Knowledge

Blackrock (play)

Source 📝

247:, stating that media coverage of the play was "unfortunately" focusing on Leigh's murder instead of the play's message, also stating that some people reporting on it in this manner had not even watched the play. Enright stated that while the comparison to Leigh's murder was of interest to the media, the play was actually about how any group of boys abuse any girl, and how they came to do it. Nevertheless, many viewers considered the play to be a factual account of the murder. Even though the rape and murder were not shown in the play, the audience were said to be able to fill in their blanks from their knowledge of Leigh's killing. 134:, Australia in 1989. The plays were both well received critically but attracted criticism from both Leigh's family and the media because of the fictionalisation of an actual murder. Despite repeated statements from Enright that the plays were a work of fiction, they have both often been considered by viewers to be a factual account. 186:
Jared's silence leads to the breakdown of his relationships with both Rachel and his mother, Diane. In the play's last scene Jared confesses to Diane that he witnessed the three youths raping Tracy, but he did not intervene. He is unsure why he did nothing but he believes it was out of loyalty to the
309:
continued to be performed at the Sydney Theatre Company throughout 1995, and performed a sold-out season at Wharf I in 1996. It has since had many productions throughout Australia, including being performed by a Newcastle-based theatre company, Tantrum Theatre, in 2010. The 2010 version contained a
282:
commissioned Enright to develop the original 45-minute play into a full-length production. Blackrock retained the original four characters but also added nine others. It also extended the length of the play, and was considered to be a more fictionalised version of Leigh's murder, though many viewers
227:
Leigh's family, who had found out about the play, attended a private screening of it; some of them had not seen each other for two years. Leigh's mother Robyn objected to the fictionalisation of her daughter's murder, stating she would have preferred a documentary account. The rape and murder victim
174:
is popular among youths like Jared. He has his first serious girlfriend, Rachel, who comes from a much wealthier part of the city. One day Ricko, the local surfing legend, returns from an eleven-month trip. Rachel's brother Toby holds his 18th birthday party at the local beach club a few days later,
367:
was being adapted into a film, Joyce expressed regret that the media continually drawing connections between the play and Leigh's murder had caused additional suffering for Leigh's family, as he had initiated the play with the intention of aiding in the healing process of all the people affected by
232:
was named Tracy, which Leigh's family also objected to, as 'Tracey' was the name of Leigh's cousin and best friend. One of Leigh's aunts asked Brian Joyce to change the character's name out of respect for the family, however, the name remain unchanged, even after the play was rewritten and retitled
215:
as a subject for a play. Enright initially refused, but Joyce argued that the actual subject of the play would be the victim's peer-groups. Enright agreed, after being convinced a play could be made out of the conflicting responses to the crime. The title was taken from a quote in the psychological
178:
Three youths from the party, Davo, Scott, and Toby, tell Ricko that they raped Tracy but left her alive. The three boys are later arrested for the sexual assault. Ricko confesses to Jared that he killed Tracy. He says he was attempting to have sex with her when she bit him and kicked him, so in a
216:
report that was made on Mathew Webster, the man who murdered Leigh, in preparation for his trial. The first decision regarding the play was to omit the criminal acts and the actual murder from it, instead focusing on the drama, its participants and the aftermath of the murder.
352:
in Sydney and I didn't see it as any different whatsoever. It was happening 20 years ago when I was young. I remember there was violence, there was rape, there was party rape and there was party rape with alcohol and a lot of violence associated with
250:
Despite the controversy, the play was shown at various high-schools in the Newcastle area, and following its positive critical reception, was shown nationally at high schools across the country over a period of eighteen months. However
183:. Jared is torn between telling the truth and protecting his friend. After witnessing Ricko's abusive behaviour towards their friend Tiffany, Jared decides to tell the truth. Ricko is detained by police and hangs himself in his cell. 175:
and Jared decides to merge a 'welcome home' party for Ricko with the event. The party is unsupervised, with alcohol freely available. The following morning, it is revealed that 15-year-old Tracy Warner was killed at the party.
335:
gave a favourable review of the play, also stating that the decision to transform the play from its original educational environment to a mainstream audience was a "bold move" that was "triumphantly successful."
283:
still considered it to be a factual account of the crime. The narrative and emphasis were reshaped for an adult audience outside of a specifically educational environment, also shifting the plays focus. While
241:
faced "mounting disapproval", and attempted to distance themselves from Leigh's murder. Both Enright and Freewheels chairperson Sharon McMillan respond to the growing controversy. McMillan wrote in
211:, a theatre-in-education piece written for Freewheels Theatre in Education in Newcastle which premiered in 1992. Enright was approached by the director of Freewheels, Brian Joyce, who suggested the 29: 1004: 1041: 1009: 382: 179:
moment of rage he grabbed a rock and hit her with it. He has already told police that he was with Jared all night and asks Jared to confirm his alibi in the name of
344:
for Best Play in 1996. When the play was shown in Sydney, Joyce expressed disappointment at how it was misinterpreted as being about Leigh and "that community".
378:
is to be "initiated into Newcastle’s history, to learn that along with the mines and the beaches, the death of Leigh Leigh too is your ambivalent inheritance."
855: 374:
likened the actors performing in the play to several of the initiation ceremonies that occur in the play itself, stating that to perform in
1314: 264: 143: 1014: 1046: 538: 348:
People came up to me after and said "Is it really like that in Newcastle?" ... I was very disheartened because I grew up on the
1185: 935: 1105: 781: 771: 103: 191:
giving him his van, but Jared asks his cousin Cherie to dump the keys to the van in the ocean when she goes out surfing.
1131: 385:
support website hosted curriculum material for high school classwork on both plays, prior to its decommission in 2016.
256: 982: 252: 665:"Based on a True Story': The problem of the perception of biographical truth in narratives based on real lives" 672: 291:
was said to focus on the boys involved in the crime, portraying them as victims of the society they live in.
255:, where both Leigh and Webster had been students, declined to book the play. The play was also shown at the 1234: 726: 1319: 1178: 1070: 599: 131: 237:
The local media reported on the family objections to the play, and the day after the play opened,
845: 1209: 850: 279: 1241: 1171: 478: 453: 212: 127: 1142: 1248: 916: 899: 707: 514: 368:
the murder. Reviewing a version of the play that was performed in 2010, Caroline Wake from
243: 8: 1309: 1036: 417: 509:
The suburb of Blackrock is fictional and is not to be confused with the similarly-named
548: 1150: 1127: 1101: 777: 98: 1287: 1280: 1089: 943: 468: 349: 159: 1262: 543: 664: 1123: 959: 818: 397: 331: 311: 65: 120:
that was first performed in 1995. It was adapted from a 1992 play by Enright,
1303: 816:
McCallum, John (26 July 2005). "Between community and the mainstream stage".
486: 477:
were still being finalised, Enright started working with first-time director
432: 411: 370: 1255: 1194: 1115: 1097: 974: 490: 405: 341: 188: 117: 39: 301:, on 30 August 1995. It also played at the Australian Theatre Festival in 28: 315: 151: 447: 423: 260: 139: 897:
Worthington, Jane (7 September 1996). "Blackrock: Too Close to Home".
510: 302: 180: 773:
Reel tracks: Australian feature film music and cultural identities
731:
Journal of the Association for the Study of Australian Literature
705:
McMillan, Sharon (15 August 1992). "Blinkered response to play".
171: 170:
Blackrock is an Australian beachside working-class suburb where
1163: 493:
who portrayed Jared in the play was cast as Ricko in the film.
686: 797: 875: 873: 627: 617: 615: 613: 611: 1042:
New South Wales Department of Education and Communities
1010:
New South Wales Department of Education and Communities
750: 748: 563: 459:
All other roles were played by members of the company.
383:
New South Wales Department of Education and Communities
481:
to produce a film version, which would also be titled
219: 1143:"In Her Death She Remains as the Limit of the System" 1068:
Hessey, Ruth (25 April 1997). "Silence of the LADS".
870: 826: 608: 297:
was first performed at Wharf I, a theatre run by the
745: 575: 199: 597:Squires, Tony (26 August 1995). "Bearing witness". 1301: 957:McCallum, John (1 September 1995). "Blackrock". 914:Edwards, Amy (13 May 2000). "TODAY: the word". 310:few minor updates, such as referring to surfer 1179: 270: 1141:Morrow, Jonathon; San Roque, Mehera (1996). 187:boys who were his mates. Ricko left Jared a 929: 927: 896: 776:. John Libbey Publishing. pp. 23, 24. 720: 718: 1186: 1172: 1088: 803: 692: 633: 592: 590: 569: 287:focused on the possible motives for rape, 27: 489:reprised her role as Cherie in the film. 321: 956: 924: 815: 715: 704: 265:New South Wales Premier's Literary Award 144:New South Wales Premier's Literary Award 1114: 913: 892: 890: 888: 879: 754: 658: 656: 654: 652: 650: 648: 646: 644: 642: 621: 596: 587: 536: 1302: 1140: 1067: 832: 765: 763: 581: 388: 1167: 769: 724: 662: 1061: 1049:from the original on 9 December 2016 885: 639: 396:premiere production was directed by 1315:Australian plays adapted into films 760: 400:, and featured the following cast: 116:is a play by Australian playwright 13: 858:from the original on 16 March 2016 537:Baillie, Rebecca (31 March 2003). 530: 485:. Blackrock was released in 1997. 462: 257:National Institute of Dramatic Art 14: 1331: 985:from the original on 6 April 2016 727:"Urban Shocks and Local Scandals" 663:Brien, Donna Lee (October 2009). 207:The play originated as Enright's 1193: 933: 473:While the revisions to the play 1029: 997: 967: 950: 907: 838: 809: 698: 363:When interviewed in 1996 while 503: 194: 1: 673:Central Queensland University 524: 160:feature film of the same name 1037:"Curriculum Support Website" 443:Marian/Glenys: Julie Godfrey 440:Stewart/Len/Roy: John Walton 126:, which was inspired by the 7: 1096:. Sydney, New South Wales: 10: 1336: 466: 1272: 1226: 1201: 1071:The Sydney Morning Herald 725:Brien, Donna Lee (2000). 600:The Sydney Morning Herald 437:Tiffany: Kristina Bidenko 97: 89: 81: 71: 61: 53: 45: 35: 26: 496: 1094:Who Killed Leigh Leigh? 770:Coyle, Rebecca (2005). 165: 154:for Best Play in 1996. 851:Sydney Theatre Company 361: 299:Sydney Theatre Company 285:A Property of the Clan 280:Sydney Theatre Company 230:A Property of the Clan 222:A Property of the Clan 209:A Property of the Clan 202:A Property of the Clan 136:A Property of the Clan 123:A Property of the Clan 454:Angela Punch McGregor 346: 253:Newcastle High School 213:murder of Leigh Leigh 158:was developed into a 128:murder of Leigh Leigh 917:The Newcastle Herald 900:The Newcastle Herald 846:"The Wharf Theatres" 708:The Newcastle Herald 539:"Tribute to Enright" 515:Black Rock, Victoria 244:The Newcastle Herald 16:Play by Nick Enright 979:Australianplays.org 946:on 20 January 2019. 389:Premiere production 329:John McCallum from 23: 1320:Fiction about rape 1235:The Venetian Twins 975:"Blackrock (Play)" 936:"Dark Inheritance" 695:, p. 154-155. 551:on 28 October 2014 21: 1297: 1296: 1151:Sydney Law Review 1107:978-0-09-183708-2 1090:Carrington, Kerry 783:978-0-86196-658-5 428:Scott: Teo Gebert 271:Redevelopment as 259:in 1993, and was 109: 108: 104:978-0-86819-477-6 93:Print (Paperback) 82:Publication place 1327: 1188: 1181: 1174: 1165: 1164: 1159: 1147: 1137: 1111: 1092:(24 July 1998). 1076: 1075: 1065: 1059: 1058: 1056: 1054: 1033: 1027: 1026: 1024: 1022: 1017:on 30 April 2016 1013:. Archived from 1001: 995: 994: 992: 990: 971: 965: 964: 954: 948: 947: 942:. Archived from 934:Wake, Caroline. 931: 922: 921: 911: 905: 904: 894: 883: 877: 868: 867: 865: 863: 842: 836: 830: 824: 823: 813: 807: 801: 795: 794: 792: 790: 767: 758: 752: 743: 742: 740: 738: 722: 713: 712: 702: 696: 690: 684: 683: 681: 679: 660: 637: 631: 625: 619: 606: 605: 594: 585: 579: 573: 567: 561: 560: 558: 556: 547:. Archived from 534: 518: 507: 469:Blackrock (film) 359: 350:Northern Beaches 305:that same year. 73:Publication date 31: 24: 20: 1335: 1334: 1330: 1329: 1328: 1326: 1325: 1324: 1300: 1299: 1298: 1293: 1268: 1263:The Boy from Oz 1222: 1210:Daylight Saving 1197: 1192: 1162: 1145: 1134: 1108: 1079: 1066: 1062: 1052: 1050: 1035: 1034: 1030: 1020: 1018: 1005:"Units of Work" 1003: 1002: 998: 988: 986: 973: 972: 968: 955: 951: 932: 925: 912: 908: 895: 886: 878: 871: 861: 859: 844: 843: 839: 831: 827: 814: 810: 804:Carrington 1998 802: 798: 788: 786: 784: 768: 761: 753: 746: 736: 734: 723: 716: 703: 699: 693:Carrington 1998 691: 687: 677: 675: 661: 640: 634:Carrington 1998 632: 628: 620: 609: 595: 588: 580: 576: 570:Carrington 1998 568: 564: 554: 552: 544:The 7.30 Report 535: 531: 527: 522: 521: 508: 504: 499: 471: 465: 463:Film adaptation 391: 360: 357: 327: 276: 225: 205: 197: 168: 90:Media type 74: 17: 12: 11: 5: 1333: 1323: 1322: 1317: 1312: 1295: 1294: 1292: 1291: 1284: 1276: 1274: 1270: 1269: 1267: 1266: 1259: 1252: 1245: 1238: 1230: 1228: 1224: 1223: 1221: 1220: 1213: 1205: 1203: 1199: 1198: 1191: 1190: 1183: 1176: 1168: 1161: 1160: 1138: 1133:978-0868194776 1132: 1124:Currency Press 1112: 1106: 1085: 1078: 1077: 1060: 1028: 996: 966: 960:The Australian 949: 923: 906: 884: 869: 837: 835:, p. 490. 825: 819:The Australian 808: 806:, p. 153. 796: 782: 759: 744: 714: 697: 685: 638: 636:, p. 155. 626: 624:, p. vii. 607: 586: 584:, p. 485. 574: 562: 528: 526: 523: 520: 519: 501: 500: 498: 495: 467:Main article: 464: 461: 457: 456: 450: 444: 441: 438: 435: 429: 426: 420: 414: 408: 398:David Berthold 390: 387: 355: 332:The Australian 326: 320: 312:Layne Beachley 275: 269: 224: 218: 204: 198: 196: 193: 167: 164: 107: 106: 101: 95: 94: 91: 87: 86: 83: 79: 78: 75: 72: 69: 68: 66:Currency Press 63: 59: 58: 55: 51: 50: 47: 43: 42: 37: 33: 32: 15: 9: 6: 4: 3: 2: 1332: 1321: 1318: 1316: 1313: 1311: 1308: 1307: 1305: 1290: 1289: 1285: 1283: 1282: 1281:Lorenzo's Oil 1278: 1277: 1275: 1271: 1265: 1264: 1260: 1258: 1257: 1253: 1251: 1250: 1246: 1244: 1243: 1239: 1237: 1236: 1232: 1231: 1229: 1225: 1219: 1218: 1214: 1212: 1211: 1207: 1206: 1204: 1200: 1196: 1189: 1184: 1182: 1177: 1175: 1170: 1169: 1166: 1157: 1153: 1152: 1144: 1139: 1135: 1129: 1125: 1121: 1117: 1116:Enright, Nick 1113: 1109: 1103: 1099: 1095: 1091: 1087: 1086: 1084: 1083: 1073: 1072: 1064: 1048: 1044: 1043: 1038: 1032: 1016: 1012: 1011: 1006: 1000: 984: 980: 976: 970: 962: 961: 953: 945: 941: 940:RealTime Arts 937: 930: 928: 920:. p. 12. 919: 918: 910: 903:. p. 13. 902: 901: 893: 891: 889: 882:, p. ix. 881: 876: 874: 857: 853: 852: 847: 841: 834: 829: 822:. p. 14. 821: 820: 812: 805: 800: 785: 779: 775: 774: 766: 764: 756: 751: 749: 732: 728: 721: 719: 710: 709: 701: 694: 689: 674: 670: 666: 659: 657: 655: 653: 651: 649: 647: 645: 643: 635: 630: 623: 618: 616: 614: 612: 604:. p. 8A. 603: 601: 593: 591: 583: 578: 572:, p. 84. 571: 566: 550: 546: 545: 540: 533: 529: 516: 512: 506: 502: 494: 492: 488: 487:Rebecca Smart 484: 480: 479:Steven Vidler 476: 470: 460: 455: 451: 449: 445: 442: 439: 436: 434: 433:Joel Edgerton 430: 427: 425: 421: 419: 415: 413: 412:Rebecca Smart 409: 407: 403: 402: 401: 399: 395: 386: 384: 379: 377: 373: 372: 371:RealTime Arts 366: 354: 351: 345: 343: 339: 334: 333: 325: 322:Reception of 319: 317: 313: 308: 304: 300: 296: 292: 290: 286: 281: 274: 268: 266: 262: 258: 254: 248: 246: 245: 240: 236: 231: 223: 220:Reception of 217: 214: 210: 203: 192: 190: 184: 182: 176: 173: 163: 161: 157: 153: 149: 146:in 1993, and 145: 141: 137: 133: 129: 125: 124: 119: 115: 114: 105: 102: 100: 96: 92: 88: 84: 80: 76: 70: 67: 64: 60: 56: 52: 48: 44: 41: 38: 34: 30: 25: 19: 1286: 1279: 1261: 1256:Miracle City 1254: 1247: 1240: 1233: 1216: 1215: 1208: 1195:Nick Enright 1155: 1149: 1119: 1098:Random House 1093: 1082:Bibliography 1081: 1080: 1074:. p. 4. 1069: 1063: 1051:. Retrieved 1040: 1031: 1019:. Retrieved 1015:the original 1008: 999: 987:. Retrieved 978: 969: 958: 952: 944:the original 939: 915: 909: 898: 880:Enright 1996 860:. Retrieved 849: 840: 828: 817: 811: 799: 787:. Retrieved 772: 757:, p. i. 755:Enright 1996 735:. Retrieved 730: 706: 700: 688: 676:. Retrieved 668: 629: 622:Enright 1996 598: 577: 565: 553:. Retrieved 549:the original 542: 532: 505: 491:Simon Lyndon 482: 474: 472: 458: 406:Simon Lyndon 393: 392: 380: 375: 369: 364: 362: 347: 337: 330: 328: 323: 306: 298: 294: 293: 288: 284: 278:In 1994 the 277: 272: 249: 242: 238: 234: 229: 226: 221: 208: 206: 201: 189:suicide note 185: 177: 169: 155: 147: 135: 122: 121: 118:Nick Enright 112: 111: 110: 40:Nick Enright 18: 1273:Screenplays 1242:Summer Rain 1100:Australia. 833:Morrow 1996 582:Morrow 1996 418:Paul Bishop 394:Blackrock's 358:Brian Joyce 342:AWGIE Award 316:Wendy Botha 314:instead of 267:that year. 261:shortlisted 200:Origins as 195:Development 152:AWGIE Award 140:shortlisted 1310:1996 plays 1304:Categories 1249:Variations 1122:. Sydney: 1053:9 December 1021:11 January 862:16 January 737:13 January 602:(Spectrum) 525:References 448:Kym Wilson 424:Dan Wyllie 239:Freewheels 235:Blackrock. 22:Blackrock 1288:Blackrock 1217:Blackrock 1120:Blackrock 733:: 115–121 511:Melbourne 483:Blackrock 475:Blackrock 376:Blackrock 365:Blackrock 338:Blackrock 324:Blackrock 307:Blackrock 295:Blackrock 289:Blackrock 273:Blackrock 162:in 1997. 156:Blackrock 148:Blackrock 113:Blackrock 85:Australia 62:Publisher 1227:Musicals 1118:(1996). 1047:Archived 983:Archived 856:Archived 446:Rachel: 410:Cherie: 356:—  303:Canberra 181:mateship 150:won the 132:Stockton 46:Language 989:24 June 789:24 June 678:12 July 555:24 June 513:suburb 452:Diane: 416:Ricko: 404:Jared: 340:won an 172:surfing 49:English 1130:  1104:  780:  431:Toby: 422:Davo: 263:for a 142:for a 36:Author 1202:Plays 1146:(PDF) 497:Notes 353:that. 54:Genre 1158:(4). 1128:ISBN 1102:ISBN 1055:2016 1023:2015 991:2010 864:2015 791:2010 778:ISBN 739:2015 680:2014 669:Text 557:2010 381:The 166:Plot 138:was 99:ISBN 77:1996 57:Play 228:in 130:in 1306:: 1156:18 1154:. 1148:. 1126:. 1045:. 1039:. 1007:. 981:. 977:. 938:. 926:^ 887:^ 872:^ 854:. 848:. 762:^ 747:^ 729:. 717:^ 671:. 667:. 641:^ 610:^ 589:^ 541:. 318:. 1187:e 1180:t 1173:v 1136:. 1110:. 1057:. 1025:. 993:. 963:. 866:. 793:. 741:. 711:. 682:. 559:. 517:.

Index


Nick Enright
Currency Press
ISBN
978-0-86819-477-6
Nick Enright
murder of Leigh Leigh
Stockton
shortlisted
New South Wales Premier's Literary Award
AWGIE Award
feature film of the same name
surfing
mateship
suicide note
murder of Leigh Leigh
The Newcastle Herald
Newcastle High School
National Institute of Dramatic Art
shortlisted
New South Wales Premier's Literary Award
Sydney Theatre Company
Canberra
Layne Beachley
Wendy Botha
The Australian
AWGIE Award
Northern Beaches
RealTime Arts
New South Wales Department of Education and Communities

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.