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Augsburg Book of Miracles

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died in the 1530s, the artist in question here must be his son, Hans Burgkmair the Younger, who is much less well attested by known works. In addition, at least two of the images appear to be based on drawings from the workshop of Burgkmair the Younger, leading Borchert to conclude that he was a
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The second part of the manuscript (Folios 16 to 171) explores non-biblical events from Antiquity up to 1552. This covers numerous subjects, including meteorological and astronomical portents, comets, natural catastrophes, fabulous creatures and freaks of nature.
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of Christ. The visions of St. John are presented across nineteen surviving sheets (some are missing) and covers Revelation 1:12–18, St. John's vision of Christ and the seven candlesticks (Folio 172) to Revelation 18:1–3, The Fall of Babylon (Folio 192).
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The manuscript has no introduction, title page, list of contents or dedication that would be usual for the time. Instead it launches straight into its sequence of illustrations and commentary. It is written in rough chronological order, from the
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on some of the pages, the frequency with which events in Augsburg and its environs appear and the naming of Augsburg artist and printmaker Hans Burgkmair within it, it has been concluded that the manuscript was most likely produced in Augsburg.
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The identities of the creators of the manuscript, and the person or persons for whom it was produced, remain something of a mystery. The name of the Augsburg artist and printmaker Hans Burgkmair appears on one page of the manuscript.
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art Joshua P. Waterman. The entire text of the original manuscript and the essays are presented in English, German and French. A second edition was produced in 2017.
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The first section of the book, covering Folios 1 to 15, begins with miracles indicative of God's will before switching to events from the history of the
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through various phenomena and portents from Antiquity up to the time of production and finishing with the Book of Revelation.
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Folio 85. Eruption of Mount Vesuvius (1482) *labelled as such in the manuscript, the eruption actually took place in A.D. 79
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The leaves were rebound in the nineteenth century. Some are missing, with only one or two recently re-identified.
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The manuscript consists of 123 surviving folios with 23 inserts. Each page is illuminated in full colour in
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The final part of the manuscript shows scenes from the final book of the New Testament, The Revelation of
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The manuscript itself was probably produced between 1545 and 1552 (some of the text is lifted from the
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The book of miracles : facsimile of the Augsburg manuscript from the "Collection of Mickey Cartin
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features a hailstorm on the town of Dordrecht in the Netherlands which occurred in 1552).
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Folio 172. St. John's vision of Christ and the seven candlesticks (Revelation 1:12–18)
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In general respects the images follow contemporary manuscripts, in particular
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The manuscript is now in the collection of art collector Mickey Cartin.
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as described in the Old Testament. Subjects covered range from the
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Folio 182. The fifth angel blowing his trumpet (Revelation 9:1–4)
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Folio 185. The beast from the bottomless pit (Revelation 11:5–8)
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contributor to the manuscript, possibly in conjunction with
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Borchert, Till-Holger; Waterman, Joshua P. (4 May 2017).
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Borchert, Till-Holger; Waterman, Joshua P. (4 May 2017).
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Borchert, Till-Holger; Waterman, Joshua P. (4 May 2017).
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Borchert, Till-Holger; Waterman, Joshua P. (4 May 2017).
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Borchert, Till-Holger; Waterman, Joshua P. (4 May 2017).
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Folio 176. Opening the sixth seal (Revelation 6:12–14)
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and watercolour. Each illumination is captioned in
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monster, reputedly washed up after a flood of 1496.
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Monstrous birth (1513) 373: 359: 345: 331: 317: 303: 289: 264: 250: 236: 222: 200: 79:in Germany in the 16th century. 497:the edition included essays by 800:16th-century German literature 756: 727: 701: 670: 641: 612: 583: 519: 367:Folio 133. Sea creature (1534) 1: 564:Warner, Marina (1 May 2014). 512: 258:Folio 14. Jonah and the Whale 136: 570:The New York Review of Books 65:Augsburger Wunderzeichenbuch 16:16th-century book manuscript 7: 213:(Folio 1) to the vision of 187: 111:Heinrich Vogtherr the Elder 10: 826: 485:German art book publisher 272:Folio 15. Ezekiel's vision 82: 697:– via worldcat.org. 61:Augsburg Book of Miracles 29:Augsburg Book of Miracles 566:"'The Book of Miracles'" 174:Hans Holbein the Younger 742:. pp. 22, 38, 82. 178:Lucas Cranach the Elder 104:art, suggests that, as 67:, also known simply as 49:Lucas Cranach the Elder 709:"The Book of Miracles" 402:The Book of Revelation 339:Folio 34. Comet (1007) 162:Histoires Prodigieuses 100:, an expert in German 73:illuminated manuscript 56: 36: 45:The Papal Ass of Rome 42: 22: 736:The Book of Miracles 650:The Book of Miracles 621:The Book of Miracles 592:The Book of Miracles 528:The Book of Miracles 503:Till-Holger Borchert 499:Northern Renaissance 147:German Gothic script 98:Till-Holger Borchert 69:The Book of Miracles 408:St. John the Divine 230:Folio 1. The Deluge 106:Burgkmair the Elder 27:publication of the 715:. 18 December 2013 627:. pp. 94–96. 534:. pp. 86–88. 507:German Renaissance 481:Modern publication 154:Conrad Lycosthenes 125:Book of Revelation 57: 37: 749:978-3-8365-6414-4 663:978-3-8365-6414-4 634:978-3-8365-6414-4 605:978-3-8365-6414-4 541:978-3-8365-6414-4 410:, announcing the 170:Hans Sebald Beham 817: 779: 778: 776: 774: 760: 754: 753: 731: 725: 724: 722: 720: 713:historyextra.com 705: 699: 698: 696: 694: 674: 668: 667: 645: 639: 638: 616: 610: 609: 587: 581: 580: 578: 576: 561: 546: 545: 523: 495:Benedikt Taschen 491:Book of Miracles 470: 456: 442: 428: 412:end of the world 391: 377: 363: 349: 335: 321: 307: 293: 279:Miraculous signs 268: 254: 240: 226: 166:Pierre Boaistuau 53:Roma caput mundi 825: 824: 820: 819: 818: 816: 815: 814: 785: 784: 783: 782: 772: 770: 762: 761: 757: 750: 732: 728: 718: 716: 707: 706: 702: 692: 690: 676: 675: 671: 664: 646: 642: 635: 617: 613: 606: 588: 584: 574: 572: 562: 549: 542: 524: 520: 515: 483: 476: 471: 462: 457: 448: 443: 434: 429: 404: 397: 392: 383: 378: 369: 364: 355: 350: 341: 336: 327: 322: 313: 308: 299: 294: 281: 274: 269: 260: 255: 246: 241: 232: 227: 203: 190: 160:(1557) and the 139: 85: 17: 12: 11: 5: 823: 813: 812: 807: 802: 797: 781: 780: 755: 748: 726: 700: 669: 662: 656:. p. 86. 640: 633: 611: 604: 598:. p. 28. 582: 547: 540: 517: 516: 514: 511: 505:and expert in 482: 479: 478: 477: 472: 465: 463: 458: 451: 449: 444: 437: 435: 430: 423: 403: 400: 399: 398: 393: 386: 384: 379: 372: 370: 365: 358: 356: 351: 344: 342: 337: 330: 328: 323: 316: 314: 309: 302: 300: 295: 288: 280: 277: 276: 275: 270: 263: 261: 256: 249: 247: 242: 235: 233: 228: 221: 202: 199: 189: 186: 182:Albrecht Dürer 138: 135: 84: 81: 15: 9: 6: 4: 3: 2: 822: 811: 810:Taschen books 808: 806: 803: 801: 798: 796: 793: 792: 790: 769: 765: 759: 751: 745: 741: 737: 730: 714: 710: 704: 689: 685: 681: 680: 673: 665: 659: 655: 651: 644: 636: 630: 626: 622: 615: 607: 601: 597: 593: 586: 571: 567: 560: 558: 556: 554: 552: 543: 537: 533: 529: 522: 518: 510: 508: 504: 500: 496: 492: 488: 475: 469: 464: 461: 455: 450: 447: 441: 436: 433: 427: 422: 421: 420: 417: 416:Second Coming 413: 409: 396: 390: 385: 382: 376: 371: 368: 362: 357: 354: 348: 343: 340: 334: 329: 326: 320: 315: 312: 306: 301: 298: 292: 287: 286: 285: 273: 267: 262: 259: 253: 248: 245: 239: 234: 231: 225: 220: 219: 218: 216: 212: 208: 201:Old Testament 198: 196: 195:Old Testament 185: 183: 179: 175: 171: 167: 163: 159: 155: 150: 148: 144: 134: 131: 128: 126: 123: 122:New Testament 119: 114: 112: 107: 103: 99: 93: 90: 80: 78: 74: 70: 66: 62: 54: 50: 46: 41: 34: 30: 26: 21: 771:. 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Index


Taschen
Tiber River

Lucas Cranach the Elder
illuminated manuscript
Augsburg
watermarks
Till-Holger Borchert
Medieval
Burgkmair the Elder
Heinrich Vogtherr the Elder
Luther Bible
New Testament
Book of Revelation
gouache
German Gothic script
Conrad Lycosthenes
Pierre Boaistuau
Hans Sebald Beham
Hans Holbein the Younger
Lucas Cranach the Elder
Albrecht Dürer
Old Testament
Jews
Flood
Ezekiel
Folio 1. The Deluge
Folio 5. Moses parting the Red Sea
Folio 14. Jonah and the Whale

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