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The sculpture was created by Jacopo
Sansovino to decorate the garden of Giovanni Bartolini, in Florence, as part of a program of recovery of the forms of classical antiquity as was being promoted by the Neoplatonic Academy. It was later bought by
146:(who only arrived in the city in 1571 or 1572), and it was taken as a model for sculptors and painters. There are countless citations, drawings and printed reproductions and derivations of this sculpture in the most diverse materials.
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The statue evokes the pagan god
Bacchus, represented here as a young god who joyfully raises the bowl with which the ancients drank wine to the sky, while looking up smiling. He holds bunches of grapes with his right hand, and has a
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It is not clear if
Sansovino had a precise ancient model as a reference or if this was his own interpretation of the past. It seems likely that the artist was inspired by several works, including, as indicated by Daniela Gallo, the
164:(1897, 3 volumes), even mistook it for an ancient work, including it among the iconographies of Dionysus, although it had already been published by Gori in his repertoire of Florentine sculpture.
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In 1864 Perkins called it "one of the best statues ever conceived according to the ancient spirit", and French historian
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The current work was widely admired in
Florence and much better known than
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In 1762 it was seriously damaged by the fire in the west corridor of the
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Lives of
Seventy of the Most Eminent Painters, Sculptors and Architects
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for
Bacchus, and one of the Dioscuri di Montecavallo for the little
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hidden behind his right leg. It echoes works by his master sculptor
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268:, New York, Freferick W. Stokes & Brother, 1889, p. 185
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An
Outline History of Sculpture for Beginners and Students
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Bacchus, Documentation Center, Polo
Museale Firenze
181:and the classical works that he must have seen in
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162:Répertoire de la Statuaire Grecque et Romaine
281:, The University of Chicago, 2008, pp. 58-60
279:The Pygmalion Effect: From Ovid to Hitchcock
337:(original project of reconstruction, 1520s)
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117:and went to decorate his apartment in the
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92:is a marble sculpture by Italian artist
244:, New York, 1886, volume 4, pp. 311-312
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343:(original project, 1554, continued by
359:(reconstruction finished, 1552–1557)†
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185:, as well as the recent frescoes by
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462:Venetian Renaissance architecture
365:(façade, 1553–1554, finished by
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390:Palazzo Corner della Ca' Grande
98:National Museum of the Bargello
500:Sculptures by Jacopo Sansovino
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264:Clara Erskine Clement Waters,
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16:Sculpture by Jacopo Sansovino
386:(superintendency, 1529–1538)
76:Museo Nazionale del Bargello
67:146 cm (57 in)
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422:(original project, c. 1540)
353:(reconstruction, 1546–1610)
254:Bacchus, Web Gallery of Art
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515:Marble sculptures in Italy
510:Sculptures in the Bargello
428:(involvement, 1520s–1530s)
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525:Food and drink sculptures
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530:Fauns in popular culture
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398:(original project, 1536)
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505:Sculptures of Dionysus
414:Loggetta del Sansovino
199:Stanza della Segnatura
357:San Geminiano, Venice
335:San Marcello al Corso
277:Victor I. Stoichita,
168:Description and style
426:Palazzo della Loggia
396:Palazzo Dolfin Manin
197:in the vault of the
473:Francesco Sansovino
408:Biblioteca Marciana
367:Alessandro Vittoria
351:San Martino, Venice
328:religious buildings
195:Judgment of Solomon
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191:Apollo and Marsyas
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138:Michelangelo
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123:Michelangelo
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416:(1538–1546)
410:(1537–1588)
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489:Categories
436:Sculptures
384:Procuratie
363:San Zulian
217:References
189:, such as
160:, in is
64:Dimensions
447:(c. 1515)
201:(1508).
193:and the
115:Cosimo I
102:Florence
80:Florence
72:Location
455:Related
444:Bacchus
369:, 1570)
187:Raphael
143:Bacchus
108:History
89:Bacchus
22:Bacchus
151:Uffizi
58:Marble
36:Artist
475:(son)
211:satyr
175:satyr
100:, in
183:Rome
129:and
54:Type
49:1515
46:Year
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311:e
304:t
297:v
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