1683:"In those days, Finland was undeniably a musical backwater. The centre of musical activities was Turku, where the Turku Society of Music (Turun Soitannollinen Seura), founded in 1790, had done invaluable work in promoting music and had set up an orchestra of its own. As a result of a war in 1808 and 1809, Sweden ceded Finland to Russia. Helsinki was made capital of the new autonomous Grand Duchy of Finland in 1812. The university was transferred to Helsinki after the great fire of Turku in 1828, spelling an end to Turku's role as the hub of Finnish music life" (
119:). Sveaborg was a Swedish fortress built on six islands just off the coast of Helsinki. The educated officers of the fort had significant influence on the culture and politics of the city. Wallenstjerna, impressed with Crusell's playing, recruited him as a volunteer member of the Sveaborg military band and gave him a place to live with his own family. Crusell received an education at Sveaborg and excelled in music and languages. In 1791 Wallenstjerna transferred to
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admiration for the sweet melodies. His parents, who had been looking for their son for a long time, scolded him severely, but this could not stop the boy from returning to his favourite spot the next evening. This time he got a beating for his disobedience, but as it was to no avail, they left him to his "craze", confident that he would come back home as soon as the flute went silent...
85:
In his little town of birth there was only one person who had an active interest in music: a shop assistant who could be heard in the evenings playing the flute for his own amusement. One night, the four-year-old Berndt was sitting in the street, leaning against a wall, on top of the world with
76:
where he fathered nine children, including
Crusell's father Jakob, who also became a bookbinder. In 1765, after Jakob completed his apprenticeship, he moved to Uusikaupunki and married Helena Ylander, but she died about one year later. In 1769 he married Margaretha Messman. The couple had four
210:, anxious to keep Crusell in the royal orchestra, denied a petition for an extension of leave and as a positive inducement made him chief conductor of the bodyguard regiment bands. After Crusell returned to Stockholm he remained with the Royal Court Orchestra until 1833.
154:(1762â1817). Tausch had founded the German school of clarinet playing which emphasized beauty of tone over technique. Crusell's progress was swift, and he performed at concerts in Berlin and Hamburg before returning to Sweden. The review of the Hamburg concert in the
135:
In
Stockholm, Crusell continued his studies and established himself as a clarinet soloist. In 1792, at age sixteen, he received an appointment as the director of the regimental band, and in 1793 became principal clarinet with the
194:
and on 14 September a six-key C clarinet made by Jean
Jacques Baumann. Before about 1800 Crusell had been playing with the reed turned up, but later turned it down, the modern practice and a position more compatible with
451:
Edition by Fabian
Dahlström with assistance of Margareta Rörby. Stockholm: Edition Reimers, 1995, full score (xxi, 158 pages; includes prefatory notes in English and Swedish and "Critical commentary", pp. 153â158)
174:
In
Stockholm Crusell had become acquainted with the French ambassador to Sweden. This friendship encouraged and enabled him to undertake a trip to Paris in 1803. There he performed and also studied clarinet with
213:
In June 1811 Crusell made another trip to see Tausch in Berlin, and the two men discussed clarinets. Later that month he visited a benefactor in
Leipzig, and in July he purchased a new instrument from
222:
264:(Swedish News), admired Crusell's playing for the roundness of his tone and its evenness in quality throughout the range of the instrument. Crusell was also greatly admired for his
1935:
225:.) Later, in 1822, he again went to Dresden and purchased additional clarinets from the Grenser shop's successor, Grenser & Wiesner, and from Carl Gottlob Bormann. The
232:
During his career
Crusell became increasingly well known as a clarinet soloist, not only in Sweden but also in Germany, and even in England. He played compositions by
1533:
463:
Edition for clarinet and piano by Brent
Coppenbarger. Wiesbaden : Breitkopf & HĂ€rtel, 2000 (copyright 1990, Monteux: Musica Rara), score (45 pages) and part
123:
and
Crusell went with him. Although Crusell spent most of the rest of his life in Sweden, he always considered himself a Finn. In his final years in a letter to
127:
he called himself a "finsk landsman" (a fellow Finn; note that "Finn" at the time did not refer to the language). He maintained his travel diaries in
Swedish.
401:
362:
Crusell was skilled with languages, translating the important Italian, French, and German operas for performances in Sweden. His translation of Mozart's
199:
playing. Exactly when he did this is not well established, but he may have favored the reed-above position because of a lack of evenness in his teeth.
1459:
539:
Edition for clarinet and piano, with cadenza, by Jost Michaels. Hamburg: Sikorski, ca. 1962, plate H.S.549, cat. no. 549, score (35 pages) and part
184:
109:
In 1788, when he was thirteen, another family friend, aware of the young man's natural ability, took him to see Major O. Wallenstjerna at Sveaborg (
102:. His innate interest in music continued, and he learned to play a friend's clarinet by ear. He soon began to receive training from a member of the
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children, but Bernhard was the only one who lived to become an adult. Later in life Crusell described this period of his life, writing in the
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Arrangement for bassoon and piano by Harri Ahmas. Helsinki: Musiikki Fazer Musik, 1984, FM 06658-9, score (33 pages) and part (8 pages)
3188:
597:
Edition for clarinet and piano by Pamela Weston. Vienna: Universal Edition, 1988, cat. no. 18267, score (36 pages) and part (12 pages)
167:, on his return trip to Sweden, he performed in Helsinki on 7 July 1801, with the pianist Fredrik Lithander as his accompanist, and in
1224:(Twelve Songs from the Frithiof's Saga), translated from Swedish by Gottlieb Mohnike. Leipzig : C.F. Peters, , score (28 pages)
400:(Bernhard Crusell's place of birth). The festival is dedicated to music for woodwind instruments. Crusell Week's Artistic Director is
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221:. His Grenser clarinet was an advanced design for the time, with eleven keys. (A picture of Crusell's Grenser clarinet can be found
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1939:
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for bassoon has remained relatively obscure because of the loss of the full score. It is nevertheless a fine and interesting work.
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1878:
898:
Arrangement for 3 clarinets and bass clarinet by BĂ©la KovĂĄcs. Leverkusen: Edition Darok, ca. 1996, score (20 pages) and 4 parts
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1603:
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2015:
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playing. "It is indicative of his reputation that he was for many years the best-paid musician in the court orchestra."
554:
Edition for clarinet and piano by Pamela Weston. Vienna: Universal Edition, 1991, score (29 pages) and part (11 pages)
474:
Edition for clarinet and piano by Pamela Weston. Vienna: Universal Edition, 1990, score (30 pages) and part (11 pages)
2105:
1763:
1408:
566:
203:
3092:
1947:
1787:
1643:
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Completed in 1808? or 1810; published Leipzig, A. KĂŒhnel, 1811, plate no. 907 (after 1814 reprinted by C. F. Peters).
3208:
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possesses five clarinets made by Grenser & Wiesner in 1822 or later, four with eleven, and one with ten keys.
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works, not only for his own use, but also for other wind players in the court orchestra. In 1811 he travelled to
156:
64:, into a poor family of bookbinders. His grandfather, Bernhard Kruselius had learned the trade of bookbinding in
2007:
424:
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1521:
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and composing pieces for male choir. In 1822 he published three volumes of songs to texts by the Swedish poet
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2995:
1829:"Bernhard Henrik Crusell (1775â1838). Swedish-Finnish clarinetist, composer and translator." at Mozart Forum
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Edition by Kurt Meier. Winterthur: Amadeus/Bernhard PĂ€uler, 2002, miniature score (16 pages) and 4 parts
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Transcription for oboe in C major by Kurt Meier. Winterthur: Amadeus, 2002, score (16 pages) and 4 parts
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Three progressive clarinet duets, London: Hinrichsen Edition, 1960, score (3 volumes score and 3 parts)
286:
40:
clarinetist, composer and translator, "the most significant and internationally best-known Finnish-born
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Manuscript edition by Lyle T. Barkhymer (Indiana University), 1975, score (pp. 53â91) and 4 parts
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2236:
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Piano reduction by Ludwig Anton Edvard Passy. Stockholm: Westerberg, , score (52 pages, "obl. fol.")
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where he established a relationship with the music publisher Bureau de Musique, which became part of
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Crusell lived in Sweden for the rest of his life, going back to Finland only once. After a trip to
41:
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2721:
2138:
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Bernhard Henrik Crusell : klarinettisten och hans större instrumentalverk / Fabian Dahlström
1139:
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Hamburg: Musikverlag Hans Sikorski, 1983, plate H.S. 1263 K, score (23 pages) and part (7 pages)
657:
Piano reduction. Amsterdam: KaWe, 1981; plate KW50a, score (18 pages); plate K.51W, 3 solo parts
419:
Dates of composition and first publication and other information are from Asiado, Dahlström, and
354:), was first performed in Stockholm in 1824 and was repeated 34 times in the following 14 years.
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After the edition by Bernhard PĂ€uler. Winterthur: Amadeus, 2006, score (15 pages) and 4 parts
176:
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2391:
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372:, an association of literary academics in Sweden. In 1837 he was awarded a gold medal by the
124:
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2026:. Note: Includes extracts from Crusell's diaries of journeys abroad in 1803, 1811 and 1822.
1458:). He died in Stockholm. His dual Swedish-Finnish nationality is based on Fabian Dahlström,
925:
After the edition by Bernhard PĂ€uler. Winterthur: Amadeus, 2006, score (16 pages) + 4 parts
582:
Composed ca. 1807?, later revised and published Leipzig, C. F. Peters, 1829, plate no. 2077.
260:), not even one had any negative comment. Carl Abraham Mankell (1802â1868), music critic of
256:, among others. Of more than 50 known concert reviews (most of which appeared in the German
142:(Royal Court Orchestra), which was directed by his composition teacher, the German composer
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8:
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Solo bassoon part and composer's piano reduction published by Emerson Edition, edited by
300:
143:
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2466:
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2301:
612:
Urtext Edition for clarinet and piano by Nicolai Pfeffer. Munich: Henle, 2015, cat. no.
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Urtext Edition for clarinet and piano by Nicolai Pfeffer. Munich: Henle, 2015, cat. no.
2984:
2831:
2766:
2671:
2601:
2586:
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Helsinki, Fennica Gehrman Oy, 2015: score (87 pages) and parts, ISMN 979-0-55011-250-6.
364:
189:
78:
2776:
993:
Quartet in D major for flute, violin, viola and cello, Op. 8 (Edition Peters EKB 056)
183:. On 2 June, with the encouragement of LefĂšvre, he purchased a new mouthpiece made by
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Published Ampleforth, Yorkshire: Emerson Edition, 1980, score (22 pages) and 2 parts
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Recorded by Graham Sheen and Elizabeth Burley on SFZ Music CD "Goodbye, Mr Galliard"
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Edition by Bernhard PĂ€uler. Winterthur: Amadeus, 2003, score (15 pages) and 5 parts
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1961:
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Edition by Bernhard PĂ€uler. Winterthur: Amadeus, 2005, score (8 pages) and 3 parts
265:
214:
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on 30 July, in a concert organized by the orchestra of the Turku Society of Music.
110:
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Helsinki: Suomalaisen Musiikin Tiedotuskeskus, 1991, score (25 pages) and 3 parts
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373:
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Composed 1821?; published Leipzig, C. F. Peters, 1823, cat. nos. 1723 and 1783B.
3049:
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2401:
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2211:
2201:
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741:
Alternate title: Introduction and Variations for Clarinet and Orchestra, Op. 12
295:. In 1803 while in Paris Crusell studied composition at the Conservatoire with
164:
33:
2346:
2071:
2067:
1123:
Arrangement by Stig Rybrant. Lidingö: Busch, 2007, score (12 pages) and parts
277:
3137:
2836:
2771:
2706:
2561:
2516:
2261:
2256:
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2196:
1957:
594:
Edition for clarinet and piano by Bieger/ Foerster. New York: Edition Peters.
377:
319:
304:
241:
1965:
1929:
530:
First performed 1815; published Leipzig, C. F. Peters, 1817, plate no. 1335.
95:
2781:
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Recorded by Knut Sonstevold and Stefan Lindgren on Daphne CD "Fagottissimo"
835:
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57:
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21:
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1229:
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984:
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949:
849:
Also: : British Double Reed Society, ca. 1993, score (21 pages) and part
828:
784:
722:
702:
662:
651:
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559:
483:
468:
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331:
2031:
1996:
1293:
823:. London: Park Publications, 1985, score (35 pages) and part (10 pages)
632:
First performed 1804; revised and published Leipzig, C. F. Peters, 1830.
276:
Between 1791 and 1799 Crusell studied music theory and composition with
146:. In 1798 he received financial assistance which enabled him to live in
2933:
2536:
1253:
1518:
Biography of B. H. Crusell at the Crusell Society website (in Finnish)
1136:
Divertimento in C major for oboe, two violins, viola and cello, Op. 9
2876:
2281:
2221:
2100:
1403:
871:
Quartet in E-flat major for clarinet, violin, viola and cello, Op. 2
812:
for clarinet and orchestra above. It is an entirely different piece.
292:
233:
196:
120:
69:
1373:
Motive from "Tusen och en natt". Helsingfors, 1909, score (4 pages)
2968:
1634:. Suomalaisen Kirjallisuuden Seuran toimituksia, Tieto. Library of
420:
99:
91:
45:
1271:"From Ganges' beauteous strands" for voice, clarinet & piano
626:
in B-flat major, for clarinet, horn, bassoon and orchestra, Op. 3
150:
for a few months and study with the well-known German clarinetist
2943:
2130:
327:
308:
218:
115:
61:
959:
Quartet in D major for clarinet, violin, viola and cello, Op. 7
913:
Quartet in C minor for clarinet, violin, viola and cello, Op. 4
1304:
Swedish title: "Hell dig, du höga Nord!" ("Hail, O Northland!")
616:, score (32 pages) and part (12 pages), ISMN 979-0-2018-1210-6.
569:, score (31 pages) and part (11 pages), ISMN 979-0-2018-1209-0.
517:, score (31 pages) and part (11 pages), ISMN 979-0-2018-1208-3.
326:, providing them with arrangements of marches and overtures by
249:
147:
44:
composer and indeed, â the outstanding Finnish composer before
1336:; translated by Ulrik Emanuel Mannerhjerta and G. Lagerbjelke.
368:, first performed in 1821, resulted in his induction into the
1989:
The solo clarinet works of Bernard Henrik Crusell (1775â1838)
1143:
1036:
1035:
Arrangement ("Sonata") for flute and piano by Timo Hongisto.
629:
Movements: Allegro â Andante sostenuto â Allegro ma non tanto
579:
Movements: Allegro risoluto â Andante moderato â Alla polacca
168:
65:
37:
1149:
Dates: published Leipzig, C. F. Peters, 1823, cat. no. 1728.
2938:
1836:
Historical dictionary of the music and musicians of Finland
1249:
771:
Winterthur: Amadeus, 1992, score (15 pages) part (7 pages)
73:
1936:
Skrifter utgivna av Svenska litteratursÀllskapet i Finland
1238:, Stockholm: Elkan & Schildknecht, , score (35 pages)
1054:
Three clarinet duets: No. 1 in F major, No. 2 in D minor (
638:
Amsterdam: KW-Verlag, 1961, score (68 pages) and 22 parts
527:
Movements: Allegro â Andante pastorale â Rondo. Allegretto
1788:
Edition Peters â Clarinet Quartet in D Major, [Op. 7]
1534:
Composer Bernhard Henrik Crusell (1775â1838) (in Finnish)
1506:
Biography of B. H. Crusell at the Crusell Society website
1834:
Hillila, Ruth-Esther and Barbara Blanchard Hong (1997).
1310:
Probably Crusell's most famous composition in Finland.
999:
Composed 1821?; published Leipzig, C. F. Peters, 1823.
916:
Composed 1804?; published Leipzig, C. F. Peters, 1817.
688:
Concertino in B-flat major, for bassoon and orchestra
1604:"Keski-Euroopan matkapĂ€ivĂ€kirjat 1803â1822 (Crusell)"
751:(Variations on the song: "Dear boy, empty the glass")
1976:. Uusikaupunki: Crusell-Society. Language: Finnish.
1876:
Sadie, Stanley, ed.; John Tyrell; exec. ed. (2001).
1812:
Edition Peters â Progressive Duets for Two Clarinets
1658:
Weston, Pamela (2001). "Tausch, Franz (Wilhelm)" in
691:
Completed and published Leipzig, C. F. Peters, 1829.
1501:
1499:
874:
Composed 1807?; published Leipzig, A. KĂŒhnel, 1811.
357:
1511:
1484:biography of Crusell by Tel Asiado at Mozart Forum
744:Based on a popular song "Supvisa" by Olof Ă
hlström
318:From 1818 to 1837 during the summers he conducted
1776:Edition Peters â Clarinet Quartet in c minor Op.4
1589:Dahlström, Fabian (2001). "Crusell, Bernhard" in
1434:Crusell's given names are also sometimes spelled
1339:First performed in Stockholm on 18 February 1824.
709:; reprint : Warner/Chappell Music Finland, 1995,
206:offered Crusell a position as first clarinetist.
3135:
2061:Biography at the Finnish Crusell Society website
1927:
1496:
1345:Held at Stockholm's Kungliga Teaterns Bibliotek.
1879:The new Grove dictionary of music and musicians
1039:: Fazer Music, 1990, score (44 pages) and part
439:Movements: Allegro â Adagio â Rondo. Allegretto
346:, with ten songs to texts by Tegnér. An opera,
2004:Bernhard Crusell: tonsÀttare, klarinettvirtuos
1800:Edition Peters â Flute Quartet in D Major Op.8
1256:: Lose & Olsen, no date, score (28 pages)
524:Clarinet Concerto in F minor, Op. 5 ("Grand")
303:. He composed pieces, including concertos and
2146:
2006:. Stockholm: Kungliga Musikaliska Akademien (
1764:Edition Peters â Quartet in E flat Major Op.2
1285:Originally for soprano and chamber orchestra.
16:Finnish composer and clarinettist (1775â1838)
1596:
1190:Published Stockholm, 1822, 3 volumes. Vol 1
749:Variationer pÄ visan: Goda gosse, glaset töm
380:, for service to the state and society. The
90:When Crusell was eight, the family moved to
2126:Swedish Musical Heritage - Bernhard Crusell
1585:
1583:
1581:
1579:
1577:
1575:
1573:
1571:
1389:
2153:
2139:
591:Edited by Mayer. New York: Edition Peters.
576:Clarinet Concerto in B-flat major, Op. 11
130:
51:
2049:International Music Score Library Project
1631:Keski-Euroopan matkapĂ€ivĂ€kirjat 1803â1822
1558:
1556:
1554:
1552:
1550:
1548:
1546:
1544:
1542:
1520:. (For the translation of the quote, see
1215:Published Stockholm, 1826; enlarged 1827.
509:Urtext Edition for clarinet and piano by
436:Clarinet Concerto in E-flat major, Op. 1
430:
387:
2066:History of the genesis of the concertos
1940:Society of Swedish Literature in Finland
1903:Berndt Henric Crusellin 150-vuotismuisto
1568:
1478:
1476:
1474:
1472:
414:
342:and others, and in 1826 another volume,
20:
271:
32:(15 October 1775 â 28 July 1838) was a
3136:
2111:Svenska litteratursÀllskapet i Finland
1745:Crusell Music Festival â Uusikaupunki.
1539:
1414:Svenska litteratursÀllskapet i Finland
1301:"Oi terve Pohjola!" for vocal quartet
1061:Published Leipzig, C. F. Peters, 1821.
384:holds two manuscript autobiographies.
2134:
2087:Crusell Music Festival â Uusikaupunki
1469:
1222:Zwölf GesÀnge aus der Frithiof's Saga
738:, for clarinet and orchestra, Op. 12
1855:The clarinet in the classical period
1334:René Charles Guilbert de Pixérécourt
754:Revised and published Leipzig, 1830.
3012:Tchaikovsky and the Belyayev circle
1974:Bernhard Henrik Crusell (1775â1838)
1857:. Oxford: Oxford University Press.
1342:Excerpts published Stockholm, 1824.
13:
2160:
1316:
1089:) for clarinet, horn, and bassoon
14:
3235:
3189:Finnish people of Swedish descent
2038:
1991:. ThesisâUniversity of Maryland.
1067:Edition Peters, cat. no. EP 7780.
968:Edition Peters, cat. no. EKB 040.
922:Edition Peters, cat. no. EKB 039.
880:Edition Peters, cat. no. EKB 019.
808:This work is often confused with
805:for bassoon and orchestra (1814)
3219:Swedish male classical composers
3184:Finnish male classical composers
3164:19th-century classical composers
3154:18th-century classical composers
3117:
3108:
3107:
1921:
1821:
1206:(10 songs), for voice and piano
865:
513:. Munich: Henle, 2016, cat. no.
358:Other accomplishments and awards
3199:Recipients of the Order of Vasa
2106:Biografiskt lexikon för Finland
2079:of the clarinet concertos with
2045:Free scores by Bernhard Crusell
1805:
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1409:Biografiskt lexikon för Finland
258:Allgemeine musikalische Zeitung
157:Allgemeine musikalische Zeitung
3174:Finnish classical clarinetists
2008:Royal Swedish Academy of Music
1987:Spicknall, John Payne (1974).
1527:
1428:
1396:
1171:
291:, when Böritz was resident in
1:
3194:Pupils of Georg Joseph Vogler
2119:NBN:fi:sls-4496-1416928957102
1882:, 2nd ed. London: Macmillan.
1422:NBN:fi:sls-4496-1416928957102
1236:Tolf sÄnger ur Frithiofs saga
396:has been held each summer in
1905:. Uusikaupunki: the author.
1606:(in Finnish). Archived from
1562:
280:and another German teacher,
7:
3214:Swedish classical composers
3179:Finnish classical composers
3169:19th-century male musicians
3159:18th-century male musicians
3055:Gothic Revival architecture
2109:(in Swedish). Helsingfors:
1814:. Accessed 31 October 2016.
1802:. Accessed 31 October 2016.
1790:. Accessed 31 October 2016.
1778:. Accessed 31 October 2016.
1766:. Accessed 31 October 2016.
1684:
1443:
1412:(in Swedish). Helsingfors:
810:Introduction et Air suedois
747:First performed in 1804 as
736:Introduction et Air suedois
427:), unless otherwise noted.
10:
3240:
2996:Neue Zeitschrift fĂŒr Musik
2171:List of Romantic composers
1659:
1590:
1463:
1460:"Crusell, Bernhard Henrik"
1362:Libretto, Stockholm, 1824
382:National Library of Sweden
376:and was inducted into the
3087:
3032:
2977:
2911:
2890:
2177:
2168:
2055:Biography at Mozart-Forum
1928:Fabian Dahlström (1976).
1732:
1720:
1708:
1696:
1671:
1524:). Accessed 8 March 2010.
1493:Accessed 31 January 2010.
1307:Also arranged for chorus.
1274:From incidental music to
585:Duration: ca. 25 minutes.
533:Duration: ca. 24 minutes.
445:Duration: ca. 22 minutes.
208:Gustav IV Adolf of Sweden
3017:Tchaikovsky and The Five
2092:11 December 2013 at the
1938:(in Swedish). Helsinki:
1853:Rice, Albert R. (2003).
1750:11 December 2013 at the
1536:. Accessed 8 March 2019.
1508:. Accessed 8 March 2010.
1390:Citations and references
204:Théùtre-Italien de Paris
98:about 23 miles north of
3209:Swedish autobiographers
1972:Kallio, Ilmari (1994).
1901:Winter, Helmer (1925).
1754:Accessed 11 March 2010.
131:Career as a clarinetist
94:, the rural village of
52:Early life and training
30:Bernhard Henrik Crusell
25:Bernhard Crusell (1826)
3224:Swedish-speaking Finns
3040:Common practice period
2010:). Language: Swedish.
1636:Ă
bo Akademi University
431:Soloist with orchestra
388:Crusell Music Festival
227:Stockholm Music Museum
114:
88:
26:
2002:Wilson, Sven (1977).
1699:, pp. 30, 166â7, 223.
1327:The Little Slave Girl
1280:The little bondswoman
415:List of musical works
398:Uusikaupunki, Finland
352:The Little Slave Girl
202:Around this time the
83:
24:
3077:Romantic nationalism
3023:War of the Romantics
1827:Asiado, Tel (2004).
1348:Other publications:
1276:Den lilla slafvinnan
1218:Other publications:
1152:Other publications:
1064:Other publications:
1058:), No. 3 in C major
1002:Other publications:
996:Arrangement of Op. 7
965:Other publications:
919:Other publications:
877:Other publications:
757:Other publications:
694:Other publications:
635:Other publications:
624:Sinfonia concertante
588:Other publications:
536:Other publications:
448:Other publications:
272:Career as a composer
179:at the newly formed
56:Crusell was born in
3072:Musical nationalism
2990:Musical nationalism
1838:. Westport, Conn.:
1489:8 July 2009 at the
1329:), opera in 3 acts
177:Jean-Xavier LefĂšvre
60:(Swedish: Nystad),
3204:Romantic composers
2985:Indianist movement
2903:Romantic orchestra
2101:"Bernhard Crusell"
1610:on 23 October 2014
1404:"Bernhard Crusell"
365:Le nozze di Figaro
72:, then settled in
27:
3131:
3130:
3002:New German School
2597:Felix Mendelssohn
2592:Fanny Mendelssohn
2016:978-91-85428-07-6
1888:978-1-56159-239-5
1863:978-0-19-514483-3
1848:978-0-313-27728-3
1723:, pp. 166â7, 255.
715:978-951-757-485-3
496:978-3-7024-1558-7
262:Svenska Tidningen
106:regimental band.
3231:
3121:
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3007:Post-romanticism
2872:Vaughan Williams
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2929:Chorale prelude
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673:; reprint 1985
511:Nicolai Pfeffer
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2978:Other topics
2802:J. Strauss I
2692:Rachmaninoff
2447:Gretchaninov
2321:
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2003:
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1612:. Retrieved
1608:the original
1598:
1565:, pp. 48â50.
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1332:Libretto by
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836:Graham Sheen
821:Graham Sheen
814:Airs suedois
813:
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803:Airs suedois
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623:
418:
402:Jussi SÀrkkÀ
394:Crusell Week
393:
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313:C. F. Peters
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138:
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79:third person
58:Uusikaupunki
55:
29:
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18:
3149:1838 deaths
3144:1775 births
3045:Romanticism
2827:Tchaikovsky
2762:R. Schumann
2757:C. Schumann
2742:Saint-Saëns
2637:Niedermeyer
2527:Leoncavallo
2497:Kalkbrenner
2272:Bortkiewicz
1252:: Gleerup;
1178:SĂ„ngstycken
1172:Vocal works
405: [
285: [
278:Abbé Vogler
188: [
144:Abbé Vogler
139:Hovkapellet
3138:Categories
3033:Background
2934:Intermezzo
2867:Wieniawski
2847:Vieuxtemps
2812:R. Strauss
2737:Rubinstein
2662:Paderewski
2632:Mussorgsky
2627:Moszkowski
2602:Mercadante
1966:Q113528513
1614:23 October
1254:Copenhagen
1187:and others
1180:("Songs")
1140:Free score
266:pianissimo
96:NurmijÀrvi
2647:Offenbach
2622:Moscheles
2617:Moniuszko
2612:Meyerbeer
2567:Marschner
2552:MacDowell
2367:Donizetti
2312:Cherubini
2302:Chaminade
2227:Beethoven
2212:Balakirev
2202:Atterberg
2180:musicians
2024:185869706
1982:246856237
1958:0039-6842
1915:249964610
1896:419285866
1711:, p. 255.
1674:, p. 166.
1456:249964610
1368:186783678
1357:497781417
1262:473459716
1209:Texts by
1196:187016006
1183:Texts by
1161:164935031
1129:315794765
1118:314684689
1114:427966254
1106:150238464
1102:218898550
1087:Potpourri
1076:221151418
1026:519199702
1022:163139099
977:216912237
939:317648992
935:219816803
931:143629861
904:493914889
893:219822346
889:143629504
855:315579789
793:316294677
781:316294677
777:496748832
766:271806031
707:472360592
679:314418643
671:314306269
667:495858539
644:473737390
603:277176313
549:221334057
545:277176309
504:316025438
488:369133146
480:277190887
324:Linköping
315:in 1814.
293:Stockholm
234:Beethoven
197:cantabile
121:Stockholm
70:Stockholm
42:classical
3113:Category
3090: â
2969:Symphony
2832:Thalberg
2797:Spontini
2772:Sibelius
2767:Scriabin
2752:Schubert
2747:Sarasate
2712:Respighi
2707:Reinecke
2667:Paganini
2577:Massenet
2572:Masarnau
2557:Madetoja
2502:Kreisler
2492:Kalivoda
2437:J. Gomis
2422:Glazunov
2417:Giuliani
2307:Chausson
2297:Chadwick
2287:Bruckner
2090:Archived
1962:Wikidata
1911:58221891
1898:(eBook).
1871:52514349
1748:Archived
1638:. 2010.
1487:Archived
1452:58221891
1446:, 1925,
1379:58237418
1244:16449386
1230:35515659
1098:69664938
1045:66487836
1030:52367998
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981:56612024
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829:83527195
785:29937522
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703:12886100
663:11704272
652:21900633
648:71483351
607:29756553
560:26218888
484:24315821
469:66044639
458:34351150
421:WorldCat
125:Runeberg
100:Helsinki
92:Perttula
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3103:â
3065:Science
2944:Mazurka
2919:Ballade
2852:VoĆĂĆĄek
2822:TĂĄrrega
2817:Taneyev
2777:Smetana
2732:Rossini
2687:Puccini
2682:Prudent
2642:Nielsen
2607:MĂ©reaux
2582:Medtner
2547:Lysenko
2517:Lachner
2482:Joachim
2462:Herbert
2382:Farrenc
2347:Delibes
2322:Crusell
2267:Borodin
2257:Berwald
2247:Berlioz
2237:Bennett
2232:Bellini
2217:Bazzini
2197:Arensky
2072:Opus 11
2051:(IMSLP)
2047:at the
2032:4882756
1997:5665626
1294:7818366
614:HN 1210
567:HN 1209
515:HN 1208
328:Rossini
309:Leipzig
305:chamber
242:Krommer
219:Dresden
116:Viapori
111:Finnish
62:Finland
38:Finnish
34:Swedish
3123:Portal
3060:Poetry
2912:Genres
2857:Wagner
2837:Tobias
2702:Reicha
2677:Popper
2657:Pacini
2652:Onslow
2562:Mahler
2542:Lumbye
2507:Kuhlau
2487:Joplin
2477:Hummel
2467:HĂ©rold
2457:Halévy
2442:Gounod
2427:Glinka
2407:Franck
2402:Foster
2372:DvoĆĂĄk
2362:d'Indy
2352:Delius
2332:Czerny
2317:Chopin
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2277:Brahms
2252:Bertin
2242:BĂ©riot
2068:Opus 5
2030:
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1685:Asiado
1642:
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1444:Winter
1440:Henric
1436:Berndt
1377:
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301:Berton
297:Gossec
252:, and
250:Mozart
246:Lebrun
148:Berlin
104:Nyland
3050:Chess
2882:YsaĂże
2862:Weber
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2787:Sousa
2672:Paine
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2537:Loewe
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2387:Fauré
2377:Elgar
2357:Denza
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2222:Beach
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2192:Alkan
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1144:IMSLP
1056:score
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336:Weber
332:Spohr
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169:Turku
66:Turku
2939:Lied
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2717:Ries
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2522:Lalo
2187:Adam
2070:and
2028:OCLC
2020:OCLC
2012:ISBN
1993:OCLC
1978:OCLC
1954:ISSN
1944:ISBN
1907:OCLC
1892:OCLC
1884:ISBN
1867:OCLC
1859:ISBN
1844:ISBN
1733:Rice
1721:Rice
1709:Rice
1697:Rice
1672:Rice
1640:ISBN
1616:2014
1522:Talk
1482:See
1448:OCLC
1438:and
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1364:OCLC
1353:OCLC
1290:OCLC
1258:OCLC
1250:Lund
1240:OCLC
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