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pattern of the time only in the upper part, which has arcades and columns. Also differently from previous works, Lippi painted the Virgin as standing, and made her the central point of the composition. The size and placement of the figures is to show hierarchical importance.
167:. The shell-shaped niche in the background, a typical element of 15th century Florentine painting, and of Lippi in particular, is inspired by a niche in the Tribunale of the Mercanzie in Orsanmichele, designed by
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The angel on the left pulling up his garment is inspired by Nanni di Banco's group of the "Quattro
Coronati", a sculpture in a niche of Orsanmichele. Another element of innovation (introduced at the same time by
127:. The chapel was built in the old sacristy of the church and in 1433 it was decided to place an altarpiece there. The work was commissioned to Filippo Lippi around 1437, and a letter from
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on the right and St. Fridianus on the left. On the far left is a self-portrait of Lippi, identified as the young monk behind the balustrade.
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278:. Historical Dictionaries of Literature and the Arts (2 ed.). Rowman & Littlefield. p. 82.
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The painting remained in Santo
Spirito until 1810, when it was disassembled and brought to France by the
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Gherardo di
Bartolomeo Barbadori, who died childless in 1429, left his heritage to the Captains of
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An Angel
Foretells the Virgin Mary's Death to Her, with the Arrival of the Apostles
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208 cm × 244 cm (82 in × 96 in)
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that contains flow between each figure to depict a coronation.
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251:"The Early Style of Fra Filippo Lippi and the Prato Master"
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142:. After the 1815 restoration it was not given back.
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Paintings of the
Madonna and Child by Filippo Lippi
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Stories of Saint
Stephen and Saint John the Baptist
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189:in Florence. It includes three panels depicting
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303:De Vecchi, Pierluigi; Elda Cerchiari (1999).
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191:St. Fridianus Changing the Course of the
181:The work was originally accompanied by a
423:Madonna and Child with Angels and Saints
276:Historical Dictionary of Renaissance Art
202:St Augustine's Vision of the Holy Spirit
415:Penitent Saint Jerome with a Young Monk
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263:(3): 197–209 – via JSTOR.
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391:Enthroned Madonna and Child
274:Zirpolo, Lilian H. (2016).
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174:The kneeling saints are
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329:Page about the painting
534:(London; c. 1449–1459)
474:(Munich; c. 1443–1450)
249:Shell, Curtis (1961).
646:Filippino Lippi (son)
602:(Prato; c. 1455–1466)
555:Adoration of the Magi
526:(Parma; c. 1450–1455)
499:Alessandri Altarpiece
491:Michael the Archangel
439:Marsuppini Coronation
431:Martelli Annunciation
558:(c. 1440–1460; with
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455:Novitiate Altarpiece
399:Barbadori Altarpiece
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22:Barbadori Altarpiece
487:Saint Anthony Abbot
307:. Milan: Bompiani.
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615:Life of the Virgin
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133:Domenico Veneziano
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547:Mystical Nativity
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305:I tempi dell'arte
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57:oil on panel
682:Altarpieces
618:(1466–1469)
578:(1452–1465)
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466:(1441–1447)
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146:Description
661:Categories
233:References
103:. It is a
62:Dimensions
626:(c. 1470)
586:(c. 1463)
550:(c. 1459)
434:(c. 1440)
426:(c. 1440)
418:(c. 1439)
394:(c. 1437)
375:Paintings
169:Donatello
152:polyptych
183:predella
70:Location
634:Related
297:Sources
193:Serchio
111:History
402:(1438)
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74:Louvre
54:Medium
36:Artist
407:Pietà
383:Pietà
101:Paris
78:Paris
489:and
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360:e
353:t
346:v
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288:.
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