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conflict of his instinctive love of placidity and calm with a somewhat forced and borrowed energy in figures where energy is demanded, his conservatism in the matter of storied and minutely diversified backgrounds to judge of these qualities of the master as they are, it is necessary to study first the great series of his frescoes and altarpieces at the
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But to judge of his real powers and peculiar ideals, his system of faint and clear colouring, whether in fresco, tempera or oil; his somewhat slender and pallid types, not without something that reminds us of northern art in their
Teutonic sentimentality as well as their fidelity of portraiture; the
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at Milan. Borgognone is considered a modestly talented painter with marked individuality. He holds an interesting place in the most interesting period of
Italian art.
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230:(1351–1402), with his three sons, presents a model of the Certosa di Pavia to the Virgin (
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s – 1523/1524) was an
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His fame is principally associated with his work at the
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