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Brendan Gill

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227:. "Thurber was never so happy as when he could cause two old friends to have a falling-out," Gill wrote. "With a single bold lie ... Thurber had ensured that O'Hara would see me as a jackal, willing to let my name be used for nefarious purposes ... and ... that Gibbs and O'Hara would quarrel." At a forum on O'Hara's legacy held in 1996, Gill stood up in the crowd to recall his attack on O'Hara nearly 50 years before, and claimed, "I had to tell the truth about the novel." In the end he expressed regret: "I am sorry now for that review ... not because of what it said, but because it provided Thurber with the opportunity to make our relationship come to nothing. We were not likely to have become close friends, but we need not have become enemies." 216:. Gill described his colleague's book as "a formula family novel" turned out by "writers of the third and fourth magnitude in such disheartening abundance" and declared it "a catastrophe" by an author who "plainly intended to write nothing less than a great American novel." One recent critic called Gill's review a "savage attack" and a "cruel hatchet job." "During the preceding two decades O'Hara had been The New Yorker's most prolific contributor of stories" (197 by one count). Thereafter, O'Hara wrote nothing for the magazine for more than a decade. 353: 195:, hired Gill as a writer. One of the publication's few writers to serve under its first four editors, he wrote more than 1,200 pieces for the magazine. These included Profiles, Talk of the Town features, and scores of reviews of 973: 223:— whom he described as an "incomparable mischief-maker" — compounded the animosity by falsely informing O'Hara that the review had been written by 1013: 968: 963: 138:, wrote about design and architecture for Architectural Digest and wrote fifteen books, including a popular book about his time at the 1008: 1003: 998: 337: 360: 1023: 764: 983: 978: 739: 722: 892: 1018: 988: 242:
took his place. He was also a regular contributor to Architectural Digest in the 1980s and 1990s. A champion of
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William Grimes, "The John O'Hara Cult, at Least, Is Faithful" The New York Times, November 9, 1996
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Biographical essay as introduction to “States of Grace: Eight Plays by Philip Barry” (1975)
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Philip B. Eppard, editor, Critical Essays on John O'Hara, G. K. Hall & Co., 1994
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Gill, Brendan (1953). "The night bus to Atlanta". In Birmingham, Frederic A. (ed.).
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Secrets of the Tomb: Skull and Bones, the Ivy League, and the Hidden Paths of Power
406:& Brendan Gill (February 4, 1950). "The wildest people". The Talk of the Town. 196: 303:
How Starbucks Saved My Life: A Son of Privilege Learns to Live Like Everyone Else
239: 167: 163: 87: 207: 191: 128: 126:(October 4, 1914 – December 27, 1997) was an American journalist. He wrote for 947: 776: 714: 662: 235: 224: 220: 75: 823:
Frank MacShane, editor, Collected Stories of John O'Hara, Random House, 1984
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Gill, Brendan (February 4, 1950). "Improvisation". The Talk of the Town.
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Fran Lebowitz, forward to A Rage to Live, Modern Library Classics, 2004
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s main architecture critic from 1987 to 1996, Gill was a successor to
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Brendan Gill died of natural causes in 1997, at the age of 83. In a
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Gill, Brendan (January 15, 1949). "Runaway". The Talk of the Town.
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for more than 60 years. Gill also contributed film criticism for
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described him as "avidly alert to the power of art in general."
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Foundation for the Visual Arts and authored 15 books, including
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Hiding telephone lines in the ivy at Princeton (with M. Galt).
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Fair Land to Build in: The Architecture of the Empire State
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Chairman of the Andy Warhol Foundation for the Visual Arts
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as the author of the long-running "Skyline" column before
402: 706: 701: 893:"Fired exec: 'Starbucks saved my life' - CNN.com" 300:Gill's son, Michael Gates Gill, is the author of 945: 468:The Dream Come True: Great Houses of Los Angeles 254:'s coalition to preserve and restore New York's 755: 753: 206:In 1949, Gill published a negative critique of 602: 498: 485: 418: 389: 871:. New York, NY: Da Capo Press. p. 301. 765:"Eighty-Five from the Archive: Brendan Gill" 750: 740:"On the crime beat with St. Clair McKelway" 737: 607:. London: Arthur Barker. pp. 105–113. 974:20th-century American non-fiction writers 837:. New York: Da Capo Press. p. 294. 512:Many Masks: A Life of Frank Lloyd Wright 759: 946: 738:Weingarten, Marc (February 14, 2010). 695: 288:"Postscript" following Gill's death, 866: 832: 518:New York Life: Of Friends and Others 440:(Tallulah Bankhead biography) (1972) 347: 338:American Academy of Arts and Letters 13: 1014:Writers from Hartford, Connecticut 969:20th-century American male writers 174:. He was a long-time resident of 14: 1035: 964:20th-century American journalists 915: 464:(with Dudley Whitney Hill) (1978) 1009:People from Norfolk, Connecticut 1004:People from Bronxville, New York 796:The New Yorker, August 20, 1949. 549: 351: 885: 860: 676: 655: 646: 637: 625: 343: 315: 219:In his memoir, Gill wrote that 162:before graduating in 1936 from 851: 826: 817: 808: 799: 790: 731: 474:Lindbergh Alone - May 21, 1927 434:(Cole Porter biography) (1972) 383: 332:New York Landmarks Conservancy 1: 923:Encyclopædia Britannica entry 688: 682:West 44th Street development. 665:' "Dancing in the End Zone", 999:The New Yorker staff writers 571: 145: 7: 166:, where he was a member of 10: 1040: 1024:Members of Skull and Bones 244:architectural preservation 984:Esquire (magazine) people 979:American male journalists 592:The night bus to Atlanta 574: 543:The Day the Money Stopped 530: 295: 113: 93: 83: 60: 30: 23: 537:The Trouble of One House 279: 671:Rodgers and Hammerstein 445:Portable Dorothy Parker 160:Kingswood-Oxford School 1019:Yale University alumni 989:The New Yorker critics 869:Here at the New Yorker 867:Gill, Brendan (1997). 835:Here at the New Yorker 833:Gill, Brendan (1997). 605:The girls from Esquire 452:Here at The New Yorker 336:Vice President of the 265:Here at The New Yorker 258:. He also chaired the 256:Grand Central Terminal 994:The New Yorker people 326:Municipal Art Society 268:and the iconoclastic 203:theater productions. 673:'s "The King and I". 669:'s "Home Front" and 584:Reprinted/collected 443:The introduction to 365:adding missing items 309:The Boozer Challenge 180:Norfolk, Connecticut 176:Bronxville, New York 158:, Gill attended the 929:Brendan Gill Papers 643:Transit Radio, Inc. 16:American journalist 899:. February 5, 2009 763:(March 22, 2010). 703:Robbins, Alexandra 363:; you can help by 270:Frank Lloyd Wright 252:Jacqueline Kennedy 250:arts, Gill joined 187:St. Clair McKelway 744:Los Angeles Times 632:I Can Hear it Now 614: 613: 381: 380: 121: 120: 114:Years active 64:December 27, 1997 1031: 909: 908: 906: 904: 889: 883: 882: 864: 858: 855: 849: 848: 830: 824: 821: 815: 812: 806: 803: 797: 794: 788: 787: 785: 783: 757: 748: 747: 735: 729: 728: 712: 699: 683: 680: 674: 659: 653: 650: 644: 641: 635: 629: 608: 581:First published 572: 508: 495: 428: 415: 399: 376: 373: 355: 354: 348: 330:Chairman of the 324:Chairman of the 67: 44: 42: 21: 20: 1039: 1038: 1034: 1033: 1032: 1030: 1029: 1028: 944: 943: 918: 913: 912: 902: 900: 891: 890: 886: 879: 865: 861: 856: 852: 845: 831: 827: 822: 818: 813: 809: 804: 800: 795: 791: 781: 779: 758: 751: 736: 732: 725: 700: 696: 691: 686: 681: 677: 660: 656: 651: 647: 642: 638: 630: 626: 552: 533: 386: 377: 371: 368: 352: 346: 318: 298: 282: 240:Paul Goldberger 232:The New Yorker' 189:, an editor at 168:Skull and Bones 164:Yale University 148: 109: 88:Yale University 84:Alma mater 79: 69: 65: 56: 46: 45:October 4, 1914 40: 38: 37: 36: 26: 17: 12: 11: 5: 1037: 1027: 1026: 1021: 1016: 1011: 1006: 1001: 996: 991: 986: 981: 976: 971: 966: 961: 956: 942: 941: 932: 926: 917: 916:External links 914: 911: 910: 884: 877: 859: 850: 843: 825: 816: 807: 798: 789: 769:The New Yorker 749: 730: 723: 693: 692: 690: 687: 685: 684: 675: 654: 645: 636: 623: 622: 621: 612: 611: 609: 600: 595: 593: 589: 588: 585: 582: 579: 576: 570: 569: 565: 564: 561:Ways of Loving 557: 556: 551: 548: 547: 546: 540: 532: 529: 528: 527: 521: 515: 509: 501:The New Yorker 496: 494:(48): 108–110. 488:The New Yorker 483: 477: 471: 465: 459: 456: 448: 441: 435: 429: 421:The New Yorker 416: 408:The New Yorker 400: 392:The New Yorker 385: 382: 379: 378: 358: 356: 345: 342: 341: 340: 334: 328: 322: 317: 314: 297: 294: 281: 278: 213:A Rage to Live 192:The New Yorker 147: 144: 129:The New Yorker 119: 118: 115: 111: 110: 108: 107: 104: 101: 97: 95: 91: 90: 85: 81: 80: 70: 68:(aged 83) 62: 58: 57: 47: 34: 32: 28: 27: 24: 15: 9: 6: 4: 3: 2: 1036: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1002: 1000: 997: 995: 992: 990: 987: 985: 982: 980: 977: 975: 972: 970: 967: 965: 962: 960: 957: 955: 952: 951: 949: 940: 936: 933: 930: 927: 925: 924: 920: 919: 898: 894: 888: 880: 874: 870: 863: 854: 846: 840: 836: 829: 820: 811: 802: 793: 778: 774: 770: 766: 762: 761:Overbey, Erin 756: 754: 745: 741: 734: 726: 724:0-316-72091-7 720: 716: 715:Little, Brown 711: 710: 704: 698: 694: 679: 672: 668: 664: 663:Bill C. Davis 658: 649: 640: 633: 628: 624: 619: 618: 617: 610: 606: 601: 599: 596: 594: 591: 590: 586: 583: 580: 577: 573: 567: 566: 562: 559: 558: 554: 553: 550:Short fiction 544: 541: 538: 535: 534: 525: 524:Late Bloomers 522: 519: 516: 513: 510: 506: 502: 497: 493: 489: 484: 481: 478: 475: 472: 469: 466: 463: 462:Summer Places 460: 457: 454: 453: 449: 446: 442: 439: 436: 433: 430: 426: 422: 417: 413: 409: 405: 404:Ross, Lillian 401: 397: 393: 388: 387: 375: 372:February 2011 366: 362: 359:This list is 357: 350: 349: 339: 335: 333: 329: 327: 323: 320: 319: 313: 312: 310: 305: 304: 293: 291: 287: 277: 275: 271: 267: 266: 261: 257: 253: 249: 245: 241: 237: 236:Lewis Mumford 233: 228: 226: 225:Wolcott Gibbs 222: 221:James Thurber 217: 215: 214: 209: 204: 202: 198: 194: 193: 188: 183: 181: 177: 173: 170:, along with 169: 165: 161: 157: 153: 143: 141: 137: 136: 131: 130: 125: 116: 112: 105: 102: 99: 98: 96: 92: 89: 86: 82: 77: 73: 63: 59: 54: 50: 33: 29: 22: 19: 935:Brendan Gill 922: 901:. Retrieved 896: 887: 868: 862: 853: 834: 828: 819: 810: 801: 792: 780:. Retrieved 768: 743: 733: 708: 697: 678: 657: 648: 639: 631: 627: 615: 604: 597: 560: 542: 536: 523: 517: 511: 507:(50): 19–20. 504: 500: 491: 487: 479: 473: 467: 461: 450: 444: 437: 431: 424: 420: 414:(50): 21–22. 411: 407: 398:(47): 22–23. 395: 391: 369: 344:Bibliography 316:Offices held 307: 301: 299: 285: 283: 273: 263: 231: 229: 218: 212: 205: 201:Off-Broadway 190: 184: 149: 139: 135:Film Comment 133: 127: 124:Brendan Gill 123: 122: 66:(1997-12-27) 35:Brendan Gill 25:Brendan Gill 18: 959:1997 deaths 954:1914 births 555:Collections 432:Cole Porter 384:Non-fiction 290:John Updike 260:Andy Warhol 208:John O'Hara 172:John Hersey 156:Connecticut 94:Occupations 53:Connecticut 948:Categories 878:0306808102 844:0306808102 713:. Boston: 689:References 667:James Duff 361:incomplete 286:New Yorker 274:Many Masks 272:biography 246:and other 142:magazine. 140:New Yorker 100:journalist 41:1914-10-04 903:April 26, 777:0028-792X 427:(50): 25. 210:'s novel 185:In 1936, 146:Biography 117:1936–1996 72:Manhattan 782:July 23, 705:(2002). 661:Reviews 616:——————— 438:Tallulah 197:Broadway 152:Hartford 150:Born in 76:New York 49:Hartford 598:Esquire 568:Stories 875:  841:  775:  721:  587:Notes 575:Title 563:(1974) 545:(1957) 539:(1950) 531:Novels 526:(1996) 520:(1990) 514:(1987) 482:(1984) 476:(1980) 470:(1980) 455:(1975) 296:Family 248:visual 178:, and 106:writer 103:critic 78:, U.S. 55:, U.S. 620:Notes 578:Year 280:Death 939:IMDb 905:2010 873:ISBN 839:ISBN 784:2019 773:ISSN 719:ISBN 199:and 61:Died 31:Born 937:at 897:CNN 367:. 230:As 950:: 895:. 771:. 767:. 752:^ 742:. 717:. 505:60 503:. 492:60 490:. 425:25 423:. 412:25 410:. 396:24 394:. 276:. 182:. 154:, 74:, 51:, 907:. 881:. 847:. 786:. 746:. 727:. 374:) 370:( 311:. 43:) 39:(

Index

Hartford
Connecticut
Manhattan
New York
Yale University
The New Yorker
Film Comment
Hartford
Connecticut
Kingswood-Oxford School
Yale University
Skull and Bones
John Hersey
Bronxville, New York
Norfolk, Connecticut
St. Clair McKelway
The New Yorker
Broadway
Off-Broadway
John O'Hara
A Rage to Live
James Thurber
Wolcott Gibbs
Lewis Mumford
Paul Goldberger
architectural preservation
visual
Jacqueline Kennedy
Grand Central Terminal
Andy Warhol

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