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Bailey Quarters

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from creating promotions to writing news copy to news broadcasting. This progression confirmed that hard work and talent would be rewarded, reinforced values of equality and diversity, and provided female viewers with reassurance of seeing a friendly, supportive workplace, and a character that struggled to be assertive and to overcome shyness, succeeding in gaining the respect of her coworkers. Even insecure, shy and chauvinistic newsman Les learns to accept assistance in his job from a woman as he learns to respect Bailey's ability and also respect Bailey as a person.
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another dimension to develop. However, their relationship never seems to go further than the occasional date. (It is implied at the end of "For Love or Money" and "Mike Fright" that they have had at least casual sexual relations, though in both cases, it could be discounted as hyperbole.) In season four's "Rumors", when Johnny stays at Bailey's place for a few days, Bailey is infuriated by the gossip that they are sleeping together, disappointing Johnny, who was hoping that the rumors would come true.
22: 326:'s attentions; although he wishes her help in defecting to the U.S., the Russian is also smitten with her good looks. In the episode "Jennifer Falls in Love", Bailey enters a nearly daydream-like state when merely listening to Jennifer's description of her new blond repairman boyfriend named Steel, and is almost incapable of coherent conversation when she finally meets him. 209:, though it was still in its initial draft and Bailey had not committed to using it. It only becomes an issue when Les jealously plagiarizes it on the air. Eventually the professional relationship between Les and Bailey becomes less strained, with Les allowing her more freedom and input on the station's news reporting. During the episode " 386: 398:
in March 1966 representing the mid-60s, pre-hippie youth of America). The methodology with which the contrasts, differences and values between the traditional female character traits of Jennifer Marlowe and the more modern, liberal, feminist character traits of Bailey Quarters were drawn and explored
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Bailey Quarters is cited as an example of how 1970s' sitcoms reflected changing views of gender and women's roles in society and the workplace. One aspect of this is the expectation that women would be treated equally as men. The character of Bailey joined WKRP with a journalism degree and advanced
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In Bailey, male viewers saw a real woman who they could possibly actually have met and developed a relationship with, while Jennifer Marlowe was an idealized woman who did not really exist in the common experience of most male viewers. Bailey demonstrated that a woman could be smart and nerdy, but
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While her friend Jennifer dates mostly wealthy older men, Bailey seems to have a different taste in men, dating not only Johnny but also (in the episode "In Concert") a manic-depressive divinity student with a serious drinking problem. In the episode "The Americanization of Ivan", Bailey is the
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As the series goes on, Bailey becomes more assertive and more able to speak up for herself. She undergoes subtle changes in her hairstyle and appears in eyeglasses less and less. She becomes better at standing up to her nemesis Herb; in one episode, she throws lighted matches at Herb's polyester
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In the third season, Bailey and Fever are seen in the bullpen lounging on the couch together with Bailey's arm familiarly placed around Johnny's shoulders ("Out to Lunch"). By the fourth season, their relationship develops into what Smithers characterized as "more adult", giving both characters
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Her occasional references to her family suggest that she does not get along well with her parents, which may explain why she left Chicago. In one episode, she mentions that a visit home consists of relatives asking her if she's "Involved? Engaged? Pregnant?" In another episode, she attempts to
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Bailey Quarters is contrasted not only with the other principal female character, receptionist Jennifer Marlowe, but also with the male characters. In contrast to Jennifer, Bailey seeks recognition in a "man's" field of journalism for her work in that field. Jennifer and Bailey offer, in a
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suit, threatening to set it on fire. By the second season, she has evolved into a serious and dependable career-minded woman who brings "a measure of sanity" to the station. By the fourth season, she has developed to be on an equal footing with her co-workers.
311:. In the early episodes, it is suggested that Bailey looks up to Johnny as her mentor in the world of broadcasting, but that she also has a schoolgirl crush on him, which leads her to ask him out on a date in the second-season opener, "For Love or Money". 403:
a uniquely insightful and interesting production, with the character of Bailey Quarters becoming an everywoman feminist icon of the 1970s, expressing a less radical, and more realistic, feminism that many women viewers of the program could relate to.
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said that despite Smithers' lack of experience (she had never done a situation comedy before), she was perfect for the character of Bailey as he had conceived her: "Other actresses read better for the part," Wilson recalled, "but they were
178:. Her ambition is eventually to be a broadcasting executive, but though intelligent and talented, she was held back early on by her extreme shyness and fear of speaking up. In the earliest episodes, station manager 225:(which Bailey had attended and Les didn't), Les brings a depressed Bailey's spirits up by telling her "we're newsmen… well, newspersons" and telling her he needs her help to cover the story responsibly. 337:, with whom she often discusses relationship matters (such as obliquely referring to her crush on Johnny, or giving Jennifer advice on how to deal with Herb). She also has a strong friendship with 299:. Two generations of American males were judged by their answers to the question "Ginger or Mary Ann?" and "Jennifer or Bailey?", and both sets of women became cultural icons of their generations. 32: 330:
describe her relationship with her father, but is left speechless with anger. In a third episode, Mr. Carlson mentions that "I talked to Bailey's father and he said I could shoot her."
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takes over as the program director of WKRP. One of his first acts is to give Bailey more duties, including being an on-air news reporter, over the strenuous objections of sales manager
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characters, elements of the actor were incorporated into the character, giving the character more depth as the show went on. Although Bailey did not appear in the sequel series,
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Bailey Quarters was one of the first media examples of the popular naming convention of use of a surname as a female first name. For men it was Charles Patrick "Ryan" O'Neal.
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also exceptionally beautiful (Jan Smithers was a teen and fashion model in real life, including an iconic appearance on the cover of
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blonde-brunette dyad typical of sitcoms of the era, contrasting portrayals of female sexuality from opposite ends of the spectrum.
244:. In the episode "Circumstantial Evidence", while testifying in court, she starts complaining to the judge about the plight of baby 770:, pictured with a young man on a motorcycle in jeans as the idealization of just before the hippie movement broke out mid-60s youth 1005: 995: 745: 445: 285:), the blonde bombshell of the station. The relationship between Jennifer and Bailey has often been likened to that between 946: 898: 338: 824: 791: 690: 657: 630: 593: 478: 62: 856: 952: 210: 680: 617: 435: 849: 968: 262: 205:
scandal, Bailey writes a news story that is partly fictional, which could have cost the station its
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Wilson had based the character on Charters Smith, whom Wilson would eventually marry in 1979.
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and other activist causes. One episode begins with her circulating a petition against
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Television Without Pity: 752 Things We Love to Hate (and Hate to Love) About TV
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could not even remember who she was or whether "Bailey" was a man or a woman.
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Ginger or Mary Ann has been beaten to death. How about....Jennifer or Bailey?
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Jan Smithers appeared on the March 21, 1966 cover of Newsweek for Article
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Television Women from Lucy to Friends: Fifty Years of Sitcoms and Feminism
266:, it is revealed that she later left broadcasting and became the mayor of 252:. Some of these character traits came from the actress who played Bailey, 923: 918: 908: 202: 198: 194: 190: 170:
Bailey originally came from Chicago with a degree in journalism from The
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cast members who was the first choice for the role she played. Creator
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Wallowing in Sex: The New Sexual Culture of 1970's American Television
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explain the fiction more clearly and provide non-fictional perspective
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Krupnick, Jerry, "Despite dial-switching, WKRP keeps on surviving",
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Character on the television situation comedy WKRP in Cincinnati
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The Teenagers:A Newsweek Survey Of What They're Really Like
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Bailey Quarters (Jan Smithers) and Andy Travis (Gary Sandy)
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http://forum.bodybuilding.com/showthread.php?t=157634923
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describes a work or element of fiction in a primarily
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Castleman, Harry; Podrazik, Walter J (January 1982).
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America's Favorite Radio Station: WKRP in Cincinnati
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America's Favorite Radio Station: WKRP in Cincinnati
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She is originally in charge of just the billing and
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Duke University Press. p. 167. 733: 711: 581: 433: 845: 416: 1011:Fictional characters from Cincinnati 373:Cultural references and gender roles 15: 582:Kassel, Michael B. (Jun 15, 1993). 514:""WKRP returns for second season", 13: 712:Kesler, Jennifer (April 4, 2005). 14: 1027: 1016:Fictional characters from Chicago 652:. SUNY Press. pp. 220–221. 349:Jan Smithers was one of the few 302: 20: 806: 773: 754: 727: 705: 672: 639: 609: 575: 563: 549: 506: 493: 473:. SUNY Press. pp. 8, 20. 460: 389:Bailey Quarters (Jan Smithers) 1: 1006:Fictional radio personalities 996:WKRP in Cincinnati characters 410: 165: 816:The Last Word on First Names 786:. Quirk Books. p. 298. 685:. McGraw-Hill. p. 291. 154:. She was played by actress 7: 499:"Straight from the Heart", 434:Kassel, Michael B. (1993). 158:, and was based on creator 10: 1032: 969:The New WKRP in Cincinnati 263:The New WKRP in Cincinnati 932: 881: 819:. Macmillan. p. 21. 616:Spangler, Lynn C (2003). 605:– via Google Books. 133: 125: 120: 110: 98: 88: 83: 625:. Praeger. p. 140. 545:(February 4, 1982) p D10 189:, but that changes when 345:Casting and inspiration 121:In-universe information 734:Levine, Elana (2007). 390: 272:University of Michigan 242:Equal Rights Amendment 174:, where she graduated 388: 213:", when reporting on 172:Ohio State University 716:. The Hathor Legacy 619:Spangler, Lynn C.' 268:Ann Arbor, Michigan 223:Riverfront Coliseum 78:Fictional character 941:WKRP in Cincinnati 874:WKRP in Cincinnati 559:. 18 October 2012. 501:WKRP in Cincinnati 401:WKRP in Cincinnati 391: 197:and news director 151:WKRP in Cincinnati 91:WKRP in Cincinnati 978: 977: 747:978-0-8223-3919-9 588:. Popular Press. 447:978-0-87972-584-6 440:. 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Index

in-universe
help rewrite it
explain the fiction more clearly and provide non-fictional perspective
Learn how and when to remove this message
WKRP in Cincinnati

Jan Smithers
American
WKRP in Cincinnati
Jan Smithers
Hugh Wilson's
Ohio State University
summa cum laude
Arthur Carlson
station traffic
Andy Travis
Herb Tarlek
Les Nessman
Janet Cooke
broadcast license
In Concert
the tragedy at the December 3, 1979 concert
The Who
Riverfront Coliseum
environmentalism
nuclear power
Equal Rights Amendment
seals
dolphins
Jan Smithers

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