398:
228:
31:
159:
though nothing remains of his work there, and by 1509 he was back in Milan. His style changed considerably during his career, and also shows strongly individual traits. His main influences were the serene and sometimes unnatural quietist classicism of
337:" The figures, even when trying to betray emotion, appear vacant, distant, "automata" confined as pawns to a geometric exercise, something in common with Piero della Francesca's earlier works. Another masterpiece is the
463:
332:
in the foreground and impassive saints, dates to after 1510. Freedberg sees in this painting a
Leonardo-based impulse to circumscribe the painting to a world where near-abstract rigorous geometry, characterized by
152:, and later he assimilated some elements of the style of Leonardo, after he arrived in Milan, although in other respects he remained faithful to his training in the style of Central Italy.
467:
297:
413:
442:
380:
538:
520:
759:
418:
219:
in the early 16th century; he is now usually identified as a
Spaniard, called Pedro Fernández, Piero Francione, or various other names.
137:, the son of Alberto Suardi, but his biography remains unclear, and was long complicated by two "Pseudo-Bramantinos". He was trained by
679:
357:
245:. Donato Bramante taught Bramantino architecture, and the pupil assisted the master in the execution of the interior of the church of
849:
844:
36:
839:
829:
630:, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on Bramantino (see index)
859:
625:
655:
335:
looming silhouettes of imagined and unpeopled architecture, constructed with a rule and square, take increasing prominence.
767:
711:
172:, but his works also display a sometimes disquieting immobile expressiveness comparable only to the last of these three.
296:
fresco (c. 1505, now in
Ambrosiana) is in fragmentary state. Before 1508, he designed the tapestries of the Months for
869:
874:
797:
854:
834:
616:
791:
735:
432:
Quoted in
Freedberg, p. 690, as perhaps being Pietro Sardi. This seems to have been dropped in later editions
246:
535:
517:
289:
this figure is notable for the imaginative cut-away of the building revealing a fanciful mountain backdrop.
864:
719:
703:
687:
262:
193:
464:"BRAMANTINO (Bartolomeo Suardi, llamado) Museo Thyssen-Bornemisza (Paseo del Prado, 8, Madrid-España)"
743:
648:
282:
274:
141:, adopting a diminutive form of his master's name. This training gave him influences from by the
42:
578:
824:
819:
751:
313:
189:
169:
161:
695:
403:
One or more of the preceding sentences incorporates text from a publication now in the
208:
between 1450 and 1455. If so, then he worked prior to the cited works of
Bartolomeo Suardi.
8:
727:
641:
348:, and his aid as an engineer in the defence of Milan brought him a multitude of rewards.
345:
329:
600:
301:
233:
197:
165:
285:
of London. In addition to the impassive, emotion-dry classicism, and the symmetric
201:
554:
785:
620:
542:
524:
488:
205:
138:
422:. Vol. 25 (11th ed.). Cambridge University Press. pp. 1060–1061.
185:
813:
627:
Leonardo da Vinci: anatomical drawings from the Royal
Library, Windsor Castle
409:
404:
252:
In painting, he executed a number portraits of celebrated personages for the
156:
145:
613:
121:) was an Italian painter and architect, mainly active in his native
317:
253:
310:
Enthroned
Madonna and child with Saint Ambrogio and Saint Michael
155:
He is documented in late 1508 as helping in the decoration of the
321:
603:, Milan, 2012, eds. Giovanni Agosti, Jacopo Stoppa, Marco Tanzi
216:
142:
227:
633:
325:
204:. The Bramantino of Vasari, if he existed at all, worked for
134:
122:
66:
344:
In 1525 Bramantino was appointed architect to the court by
316:, notable for the foreshortened slain man (representing an
242:
30:
379:
Dates are very variable; these are from the Getty Union
175:
614:
Bramantino 'Madonna and Child' on Joel Garten's blog
277:, Madrid). One of his best known works is somber
811:
649:
656:
642:
29:
577:
408:
391:
389:
383:but Freedberg has ca. 1465 for the birth
226:
320:heretic") before a tough-looking Saint
812:
581:(1993). Pelican History of Art (ed.).
637:
489:"Adoration of the Magi by BRAMANTINO"
386:
768:Madonna and Child with Eight Saints
13:
590:
585:. Penguin Books. pp. 385–390.
14:
886:
800:(contains a fresco by Bramantino)
607:
324:and giant dead frog (symbolizing
256:. His earliest known works are a
760:Lamentation over the Dead Christ
396:
850:16th-century Italian architects
845:15th-century Italian architects
798:Santa Maria delle Grazie, Milan
599:, exhibition catalogue (at the
547:
222:
663:
529:
511:
502:
481:
456:
443:"Getty Union Artist Name List"
435:
426:
373:
1:
840:16th-century Italian painters
830:15th-century Italian painters
792:Church of San Sepolcro, Milan
736:Palazzo della Ragione Madonna
680:Adoration of the Christ Child
571:
359:Adoration of the Christ Child
267:
247:Santa Maria presso San Satiro
115:
108:
77:
58:
860:Italian Renaissance painters
720:Madonna and Child with a Man
583:Painting in Italy, 1500–1600
211:An artist long known as the
128:
7:
555:"Crucifixion by BRAMANTINO"
508:Quoted in Freedberg, p. 387
351:
10:
891:
287:geometric logic of purity,
241:In 1508 he was engaged in
778:
671:
94:
86:
73:
50:
28:
21:
870:Italian tapestry artists
367:
346:Duke Francis (II) Sforza
275:Museo Thyssen-Bornemisza
180:There is a mention of a
176:The "Pseudo-Bramantinos"
43:National Gallery, London
875:Italian textile artists
419:Encyclopædia Britannica
237:, probably before 1508
712:Adoration of the Kings
260:(1490s, Brera) and an
238:
188:in his biographies of
98:Painting, architecture
855:Architects from Milan
835:Italian male painters
788:(architecture master)
752:Madonna of the Towers
541:May 14, 2006, at the
536:Biblioteca Ambrosiana
523:May 14, 2006, at the
518:Biblioteca Ambrosiana
314:Biblioteca Ambrosiana
298:Gian Giacom Trivulzio
279:Adoration of the Magi
230:
190:Piero della Francesca
162:Piero della Francesca
38:Adoration of the Magi
579:Freedberg, Sydney J.
182:Bramantino da Milano
865:Painters from Milan
728:Kleinberger Madonna
597:Bramantino a Milano
414:Suardi, Bartolommeo
306:Saint Michael Altar
619:2021-06-24 at the
601:Castello Sforzesco
302:Castello Sforzesco
281:(1495–98), in the
239:
170:Ercole de' Roberti
807:
806:
339:Brera Crucifixion
234:Madonna and Child
213:pseudo-Bramantino
198:Girolamo da Carpi
166:Leonardo da Vinci
105:Bartolomeo Suardi
102:
101:
55:Bartolomeo Suardi
882:
658:
651:
644:
635:
634:
586:
566:
565:
563:
562:
551:
545:
533:
527:
515:
509:
506:
500:
499:
497:
496:
485:
479:
478:
476:
475:
466:. Archived from
460:
454:
453:
451:
450:
439:
433:
430:
424:
423:
402:
400:
399:
393:
384:
381:Artist Name List
377:
341:(c. 1510–1520).
283:National Gallery
272:
269:
202:Jacopo Sansovino
150:immobile realism
120:
117:
113:
110:
82:
79:
63:
60:
33:
19:
18:
890:
889:
885:
884:
883:
881:
880:
879:
810:
809:
808:
803:
786:Donato Bramante
774:
704:Noli me tangere
688:Christus Dolens
667:
662:
621:Wayback Machine
610:
593:
591:Further reading
574:
569:
560:
558:
553:
552:
548:
543:Wayback Machine
534:
530:
525:Wayback Machine
516:
512:
507:
503:
494:
492:
487:
486:
482:
473:
471:
462:
461:
457:
448:
446:
441:
440:
436:
431:
427:
412:, ed. (1911). "
397:
395:
394:
387:
378:
374:
370:
354:
270:
263:Christus Dolens
225:
206:Pope Nicholas V
178:
139:Donato Bramante
133:He was born in
131:
118:
111:
80:
69:
64:
61:
57:
56:
46:
24:
17:
16:Italian painter
12:
11:
5:
888:
878:
877:
872:
867:
862:
857:
852:
847:
842:
837:
832:
827:
822:
805:
804:
802:
801:
795:
789:
782:
780:
776:
775:
773:
772:
771:(c. 1515–1520)
764:
763:(c. 1515–1520)
756:
755:(c. 1505–1519)
748:
747:(c. 1510–1512)
740:
739:(c. 1509–1510)
732:
724:
723:(c. 1503–1504)
716:
708:
707:(c. 1498–1500)
700:
699:(c. 1475–1500)
692:
684:
675:
673:
669:
668:
661:
660:
653:
646:
638:
632:
631:
623:
609:
608:External links
606:
605:
604:
592:
589:
588:
587:
573:
570:
568:
567:
546:
528:
510:
501:
480:
455:
434:
425:
410:Chisholm, Hugh
385:
371:
369:
366:
365:
364:
353:
350:
224:
221:
215:was active in
177:
174:
157:Vatican Stanze
130:
127:
100:
99:
96:
95:Known for
92:
91:
88:
84:
83:
75:
71:
70:
65:
54:
52:
48:
47:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
887:
876:
873:
871:
868:
866:
863:
861:
858:
856:
853:
851:
848:
846:
843:
841:
838:
836:
833:
831:
828:
826:
823:
821:
818:
817:
815:
799:
796:
793:
790:
787:
784:
783:
781:
777:
770:
769:
765:
762:
761:
757:
754:
753:
749:
746:
745:
741:
738:
737:
733:
731:(before 1508)
730:
729:
725:
722:
721:
717:
714:
713:
709:
706:
705:
701:
698:
697:
693:
690:
689:
685:
682:
681:
677:
676:
674:
670:
666:
659:
654:
652:
647:
645:
640:
639:
636:
629:
628:
624:
622:
618:
615:
612:
611:
602:
598:
595:
594:
584:
580:
576:
575:
556:
550:
544:
540:
537:
532:
526:
522:
519:
514:
505:
490:
484:
470:on 2007-06-06
469:
465:
459:
444:
438:
429:
421:
420:
415:
411:
406:
405:public domain
392:
390:
382:
376:
372:
362:
360:
356:
355:
349:
347:
342:
340:
336:
331:
330:Saint Michael
327:
323:
319:
315:
311:
307:
303:
299:
295:
290:
288:
284:
280:
276:
265:
264:
259:
255:
250:
248:
244:
236:
235:
229:
220:
218:
214:
209:
207:
203:
199:
195:
191:
187:
183:
173:
171:
167:
163:
158:
153:
151:
148:tradition of
147:
144:
140:
136:
126:
124:
106:
97:
93:
89:
85:
76:
72:
68:
53:
49:
44:
40:
39:
32:
27:
20:
825:1530s deaths
820:1450s births
766:
758:
750:
742:
734:
726:
718:
710:
702:
694:
686:
678:
664:
626:
596:
582:
559:. Retrieved
549:
531:
513:
504:
493:. Retrieved
483:
472:. Retrieved
468:the original
458:
447:. Retrieved
437:
428:
417:
375:
361:(Bramantino)
358:
343:
338:
334:
309:
305:
293:
291:
286:
278:
261:
257:
251:
240:
232:
231:Bramantino,
223:Mature works
212:
210:
181:
179:
154:
149:
146:quattrocento
132:
104:
103:
37:
35:Bramantino,
744:Crucifixion
445:. Getty.edu
271: 1495
194:Il Garofalo
119: 1530
112: 1456
87:Nationality
81: 1530
62: 1456
814:Categories
794:(frescoes)
665:Bramantino
572:References
561:2011-03-13
495:2011-03-13
474:2006-10-13
449:2011-03-13
23:Bramantino
715:(c. 1500)
691:(c. 1490)
683:(c. 1485)
672:Paintings
363:, c. 1485
312:) at the
249:, Milan.
129:Biography
45:, c. 1500
617:Archived
557:. Wga.hu
539:Archived
521:Archived
491:. Wga.hu
352:See also
300:(now in
258:Nativity
779:Related
407::
328:) with
322:Ambrose
304:). The
254:Vatican
90:Italian
401:
217:Naples
200:, and
186:Vasari
168:, and
143:Urbino
696:PietĂ
368:Notes
326:Satan
318:Arian
294:PietĂ
135:Milan
123:Milan
67:Milan
308:(or
243:Rome
74:Died
51:Born
416:".
192:,
184:by
816::
388:^
292:A
273:,
268:c.
196:,
164:,
125:.
116:c.
114:–
109:c.
78:c.
59:c.
41:,
657:e
650:t
643:v
564:.
498:.
477:.
452:.
333:"
266:(
107:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
