29:
186:
is assuredly Titus Groan, did not call him so by name"; however, adding the name Titus was one of the specific changes that Peake made between writing and publishing his novella. The correct text has recently become available again in an anthology entitled
306:
heralded it as a "Must See" saying the production was "Dark, haunting and uniquely inventive... Curious
Directive’s adaptation of Mervyn Peake's story is nothing short of phenomenal".
222:(1959); by the time it was published, dementia had made writing almost impossible for him, although he continued to draw, intermittently, for several more years.
669:
659:
654:
241:, referred to as "the Boy" in the story, is a young teenager – placing it during the period covered by the second novel in the series,
649:
491:
404:
111:
644:
282:
634:
178:), and separately in 1976 (by educational publisher Wheaton & Co.) with an introduction by Peake's widow,
664:
639:
629:
624:
619:
420:
Morgan, Edwin (1 January 1960). "The Walls of
Gormenghast: An Introduction to the Novels of Mervyn Peake".
195:
and a preface by Peake's son
Sebastian, as well as Maeve Gilmore's uncorrected introduction from 1976.
588:
484:
297:
572:
238:
208:
as a "very different" piece, "a nouvelle, a sinister epic incident, a reflection in miniature of
147:
80:
166:(a typist had misread Peake's handwriting in some places) was published both in an anthology,
469:
313:
504:
477:
263:
266:, it utilized computer generated imagery and was set in a virtual world. The film starred
251:
of
Gormenghast, he escapes the ancient castle and encounters the nightmare world outside.
8:
567:
529:
243:
593:
429:
352:
267:
234:
171:
447:
400:
293:
118:
106:
377:
312:
was again adapted and performed for the stage by Gareth Murphy and produced by the
175:
216:." The story is one of Mervyn Peake's last prose works. After this he wrote only
155:
200:
70:
613:
192:
179:
550:
500:
159:
143:
42:
543:
522:
277:
218:
125:
52:
433:
356:
340:
272:
204:
reviewer called it "completely hair-raising". Edwin Morgan referred to
598:
302:
182:. Referring to the corrupt text, she wrote that "although the Boy in
316:, London, in 2015 to great acclaim. It was a solo performance which
139:
28:
499:
119:
248:
247:. Yearning for freedom from his ceaseless duties as 77th
378:"Index to Science Fiction Anthologies and Collections"
262:was made into a short film in 2000. Created by the
611:
485:
292:was adapted for the stage by theatre company
152:Sometime, Never: Three Tales of Imagination
492:
478:
27:
198:Upon publication of the work in 1956, a
341:"Recent & Forthcoming Publications"
320:described as "A physical theatre gem".
612:
419:
473:
394:
670:British speculative fiction novellas
335:
333:
146:. It was first published in 1956 by
13:
399:. London: Peter Owen. p. 18.
85:Wheaton, Exeter (standalone, 1976)
14:
681:
660:British novels adapted into plays
655:British novels adapted into films
397:Boy in Darkness and Other Stories
330:
189:Boy in Darkness and Other Stories
225:
440:
413:
388:
370:
254:
1:
650:Eyre & Spottiswoode books
452:www.blueelephanttheatre.co.uk
323:
573:BBC television series (2000)
283:Monty Python's Flying Circus
16:1956 novella by Mervyn Peake
7:
10:
686:
296:and performed at the 2009
162:). A "corrupt" version of
581:
560:
514:
298:Edinburgh Festival Fringe
150:as part of the anthology
117:
105:
97:
89:
76:
66:
58:
48:
38:
26:
174:, edited anonymously by
33:First standalone edition
454:. Blue Elephant Theatre
154:(with other stories by
148:Eyre & Spottiswoode
81:Eyre & Spottiswoode
645:Novels by Mervyn Peake
395:Peake, Mervyn (2007).
170:(published in 1969 by
635:British horror novels
351:(4): 42. April 2008.
314:Blue Elephant Theatre
276:fame) as Titus, with
233:is an episode in the
191:, with a foreword by
665:Weird fiction novels
640:Gormenghast (series)
630:1950s horror novels
625:1956 fantasy novels
620:1956 British novels
172:Allison & Busby
168:The Inner Landscape
23:
235:Gormenghast series
142:by English writer
83:(collection, 1956)
21:
607:
606:
448:"Boy in Darkness"
300:, at Zoo Venues.
294:Curious Directive
131:
130:
90:Publication place
677:
494:
487:
480:
471:
470:
464:
463:
461:
459:
444:
438:
437:
417:
411:
410:
392:
386:
385:
374:
368:
367:
365:
363:
337:
176:Michael Moorcock
121:
31:
24:
22:Boy in Darkness
20:
685:
684:
680:
679:
678:
676:
675:
674:
610:
609:
608:
603:
577:
556:
537:Boy in Darkness
510:
498:
468:
467:
457:
455:
446:
445:
441:
418:
414:
407:
393:
389:
376:
375:
371:
361:
359:
339:
338:
331:
326:
310:Boy in Darkness
290:Boy in Darkness
260:Boy in Darkness
257:
231:Boy in Darkness
228:
206:Boy in Darkness
184:Boy in Darkness
164:Boy in Darkness
156:William Golding
135:Boy in Darkness
84:
34:
17:
12:
11:
5:
683:
673:
672:
667:
662:
657:
652:
647:
642:
637:
632:
627:
622:
605:
604:
602:
601:
596:
591:
585:
583:
579:
578:
576:
575:
570:
564:
562:
558:
557:
555:
554:
547:
540:
533:
526:
518:
516:
512:
511:
497:
496:
489:
482:
474:
466:
465:
439:
422:Chicago Review
412:
405:
387:
369:
328:
327:
325:
322:
256:
253:
227:
224:
201:Glasgow Herald
129:
128:
123:
115:
114:
109:
103:
102:
99:
95:
94:
91:
87:
86:
78:
74:
73:
68:
64:
63:
60:
56:
55:
50:
46:
45:
40:
36:
35:
32:
15:
9:
6:
4:
3:
2:
682:
671:
668:
666:
663:
661:
658:
656:
653:
651:
648:
646:
643:
641:
638:
636:
633:
631:
628:
626:
623:
621:
618:
617:
615:
600:
597:
595:
594:Fuchsia Groan
592:
590:
587:
586:
584:
580:
574:
571:
569:
566:
565:
563:
559:
553:
552:
548:
546:
545:
541:
539:
538:
534:
532:
531:
527:
525:
524:
520:
519:
517:
513:
509:
507:
502:
495:
490:
488:
483:
481:
476:
475:
472:
453:
449:
443:
435:
431:
427:
423:
416:
408:
406:9780720613063
402:
398:
391:
383:
379:
373:
358:
354:
350:
346:
345:Peake Studies
342:
336:
334:
329:
321:
319:
315:
311:
307:
305:
304:
299:
295:
291:
287:
286:) narrating.
285:
284:
279:
275:
274:
269:
265:
264:BBC Drama Lab
261:
252:
250:
246:
245:
240:
236:
232:
223:
221:
220:
215:
211:
207:
203:
202:
196:
194:
193:Joanne Harris
190:
185:
181:
180:Maeve Gilmore
177:
173:
169:
165:
161:
157:
153:
149:
145:
141:
137:
136:
127:
124:
122:
116:
113:
112:0-340-68323-6
110:
108:
104:
100:
96:
93:Great Britain
92:
88:
82:
79:
75:
72:
69:
65:
61:
57:
54:
51:
47:
44:
41:
37:
30:
25:
19:
551:Titus Awakes
549:
542:
536:
535:
528:
521:
505:
501:Mervyn Peake
456:. Retrieved
451:
442:
428:(3): 74–81.
425:
421:
415:
396:
390:
381:
372:
360:. Retrieved
348:
344:
317:
309:
308:
301:
289:
288:
281:
271:
259:
258:
242:
230:
229:
226:Plot summary
217:
213:
209:
205:
199:
197:
188:
183:
167:
163:
160:John Wyndham
151:
144:Mervyn Peake
134:
133:
132:
43:Mervyn Peake
18:
589:Barquentine
561:Adaptations
544:Titus Alone
530:Gormenghast
523:Titus Groan
506:Gormenghast
458:31 December
362:15 November
278:Terry Jones
255:Adaptations
244:Gormenghast
239:Titus Groan
219:Titus Alone
214:Gormenghast
210:Titus Groan
53:P. J. Lynch
49:Illustrator
614:Categories
582:Characters
382:philsp.com
324:References
273:EastEnders
268:Jack Ryder
599:Steerpike
318:The Stage
303:The Stage
77:Publisher
434:25293605
357:24776579
126:59632014
59:Language
140:novella
62:English
508:series
432:
403:
355:
71:Horror
39:Author
568:Opera
515:Books
430:JSTOR
353:JSTOR
237:when
138:is a
98:Pages
67:Genre
460:2021
401:ISBN
364:2020
280:(of
270:(of
249:Earl
212:and
158:and
120:OCLC
107:ISBN
503:'s
101:114
616::
450:.
426:14
424:.
380:.
349:10
347:.
343:.
332:^
493:e
486:t
479:v
462:.
436:.
409:.
384:.
366:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.