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Beauvais Manufactory

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224: 276: 242:, 22 July 1726, replacing the unsatisfactory Jacques Duplessis. When MĂ©rou was dismissed in 1734 for falsifying the accounts, for the first time the manufacture was directed by an artist, since Oudry's financial backer, Nicolas Besnier, a goldsmith of Paris, was wise enough not to interfere with the artistic production, and the partnership lasted until 1753. Oudry was simultaneously inspector of the works at Gobelins. At Beauvais he reorganized the training of the young workers and turned out designs and constantly renewed borders: the 335: 17: 912: 125: 598: 370:
or the foreign ministry should have launched new successes for Beauvais, but Oudry's death, 30 April 1755, and Boucher's defection to the Gobelins factory the same year, initiated a period of stagnation, while the old designs were repeated, and then decline. At the
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and landscape tapestries, which are known through chance notations in royal accounts. He was arrested for his debts in 1684, and the workshops were refounded more successfully under Philippe Behagle, a merchant tapestry-manufacturer from
264:, for gifts to foreign ministers, an advertisement of French hegemony in the field of art and also a fine advertisement for the quality of the Beauvais manufacture. The king had the entire production of Gobelins at his disposal, but as 68:. Whereas the royal Gobelins Manufactory executed tapestries for the royal residences and as ambassadorial gifts, the manufacture at Beauvais remained a private enterprise. Beauvais specialised in 363:, the "Loves of the Gods", after paintings by Boucher delivered 1747–49; suites from among the nine subjects, though never all subjects in one suite, were being woven at Beauvais as late as 1774. 196:. On his death in 1705, the Beauvais manufacture was continued by his wife and son, and in 1711 by new proprietors, the brothers Filleul. Under Filleul ownership Beauvais produced suites of 375:
the workshops were temporarily closed, following a dispute between the weavers and the administration, and then were reopened, under State direction, making little but upholstery covers.
175:. Against mustard yellow grounds vases and baskets of fruit with birds, a specialty of Monnoyer's, are contrasted with lively figures, sometimes acrobats and dancers, sometimes from the 366:
A new partner, André-Charlemagne Charron, and increased royal support, with annual order for sets of hangings now with complete suites of furniture coverings, to be delivered to the
258:. Sets of tapestry covers for seat furniture were introduced, and in September 1737 it was decided that the King of France should purchase two sets of tapestry each year, for 10,000 72:
tapestry weaving, although the letters patent of 1664, authorising the company and offering royal protection, left the field open for the production of high-warp tapestry as well.
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were shown in the Salon of 1742;. It was unusual for the artist's sketches to be enlarged to provide cartoons, as in this case; the translation to cartoons was made by
303:, starting in 1737, a long series of six suites of tapestry hangings, forty-five subjects in all, constituting the familiar "Boucher-Beauvais" suites that embody the 609: 80:
The first entrepreneur, Louis Hinard, a native of Beauvais who had already established workshops in Paris, produced unambitious floral and foliate tapestries called
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points out, they were rather large, rather solemn and definitely old-fashioned. In 1739, for the first time, cartoons for Beauvais were exhibited at the
121:, began to be woven under Behagle and continued popular, with up-dated borders, into the eighteenth century, when the earliest series of archives begin. 1289: 1284: 1140: 741: 454:"an important event in the history of Beauvais, for it saved the workshops from ruin, and initiated their finest period." (Weigert 1962:129. 327:. The successful series was woven at Beauvais at least ten times between July 1743 and August 1775; in addition further copies were made at 602: 972: 1314: 1309: 783: 566: 1147: 795: 1274: 1264: 860: 643: 484: 911: 876: 710: 1294: 894: 667: 208:. Between 1722 and 1726, Beauvais was directed by Noël-Antoine de Mérou, and maintained showrooms in Paris, and in 680: 1269: 900: 319:, a further suite of six chinoiseries, now in a lighter, Rococo handling. Boucher's eight oil sketches for these 223: 615: 726: 188:
Behagle continued his private workshops in Paris, as had his predecessor. From these shops came the suite of
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pointed out that the actions were reversed, in order to appear the right way in tapestry. (Standen 1984:63).
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Important French and Continental Furniture, Ceramics and Carpets: Including an Important Beauvais Tapestry
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as well as animal combats, and a series of "Chinese" hangings that are a high point in the career of
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Edith A. Standen, "The 'Amours des Dieux': A Series of Beauvais Tapestries after Boucher"
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Oudry turned to other artists to supplement the tapestry cartoons he was producing; from
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which complemented a contemporaneous Gobelins suite showing episodes in the
1162: 1091: 260: 1238: 1134: 1020: 987: 753: 343: 269: 205: 1213: 936: 272:, another way of keeping the tapestry workshops before the public eye. 217: 124: 251: 158: 171: 169:, a painter attached to the Gobelins factory, were based on fanciful 133: 86: 65: 652: 213: 142: 49: 45: 89:, who had also worked in the traditional tapestry-weaving city of 1243: 238:
The great period of Beauvais tapestry begins with the arrival of
209: 90: 926: 597: 304: 53: 1228: 845: 621: 573:, Volume 1. Oxford: University Press, 2006, pp. 87–88. 515:
La Seconde 'Tenture Chinoise' tissée à Beauvais et Aubusson
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Kathryn B. Hiesinger, "The sources of François Boucher's
220:), for Beauvais found many commissions among foreigners. 161:. The cartoons, which were inspired by the engravings of 117:
tapestries, in the manner of village scenes painted by
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European Tapestry at the Minneapolis Institute of Arts
311:, a set of village festivals in settings evoking the 254:'s comedies, a renewed suite of perennially popular 101:, without directly competing with them. A suite of 349:Musée des Beaux-Arts et d'archéologie de Besançon 1256: 234:for which Oudry provided cartoons in the 1720s 637: 56:. It was the second in importance, after the 279:Beauvais tapestry upholsters seats given by 93:. Behagle's first successes were a suite of 742:Great Tapestry of Scotland: People's Panel 644: 630: 394:(London: Faber and Faber) 1962, pp 123-34. 571:The Grove Encyclopedia of Decorative Arts 416:Another weaving of this design is at the 403:The cartoons were by the battle painter 333: 274: 222: 123: 15: 540:The Philadelphia Museum of Art Bulletin 355:Boucher also designed for Beauvais the 1285:Manufacturing companies based in Paris 1257: 784:Hunting of Birds with a Hawk and a Bow 521:, (November 1990)173-84); C. Adelson, 295:'s designs Beauvais wove the suite of 1290:Arts and culture in the Ancien Régime 625: 137:" (detail), made under the Behagles, 796:The Justice of Trajan and Herkinbald 610:collections of the Mobilier national 165:and were carried out to cartoons by 491:by Boucher; the description in the 13: 861:Scottish royal tapestry collection 560: 14: 1326: 711:Christ in Glory in the Tetramorph 590: 910: 895:Walsall Silver Thread Tapestries 596: 359:and at the apex of the lot, the 973:Moravská Gobelínová Manufaktura 901:The World Trade Center Tapestry 548: 528: 507: 498: 473: 457: 448: 439: 426: 410: 397: 384: 28:, Beauvais tapestry,1697-1705. 1: 1315:Companies established in 1664 1310:1664 establishments in France 727:Devonshire Hunting Tapestries 681:Amnesty-Sís-Pinton Tapestries 485:Michel-François Dandré-Bardon 479:The subjects, from the suite 651: 586:. New York: Sotheby's, 2006. 250:, the hangings illustrating 128:Tapestry from the suite of " 7: 998:William Baumgarten & Co 608:Beauvais tapestries in the 525:, Minneapolis, 1994:322-42. 465:Metropolitan Museum Journal 368:Garde-Meuble de la Couronne 347:designs woven at Beauvais ( 325:Jean-Joseph Dumons de Tulle 10: 1331: 1275:Textile industry of France 1265:Tapestry-making operations 1193:Raffaello Sanzio (Raphael) 856:Scottish Diaspora Tapestry 814:Oseberg tapestry fragments 765:The History of Constantine 737:Great Tapestry of Scotland 418:Metropolitan Museum of Art 75: 64:, the finance minister of 1201: 1141:list of tapestry cartoons 1074: 1006: 945: 919: 908: 659: 567:Beauvais Tapestry Factory 341:, 1742, one of Boucher's 119:David Teniers the Younger 1219:Franses Tapestry Archive 732:Game of Thrones Tapestry 580:. London: P. Elek, 1946. 554:Standen 1984, pp. 63-84. 470:(1984, pp. 63-84) p. 63. 378: 181:in slender and fanciful 1295:17th-century French art 1082:Pieter Coecke van Aelst 790:Jagiellonian tapestries 616:Manufacture de Beauvais 603:Manufacture de Beauvais 198:The story of Telemachus 42:Manufacture de Beauvais 24:with Chinese scholars, 1270:Textile arts of France 1178:Jean-Baptiste Monnoyer 1148:Muriel Nezhnie Helfman 993:Royal Tapestry Factory 721:The Death of Polydorus 696:Bayeux Tapestry tituli 519:Gazette des Beaux-Arts 390:Roger-Armand Weigert, 352: 293:Charles-Joseph Natoire 288: 235: 167:Jean-Baptiste Monnoyer 146: 105:, following copies of 41: 29: 819:Överhogdal tapestries 771:Holy Grail tapestries 668:Adoration of the Magi 569:in Campbell, Gordon. 337: 283:as a wedding gift to 278: 232:Amusements Champêtres 226: 192:with the arms of the 163:Jean Bérain the Elder 127: 111:cathedral of Beauvais 95:Conquests of the King 62:Jean-Baptiste Colbert 22:Jesuit China missions 19: 1224:International Gothic 1117:Petronėlė Gerlikienė 1056:Margaretha Reichardt 1016:Pieter van Aelst III 841:Ros Tapestry Project 803:Lady and the Unicorn 605:at Wikimedia Commons 504:Standen 1984:64, 65. 405:Jean-Baptiste Martin 149:The great series of 103:Acts of the Apostles 58:Gobelins Manufactory 34:Beauvais Manufactory 1153:Else Marie Jakobsen 884:The Triumph of Fame 831:Pastrana Tapestries 825:Pastoral Amusements 777:Hunt of the Unicorn 704:Hunts of Maximilian 675:Apocalypse Tapestry 422:acc. no. 1977.437.1 407:(Weigert 1962:125). 240:Jean-Baptiste Oudry 230:from the series of 20:Astronomers of the 988:Pannemaeker family 866:Sheldon tapestries 809:New World Tapestry 716:Cloth of St Gereon 353: 321:Tentures chinoises 289: 236: 178:Commedia dell'arte 155:illustration, left 147: 107:Raphael's cartoons 30: 1252: 1251: 1183:Bernard van Orley 1128:Blind Man's Bluff 1031:John Henry Dearle 890:Valois Tapestries 749:Grödinge tapestry 686:Armada tapestries 601:Media related to 445:Weigert 1962:129. 373:French Revolution 339:La pêche chinoise 317:Nobles Pastorales 248:Country Pleasures 194:comte de Toulouse 1322: 1305:History of Paris 1188:François Quesnel 1168:Nancy Kozikowski 1087:François Boucher 1075:Tapestry artists 978:Morris & Co. 914: 877:Story of Abraham 836:Raphael Cartoons 646: 639: 632: 623: 622: 600: 555: 552: 546: 545:(1976), pp 7-23. 532: 526: 513:P.-F. Bertrand, 511: 505: 502: 496: 489:Amours de Psyché 477: 471: 461: 455: 452: 446: 443: 437: 434:Banque de France 430: 424: 414: 408: 401: 395: 388: 361:Amours des Dieux 309:Fêtes Italiennes 301:François Boucher 113:. The so-called 99:Life of the King 44:) is a historic 1330: 1329: 1325: 1324: 1323: 1321: 1320: 1319: 1255: 1254: 1253: 1248: 1197: 1070: 1008: 1002: 941: 915: 906: 851:Sampul tapestry 759:Hestia Tapestry 691:Bayeux Tapestry 655: 650: 593: 578:French Tapestry 576:Lejard, André. 563: 561:Further reading 558: 553: 549: 533: 529: 512: 508: 503: 499: 493:livret de salon 487:, and from the 481:Jason and Medea 478: 474: 462: 458: 453: 449: 444: 440: 431: 427: 415: 411: 402: 398: 392:French Tapestry 389: 385: 381: 357:Story of Psyche 246:, the suite of 228:Le Cheval fondu 190:Marine Triumphs 78: 12: 11: 5: 1328: 1318: 1317: 1312: 1307: 1302: 1297: 1292: 1287: 1282: 1277: 1272: 1267: 1250: 1249: 1247: 1246: 1241: 1236: 1234:Navajo weaving 1231: 1226: 1221: 1216: 1211: 1209:Byzantine silk 1205: 1203: 1199: 1198: 1196: 1195: 1190: 1185: 1180: 1175: 1170: 1165: 1160: 1158:Jacob Jordaens 1155: 1150: 1145: 1144: 1143: 1138: 1131: 1122:Francisco Goya 1119: 1114: 1109: 1104: 1099: 1094: 1089: 1084: 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Index


Jesuit China missions
French
tapestry
Beauvais
France
Gobelins Manufactory
Jean-Baptiste Colbert
Louis XIV
low-warp
Oudenarde
Tournai
Raphael's cartoons
cathedral of Beauvais
David Teniers the Younger

BĂ©rain
Grotesques
Kronborg
RĂ©gence
Jean BĂ©rain the Elder
Jean-Baptiste Monnoyer
grotteschi
Commedia dell'arte
comte de Toulouse
chinoiserie
Leipzig
Ratisbon
Regensburg

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