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83:-like fashion, but without the high d found on a bass lute. In fact, the barring is very close to an orpharion, and closer to contemporary lute than to cittern or guitar construction. This creates a proportion closer to present guitar tunings; typically C D G C E A, and occasionally a seventh low G string.
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calls for a "Pandora" in his
Consort Lessons. The term bandore and bandora were occasionally incorrectly applied to a Ukrainian folk instrument now more commonly known as the
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wrote many pieces for solo bandora. The multiple lute settings of
Pacoloni appear both with and without optional wire-strung instruments.
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120:(which term, once again, is found applied to a variety of stringed instruments in different regions at an early date).
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in
England around 1560, it remained popular for over a century. A somewhat smaller version was the
116:(q.v.). All these instruments are thought to derive their names originally from the ancient Greek
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During the
Renaissance there were no naming conventions and terms were used loosely. The Spanish
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100:, though this term was once also interchangeable, now applies to a treble instrument like a
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93:, an instrument with up to 68 strings that differs considerably from the bandora.
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is a large long-necked plucked string-instrument that can be regarded as a bass
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The bandora is frequently one of the two bass instruments in a
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The bandora, though built like a cittern, had six or seven
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Syntagma
Musicum Theatrum Instrumentorum seu Sciagraphia
63:, and it is also a solo instrument in its own right.
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44:typical of the cittern. Probably first built by
148:English, Leo James. Tagalog-English Dictionary
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104:- a similar confusion as has occurred with
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79:(unison pairs) of strings tuned in a more
231:, (Harmonie Park Press, Warren MI, 1992).
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218:The Complete works of Anthony Holborne
166:"ATLAS of Plucked Instruments - lutes"
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229:The Bandora: Its music and sources
224:, (Harvard University Press, 1967).
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170:www.atlasofpluckedinstruments.com
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59:as associated with the works of
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195:The Manual of Guitar Technology
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197:, p29, The Bold Strummer Ltd.
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40:though it does not have the
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611:Mandolin family instruments
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222:Music for Lute and Bandora
616:Early musical instruments
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434:
328:
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193:F. Jahnel and N. Clarke,
24:, Wolfenbüttel, 1620CE.
320:Society (Peterborough)
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71:Construction and type
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522:National Reso-Phonic
212:Masakata Kanazawa,
426:Resonator mandolin
329:Family instruments
315:Playing traditions
251:, CS.Dartmouth.edu
247:2007-02-03 at the
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20:illustration from
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227:Nordstrom, Lyle,
42:re-entrant tuning
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65:Anthony Holborne
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416:Octave mandolin
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249:Wayback Machine
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183:Consort Lessons
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293:General topics
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236:External links
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57:broken consort
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435:Manufacturers
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305:North America
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207:Bibliography
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462:Del Vecchio
605:Categories
557:Tanglewood
381:Mandocello
220:, Vol. 1,
137:"Bandore,
124:References
447:Breedlove
421:Orpharion
411:Mandriola
401:Mandolute
396:Mandolone
376:Mandobass
351:Bandurria
139:bandurria
98:bandurria
50:orpharion
46:John Rose
580:Category
517:National
472:Giannini
467:Epiphone
452:Collings
341:Bandolin
286:Mandolin
245:Archived
143:bandurya
102:mandolin
590:Commons
562:Weymann
542:Seagull
532:Ovation
482:Harmony
442:Beltona
406:Mandore
386:Mandola
361:Gittern
356:Cittern
346:Bandora
336:Bandola
310:Players
300:History
242:Bandora
151:. 1990.
118:pandura
114:mandola
110:mandora
106:mandore
91:bandura
77:courses
38:cittern
34:bandore
30:bandora
552:Tacoma
507:Martin
497:Ibanez
487:Hohner
477:Gibson
371:Laouto
547:Stagg
537:Regal
502:Levin
214:(ed.)
492:Hora
457:Dean
81:lute
28:The
145:".
32:or
607::
216:,
168:.
157:^
141:,
112:,
108:,
52:.
278:e
271:t
264:v
172:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
