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precipice and swimming away. Maciste and
Cabiria flee with henchmen hard on their heels to the cedar garden of Hasdrubal and encounter Massinissa and Sophonisba just as their secret tryst is commencing. Maciste implores the aristocratic couple, who have both concealed their true identities, to rescue Cabiria. Amid the chaos, Sophonisba, Cabiria, and a servant run away while Massinissa falsely denies to the Priest's men that he has seen any little girl. Maciste, however, is captured, tortured and chained to a great millstone, which he must turn, but he can still manage to intimidate everyone around him.
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message and understands that she is to poison herself with the powder in the hollow gift. Drinking the dissolved poison, Sophonisba divests herself of her jewelry with great flourishes. Fulvius arrives and, too late, they realize the purpose of
Massinissa's request. Sophonisba, writhing in agony, reveals that Cabiria still lives and, as repayment for the gift of death, she will be spared a second time from the fate of living sacrifice. Cabiria is retrieved from her prison cell and arrives in time to see the moribund Queen expire.
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676:. Also in Carthage are two Roman spies: Fulvius Axilla, a Roman patrician, and Maciste, his huge, muscular slave. The innkeeper, Bodastoret, welcomes Fulvius and Maciste to his Inn of the Striped Monkey. Croessa tries to prevent the sacrifice of Cabiria by pretending that the child is ill, but Croessa is whipped for her deception. Later, she chances upon Fulvius and Maciste. Recognizing them as fellow countrymen, she implores them to assist her.
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for each victim, and when a youngster is slid into the inferno, the door closes and the open mouth belches flame. Croessa, Fulvius, and
Maciste sneak into the temple, and the slave boldly snatches Cabiria away from the priest. Pursued by a frenzied mob, they make their way up to the roof, down the gargantuan façade, and back to the inn. However, Croessa pays a fatal price for the rescue.
850:, camp near Cirta. Lelius, whose forces have preceded Scipio's, tells his commander of the royals' treachery. At first, Massinissa arrogantly defies Scipio, dashing the Roman general's message tablet to pieces but later wilts in the face of Rome's majesty. He implores Scipio, however, to spare Sophonisba the humiliation of being paraded in Rome. Scipio will not relent.
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815:, they secretly observe Maciste still in chains and harnessed to his millstone. That night, Fulvius returns to wake the sleeping strongman who is overwhelmed with happiness at again seeing his beloved master. Back at their hideout at the inn, Bodastoret is overcome with shock at seeing Maciste and dies. Fulvius and Maciste escape down the city walls.
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abases herself before her former fiancé and present husband's captor, Massinissa. He, in turn, demurs and, just as elaborately, pledges himself to her. In a ceremonial hall with indigenous deities, the pair further ritualize their solidarity. Sophonisba marries
Massinissa, and it is resolved that she will not be subjected to being paraded in a
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1171:. The piece was written to accompany the Invocation to Moloch, in the pivotal Second Episode of the film, when one hundred naked children are sacrificed to the god of Carthage. Scored for a large orchestra, including six first and six second violas, baritone, and a mixed chorus of more than five parts, the
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In the elephantine hall, Hasdrubal dispatches the High Priest
Karthalo on a mission to persuade Syphax to attack the Romans directly. Karthalo's camel caravan traverses the vast dunescape. Meanwhile, Fulvius finds time to look for Maciste and Cabiria, now prisoners for 10 years. With a combination of
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Bodastoret, the innkeeper, sneaks into the Temple of Moloch and for a reward betrays the Romans' whereabouts and intentions. Fulvius, Maciste, and
Cabiria are ambushed by the Priest's henchmen as they attempt to flee the city the next morning, but Fulvius escapes by leaping spectacularly from a high
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The entrance to the huge Temple of Moloch is a gigantic three-eyed head, with the mouth as portal. One hundred young children are to perish as offerings. Inside the temple are frenzied devotees, and the colossal seated statue of the winged god Moloch is a hollow bronze furnace. The great chest opens
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In Cirta, before a palace with two huge feline columns, Syphax is given a formal sendoff by
Sophonisba and Karthalo, the latter of whom has an eye for the former's lovely slave, "Elissa". While the military maneuvers continue, Fulvius and Maciste have fallen into dire straits, exhausted and thirsty
1136:
has said that
Griffith "moves the camera with greater freedom and has a headlong narrative and an exciting use of cross-cutting that Pastrone does not approach", but never seeks to exploit possibilities of the genuinely mobile camera created by the "Cabiria" shot, although such camera movement can
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Just outside the city walls is another appalling sight: King Syphax is in chains taunted by the victorious King
Massinissa, who is now dressed in Roman military regalia. The Cirtans have had enough and surrender. In the hall of the gigantic feline columns, Sophonisba grandiloquently surrenders and
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While outside the city, King Syphax has been captured, Maciste and
Fulvius are swept up with other prisoners within Cirta's city walls. "Elissa", who is really Cabiria, takes pity on the imprisoned pair and passes water to them without recognizing who they are. Cirta is under siege by Massinissa's
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The size of the forces involved, coupled with Pizzetti's refusal to allow others to conduct the work, and the fact that he himself never included it in his own concerts, meant that no further performances took place until 1988, when the 1914 version of the film was presented, with live orchestral
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In desperation, Massinissa persuades Fulvius, in reciprocation for having spared him earlier and in anticipation of an unspoken future favor, to lend him his slave Maciste. The slave receives a bracelet, inscribed with a message, and takes it to Queen Sophonisba. Receiving it, the Queen reads the
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Fulvius and Maciste enjoy the ample provisions of the store room until the besieging guards attempt to smoke them out. Massinissa learns of the circumstances of the two "heroes" and, apparently ambivalent about such former Roman comrades, determines to spare them. Fulvius takes the opportunity to
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Maciste, who has forced open the iron bars of his prison cell with his enormous strength, determines to exact revenge upon Karthalo. He intrudes through a window just in time to save Elissa, whom he now recognizes as Cabiria, from being raped by the priest. Fulvius soon joins the fray, but in the
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Fulvius, still bearing the ring Croessa had given him, is cast adrift and soon rescued. Although his rescuers rob the unconscious Fulvius, one of them recognizes the ring on his finger, and he is carried to Batto's house, which has been rebuilt. The parents are overjoyed to learn that Cabiria is
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for deliverance but receives only a brief respite before his home and gardens are destroyed. While attempting to escape, servants discover a secret stairway leading underground. Taking advantage of the chaos and plundering Batto's hidden underground treasure, the servants, along with Croessa and
1104:" movement, towards and away from the scene, which for years afterwards was referred to by both cameramen and directors as a "Cabiria" shot. This movement was such an innovation at the time that other film makers quickly incorporated it. The film was a major influence on
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was performed once only, on the evening of the film's première, conducted by Mazza, at the Teatro Vittorio Emanuele in Turin, on 18 April 1914. Contemporary reviews indicate that on this occasion the work was performed as an Overture at the start of the film.
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now gives Sophonisba to the victor instead to strengthen his new alliance against Rome. Sophonisba is distinctly unhappy, and when she appears in her finery at the betrothal ceremony, she swoons and breaks the ceremonial vessel.
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Sophonisba dreams of triple-eyed Moloch. Unnerved, she interprets her dream as an omen that Cabiria/Elissa will somehow spell the doom of the city and confesses to Karthalo what happened in the cedar garden so many years ago.
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towards Rome. Soldiers, elephants and other animals pick their way through the passes. Learning of the military events, Fulvius resolves to flee back to Rome after further intimidating the innkeeper to ensure silence.
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allowing it to both follow action and move within a film set or location. The tracking shot in itself was nothing new. "Panorama" effects (lateral and vertical) had been used frequently in film since 1896, but
733:, in marriage. In a great audience hall with two huge elephantine columns, Massinissa dispatches gifts and a message to meet secretly to Sophonisba, who, on receiving them, is giddy with anticipation.
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in the desert wilderness. Maciste catches sight of a fire in the distance, as Syphax's encampment has been torched by his enemies. The two Romans are soon captured by the mounted Cirtans.
1163:, who reworked the music of several composers including Mozart, Mendelssohn, Spontini, Donizetti and Gluck. But the film also contained an original composition by Mazza's former teacher
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chaos of flight, they lose control of Cabiria and are forced to barricade themselves in a store room. Fulvius is appalled to learn that the girl is none other than Cabiria.
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strategizes with his new ally, Massinissa. They dispatch the resourceful Fulvius again as a spy in Carthage to observe its defenses. Stealthily deploying an impressive
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maneuvering in North Africa. Apart from being a classic on its own terms, the film is also notable for being the first film in which the long-running film character
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still alive, at least when he last saw her. As he takes his leave, Fulvius vows to seek Cabiria if he should ever return to Carthage.
1114:(1916) but he never uses "Cabiria" shots; the famous crane shot moving down and into the festival in Babylon is a "panorama" effect.
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Cabiria, flee to the countryside. Batto and his wife mourn the loss of Cabiria, as they believe her to be buried beneath the rubble.
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implore Sophonisba on Cabiria's behalf, but in a fit of pique, she tells the distraught Roman that Cabiria is dead.
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forces. Soldiers scale ladders outside the walls while boulders, spears, arrows, and boiling oil rain down on them.
643:. Cabiria plays with dolls with her nurse, Croessa. When the volcanic Etna erupts violently, Batto prays to the god
543:, in this work Pastrone invented the epic movie and deserves credit for many of the innovations often attributed to
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1392:"French Ambassador and Wife Soon to Take Ship for Visit to Paris Home". The Washington Post. June 27, 1914. p. 7.
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The fugitive servants divide up the treasure (Croessa gets a ring) and make for the sea but soon run afoul of
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very occasionally be seen used to dramatic effect in other US films at this time, notably Allan Dwan's
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507:(218–202 BC). It follows the story of an abducted little girl, Cabiria, and features an eruption of
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1343:. Vol. 3, no. 153. South Australia. 17 April 1915. p. 4 (SATURDAY'S NEWS SECTION)
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1307:"The Greatest Picture.: FILM PLAY "CABIRIA" COMING. : HANNIBAL'S CAMPAIGN CINEMATOGRAPHED"
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intimidation and bribery, he extracts information from Bodastoret. With Fulvius disguised as a
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Please expand the article to include this information. Further details may exist on the
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This article is about the 1914 silent film. Not to be confused with the 1957 film
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1431:. Vol. CXXII, no. 3116. Victoria, Australia. 15 April 1915. p. 40
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Batto and his young daughter, Cabiria, live in a lavish estate in the shadow of
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to set fire to the ships' sails. The Roman fleet is spectacularly destroyed.
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Fulvius and Cabiria cross the sea on the way to Rome. As Maciste plays the
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1335:""Cabiria." : A Magnificent Film Play. Produced At A Cost Of ÂŁ50,000"
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1459:. No. 1517. New South Wales, Australia. 14 February 1915. p. 16
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about the film's theatrical/home media releases, reception, and legacy.
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1512:"French Ambassador and Wife Soon to Take Ship for Visit to Paris Home"
1451:"Film Fancies: A Masterpiece Production of 'Cabiria': How it was Done"
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Already in possession of much of North Africa, the Roman general and
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The historical background and characters in the story are taken from
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in the bowsprit, Fulvius pledges his love to Cabiria and festive
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of Roman soldiers, Fulvius successfully breaches the city walls.
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character, who went on to have a long career in Italian
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became the first motion picture to be screened at the
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Cabiria : Visione storica del terzo secolo A. C.
1121:, rather than the much smaller and less intimidating
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The elephants used in several scenes in the film are
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and his troops make their way across the snow-laden
1263:
List of films with a 100% rating on Rotten Tomatoes
99:. Unsourced material may be challenged and removed.
1611:is available for free viewing and download at the
1087:contributed to the screenplay, writing all of the
983:Actress Lidia Quaranta, who played the title role.
865:encircle the boat in a giant, diaphanous garland.
660:The Temple of Moloch episode, as seen on a poster
1784:
1534:
1293:
1159:The pastiche film score was composed largely by
1412:Summary of the two-hour Kino restored version.
1239:, featuring a filmed introduction by director
1143:(1915). The film also marked the debut of the
875:Historical figures denoted by an asterisk (*).
1653:
1180:accompaniment of the complete score, at the
995:*, Carthaginian general; brother of Hannibal
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1358:
62:Learn how and when to remove these messages
1660:
1646:
1467:– via National Library of Australia.
1439:– via National Library of Australia.
1351:– via National Library of Australia.
1323:– via National Library of Australia.
943:(Fulvius) Axilla, Roman patrician and spy
776:poster portraying the human pyramid scene.
753:, which is deployed by the great inventor
237:
1537:Italian Sword and Sandal Films, 1908-1990
1479:“Italian Silent Classic Cabiria Restored”
1471:
1203:was released in Italy on April 18, 1914.
217:Learn how and when to remove this message
159:Learn how and when to remove this message
1948:Moloch in literature and popular culture
1913:Films based on works by Gustave Flaubert
1355:
1074:
978:
768:
678:
668:pirates who take Croessa and Cabiria to
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1878:Cultural depictions of Scipio Africanus
594:). It was the first film shown at the
1813:Films based on works by Emilio Salgari
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1535:Kinnard, Roy; Crnkovich, Tony (2017).
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1406:
1404:
1402:
1400:
1398:
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568:27–25 BC). In addition, the script of
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1196:Distribution, remake and restorations
1032:), friend and sub-commander of Scipio
1629:Original Handbill for Cabiria (1914)
1619:Cabiria (1914) (Digital Restoration)
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400:148 minutes (surviving Italian cuts)
170:
97:adding citations to reliable sources
68:
27:
1823:Films scored by Ildebrando Pizzetti
1818:Films directed by Giovanni Pastrone
1395:
1235:was screened on 27 May 2006 at the
527:' defeat of the Roman fleet at the
13:
1265:, a film review aggregator website
14:
1964:
1908:Cultural depictions of Sophonisba
1873:Cultural depictions of Archimedes
1555:
1052:), Greek engineer and philosopher
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43:This article has multiple issues.
1494:. John Wiley & Sons. p. 29.
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403:126 minutes (surviving USA cuts)
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1868:Cultural depictions of Hannibal
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84:needs additional citations for
51:or discuss these issues on the
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1299:
1258:List of historical drama films
539:makes his debut. According to
397:190 minutes (2006 restoration)
16:1914 film by Giovanni Pastrone
1:
1883:Films based on Italian novels
1803:Italian black-and-white films
1714:Stronger than Sherlock Holmes
1492:A Companion to Woodrow Wilson
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1070:
933:, the High Priest of Carthage
491:. The film is set in ancient
1923:1910s Italian-language films
1888:Films based on French novels
1843:Italian silent feature films
1762:La guerra e il sogno di Momi
1690:Giordano Bruno eroe di Valmy
1294:Kinnard & Crnkovich 2017
1274:
598:, having been viewed on the
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1520:. June 27, 1914. p. 7.
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1188:has since been recorded by
1129:(which is undomesticable).
1025:), Roman consul and general
846:Scipio and his lieutenant,
780:An intertitle relates that
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1969:
1527:
1220:was the first movie shown
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394:200 minutes (original cut)
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1490:Kennedy, Ross A. (2013).
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1005:), daughter of Hasdrubal
999:Italia Almirante-Manzini
1918:Works based on SalammbĂ´
1893:Sword and sorcery films
1798:Italian war drama films
973:*, Carthaginian general
572:was partially based on
511:, religious rituals in
370:18 April 1914
1933:Silent adventure films
1898:Sword and sandal films
1858:Second Punic War films
1848:1910s historical films
1231:A restored version of
1123:North African elephant
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1828:Films set in Carthage
1370:"The stuff of dreams"
1217:The Birth of a Nation
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1953:1910s Italian films
1833:Films set in Sicily
1517:The Washington Post
1340:The Mail (Adelaide)
1165:Ildebrando Pizzetti
1085:Gabriele d'Annunzio
1079:Gabriele d'Annunzio
903:, father of Cabiria
869:Cast and characters
745:The Roman navy has
683:Moloch statue from
639:, on the island of
588:Cartagine in fiamme
340:Ildebrando Pizzetti
313:August Battagliotti
1928:Silent drama films
1838:Italian epic films
1668:Films directed by
1584:Roger Ebert review
1423:"KULTUR OR MOLOCH"
1186:Sinfonia del fuoco
1173:Sinfonia del fuoco
1169:Sinfonia del fuoco
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1042:), King of Numidia
1009:Alessandro Bernard
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476:is a 1914 Italian
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1943:Silent epic films
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1670:Giovanni Pastrone
1631:available at the
1598:Project Gutenberg
1481:@ FilmBuffOnline.
1067:
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1038:... Massinissa* (
1036:Vitale Di Stefano
953:, slave of Axilla
947:Bartolomeo Pagano
747:besieged Syracuse
685:Giovanni Pastrone
529:Siege of Syracuse
485:Giovanni Pastrone
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584:Emilio Salgari
576:'s 1862 novel
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1011:... Siface* (
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1863:Peplum films
1770:Povere bimbe
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1602:(in Italian)
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1461:. Retrieved
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1433:. Retrieved
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1377:. Retrieved
1373:
1366:Ebert, Roger
1345:. Retrieved
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1317:. Retrieved
1310:
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1296:, p. 7.
1253:1914 in film
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1184:, Rome. The
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1161:Manlio Mazza
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1132:Film critic
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1056:Ignazio Lupi
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622:Plot summary
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487:and shot in
472:
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467:(full video)
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387:Running time
378: (Italy)
363:Release date
337:Manlio Mazza
317:Eugenio Bava
275:Titus Livius
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91:Please help
86:verification
83:
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46:
45:Please help
42:
20:
1755:The Warrior
1730:Tigre reale
1212:White House
1140:David Harum
1134:Roger Ebert
1111:Intolerance
1089:intertitles
927:Dante Testa
863:sea sprites
708:Meanwhile,
596:White House
517:alpine trek
481:silent film
428:Intertitles
285:Produced by
246:Directed by
1793:1914 films
1787:Categories
1500:1118445686
1379:2020-08-11
1312:The Critic
1270:References
1071:Production
1058:... Arbace
1050:Archimedes
1003:Sophonisba
961:Bodastoret
784:, King of
755:Archimedes
731:Sophonisba
723:Massinissa
666:Phoenician
633:Mount Etna
608:First Lady
600:South Lawn
525:Archimedes
509:Mount Etna
442:Box office
374:1914-04-18
355:Itala Film
347:Production
273:A book by
200:March 2020
149:March 2020
119:newspapers
48:improve it
1275:Footnotes
1226:East Room
1192:in 1997.
1040:Masinissa
993:Hasdrubal
790:Hasdrubal
727:Hasdrubal
604:President
602:, by the
564:(written
448:1 million
419:Languages
192:talk page
108:"Cabiria"
54:talk page
1743:The Fire
1738:The Fire
1579:AllMovie
1247:See also
971:Hannibal
931:Karthalo
859:panpipes
813:freedman
751:heat ray
719:Numidian
710:Hannibal
695:(Turin).
691:(1914),
670:Carthage
616:his wife
579:SalammbĂ´
521:Hannibal
513:Carthage
497:Carthage
426:Italian
334:Music by
293:Starring
270:Based on
1757:, 1916)
1745:, 1916)
1722:Cabiria
1624:YouTube
1608:Cabiria
1574:Cabiria
1563:Cabiria
1528:Sources
1463:3 April
1435:3 April
1347:3 April
1319:3 April
1233:Cabiria
1208:Cabiria
1201:Cabiria
1151:films.
1145:Maciste
1098:Cabiria
951:Maciste
921:Cabiria
911:Croessa
891:Cabiria
774:Cabiria
689:Cabiria
637:Catania
570:Cabiria
537:Maciste
473:Cabiria
465:Cabiria
437:ÂŁ50,000
411:Country
372: (
349:company
232:Cabiria
133:scholar
1773:(1923)
1765:(1917)
1733:(1916)
1725:(1914)
1717:(1913)
1709:(1911)
1701:(1909)
1693:(1908)
1685:(1908)
1682:La glu
1543:
1498:
1062:
1023:Scipio
1013:Syphax
941:Fulvio
848:Lelius
801:Scipio
798:consul
782:Syphax
674:Moloch
641:Sicily
533:Scipio
515:, the
499:, and
493:Sicily
434:Budget
423:Silent
135:
128:
121:
114:
106:
1428:Punch
1155:Music
1093:dolly
901:Batto
786:Cirta
721:King
645:Pluto
635:, at
501:Cirta
489:Turin
414:Italy
140:JSTOR
126:books
1568:IMDb
1541:ISBN
1496:ISBN
1465:2019
1437:2019
1349:2019
1321:2019
1102:zoom
991:...
969:...
959:...
949:...
939:...
929:...
919:...
909:...
899:...
889:...
714:Alps
582:and
556:Livy
547:and
531:and
478:epic
112:news
1622:on
1596:at
1577:at
1566:at
1228:.)
1108:'s
687:'s
566:ca.
558:'s
519:of
95:by
1789::
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1397:^
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1357:^
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1309:.
1282:^
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1222:in
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1753:(
1741:(
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137:·
130:·
123:·
116:·
89:.
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60:(
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
