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156:Pietro Leone Bombelli
694:Brera Academy alumni
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417:Madonna of the Pinks
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251:Continence of Scipio
617:Camuccini, Vincenzo
485:Micromosaici romani
392:Academy of St. Luke
372:Giovanni Scudellari
362:; and the Queen of
337:Betrothal of Psyche
298:Charles IV of Spain
181:Jacques-Louis David
171:Anton Raphael Mengs
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643:Vincenzo Camuccini
541:2016-03-20 at the
335:He also painted a
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128:Vincenzo Camuccini
88:Rome, Papal States
34:Vincenzo Camuccini
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495:978-88-492-6390-9
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245:Death of Virginia
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71:Papal States
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46:Camuccini's
664:1844 deaths
659:1771 births
438:of Chieti.
653:Categories
553:References
132:Neoclassic
402:in 1844.
146:Biography
54:1805-1815
18:Camuccini
588:2/23/15)
539:Archived
425:Pantheon
356:Holy See
316:in Rome.
282:Piacenza
204:Pantheon
196:Piacenza
116:Movement
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380:Italian
350:); the
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364:Naples
360:Naples
348:Vienna
306:(1829)
442:Notes
490:ISBN
463:ISBN
400:Rome
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384:Rome
272:Rome
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78:Died
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60:Born
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