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679:(the supporting categories weren't established until the following year), her character portrayal was a model of a sinister screen villain. In close-up, she flashed a look of steely malevolence; in her speech to the revolutionary tribunal – asking for the conviction and execution of Charles Darnay – she played it large and to the rafters. The film was only nominated in the Best Film and Best Editing categories, not even its star,
719:(1940), in which Yurka played a gangster matriarch closely based on the contemporary outlaw, Ma Barker. Her severe, vaguely imperious looks led to her casting in a rogue's gallery of austere or villainous parts. Through the 1940s and with decreasing frequency in the 1950s, she appeared in a succession of B parts that wasted her talents, occasionally landing supporting character parts in A list movies. Among the latter were
235:. Her father was a teacher and librarian. She inherited her father's artistic and scholarly interests, including a love of music and acting. She finished grade school before her father lost his job teaching Czech language at the Jefferson School in St. Paul. He found a new position with the Czech Benevolent Society in New York and moved the family to the Upper East Side of Manhattan in 1900.
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668:, who turned it down but recommended Yurka, declaring her the "only" actress for the part. The two women hadn't yet met but were well acquainted with one another's work inasmuch as they were the leading Ibsen heroines on the Broadway stage. Despite Nazimova's endorsement, Yurka was the 67th actor tested for the role.
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On occasion, she could be critical of
Broadway for production values which did not live up to the highest standards. In a letter to the New York Times, published November 6, 1955, she reproached the theater community's "passion for ugliness that seems so much a part of our theater today." Before the
776:
Yurka never left the theater, but as her
Hollywood roles became less satisfying after the war, the pace of both her film and stage roles fell off. During World War II, she contributed her time and talent to the war effort as a theater performer. She toured with theater troupes in Europe both before
493:(née Keith Ross), who was 12 years her junior. They married in September 1922, her first marriage and his second. Her growing stature as an actress - combined with his jealousy - eventually came between them; they separated in 1925 and divorced in 1926. Yurka never remarried and had no children.
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but was dismissed from there for the same reason. Having lost her chance at an operatic career, she took the
Institute director's suggestion and tried for a career on the theater stage. Through persistence, she managed to get an audition with the theater impresario
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singled out her contribution: "And while pointing out the beauty of the work of the principals, it is a pleasant privilege to lay a wreath at the feet of the little lady who carried the Grail with such reverent and touching consecration to her sacred duties."
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Yurka was active in theater causes all her life. She supported the 1919 actors' strike. She later vigorously defended the interests of
American actors against a British invasion of American theaters. She aligned herself with
675:(who was only four years older than Yurka) showed the two actresses tumbling over tables and over the floor, offering a hint of Yurka's onstage physicality. Although not nominated for a best supporting actress
293:. According to her autobiography, he said to her: "Your diction is clear and pure. Your voice has good timbre. I can sense that you have temperament. We must find out if you can act." He gave her a bit part in
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Her parents used their modest income to provide
Blanche with singing lessons in New York even before she entered high school (1901–03). Her vocal talent attracted the admiration of composer and singer
654:. When she finally made her belated screen debut at the age of 47, it was in the role that many consider the greatest of her film career, the poisonously vindictive revolutionary Thérèse Defarge in
478:, where it ran for a combined 125 performances. At 42, Barrymore was a little old to be playing her son (she was 35), and she made herself appear as youthful as possible to vent her irritation.
895:(1970). She was a popular guest at women's clubs and colleges, where she continued to perform dramatic readings. She suffered from failing health in her final years owing to
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year was over, she announced her retirement from the stage – a short-lived retirement that would find her back onstage exactly a year later in the
Phoenix Theatre's
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at the 1939 Senate
Appropriations Committee hearings that de-funded the program in reaction to productions that were deemed sympathetic to the political left-wing.
242:, and she won a scholarship at age 15 to study voice and ballet at the Metropolitan Opera School (1903–05). She appeared in an amateur Czech-language production of
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Yurka was foremost a stage actress and for a long time considered film-making an inferior art form. Her low opinion of the movies started to change when she saw
871:(1969). When the play traveled to off-Broadway in 1970, the New York critics' reception was lukewarm, and Yurka retired from acting soon after the show closed.
297:(1906), and the following year, he extended her a contract, at which time she changed her surname to "Yurka", a homophone of her true surname.
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under the aegis of the United States
International Exchange of Artists to open the Greek Drama Festival. There, she appeared in a reading of
189:, she was an occasional director and playwright. She remained active in theater and film until the late 1960s. Her most famous film role was
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In the last 15 years of her life, few stage or film roles came her way. She appeared sporadically in television shows in the '50s, notably,
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debut in 1906 and established herself as a character actor of the classical stage, also appearing in several films of the 1930s and 1940s.
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266:- appearing as a flower girl and as the Grail-bearer. In his review of the premiere performance, New York Tribune music critic
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She continued her studies at the Met Opera School but was dismissed when she injured her voice singing the role of
Leonora in
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in the 1933 film. She concluded her career on a note of personal triumph with her critically acclaimed London performance as
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and died June 6, 1974, at age 86. She was interred in the same burial plot with her good friend, actress
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in an amateur production. She transferred to the
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735:(1944), as the Abbess of San Luis Rey chapel. Notably, one of her co-stars in the latter film was
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The Real Stars : Profiles and Interviews of Hollywood's Unsung Featured Players
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Yurka threw herself into the part – quite literally. Her final fight scene with
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Building on her repertoire of classic characters, Yurka starred in a quartet of
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and made her Metropolitan Opera stage debut in the Christmas 1903 production of
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Notable American Women: The Modern Period: a Biographical Dictionary
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Yurka collected her thoughts about acting technique in the book
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America's Longest Run: A History of the Walnut Street Theatre
518:(1930, as Hjordis); she also had the title role of Ellida in
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725:(1943) – again for David O. Selznick – in which she played
706:, who went on to win an Oscar for best supporting actress.
1366:"The Ballad of Blanche Yurka Or "Comedy Through The Ages""
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and after the war. In December, 1945, she appeared at the
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ANTONIN JURKA, A PIONEER CZECH SCHOOLMASTER IN MINNESOTA
489:, where she met a charming young character actor named
262:- the first staged performance of the opera outside of
1398:. Vol. 30, no. 37. March 15, 1940. p. 1
1157:. Belknap Press of Harvard University Press. pp.
587:. She won critical acclaim in 1935 when she replaced
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In the year 1932 alone, she played the title role in
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561:(a production that featured the Broadway debuts of
203:(1935), but she was also the compassionate aunt in
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1116:Passenger and Immigration Lists Index, 1500s-1900s
830:. In 1958, she appeared at the Belasco Theater in
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1340:Reimagining Greek Tragedy on the American Stage
745:(1945), an American frontier drama directed by
423:at the Belasco Theater. There, she met actress
1209:Bohemian Girl: Blanche Yurka's Theatrical Life
172:and later became a stage actress, making her
1392:"Blanche Yurka Speaks Before Capacity Crowd"
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1421:Maltin, Leonard (2015) . "Blanche Yurka".
686:She sought to play O-Lan in the 1937 film
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761:Yurka had the role of Mrs. Hunter in the
395:Learn how and when to remove this message
16:American actress and director (1887–1974)
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713:was the lead in a B movie shoot-'em-up,
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456:In 1922-23, she was Queen Gertrude to
209:(1943). Another memorable role was as
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1529:American people of Hungarian descent
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333:adding citations to reliable sources
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1579:Classical musicians from Minnesota
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1364:Fund, Sykes (February 28, 1940).
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632:aria while standing on her head.
227:Born Blanch Jurka, apparently in
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1211:. Ohio University Press, p. 37;
997:(1943) as Aunt Bernarde Casterot
954:Ellery Queen and the Murder Ring
925:(1935) as Madame Thérèse Defarge
500:plays, directing three of them:
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1114:Filby, P. William, ed. (2012).
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441:(1915) and a pair of plays by
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1564:Deaths from arteriosclerosis
1343:. Univ of California Press.
957:(1941) as Mrs. Augusta Stack
861:(1969) – the role played by
650:, adapted from the novel by
7:
1569:Burials at Kensico Cemetery
1149:Sicherman, Barbara (1986).
891:(1959) and wrote a memoir,
595:opposite Cornell's Juliet.
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1246:Internet Broadway Database
1061:(1950) as Herrera's Mother
1026:The Bridge of San Luis Rey
981:(1942) as Mrs. Anna Taylor
732:The Bridge of San Luis Rey
610:, which reunited her with
1472:Blanche Yurka discography
1105:; accessed April 1, 2015.
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1085:(1959) as Louise Dauphin
1053:(1947) as Madame Thillot
973:(1942) as Julia Alderson
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868:The Madwoman of Chaillot
604:Gregorio Martínez Sierra
1539:American film actresses
1486:Blanche Yurka portraits
1207:Yurka, Blanche (1970).
1069:(1952) as Madame Michom
1045:(1947) as Aunt Margaret
1005:(1943) as Widow Grelieu
965:(1942) as Mrs. Savarina
849:Philip Morris Playhouse
812:. In 1957, she visited
800:Federal Theater Project
699:For Whom the Bell Tolls
512:(1929, title role) and
506:(1928, as Gina Ekdal),
420:Is Matrimony a Failure?
410:The Warrens of Virginia
1559:Singers from Minnesota
1544:American opera singers
1256:Davis, Andrew (2010).
1077:(1953) as Mrs. Nielson
1002:Tonight We Raid Calais
994:The Song of Bernadette
884:
883:Grave of Blanche Yurka
826:in the translation by
787:with classics scholar
722:The Song of Bernadette
683:getting an Oscar nod.
295:The Rose of the Rancho
206:The Song of Bernadette
1188:"Blanche Yurka Diary"
1037:(1945) as Mama Tucker
989:(1942) as Mrs. Salter
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608:María Martínez Sierra
521:The Lady from the Sea
476:Manhattan Opera House
244:Michael William Balfe
213:'s widowed mother in
1302:Harrisburg Telegraph
1029:(1944) as The Abbess
933:(1940) as Ma Webster
922:A Tale of Two Cities
915:Selected filmography
809:Diary of a Scoundrel
711:A Tale of Two Cities
657:A Tale of Two Cities
548:Troilus and Cressida
433:The House of Bondage
329:improve this article
200:A Tale of Two Cities
148: 1922;
1481:Blanche Yurka diary
1010:Cry of the Werewolf
986:A Night to Remember
978:Keeper of the Flame
949:(1940) as Mrs. Nash
832:Huntington Hartford
789:Eugene O'Neill, Jr.
438:Our American Cousin
229:St. Paul, Minnesota
61:St. Paul, Minnesota
1298:"Related by Radio"
1082:Thunder in the Sun
1021:(1944) as Matthews
962:Pacific Rendezvous
909:Valhalla, New York
885:
798:'s defense of the
569:) and appeared in
472:Sam Harris Theater
451:Information Please
170:Metropolitan Opera
37:Yurka in the 1940s
1432:978-1-5116-4485-3
1396:The New Hampshire
1337:(June 26, 2014).
1266:978-0-271-03578-9
1018:One Body Too Many
946:City for Conquest
845:Lux Video Theater
796:Tallulah Bankhead
709:Her follow-up to
702:to Greek actress
662:David O. Selznick
573:'s production of
571:Katharine Cornell
429:An Old New Yorker
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1013:(1944) as Bianca
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779:Majestic Theatre
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1514:1887 births
1402:February 4,
1376:February 7,
1372:. p. 1
784:Oedipus Rex
747:Jean Renoir
729:' aunt and
660:. Producer
636:Film career
618:Esther Dale
589:Edith Evans
559:Esther Dale
551:, directed
543:Shakespeare
515:The Vikings
449:(1917) and
103:Occupations
1508:Categories
1217:8214007119
1168:0674627334
1090:References
1058:The Furies
863:May Robson
763:soap opera
602:(1933) by
355:newspapers
223:Early life
53:1887-06-19
1492:Aveleyman
1042:The Flame
837:Jane Eyre
818:Aeschylus
642:John Ford
616:co-stars
557:starring
529:Sophocles
491:Ian Keith
481:Prior to
443:Jane Cowl
425:Jane Cowl
385:July 2023
134:Ian Keith
123:1910–1967
1193:April 1,
524:(1929).
453:(1918).
447:Daybreak
431:(1911),
264:Bayreuth
259:Parsifal
219:(1945).
174:Broadway
112:director
96:Valhalla
1244:at the
630:Puccini
576:Lucrece
534:Electra
483:Hamlet,
470:at the
435:(1914)
369:scholar
233:Bohemia
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109:Actress
1498:Kinotv
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938:Escape
847:, The
814:Athens
624:, and
537:, was
467:Hamlet
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254:Wagner
186:Hamlet
164:(born
128:Spouse
82:, U.S.
63:, U.S.
875:Death
498:Ibsen
376:JSTOR
362:books
276:Verdi
144:(
140:
1467:IMDb
1427:ISBN
1404:2022
1378:2022
1345:ISBN
1310:2015
1286:IMDb
1262:ISBN
1213:ISBN
1195:2015
1163:ISBN
1074:Taxi
851:and
606:and
583:and
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348:news
150:div.
69:Died
43:Born
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193:in
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