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Dorothy
Johnston noted: "The frontier is everywhere in the novel, as a line or cutting edge in the US of the 1890s, and as a dividing line and barrier inside people, between the material and spiritual, between what is brutal and cruel and what is more kindly and responsible. The natural sounds of the
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Billy Sunday is assistant to photographer
Charles Van Schaick, who along with Frederick Jackson Turner, a budding historian, travel to the small town of Balsam Point, on the US western frontier, for the summer. There each are haunted by ghosts of the past, their own and those of the local, massacred
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was not as impressed: "Too many disparate plot threads here to weave together tightly, and the attempt to catch
America's identity crisis at the end of the century by focusing on these three men isn't persuasive. Still, the primary setting, an ancient forest in summer where pleasure and horror can
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forest are equated with the sounds of people crying...Perhaps Jones's special gift as a novelist is that of making his readers face the eroticism of violence."
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After its initial publication in
Australia by Picador in 1995, the novel was reprinted as by Henry Holt in the US in 1996.
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366:"Austlit — Age Book of the Year — Imaginative Writing Prize 1995-97"
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324:. The Canberra Times, 27 May 1995, p59. 27 May 1995
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197:almost merge, makes its presence keenly felt."
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16:1995 novel by Australian writer Rod Jones
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272:. National Library of Australia
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346:. Kirkus Reviews, 5 June 1996
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318:""Ghosts on the US frontier""
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220:1995 in Australian literature
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370:. Retrieved
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294:Billy Sunday
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372:13 February
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328:13 February
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250:13 February
240:"Austlit —
209:winner 1995
184:Writing in
112:winner 1995
226:References
123:0330356801
368:. Austlit
246:. Austlit
157:Rod Jones
85:Australia
62:Publisher
40:Rod Jones
388:Category
214:See also
163:Synopsis
46:Language
101:293 pp.
66:Picador
57:Fiction
49:English
201:Awards
106:Awards
36:Author
98:Pages
93:Print
54:Genre
374:2024
352:2024
330:2024
304:2024
278:2024
252:2024
118:ISBN
77:1995
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