145:. As the title suggests, she particularly wrote with "the sick and lonely" in mind, and her verses were intended more for personal reflection than public singing. An enlarged edition was issued in 1870, which included "At the Name of Jesus". The original title was "Ascension Day", and it was written as a
284:
Throughout, the language of the hymn is triumphant, with many references to victory and might. Jesus is presented as a victorious king, who the singer should "crown" as their captain, and "enthrone" him in their hearts, declaring in the final stanza that "all wreaths of empire / meet upon his brow".
281:. In the original sixth stanza, the second and third lines depart from the poetic metre of the rest of the hymn: the second line ("with love as strong as death") has six syllables instead of the expected five, and the third ("but humbly and with wonder") has seven instead of six.
273:, giving Jesus the title "Light of Light". The third stanza reflects Colossians 1:16, which describes how all things were created "by him and for him". The fourth verse describes the incarnation, life and death of Jesus, who was "humbled for a season".
133:
vicar and hymnwriter. She started writing poetry at the age of 17, but stopped when she was 20. She resumed writing at the age of 40, prompted by serious chronic illness. This chronic illness persisted until her death. She has been compared to
261:
state that "at the name of Jesus every knee should bow, of things in heaven, and things in earth, and things under the earth, and that every tongue should confess that Jesus Christ is Lord, to the glory of God the Father."
302:
The phrases "Name him, brothers, name him" and "Brothers, this Lord Jesus" are sometimes altered in the interest of gender-inclusivity, substituting "Christians" for "brothers" or making larger but similar changes.
204:
described it as "the only completely objective theological hymn to come from the hand of a 19th-century woman writer", in contrast to the personal and subjective nature of hymns written by Noel's contemporaries.
276:
The remainder of the hymn describes Christ's exaltation, before the congregation encourages each other to "name him", "enthrone him", "crown him" and "confess him King of glory", looking forward to his
353:
described this as "a dignifed, but not a solemn tune", which "must not be sung too slowly." Another common early tune was "Cuddesdon", by
William Harold Ferguson, which was included in the
299:
included seven stanzas, omitting the second verse. This seven-stanza version has been commonly reprinted, although some hymnals shorten the text further to just four or five stanzas.
102:. At the time, Noel herself experienced chronic illness, which persisted until her death. The hymn has become popular across Christian denominations, and appears in over 200
212:
begins "In the Name of Jesus", rather than "At the Name of Jesus". This is said to be a response to correspondence sent by the hymnwriter's family to the editors of
138:, as an example of a hymn writer whose compositions were "the outcome of her days of pain", and who "learned in suffering what she taught in song".
186:
360:
More recently, the hymn has appeared with the tune "Camberwell", written by
Michael Brierley. This tune was first included in the 1960 book
863:
635:
365:
58:
237:
The hymn is written in a 6.5.6.5.D metre, and originally had eight stanzas. It is partly based on the New
Testament passage
200:
described the hymn as "perhaps the strongest hymn of a robust outward-looking kind to come from a woman's pen". Hymnologist
258:
315:(1990), Ian Bradley notes that the hymn "can have a totally different impact depending on the tune to which it is sung."
269:, describing Jesus as the one "who from the beginning was the mighty Word". The second stanza borrows language from the
824:
801:
521:
843:
397:
507:
858:
816:
456:
293:
Although originally comprising eight stanzas, most hymnals omit at least one verse. The 1875 edition of
853:
350:
759:
189:
has described it as an "essential hymn in the repertoire of most congregations today." According to
336:
324:
295:
166:
328:. This has remained a popular tune, and is still included in contemporary hymnbooks. Hymnologist
175:
625:
587:
342:
150:
111:
77:
436:
265:
The opening stanza draws on the wording of this verse, as well as incorporating language from
246:
242:
8:
848:
553:
250:
122:
95:
48:
461:
346:
319:
221:
154:
126:
107:
81:
820:
797:
631:
517:
393:
146:
135:
130:
561:
481:
278:
217:
179:
513:
318:
One of the earliest tunes was "Evelyns", which was composed for these words by
98:. It was first published in 1870, in an expanded version of Noel's collection
837:
793:
238:
197:
726:
329:
270:
201:
216:(1903), expressing a wish for the text to follow the wording of the 1881
190:
420:
Stevenson, W.R. (1907). "Noel, Caroline Maria". In Julian, John (ed.).
183:
106:. It has been set to many different tunes, including compositions by
368:. This tune is known for its rousing interlude between each stanza.
311:
The hymn text has been set to various tunes in hymnbooks. In the
209:
266:
171:
158:
103:
30:
143:
The Name of Jesus and Other Verses for the Sick and Lonely
100:
The Name of Jesus and Other Verses for the Sick and Lonely
813:
332:
described this as "one of Monkβs most successful tunes".
178:
since then, including
Methodist, Baptist, Presbyterian,
695:
661:
659:
707:
644:
683:
671:
656:
341:printed the words with the tune "King's Weston" by
141:In 1861, she published a volume of verses entitled
588:"At the Name of Jesus Every knee shall bow (Noel)"
568:
835:
392:(3rd ed.). GIA Publications. p. 158.
193:, it has been published in around 250 hymnals.
164:The hymn later appeared in the 1875 edition of
457:"Hymn Interpretation: "At the Name of Jesus""
182:and non-denominational collections. In 1992,
170:, and has been included in a wide variety of
725:
547:
545:
543:
541:
539:
537:
535:
533:
16:1870 Christian hymn by Caroline Maria Noel
748:. Church Hymnal Corporation. p. 558.
611:Sweet Songs of Zion: Selected Radio Talks
530:
419:
383:
381:
322:, first appearing in the 1875 edition of
608:
505:
450:
448:
787:
713:
650:
623:
434:
387:
836:
743:
737:
580:
558:The Canterbury Dictionary of Hymnology
454:
378:
479:
445:
366:20th Century Church Light Music Group
810:
701:
689:
677:
665:
574:
501:
499:
497:
495:
493:
415:
413:
411:
409:
364:, published under the aegis of the
220:of the Bible, rather than the 1611
94:" is a hymn with lyrics written by
13:
731:Companion to Congregational Praise
551:
486:. T. Nelson and Sons. p. 253.
84:, "Camberwell" by Michael Brierley
14:
875:
733:. Independent Press. p. 101.
630:. Liturgical Press. p. 116.
506:Reynolds, William Jensen (1976).
490:
406:
232:
864:Hymns in The New English Hymnal
752:
719:
627:A Panorama of Christian Hymnody
617:
602:
473:
428:
362:Thirty 20th Century Hymn Tunes
1:
781:
729:; Parry, K. L., eds. (1953).
388:Stulken, Marilyn Kay (1998).
288:
7:
817:Westminster John Knox Press
744:Glover, Raymond F. (1990).
509:Companion to Baptist Hymnal
441:. John Murray. p. 212.
390:Hymnal Companion to Worship
345:. The tune was named after
59:Philippians 2:10-11
10:
880:
117:
790:The Penguin Book of Hymns
746:The Hymnal 1982 Companion
422:A Dictionary of Hymnology
72:
64:
54:
44:
36:
26:
21:
788:Bradley, Ian C. (1990).
371:
325:Hymns Ancient and Modern
296:Hymns Ancient and Modern
167:Hymns Ancient and Modern
844:English Christian hymns
609:Betjeman, John (2008).
306:
227:
176:Christian denominations
764:The Church of Scotland
760:"At the Name of Jesus"
624:Routley, Erik (1979).
613:. Hodder. p. 109.
554:"At the name of Jesus"
480:E. R., Pitman (1892).
435:Routley, Erik (1952).
355:Revised Church Hymnary
343:Ralph Vaughan Williams
241:, which describes the
151:Feast of the Ascension
114:and Michael Brierley.
112:Ralph Vaughan Williams
78:Ralph Vaughan Williams
455:Polman, Bert (1992).
313:Penguin Book of Hymns
811:Wren, Brian (2000).
438:Hymns and Human Life
335:In 1925, the hymnal
125:was the daughter of
92:At the Name of Jesus
22:At the Name of Jesus
704:, pp. 337β338.
251:exaltation of Jesus
208:In some books, the
123:Caroline Maria Noel
96:Caroline Maria Noel
76:"King's Weston" by
49:Caroline Maria Noel
859:19th-century hymns
516:. pp. 38β39.
347:Kings Weston House
320:William Henry Monk
255:Authorized Version
239:Philippians 2:5β11
222:Authorized Version
155:ascension of Jesus
153:, celebrating the
127:Gerard Thomas Noel
108:William Henry Monk
82:William Henry Monk
854:Songs about Jesus
637:978-0-8146-1014-5
483:Lady Hymn Writers
157:forty days after
147:processional hymn
136:Charlotte Elliott
131:Church of England
88:
87:
871:
830:
807:
775:
774:
772:
770:
756:
750:
749:
741:
735:
734:
723:
717:
711:
705:
699:
693:
687:
681:
675:
669:
663:
654:
648:
642:
641:
621:
615:
614:
606:
600:
599:
597:
595:
584:
578:
572:
566:
565:
562:Canterbury Press
549:
528:
527:
503:
488:
487:
477:
471:
470:
452:
443:
442:
432:
426:
425:
417:
404:
403:
385:
19:
18:
879:
878:
874:
873:
872:
870:
869:
868:
834:
833:
827:
804:
784:
779:
778:
768:
766:
758:
757:
753:
742:
738:
724:
720:
712:
708:
700:
696:
688:
684:
676:
672:
664:
657:
649:
645:
638:
622:
618:
607:
603:
593:
591:
586:
585:
581:
573:
569:
550:
531:
524:
504:
491:
478:
474:
453:
446:
433:
429:
424:. p. 1582.
418:
407:
400:
386:
379:
374:
351:Archibald Jacob
338:Songs of Praise
309:
291:
235:
230:
218:Revised Version
180:United Reformed
174:from different
120:
80:, "Evelyns" by
17:
12:
11:
5:
877:
867:
866:
861:
856:
851:
846:
832:
831:
825:
808:
802:
783:
780:
777:
776:
751:
736:
718:
706:
694:
692:, p. 335.
682:
680:, p. 338.
670:
668:, p. 337.
655:
643:
636:
616:
601:
579:
577:, p. 333.
567:
552:Watson, J. R.
529:
522:
514:Broadman Press
489:
472:
444:
427:
405:
398:
376:
375:
373:
370:
349:near Bristol.
308:
305:
290:
287:
234:
231:
229:
226:
119:
116:
86:
85:
74:
70:
69:
66:
62:
61:
56:
52:
51:
46:
42:
41:
38:
34:
33:
28:
24:
23:
15:
9:
6:
4:
3:
2:
876:
865:
862:
860:
857:
855:
852:
850:
847:
845:
842:
841:
839:
828:
826:9780664256708
822:
818:
814:
809:
805:
803:9780140092806
799:
795:
794:Penguin Group
791:
786:
785:
765:
761:
755:
747:
740:
732:
728:
727:Routley, Erik
722:
716:, p. 47.
715:
710:
703:
698:
691:
686:
679:
674:
667:
662:
660:
653:, p. 48.
652:
647:
639:
633:
629:
628:
620:
612:
605:
590:. Hymnary.org
589:
583:
576:
571:
563:
559:
555:
548:
546:
544:
542:
540:
538:
536:
534:
525:
523:9780805468083
519:
515:
511:
510:
502:
500:
498:
496:
494:
485:
484:
476:
468:
464:
463:
458:
451:
449:
440:
439:
431:
423:
416:
414:
412:
410:
401:
395:
391:
384:
382:
377:
369:
367:
363:
358:
356:
352:
348:
344:
340:
339:
333:
331:
327:
326:
321:
316:
314:
304:
300:
298:
297:
286:
282:
280:
274:
272:
268:
263:
260:
256:
252:
248:
244:
240:
233:Original text
225:
223:
219:
215:
211:
206:
203:
199:
198:John Betjeman
194:
192:
188:
185:
181:
177:
173:
169:
168:
162:
160:
156:
152:
148:
144:
139:
137:
132:
128:
124:
115:
113:
109:
105:
101:
97:
93:
83:
79:
75:
71:
67:
63:
60:
57:
53:
50:
47:
43:
39:
35:
32:
29:
25:
20:
812:
789:
767:. Retrieved
763:
754:
745:
739:
730:
721:
714:Bradley 1990
709:
697:
685:
673:
651:Bradley 1990
646:
626:
619:
610:
604:
592:. Retrieved
582:
570:
557:
508:
482:
475:
466:
460:
437:
430:
421:
389:
361:
359:
354:
337:
334:
330:Erik Routley
323:
317:
312:
310:
301:
294:
292:
283:
275:
271:Nicene Creed
264:
259:verses 10β11
254:
236:
214:Church Hymns
213:
207:
202:Erik Routley
195:
165:
163:
142:
140:
121:
99:
91:
89:
247:crucifixion
243:incarnation
191:hymnary.org
187:Bert Polman
184:hymnologist
849:1870 songs
838:Categories
782:References
399:1579990258
289:Variations
702:Wren 2000
690:Wren 2000
678:Wren 2000
666:Wren 2000
575:Wren 2000
253:. In the
196:The poet
68:6.5.6.5 D
462:The Hymn
357:(1927).
149:for the
55:Based on
210:incipit
172:hymnals
118:History
104:hymnals
37:Written
823:
800:
769:27 May
634:
594:1 June
520:
396:
279:return
267:John 1
159:Easter
73:Melody
469:: 39.
372:Notes
65:Meter
27:Genre
821:ISBN
798:ISBN
771:2024
632:ISBN
596:2024
518:ISBN
394:ISBN
307:Tune
249:and
228:Text
129:, a
45:Text
40:1870
31:Hymn
840::
819:.
815:.
796:.
792:.
762:.
658:^
560:.
556:.
532:^
512:.
492:^
467:43
465:.
459:.
447:^
408:^
380:^
257:,
245:,
224:.
161:.
110:,
829:.
806:.
773:.
640:.
598:.
564:.
526:.
402:.
90:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.