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with his eldest brother, where he lived from 1782 to 1790, possibly having some connection with the cloth trade, but also building up his art historical knowledge. In June 1784, he married
Juliana Talbot (1759–1801), the sister of Charles Talbot, the 15th
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Bryan moved back to London in 1790 establishing himself as an authority and dealer in Fine Art. In 1793 or 1794, he again went to the continent in search of fine pictures. Among other places he visited
76:, first published in 1813–1816, was a standard reference work (revised, and often under variant titles) throughout the 19th century, and was last republished in 1920; however it is now badly outdated.
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195:, which became a fashionable gathering place for artists and their patrons. In 1818 he became involved with some speculative art purchases which proved a failure.
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214:( London (George Bell & Sons), Cambridge (Deighton, Bell & Co), New York (The Macmillan Co) and Bombay (A. H. Wheeler & Co) Edition of 1903 - 1905:
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62:(9 April 1757 – 21 March 1821) was an English art historian, art dealer and connoisseur. He was involved in the purchase and resale of the great French
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Plantagenet Roll of the Blood Royal: The Anne of Exeter Volume, Containing ... - Melville Henry Massue
Ruvigny et Raineval (marquis de) - Google Books
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In 1801 Bryan obtained, through the Duke of
Bridgewater, the king's permission to visit Paris in order to purchase art from the
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450:"Bartolomé Esteban Murillo | The Infant Saint John with the Lamb | NG176 | The National Gallery, London"
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372:"Diana and Actaeon: a history | The Bridgewater Syndicate | Collectors | The National Gallery, London"
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262:"Michael Bryan and his Family by James Ward — The Art Fund – national fundraising charity for works of art"
141:, became the purchasers of the collection from Bryan, at a price of ÂŁ43,500. The collection was displayed in Bryan's
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in 2 volumes. The first part appeared in May 1813, and concluded in 1816. He owned a gallery in London's
129:" of art which he had acquired. Bryan, in effect, became a middleman for the purchase, and contacted the
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to bring back to
England. Among other fine pictures, he returned with two by the baroque Spanish artist
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who, in 1798, sought his advice and assistance in disposing of the
Italian part of the famous private "
398:"The syndicate | The Bridgewater Syndicate | Collectors | The National Gallery, London"
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of art, selling it on to a
British syndicate, and owned a fashionable art gallery in
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In 1804 Bryan retired from the art world, and settled at his brother's home in
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424:"Hunterian Museum & Art Gallery William Hunter Collections: GLAHA 43771"
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Biographical and
Critical Dictionary of Painters and Engravers, Volume II
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On 14 February 1821, Bryan suffered a severe paralytic stroke, dying at
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Biographical and
Critical Dictionary of Painters and Engravers
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Biographical and
Critical Dictionary of Painters and Engravers
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under Dr. Moyce. He travelled to London in 1781, then to
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revised and enlarged by George C. Williamson, HathiTrust
18:Bryan's Dictionary of Painters and Engravers
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505:Bryan's dictionary of painters and engravers
476:(online ed.). Oxford University Press.
212:Bryan's dictionary of painters and engravers
335:. London: Smith, Elder & Co. 1885–1900.
400:. Nationalgallery.org.uk. Archived from
374:. Nationalgallery.org.uk. Archived from
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473:Oxford Dictionary of National Biography
202:, London on 21 March of the same year.
36:Portrait of Michael Bryan (Engraved by
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426:. Huntsearch.gla.ac.uk. Archived from
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121:. It was here that he met
452:. Nationalgallery.org.uk
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350:"Search object details"
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537:English art historians
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482:10.1093/ref:odnb/3793
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98:Royal Grammar School
70:, London. His book,
542:English art dealers
143:private art gallery
135:Marquis of Stafford
131:Duke of Bridgewater
86:Newcastle upon Tyne
470:"Bryan, Michael".
127:Orleans Collection
107:Earl of Shrewsbury
84:Bryan was born in
64:Orleans Collection
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488:(Subscription or
241:Volume 5 (S to Z)
236:Volume 4 (N to R)
231:Volume 3 (H to M)
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248:References
193:Savile Row
151:The Lyceum
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102:Flanders
170:Murillo
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