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At Grace Cathedral

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400: 395: 367: 390: 385: 362: 357: 352: 347: 331: 326: 321: 316: 311: 293: 288: 283: 278: 273: 589:-based pianist Jim Martinez and his quartet recreated the jazz mass in its entirety at Grace Cathedral on August 15, 2015. The Fair Oaks Presbyterian Church Choir as well as several surviving members of the original St. Paul's Church of San Rafael choir who performed alongside Guaraldi in 1965 performed with Martinez for the event. 596:, under the direction of Rev. Bill Carter, also honored the performance on September 6, 2015. Carter performed Guaraldi's keyboard parts with vocal support from members of the First Presbyterian adult choir. The tribute performance marked the first time that Guaraldi's jazz mass was presented in its entirety on the East coast. 31: 494:
The song titles were chosen by Rev. Gompertz rather than Guaraldi at the behest of Fantasy Record executives. As the religious service was one long, uninterrupted performance, Fantasy asked Gompertz to divide the resulting recording into segments that would make sense in the context of a commercially
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Guaraldi understood the significance of his performance: "I had one of America's largest cathedrals as a setting, a top choir, and a critical audience that would be more than justified in finding fault. I was in a musical world that had lived with the Eucharist for 500-600 years, and I had to improve
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to create what he called a "modern setting for the choral Eucharist." Guaraldi spent every Saturday over a period of 18 months rehearsing with the 68-voice St. Paul's Church of San Rafael choir to create a seamless blend of three unique elements for the performance: spoken (or chanted) prayers and
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critic Richard S. Ginell commented that "Guaraldi's Mass fuses his mainstream and Latin strains comfortably and movingly underneath the plain vanilla Gregorian lines and Anglican plainchant of a 68-voice chorus." Ginell added that "in a year that also saw
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magazine stated that "even as composed by professionals, liturgical jazz is inevitably something of a special taste, and too distracting for the average congregation. Moreover, the uptempo rhythms of modern jazz chafe against the stately language of the
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The album liner notes pointed out that audience members in attendance commented that "Theme For Grace" was reminiscent of supper music. Rev. Gompertz replied, "that's the idea. What does Communion represent but the
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Guaraldi's jazz-infused performance at Grace Cathedral was considered groundbreaking for its time, being the first instance that a mainstream jazz musician was heard during an American church service.
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Go To Church." Payne added that most songs "employ Guaraldi's knack for pretty, childlike themes — a perfect tone for the material."
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Guaraldi recruited several children from the St. Paul's Church of San Rafael choir several months later to record vocals for "
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and/or update it to 20th-century musical standards. This was the most awesome and challenging thing I had ever attempted."
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write jazz-based pieces for the church, Vince Guaraldi may have come up with the most effective sacred work of the four."
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Reverend David A. Crump â€“ chanted prayers ("Sursum Corda and Sanctus", "The Lord's Prayer"), liner notes
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on May 21, 1965. It is considered to be the world's first "jazz mass" presented during a church service.
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Several parishes across the United States celebrated the 50th anniversary of the event in 2015.
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Vince Guaraldi and the Lost Cues from the Charlie Brown Television Specials, Volume 2
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In an effort to make religious worship more approachable during the growing
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Vince Guaraldi and the Lost Cues from the Charlie Brown Television Specials
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greetings, vocals with the choir, and purely instrumental selections.
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St. Paul's Church of San Rafael 68-voice choir â€“ choral chanting
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It's the Great Pumpkin, Charlie Brown: Original Soundtrack Recording
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The following track listing is for the original 1965 vinyl release.
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It Was a Short Summer, Charlie Brown: Original Soundtrack Recording
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Barry Mineah â€“ St. Paul's Church of San Rafael choral director
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You're Not Elected, Charlie Brown: Original Soundtrack Recording
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National Register of Historic Places listings in San Francisco
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A Boy Named Charlie Brown: Selections from the Film Soundtrack
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A Boy Named Charlie Brown: Original Motion Picture Soundtrack
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A Charlie Brown Thanksgiving: Original Soundtrack Recording
1165:"Vince Guaraldi's Jazz Mass Re-Created for Grace Cathedral" 806:"Blessing – Bishop Pike" (spoken word by Bishop James Pike) 96: 1613:
The Peanuts Movie (Original Motion Picture Soundtrack)
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was released on CD in 1997 by Fantasy under the title
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Love Will Come: The Music of Vince Guaraldi, Volume 2
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Jazz Casual: Paul Winter/Bola Sete and Vince Guaraldi
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Index


Live album
Vince Guaraldi
Grace Cathedral, San Francisco
California
Genre
Jazz
Mass
Label
Fantasy
Vince Guaraldi
From All Sides
A Charlie Brown Christmas
Singles

AllMusic
All About Jazz
The Penguin Guide to Jazz Recordings
pianist
Vince Guaraldi
Fantasy Records
Grace Cathedral
San Francisco
California
counterculture movement of the 1960s
Vince Guaraldi
Last Supper
Christmas Time Is Here
Hark! The Herald Angels Sing
A Charlie Brown Christmas

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