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brought up on a healthy diet of 60's pop rock and 70's punk. Some of these bands proved to be so good that they released their own CDs. Such is the case of Os
Skywalkers, Mákina du Tempo, Pipodélica and Gasolines. In addition to these bands Baratos also released an exceptionally fine album by Mopho, from Alagoas state, located in the northeast of Brazil, and a strong contender for best Beatles sound alike band of all time, but with its own updated take on the classic pop sound. All these bands leave nothing to their American and British counterparts. One listen is all it takes for rock aficionados worldwide to agree.
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collections. The first volume of the series mainly includes bands from São Paulo City, but volume two presents bands from other states and is a feast for those needing a healthy fix of fuzz guitar. The collections proved to be a testing ground for a new underground rock scene in SP populated by bands
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label created all kinds of obstacles to dissuade
Calanca from licensing the records for release, but, finally, in 1984, Baratos Afins received a batch of all five Mutantes´ albums, thus paving the way for a new generation of rockers (both Brazilian and international) to finally hear one Brazil's
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arranged with
Calanca to release his second solo album independently. Thus Baratos Afins history became forever intertwined with the (hi)story of rock in São Paulo. From then on the label released seminal albums by São Paulo's best upcoming underground rock acts: Fellini, Kafka, Vultos,
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Baratos began to slowly re-release its albums in CD form, thus reaching a new audience both inside and outside the country. The label also went back to releasing compilations, mainly the two volume
Brazilian Pebbles which showcases garage bands worthy of inclusion in the
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Baratos Afins is an indie record label operating in São Paulo City, Brazil. It was founded by Luiz
Calanca in 1978, first as a record shop and later as a label. The idea for the label came about when
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influence with jazz and
Brazilian music. His guitar playing was found on some of the most influential music coming out of Brazil in the late 60's and early 70's: the music of
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and transform it into an intoxicating new urban sound). His work was originally released on another label but was re-released by
Baratos, first in vinyl and then in CD.
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influence but
Baratos (as lovingly referred to by most record buying fans) did not intend to associate itself with any crowd in particular, and soon released the first
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and taken back to the US and consequently responsible for Tom Zé's discovery in the worldwide music market and his rehabilitation in Brazil's music scene), and
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brought together four new bands and was so well received that a second volume was put together. All these bands possessed a heavy
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Content in this edit is translated from the existing
Portuguese Knowledge article at ]; see its history for attribution.
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first and finest rock bands. Along with os
Mutantes the label also re-released long out of print albums by
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albums produced in Brazil: SP Metal, Volumes one and two. These albums included bands such as
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Baratos also released some rather tasty Brazilian jazz albums by trombonist
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The label also began a campaign to re-release albums by
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652:Mercenárias
607:Alta Tensão
532:In the 90's
506:David Byrne
493:Kurt Cobain
489:Os Mutantes
483:Re-releases
461:heavy metal
449:Mercenárias
440:Os Mutantes
678:Categories
292:newspapers
39:improve it
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580:Gal Costa
477:Sepultura
457:post punk
429:São Paulo
425:Brazilian
249:does not
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166:Consider
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663:See also
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394:Various.
190:provide
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381:Founder
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502:Tom Zé
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313:JSTOR
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578:and
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285:news
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