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At the Name of Jesus

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145:. As the title suggests, she particularly wrote with "the sick and lonely" in mind, and her verses were intended more for personal reflection than public singing. An enlarged edition was issued in 1870, which included "At the Name of Jesus". The original title was "Ascension Day", and it was written as a 284:
Throughout, the language of the hymn is triumphant, with many references to victory and might. Jesus is presented as a victorious king, who the singer should "crown" as their captain, and "enthrone" him in their hearts, declaring in the final stanza that "all wreaths of empire / meet upon his brow".
281:. In the original sixth stanza, the second and third lines depart from the poetic metre of the rest of the hymn: the second line ("with love as strong as death") has six syllables instead of the expected five, and the third ("but humbly and with wonder") has seven instead of six. 273:, giving Jesus the title "Light of Light". The third stanza reflects Colossians 1:16, which describes how all things were created "by him and for him". The fourth verse describes the incarnation, life and death of Jesus, who was "humbled for a season". 133:
vicar and hymnwriter. She started writing poetry at the age of 17, but stopped when she was 20. She resumed writing at the age of 40, prompted by serious chronic illness. This chronic illness persisted until her death. She has been compared to
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state that "at the name of Jesus every knee should bow, of things in heaven, and things in earth, and things under the earth, and that every tongue should confess that Jesus Christ is Lord, to the glory of God the Father."
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The phrases "Name him, brothers, name him" and "Brothers, this Lord Jesus" are sometimes altered in the interest of gender-inclusivity, substituting "Christians" for "brothers" or making larger but similar changes.
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described it as "the only completely objective theological hymn to come from the hand of a 19th-century woman writer", in contrast to the personal and subjective nature of hymns written by Noel's contemporaries.
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The remainder of the hymn describes Christ's exaltation, before the congregation encourages each other to "name him", "enthrone him", "crown him" and "confess him King of glory", looking forward to his
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described this as "a dignifed, but not a solemn tune", which "must not be sung too slowly." Another common early tune was "Cuddesdon", by William Harold Ferguson, which was included in the
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included seven stanzas, omitting the second verse. This seven-stanza version has been commonly reprinted, although some hymnals shorten the text further to just four or five stanzas.
102:. At the time, Noel herself experienced chronic illness, which persisted until her death. The hymn has become popular across Christian denominations, and appears in over 200 212:
begins "In the Name of Jesus", rather than "At the Name of Jesus". This is said to be a response to correspondence sent by the hymnwriter's family to the editors of
138:, as an example of a hymn writer whose compositions were "the outcome of her days of pain", and who "learned in suffering what she taught in song". 186: 360:
More recently, the hymn has appeared with the tune "Camberwell", written by Michael Brierley. This tune was first included in the 1960 book
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The hymn is written in a 6.5.6.5.D metre, and originally had eight stanzas. It is partly based on the New Testament passage
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described the hymn as "perhaps the strongest hymn of a robust outward-looking kind to come from a woman's pen". Hymnologist
258: 315:(1990), Ian Bradley notes that the hymn "can have a totally different impact depending on the tune to which it is sung." 269:, describing Jesus as the one "who from the beginning was the mighty Word". The second stanza borrows language from the 824: 801: 521: 843: 397: 507: 858: 816: 456: 293:
Although originally comprising eight stanzas, most hymnals omit at least one verse. The 1875 edition of
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has described it as an "essential hymn in the repertoire of most congregations today." According to
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The opening stanza draws on the wording of this verse, as well as incorporating language from
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One of the earliest tunes was "Evelyns", which was composed for these words by
98:. It was first published in 1870, in an expanded version of Noel's collection 837: 793: 238: 197: 726: 329: 270: 201: 216:(1903), expressing a wish for the text to follow the wording of the 1881 190: 420:
Stevenson, W.R. (1907). "Noel, Caroline Maria". In Julian, John (ed.).
183: 106:. It has been set to many different tunes, including compositions by 368:. This tune is known for its rousing interlude between each stanza. 311:
The hymn text has been set to various tunes in hymnbooks. In the
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The Name of Jesus and Other Verses for the Sick and Lonely
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The Name of Jesus and Other Verses for the Sick and Lonely
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Praying Twice: The Music and Words of Congregational Song
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described this as "one of Monk’s most successful tunes".
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since then, including Methodist, Baptist, Presbyterian,
695: 661: 659: 707: 644: 683: 671: 656: 341:printed the words with the tune "King's Weston" by 141:In 1861, she published a volume of verses entitled 588:"At the Name of Jesus Every knee shall bow (Noel)" 568: 835: 392:(3rd ed.). GIA Publications. p. 158. 193:, it has been published in around 250 hymnals. 164:The hymn later appeared in the 1875 edition of 457:"Hymn Interpretation: "At the Name of Jesus"" 182:and non-denominational collections. In 1992, 170:, and has been included in a wide variety of 725: 547: 545: 543: 541: 539: 537: 535: 533: 16:1870 Christian hymn by Caroline Maria Noel 748:. Church Hymnal Corporation. p. 558. 611:Sweet Songs of Zion: Selected Radio Talks 530: 419: 383: 381: 322:, first appearing in the 1875 edition of 608: 505: 450: 448: 787: 713: 650: 623: 434: 387: 836: 743: 737: 580: 558:The Canterbury Dictionary of Hymnology 454: 378: 479: 445: 366:20th Century Church Light Music Group 810: 701: 689: 677: 665: 574: 501: 499: 497: 495: 493: 415: 413: 411: 409: 364:, published under the aegis of the 220:of the Bible, rather than the 1611 94:" is a hymn with lyrics written by 13: 731:Companion to Congregational Praise 551: 486:. T. Nelson and Sons. p. 253. 84:, "Camberwell" by Michael Brierley 14: 875: 733:. Independent Press. p. 101. 630:. Liturgical Press. p. 116. 506:Reynolds, William Jensen (1976). 490: 406: 232: 864:Hymns in The New English Hymnal 752: 719: 627:A Panorama of Christian Hymnody 617: 602: 473: 428: 362:Thirty 20th Century Hymn Tunes 1: 781: 729:; Parry, K. L., eds. (1953). 388:Stulken, Marilyn Kay (1998). 288: 7: 817:Westminster John Knox Press 744:Glover, Raymond F. (1990). 509:Companion to Baptist Hymnal 441:. John Murray. p. 212. 390:Hymnal Companion to Worship 345:. The tune was named after 59:Philippians 2:10-11 10: 880: 117: 790:The Penguin Book of Hymns 746:The Hymnal 1982 Companion 422:A Dictionary of Hymnology 72: 64: 54: 44: 36: 26: 21: 788:Bradley, Ian C. (1990). 371: 325:Hymns Ancient and Modern 296:Hymns Ancient and Modern 167:Hymns Ancient and Modern 844:English Christian hymns 609:Betjeman, John (2008). 306: 227: 176:Christian denominations 764:The Church of Scotland 760:"At the Name of Jesus" 624:Routley, Erik (1979). 613:. Hodder. p. 109. 554:"At the name of Jesus" 480:E. R., Pitman (1892). 435:Routley, Erik (1952). 355:Revised Church Hymnary 343:Ralph Vaughan Williams 241:, which describes the 151:Feast of the Ascension 114:and Michael Brierley. 112:Ralph Vaughan Williams 78:Ralph Vaughan Williams 455:Polman, Bert (1992). 313:Penguin Book of Hymns 811:Wren, Brian (2000). 438:Hymns and Human Life 335:In 1925, the hymnal 125:was the daughter of 92:At the Name of Jesus 22:At the Name of Jesus 704:, pp. 337–338. 251:exaltation of Jesus 208:In some books, the 123:Caroline Maria Noel 96:Caroline Maria Noel 76:"King's Weston" by 49:Caroline Maria Noel 859:19th-century hymns 516:. pp. 38–39. 347:Kings Weston House 320:William Henry Monk 255:Authorized Version 239:Philippians 2:5–11 222:Authorized Version 155:ascension of Jesus 153:, celebrating the 127:Gerard Thomas Noel 108:William Henry Monk 82:William Henry Monk 854:Songs about Jesus 637:978-0-8146-1014-5 483:Lady Hymn Writers 157:forty days after 147:processional hymn 136:Charlotte Elliott 131:Church of England 88: 87: 871: 830: 807: 775: 774: 772: 770: 756: 750: 749: 741: 735: 734: 723: 717: 711: 705: 699: 693: 687: 681: 675: 669: 663: 654: 648: 642: 641: 621: 615: 614: 606: 600: 599: 597: 595: 584: 578: 572: 566: 565: 562:Canterbury Press 549: 528: 527: 503: 488: 487: 477: 471: 470: 452: 443: 442: 432: 426: 425: 417: 404: 403: 385: 19: 18: 879: 878: 874: 873: 872: 870: 869: 868: 834: 833: 827: 804: 784: 779: 778: 768: 766: 758: 757: 753: 742: 738: 724: 720: 712: 708: 700: 696: 688: 684: 676: 672: 664: 657: 649: 645: 638: 622: 618: 607: 603: 593: 591: 586: 585: 581: 573: 569: 550: 531: 524: 504: 491: 478: 474: 453: 446: 433: 429: 424:. p. 1582. 418: 407: 400: 386: 379: 374: 351:Archibald Jacob 338:Songs of Praise 309: 291: 235: 230: 218:Revised Version 180:United Reformed 174:from different 120: 80:, "Evelyns" by 17: 12: 11: 5: 877: 867: 866: 861: 856: 851: 846: 832: 831: 825: 808: 802: 783: 780: 777: 776: 751: 736: 718: 706: 694: 692:, p. 335. 682: 680:, p. 338. 670: 668:, p. 337. 655: 643: 636: 616: 601: 579: 577:, p. 333. 567: 552:Watson, J. R. 529: 522: 514:Broadman Press 489: 472: 444: 427: 405: 398: 376: 375: 373: 370: 349:near Bristol. 308: 305: 290: 287: 234: 231: 229: 226: 119: 116: 86: 85: 74: 70: 69: 66: 62: 61: 56: 52: 51: 46: 42: 41: 38: 34: 33: 28: 24: 23: 15: 9: 6: 4: 3: 2: 876: 865: 862: 860: 857: 855: 852: 850: 847: 845: 842: 841: 839: 828: 826:9780664256708 822: 818: 814: 809: 805: 803:9780140092806 799: 795: 794:Penguin Group 791: 786: 785: 765: 761: 755: 747: 740: 732: 728: 727:Routley, Erik 722: 716:, p. 47. 715: 710: 703: 698: 691: 686: 679: 674: 667: 662: 660: 653:, p. 48. 652: 647: 639: 633: 629: 628: 620: 612: 605: 590:. 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Retrieved 582: 570: 557: 508: 482: 475: 466: 460: 437: 430: 421: 389: 361: 359: 354: 337: 334: 330:Erik Routley 323: 317: 312: 310: 301: 294: 292: 283: 275: 271:Nicene Creed 264: 259:verses 10–11 254: 236: 214:Church Hymns 213: 207: 202:Erik Routley 195: 165: 163: 142: 140: 121: 99: 91: 89: 247:crucifixion 243:incarnation 191:hymnary.org 187:Bert Polman 184:hymnologist 849:1870 songs 838:Categories 782:References 399:1579990258 289:Variations 702:Wren 2000 690:Wren 2000 678:Wren 2000 666:Wren 2000 575:Wren 2000 253:. In the 196:The poet 68:6.5.6.5 D 462:The Hymn 357:(1927). 149:for the 55:Based on 210:incipit 172:hymnals 118:History 104:hymnals 37:Written 823:  800:  769:27 May 634:  594:1 June 520:  396:  279:return 267:John 1 159:Easter 73:Melody 469:: 39. 372:Notes 65:Meter 27:Genre 821:ISBN 798:ISBN 771:2024 632:ISBN 596:2024 518:ISBN 394:ISBN 307:Tune 249:and 228:Text 129:, a 45:Text 40:1870 31:Hymn 840:: 819:. 815:. 796:. 792:. 762:. 658:^ 560:. 556:. 532:^ 512:. 492:^ 467:43 465:. 459:. 447:^ 408:^ 380:^ 257:, 245:, 224:. 161:. 110:, 829:. 806:. 773:. 640:. 598:. 564:. 526:. 402:. 90:"

Index

Hymn
Caroline Maria Noel
Philippians 2:10-11
Ralph Vaughan Williams
William Henry Monk
Caroline Maria Noel
hymnals
William Henry Monk
Ralph Vaughan Williams
Caroline Maria Noel
Gerard Thomas Noel
Church of England
Charlotte Elliott
processional hymn
Feast of the Ascension
ascension of Jesus
Easter
Hymns Ancient and Modern
hymnals
Christian denominations
United Reformed
hymnologist
Bert Polman
hymnary.org
John Betjeman
Erik Routley
incipit
Revised Version
Authorized Version
Philippians 2:5–11

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