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Aula Magna (Central University of Venezuela)

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730: 204: 560: 780:, the UCV rector, said that since being made a World Heritage Site there had been no funds given to the university to maintain it. Only 6% of the university's funds go towards grounds upkeep, which the site is sectioned under. In late 2014, Copred refitted a roof slab of the Plaza Cubierta by the auditorium, which had been damaged on August 11 that year, and waterproofed it at the same time. They also undertook work on a ramp of the hall in December 2014. In late 2017, the organisation reported refitting the pipes of the Aula Magna in the works it was overseeing, as they had not been uncovered before and caused flooding in the hall. 316: 176: 647: 146: 489: 521: 2450: 473:
ith the hall darkened" and making those who " the auditorium when it's illuminated by houselights able to feel as if they have entered a multihued, three-dimensional abstract painting". Tuchman also noted that, when asked, Calder readily named his favorite work as the clouds, though they are less remembered within his oeuvre than many of his other works. The critics Helen Gyger and Patricio del Real write that "the Aula Magna's interior represents the high-point of Villanueva's interest in the synthesis of the arts".
827: 38: 587:. The hall is an integral part of the larger Plaza Cubierta space. The building forms a main part of the view of the Plaza Cubierta, but the entrances are only visible from within the square itself; it is also written that as "een from the Aula Magna, all the spaces and buildings that the expand, starting from the solidity of the main piece". It also includes designs that were innovative for the time, such as the suspended balcony, an orchestra pit, and the large and open 373: 2842: 839: 420:
purpose". This was a fortunate idea, because at the same time as Calder's suggestion, the American company was viewing the hall's original designs, and noted that the shape of the structure would detrimentally affect the acoustics unless it had extensive panelling. The design has given its inspiration to other venues, including an opera hall in China. The problem-solving function of the panelling was also an influence in the development of
211: 183: 153: 815: 536:), side lighting bulbs, and emergency lamps. It also has the original alternative lighting system of bulbs above the clouds that illuminate the ceiling and highlight the color of the panels. This lighting also has a series of instruments to produce lighting effects, including spotlights, reflectors, and projectors. The former main lighting console was a duplicate of a lighting organ, created in England by 461: mm) metal cables suspend them from the ceiling of the room, giving them the necessary inclination and height. The real ceiling of the room is 9.8 feet (3 m) above a false plaster ceiling which supports the panelling and facilitates adjustment of lighting systems and the support mechanisms of the "clouds". There are also ladders to allow people to climb through the clouds. A 437:-inch (13 mm) thick laminated wood secured together; the largest cloud has an area of 860 square feet (80 m) and a weight of approximately 2.5 short tons (2.3 t). The clouds are between 4 and 8 inches (100 and 200 mm) thick, and in total there are 31 panels: 22 on the ceiling, 5 on the right side wall and 4 on the left side wall. To position the clouds, 696:, explained that they were not allowed to perform in any of Caracas' main theatres because of the restriction and censorship of artistic expression in Venezuela, describing the hall as "one of the last 'free spaces' to do theatre" since the government took control of all other theatres that seat more than 500 people. One of the company's productions of 2184: 497:
or Australian sheep (sources contradict) and were woven in England with a stitched furrow, have leather arms, and have seat cushions that automatically retract and are perforated on the bottom. This design gives the seats the quality of counteracting sound variations, both when empty and fully occupied.
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the internal doors are made of perforated metal and filled with an insulator, while the external ones are made of wood, creating a vacuum between them that prevents both the exit of sound from the hall and excludes external noise. On the balcony level, the doors function in the same way, though both
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The 'Floating Clouds' are not the only element that helps to provide the characteristic sound quality to the Aula Magna. Within the auditorium most of the elements and materials are designed in favor of acoustics and durability. The seats exemplify this. They are made from the wool of either Chilean
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principles, and was open to changing designs as ideas for the construction evolved. In keeping with the theme of the project, Villanueva's designs include unconventional features that reflect the artistic nature, such as describing buildings not as objects but as "movements" (of which the Aula Magna
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level of the hall has seven main entrances, along with two emergency exits, as well as 1722 seats divided into 6 blocks. The upper floor is divided into 3 balconies, with the left side balcony having 391 seats, the right side balcony having 390 seats, and the central balcony having 193 (of which 13
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The Aula Magna has been named the "most important auditorium" at the university. This is in part because of practicality: it is the largest capacity auditorium, being able to hold approximately 2,700 people with removable seats. However, it is also significant because of the academic, artistic, and
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had several concerns about the preservation of the hall, as well as the rest of the campus, due to the growing number of students, the age of the mosaics and concrete, and the area being "vulnerable to social unrest". It did ensure that a "monitoring program" was in place to help protect the site.
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noted that the clouds are "colorfully curving and thus archetypically 'Latin American'" but were designed by one of the few non-Latin Americans working on the project, making them "paradoxical" but still "expressing the region's 'lyricism'", as well as "resembl clouds scattered across a night sky
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drawing up early studies and an outline plan. In the next few years, the medical complex at the university was built, causing the design to undergo "substantial changes" in 1949. The final design was complete by 1952. The ability to make changes to the plans was due in part to Venezuela's economic
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If the original plans are taken as final, then the Aula Magna was never completed. This creates some incongruous features of the hall, including that the doors that are suspended on the sides of the stage would have been raised by hydraulic jacks, and that the space that today is the basement Art
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The clouds were not originally intended for the interior of the hall. Calder was working on a structure for outside in the Plaza Cubierta; when he became aware of how complex the project was, he suggested integrating his panels into the space of the room with "an artistic, decorative and acoustic
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political events which have taken place within it. Some of these events have been of great importance for the country and some have been part of historical movements. In present-day Caracas, the hall has been a site of political controversy, as well as suffering from a lack of maintenance funds.
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and from the Chávez and then Maduro governments defunding universities and not prioritizing independent culture. Despite these setbacks, in 2015 an art historian and industrial designer noted that the hall "has withstood time and the general negligence that has taken over the majority of the
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Graduation ceremonies for both UCV and other universities are held in the hall, though to some controversy, with citizens and students saying that the use of the hall should be limited to performances and for the traditional ceremony of UCV students only. In 2018, one student political party
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performed at the hall in 1957, saying that it "was the best in which I conducted in South America. After the concert I told the reporters that the sound is excellent on stage. I would like to be able to take that part of the hall back to New York for the Philharmonic".
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Almost fifty years after its construction, the Aula Magna was designated as a UNESCO World Heritage Site in the year 2000 — as part of the central campus area but also with special consideration for the interior of the hall, which individually has protected status.
551:, with a console produced by the company Electronic Theatre Controls. It became the third theatre building in Caracas to have the technology, which was state-of-the-art. In spite of the new addition, the original organ technology was still functional in 2017. 286:
When the University City was commissioned in 1943, a committee was formed to analyse planning options. As well as choosing the location near Central Caracas, the committee also recommended basing the plan for the campus on similar models, including
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project for the university, a campus creation and redesign carried out by Villanueva. The hall was dedicated and opened on December 3, 1953, with a small religious ceremony, but officially inaugurated on March 2, 1954, with the opening of the 10th
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In the corridor of the Aula Magna building — a circular corridor running around the hall, with two levels of ramps following the curve and one artistic central cuboid staircase — there are many works of art. In the square outside is the sculpture
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played on stage to calibrate the acoustics and make sure the quality remained consistent throughout the hall. The clouds are the most prominent example of the philosophy of the project to combine art and thought as well as function.
591:. Additionally, it is not only a building but "an interior space within a larger interior-exterior space", placing it inseparably within its confines in the central complex, and "irreplaceable". A study published in 1955 by the 721:. She opened her speech by describing the hall, saying "This is a space of ideas, of knowledge, of plurality of thought, of freedom, of democracy, of justice. Young people always give a message of hope, today of reflection." 544:. By playing different combinations of the organ keys, it is possible to create a whole light show. Seventeen of these were made by request for halls around the world, though some Caracas reporters state there were only two. 267:, which serve both aesthetic and practical functions. They are an element of the hall's design which contributed to the science of interior space acoustics, though the building exterior is also architecturally significant. 995: 348:, the North American artist and engineer who designed and created the hall's famous 'Floating Clouds', would begin a long working relationship between the pair, though Calder only saw the completed hall once, in 1955. 307:
prosperity and in part to Villanueva's accommodating personality. Of his works during this period, the Aula Magna is considered groundbreaking. Villanueva was capable of adapting his work, while remaining true to his
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In an apocryphal event, when Villanueva first entered the completed hall and saw the freshly painted acoustic clouds, he threw his arms up and shouted that it was tremendous. Villanueva's collaboration with
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UNESCO's fears were subsequently realized; during a protest in July 2013 a bus was set on fire within the square outside the hall and damaged one of the adjacent murals, an iconic piece by Venezuelan
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Gallery was intended to be a bar area and contain large bathrooms for the audience. Calder also wanted the clouds to be movable, to allow for different acoustic experiences, but they are not.
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It was in the hall, during its inauguration at the Inter-American Conference it hosted, that "three thousand leaders and delegates" of the Americas signed a historical resolution declaring
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The university also aims to preserve tradition of the hall as well, with sources saying that its "continued reason for being" is to see new generations of students graduate each year.
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sheet was installed above the panels, to reduce echo and sound transfer time, and optimize the acoustics for speech. It is possible to remove this sheet for musical concerts.
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the internal and external doors are made of wood. There is also a folded wooden canopy positioned eight meters above the stage to further soften sound.
2792: 2231: 1904:"Forging Connections in a Fragmented Hemisphere: Searching for Latin American theatre at international festivals can mean navigating an intricate maze" 1698: 1083: 1011: 940: 2797: 2210: 2173: 628: 2727: 1668: 2823: 2205: 2083: 1291: 1053: 2497: 2226: 512:, which also helped the acoustics. However, during renovations in the 1990s, the carpets were replaced with ones made from synthetic material. 1828: 1248: 393:, who contributed to the project, ranked the hall in the world's top five concert halls for its acoustics. It is so ranked thanks to the 1953 2762: 2742: 2434: 2248: 2050: 1963: 1933: 2918: 2913: 2732: 1486: 2816: 407:, a system that combines technology and art. These structures were installed on the ceiling under the supervision of the American firm 1862: 1789: 568: 312:
is IV). The Aula Magna and Plaza Cubierta were placed at the centre of the campus project, as the culmination of its other elements.
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that restricted funds are a greater threat to the preservation of the hall and artworks, both from the economic downturn due to the
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a threat to world peace. Conversely, in his first visit to Venezuela, in 1959 after the success of the communist Cuban Revolution,
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in the hall, on March 7, 2010, was attacked as a political campaign of intimidation against the group by masked assailants with
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Another element is that all the doors in the room are acoustically designed and double-layered (internal and external); on the
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Calder's Playful Genius: With paper and paint, wire and wood, the renowned sculptor created a new vocabulary for modern art
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The Social Importance of Landscaping in Public Spaces in Latin America: Three Cases Studies in Mexico, Brazil and Venezuela
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seats belong to the Box of Honor and are restricted). In addition, the hall has numerous removable seats for convenience.
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university campus". Copred regularly lead guided tours around the hall in order to raise money for its preservation.
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The hall is also used for student addresses, and in February 2019 the hall was used by then-UCV student president
2404: 2389: 424:. The panels serve a variety of purposes, with some absorbing sound, some projecting it, and some magnifying it. 292: 237: 48: 2011: 1985: 1455: 1218: 1163: 889: 2609: 2419: 2414: 765: 1638: 599: 501: 2558: 2553: 2538: 2533: 1706: 68: 2624: 2309: 1092: 100: 595:
that looked at Latin American architecture also noted the hall was "covered but only partially enclosed".
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This monitoring program is called Copred, and is made up of student volunteers and preservation experts.
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for being artistically and architecturally significant. The most notable feature of the hall is its
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described the leasing of the hall to another university "commercialisation" of the heritage site.
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APPROPRIATE TECHNOLOGIES Technological Culture in Modern Latin American Architecture
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UCV Noticias: Dirección de Información y Communicaciones, adscrita al Rectorado UCV
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RIO DE JANEIRO, MÉXICO, CARACAS: CIDADES UNIVERSITÁRIAS E MODERNIDADES 1936 - 1962
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In 2015, it was estimated that the cost of restoring the Aula Magna alone was, in
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Spectacular Modernity: Dictatorship, Space, and Visuality in Venezuela, 1948–1958
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The contract for the construction of the Aula Magna was given to the company
122: 109: 1616: 1164:"5 datos curiosos para celebrar el cumpleaños del Aula Magna – UCV Noticias" 755: 480:'s World Heritage listing of the campus, the Clouds are named specifically. 37: 2268: 678: 662: 580: 572: 529: 275: 302:
Designs for the central campus complex were begun in 1944, with architect
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The hallways and lobby closed for cleaning after violence in January 2009
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Each panel, or cloud, comprises a steel frame containing two pieces of
1956:"Rafaela Requesens: El Día de la Juventud Venezuela vuelve a la calle" 2850: 2841: 2019: 1989: 1580: 1463: 1226: 1167: 897: 800:— home to another theatre in Caracas with artistic acoustic panelling 658: 567:
The architectural style of the Aula Magna is inspired by the classic
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United States of America Department of State Office of the Historian
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Concert Halls and Opera Houses: Music, Acoustics, and Architecture
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In 2010, the hall installed a new lighting system, donated by the
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The additional lighting behind the "clouds" used to create effects
2355: 1928:[Protests over bachelor graduation in UCV's Aula Magna]. 57: 968:(in Portuguese). Revista de Urbanismo e Arquitetura. p. 44. 1584: 739: 508:
The original design of the hall included aisle carpets made of
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when rallying students to participate in protests during the
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Latin American Modern Architectures: Ambiguous Territories
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Aula Magna (Central University of Venezuela) (Venezuela)
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The staircase, with its mural by Carlos González Bogen
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10th Pan-American Conference held in the hall in 1954.
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Aula Magna (Central University of Venezuela) (Caracas)
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A graduation ceremony below the folded wooden ceiling
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Nick Hunt Lighting educator, researcher and designer
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Nick Hunt Lighting educator, researcher and designer
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The lighting is versatile, having two main systems (
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Obras de arte de la Ciudad Universitaria de Caracas
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Location of Aula Magna, UCV in UCV Conjunto Central
1639:"The Strand Century: 100 years of Strand Lighting" 1787: 1553:del Real, Patricio; Gyger, Helen (June 3, 2013). 1131:"15 Datos curiosos sobre el Aula Magna de la UCV" 892:[UCV and its landmarks: the Aula Magna]. 2895: 1794:. Universidad Central de Venezuela. p. 53. 1518: 684:The theatre company "Palo de Agua", operated by 1860: 468:In terms of artistic qualities, the art critic 1962:(in Spanish). February 8, 2019. Archived from 1867:. University of Pittsburgh Press. p. 15. 248:in the 1940s and built by the Danish company 2824: 2336: 2128: 2084:"CARACAS Following modern design's footsteps" 1051: 650:A performance by the Cantata Criolla, led by 18:University concert hall in Caracas, Venezuela 1319: 993: 961: 2385:Boulevard of Sabana Grande, open-air museum 1219:"¿Qué hace especial al Aula Magna? (video)" 994:Pintó, Maciá (2008). Jiménez, Ariel (ed.). 927: 925: 923: 921: 919: 917: 915: 2831: 2817: 2343: 2329: 2135: 2121: 1278: 1276: 1274: 291:'s "urban project" at the recently opened 36: 1932:(in Spanish). August 2018. Archived from 1514: 1512: 1485:Marco, Daniel García (October 14, 2016). 997:The Constructive Achievement of Synthesis 376:Interior of the hall, featuring the 1953 2350: 1603: 1601: 1528:. Smithsonian. p. 1. Archived from 1426:"La UCV y sus símbolos: Nubes de Calder" 1315: 1313: 1311: 1309: 1125: 1123: 1121: 1119: 1117: 1115: 1113: 912: 728: 645: 558: 519: 487: 371: 314: 1898: 1896: 1420: 1418: 1416: 1414: 1353: 1351: 1349: 1347: 1345: 1343: 1271: 1213: 1211: 1209: 1207: 1205: 989: 987: 985: 983: 981: 979: 977: 975: 884: 882: 880: 554: 2896: 2045: 2043: 2041: 2039: 2037: 1830:Latin American architecture since 1945 1509: 1284:"Consejo de Preservación y Desarrollo" 1203: 1201: 1199: 1197: 1195: 1193: 1191: 1189: 1187: 1185: 890:"La UCV y sus símbolos: el Aula Magna" 878: 876: 874: 872: 870: 868: 866: 864: 862: 860: 2812: 2324: 2116: 1820: 1788:Gasparini, Marina (January 1, 1991). 1763:Universidad Central de Venezuela News 1598: 1484: 1306: 1166:(in European Spanish). Archived from 1110: 706:before the show, harming the actors. 619:. It is also surrounded by murals by 389:In the 1980s, the acoustics engineer 2498:Church of St. Constantine and Helena 2395:William Phelps Ornithological Museum 1893: 1699:"Light Console (1935 - 1955) Strand" 1411: 1340: 1158: 1156: 1078: 1076: 972: 274:The current director of the hall is 2919:Performing arts venues in Venezuela 2914:Buildings and structures in Caracas 2493:Mosque of Sheikh Ibrahim Al-Ibrahim 2034: 1326:. Springer. pp. 479–484, 513. 1182: 857: 758:. However, it has been said by the 719:2019 Venezuelan presidential crisis 515: 13: 2448: 2182: 1613:Caracas from the valley to the sea 361: 331:. It was the main building of the 42:An aerial view of the hall in 2011 14: 2930: 1861:Blackmore, Lisa (July 15, 2017). 1827:Hitchcock, Henry-Russell (1955). 1581:"Ciudad Universitaria de Caracas" 1320:Beranek, Leo (December 6, 2012). 1153: 1091:. pp. 96–110. Archived from 1073: 483: 351: 2840: 1456:"¿Las nubes de Calder en China?" 1430:Universidad Central de Venezuela 1288:Universidad Central de Venezuela 937:Universidad Central de Venezuela 837: 825: 813: 252:from 1952–53. It was declared a 209: 202: 181: 174: 165:Show map of UCV Conjunto Central 151: 144: 2909:Ciudad Universitaria de Caracas 2584:Teresa Carreño Cultural Complex 2076: 2004: 1978: 1948: 1918: 1854: 1781: 1751: 1721: 1691: 1661: 1631: 1573: 1546: 1478: 1448: 1389:"Nubes Acústicas, Calder, 1953" 1381: 1241: 798:Teresa Carreño Cultural Complex 724: 293:National University of Colombia 281: 238:Central University of Venezuela 2753:Los Conductores del País Mural 2610:Palacio de Justicia de Caracas 2090:. May 13, 2015. Archived from 1045: 955: 766:Crisis in Bolivarian Venezuela 583:'s unrealised designs for the 1: 1669:"Strand, Aula Magna, Caracas" 1519:Tuchman, Phyllis (May 2001). 850: 2625:Palacio Municipal de Caracas 1908:Theatre Communications Group 1765:(in Spanish). Archived from 1493:(in Spanish). Archived from 1462:(in Spanish). Archived from 1432:(in Spanish). Archived from 1395:(in Spanish). Archived from 1365:(in Spanish). Archived from 1290:(in Spanish). Archived from 1225:(in Spanish). Archived from 1137:(in Spanish). Archived from 939:(in Spanish). Archived from 896:(in Spanish). Archived from 356: 7: 2904:Historic sites in Venezuela 2630:Supreme Tribunal of Justice 2620:Palacio Federal Legislativo 2375:Birthplace of Simón Bolívar 786: 382:acoustic panels artwork by 240:. It is located within the 10: 2935: 2878:University City of Caracas 2678:Boulevard of Sabana Grande 2144:University City of Caracas 793:University City of Caracas 681:recited his poetry in it. 677:has sung in the hall, and 365: 254:UNESCO World Heritage Site 242:University City of Caracas 54:University City of Caracas 29:UNESCO World Heritage Site 2857: 2670: 2643: 2597: 2511: 2460: 2446: 2362: 2292: 2219: 2193: 2180: 2161: 2151: 1986:"World Heritage Site 986" 641: 368:Floating Clouds (artwork) 338:Inter-American Conference 138: 99: 87: 77: 67: 47: 35: 26: 2615:Palacio de las Academias 2503:Caracas Venezuela Temple 2483:Iglesia de San Francisco 2473:Tiféret Israel Synagogue 2255:Conductores de Venezuela 2201:Caracas Botanical Garden 1729:"Light Console Research" 1559:. Routledge. p. 7. 542:lighting control console 422:interior space acoustics 411:, and adjusted while an 409:Bolt, Beranek and Newman 325:Christiani & Nielsen 250:Christiani & Nielsen 236:is an auditorium at the 73:Cultural: (i), (iv) 2708:El Recreo Shopping Mall 2549:La Rinconada Hippodrome 2524:Brígido Iriarte Stadium 2440:Arturo Michelena Museum 2400:Contemporary Art Museum 2072:(subscription required) 1609:"Aula Magna, 1952–1953" 2768:Parque Central Complex 2488:La Chiquinquirá Church 2454: 2410:La Estancia Art Center 2370:Alejandro Otero Museum 2187: 2155:Carlos Raúl Villanueva 1052:Fortini, Vito (2017). 734: 699:Jesus Christ Superstar 654: 564: 525: 493: 386: 320: 304:Carlos Raúl Villanueva 246:Carlos Raúl Villanueva 2862:Canaima National Park 2544:Estadio Universitario 2539:Estadio Simón Bolívar 2452: 2186: 962:Segawa, Hugo (2008). 778:Cecilia García Arocha 732: 649: 562: 549:US Embassy in Caracas 523: 491: 403:artwork developed by 375: 333:Synthesis of the Arts 318: 221:Show map of Venezuela 123:10.49083°N 66.89056°W 2847:World Heritage Sites 2693:Correo de Carmelitas 2579:Teatro Simón Bolívar 2430:Simón Bolívar Center 2415:National Art Gallery 2237:By Francisco Narváez 1992:on November 21, 2015 1259:on September 3, 2018 1135:La Tienda Venezolana 1098:on September 2, 2018 593:Museum of Modern Art 555:Structure and facade 329:Marcos Pérez Jiménez 2569:Poliedro de Caracas 2146:World Heritage Site 1739:on December 6, 2016 1369:on October 22, 2018 1170:on December 5, 2020 665:spoke at the hall. 569:Greco-Roman theatre 193:Show map of Caracas 128:10.49083; -66.89056 119: /  23: 2703:Centro San Ignacio 2455: 2310:University Stadium 2188: 2094:on August 28, 2018 2088:Colección Cisneros 2061:on August 27, 2018 2022:on August 27, 2018 1936:on August 27, 2018 1881:on August 31, 2018 1808:on August 31, 2018 1769:on August 27, 2018 1709:on August 27, 2018 1679:on August 11, 2016 1649:on August 27, 2018 1497:on August 28, 2018 1466:on August 27, 2018 1436:on August 27, 2018 1399:on August 28, 2018 1359:"Arte: Aula Magna" 1294:on August 28, 2018 1229:on August 27, 2018 1141:on August 27, 2018 943:on August 26, 2018 900:on August 27, 2018 735: 675:Montserrat Caballe 655: 565: 526: 494: 387: 321: 21: 2891: 2890: 2883:Coro and its Port 2806: 2805: 2605:Miraflores Palace 2529:Caracas Athenaeum 2512:Culture and sport 2478:Caracas Cathedral 2420:National Pantheon 2390:Children's Museum 2380:Bolivarian Museum 2318: 2317: 2300:Covered Gymnasium 2293:Sports facilities 2243:Berger des Nuages 933:"Aula Magna Info" 715:Rafaela Requesens 670:Leonard Bernstein 585:Palace of Soviets 230: 229: 2926: 2874: 2845: 2844: 2833: 2826: 2819: 2810: 2809: 2793:Quinta de Anauco 2574:Teatro Municipal 2559:National Theater 2554:National Library 2534:Estadio Olímpico 2519:Aula Magna — UCV 2468:Bet-El Synagogue 2405:Fine Arts Museum 2345: 2338: 2331: 2322: 2321: 2232:By Mateo Manaure 2137: 2130: 2123: 2114: 2113: 2104: 2103: 2101: 2099: 2080: 2074: 2073: 2070: 2068: 2066: 2057:. 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Index

UNESCO World Heritage Site

Location
University City of Caracas
Caracas
Venezuela
Criteria
986
Session
Coordinates
10°29′27″N 66°53′26″W / 10.49083°N 66.89056°W / 10.49083; -66.89056
Aula Magna (Central University of Venezuela) is located in UCV Conjunto Central
Aula Magna (Central University of Venezuela) is located in Caracas
Aula Magna (Central University of Venezuela) is located in Venezuela
Central University of Venezuela
University City of Caracas
Carlos Raúl Villanueva
Christiani & Nielsen
UNESCO World Heritage Site
November 2000
acoustic
'clouds'
Trina Medina
Leopold Rother
National University of Colombia
Bogotá
Carlos Raúl Villanueva
Modernist

Christiani & Nielsen

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