167:"In choosing the word pictures for this show, I hoped to convey not only the work's most salient characteristic-recognizable images-but also and importantly the ambiguities it sustains. As is typical of what has come to be called postmodernism, this new work is not confined to any particular medium....Picture, used colloquially, is also nonspecific: a picture book might be a book of drawings or photographs, and in common speech a painting, drawing, or print is often called, simply, a picture. Equally important for my purposes, picture, in its verb form, can refer to a mental process as well as the production of an aesthetic object."
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feel very badly for those who were legitimately offended." Artists from the Black
Emergency Cultural Coalition insisted on Artists Space being held accountable for the show in the "reality of social-political structure", while artist John Chandler called on Artists Space to "become the alternative space it is truly meant to be" and not "mirror the subtle racism that exists throughout the art world."
331:, holding a series of lectures and meeting inciting dialogue on art's indisputable relation to politics. Artists Space formed a research partnership with W.A.G.E that led to the development of W.A.G.E's current certification program, which credits non-profit art organizations that commit to paying artists fees that meet their minimum payment standards.
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exhibit outside of
Artists Space. The Emergency Materials Fund provided grants to artists to present their work at an established non-profit venue, while the Independent Exhibitions Program supported the needs of unaffiliated artists who were producing and presenting their work without institutional sponsorship.
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argued that the context of the title was not racist in intention, and that art is "a territory where everything can be explored, discussed, revalued." She apologized, stating, "We were not politically or socially sensitive to the implications of using that title in a publicly funded art gallery. I
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Several artists support services were also established early on, including the
Visiting Artists Lecture Series, the Emergency Materials Fund, and the Independent Exhibitions Program. These programs were designed to provide visibility and financial assistance to artists, as well as opportunities to
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In 1974, The
Unaffiliated Artists File was established, later shortened to the "Artists File" in 1983. The file was originally composed solely of unaffiliated, New York-based artists, then was expanded to include artists across the United States, and eventually, to include 3000 artists located
343:, who previously issued slave insurance to slaveowners in order to establish the "Reparations Purpose Trust." The trust states that it is to be held until "the effective date of any official action by any branch of the United States government to make financial reparations for slavery."
291:, who acted as the Black Emergency Cultural Coalition and published an open letter criticizing the exhibition. They also organized two "teach-in" demonstrations, but only one was successfully held as the gallery locked its doors. Another coalition of artists and critics including
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conducted a residency at
Artists Space, where the Books & Talks location (55 Walker Street) functioned as a headquarters and meeting place for artists and organizers across New York City, many of whom were tied to decolonial resistance at national and global scales.
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From
January to March 2016, Artists Space hosted the exhibition 91020000 by Cameron Rowland, wherein Rowland purchased various units from an affordable manufacturing company named Corcraft that relies on underpaid prison labor. For another work,
159:. The show featured multimedia works including photography, film, performance as well as painting, drawing, and sculpture. After first being exhibited at Artists Space, the exhibition traveled to the Allen Art Museum, Oberlin, the
44:(NYSCA), Artists Space provided an alternative support structure for young, emerging artists, separate from the museum and commercial gallery system. Artists Space has historically been engaged in critical dialogues surrounding
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internationally. The
Artists File was both a free database open to the public as well as a service for representing a wide range of independent artists. Artists Space regularly organized group exhibitions entitled
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were among those chosen to exhibit and select artists. The system provided artists with a great amount of curatorial agency, and the opportunity for emerging artists to gain visibility.
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which featured registered artists from the File. The
Artists File was one of the largest artists registries in the world, with more than 10,000 users. It was digitized in 1986.
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During its first year, 21 prominent artists were chosen to produce a one-person exhibition, and chose three unaffiliated artists to show work simultaneously. Artists such as
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a photo and video performance series focusing on autobiography and institutional critique of the art world. The series took place over four consecutive evenings.
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In 1979, the gallery hosted an exhibition of black-and-white photographs and charcoal drawings by white artist Donald Newman entitled "Nigger
Drawings".
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Blair, Eileen (April 26, 1979). "Pure Art or 'Brutality Chic': Artists Space
Accused of Racism over Exhibit Title".
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to do so, Eno was convinced that this movement should be documented and proposed the idea of a compilation album,
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is a non-profit art gallery and arts organization first established at 155 Wooster Street in
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483:"Did The AIDS Epidemic Change the Way We Understand Art?: Sophie Junge's "Art About AIDS""
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published an open letter defending the exhibition and the choice of its title. Director
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794:"Revolutionary Sisters: Artwork Forged in the Crucible of Battle over Feminism"
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The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute
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The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute
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52:. As of 2019, Artists Space is located at 11 Cortlandt Alley in the
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827:"Minorities and the Visual Arts: Controversy Before the Endowment"
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In 2011, Artists Space offered its resources to movements like
207:'s Tone Death (performing his composition for electric guitars
1039:, Fales Library and Special Collections at New York University
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Reynolds, Simon (2005). "Contort Yourself: No Wave New York".
526:"Artists Space Re-emerges as an Enduring Downtown Alternative"
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In 1978, Artists Space served as a site of inception for the
507:"Causes and Effects: Decolonize This Place at Artists Space"
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Trescott, Jacqueline; Trescott, Jacqueline (May 2, 1979).
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211:) and Daily Life. The final two days of the show featured
926:"Artists Respond to W.A.G.E. Open Forum with Hans Abbing"
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mobilized a coalition of artists and critics including
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Guide to the Artists Space Collection of Artist Files
883:"Sources of Harm: Notes on the Alternative Artworld"
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Heresies: A Feminist Publication on Art and Politics
329:Working Artists and the Greater Economy (W.A.G.E.)
1007:. London: Faber and Faber, Ltd. pp. 139–157.
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864:""Racism" Protest Slated Over Title of Art Show"
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1753:Contemporary art galleries in the United States
988:. Distributed Art Publishers. pp. 326–327.
986:5000 Artists Return to Artists Space: 25 Years
605:5000 Artists Return to Artists Space: 25 Years
587:5000 Artists Return to Artists Space: 25 Years
558:Grace, Trudie (Summer 1975). "Artists Space".
468:5000 Artists Return to Artists Space: 25 Years
1743:Art museums and galleries established in 1972
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1024:Guide to the Artists Space Archive: 1973–2009
1005:Rip It Up and Start Again: Post-punk 1978–84
967:"The Products of Forced Labor in US Prisons"
175:movement, hosting a five night underground
1403:108 Leonard (Former New York Life Building)
723:, University of Michigan Press, pp. 151–157
607:. Distributed Arts Publishers. p. 321.
187:, that featured ten local bands; including
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672:Crimp, Douglas (Spring 1979). "Pictures".
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589:. Distributed Art Publishers. p. 322.
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470:. Distributed Art Publishers. p. 27.
161:Los Angeles Institute of Contemporary Art
1270:Mercer Labs Museum of Art and Technology
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984:Gould, Claudia; Smith, Valerie (1998).
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603:Gould, Claudia; Smith, Valerie (1998).
585:Gould, Claudia; Smith, Valerie (1998).
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466:Gould, Claudia; Smith, Valerie (1998).
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505:McCanne, Michael (December 5, 2016).
179:music festival, organized by artists
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1528:Kitchen, Montross & Wilcox Store
1518:Four Seasons Hotel New York Downtown
881:Henry, Joseph (September 11, 2014).
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143:an exhibition featuring the work of
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524:Farago, Jason (December 12, 2019).
375:Carlos Gutierrez-Solana (1991–1993)
241:More Songs About Buildings and Food
120:Notable exhibitions and programming
40:and Trudie Grace and funded by the
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481:Colucci, Emily (October 4, 2017).
227:on Saturday. English musician and
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619:"PersonA: Organized by Edit DeAk"
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346:From September to December 2016,
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862:Glueck, Grace (April 14, 1979).
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48:, racism, the AIDS crisis, and
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965:Rodney, Seph (March 3, 2016).
812:"Open Letter to Artists Space"
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1719:Manhattan Community Board 1
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225:Teenage Jesus and the Jerks
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1589:Canal Street/Varick Street
1498:Cosmopolitan Hotel Tribeca
1483:Broadway–Chambers Building
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948:"CAMERON ROWLAND 91020000"
396:Jay Sanders (2017–present)
261:Just Above Midtown Gallery
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369:Linda Shearer (1980–1985)
1758:Culture of New York City
1488:Canal Street Post Office
1463:American Thread Building
384:Barbara Hunt (2000–2005)
360:Trudie Grace (1973–1975)
1533:Mutual Reserve Building
1331:Ichimura at Brushstroke
1157:New York Academy of Art
372:Susan Wyatt (1985–1991)
219:on Friday, followed by
1478:Barclay–Vesey Building
1280:Soho Repertory Theatre
1131:Washington Market Park
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46:institutional critique
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1579:Canal Street/Broadway
651:The New York Observer
355:Timeline of Directors
348:Decolonize This Place
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1503:David S. Brown Store
1453:408 Greenwich Street
1448:388 Greenwich Street
1101:Albert Capsouto Park
1418:177 Franklin Street
1275:Postmasters Gallery
1162:New York Law School
1032:New York University
932:. January 24, 2012.
831:The Washington Post
773:on October 16, 2019
719:Patrick Nickleson,
706:Patrick Nickleson,
1698:Historic districts
1553:Woolworth Building
1523:Home Life Building
868:The New York Times
574:– via JSTOR.
530:The New York Times
301:Rosalind E. Krauss
263:and her colleague
257:Linda Goode Bryant
94:Dorothea Rockburne
54:Financial District
50:Occupy Wall Street
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1538:One Hudson Square
1458:A&P Warehouse
1413:175 West Broadway
1408:111 Murray Street
1398:101 Warren Street
1383:56 Leonard Street
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1183:TriBeCa Synagogue
1111:Hudson River Park
952:The Brooklyn Rail
912:The Village Voice
798:The Village Voice
289:Howardena Pindell
201:Theoretical Girls
193:The Gynecologists
90:Philip Pearlstein
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1388:60 Hudson Street
1285:The Flea Theater
1234:Tamarind Tribeca
1224:One White Street
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1178:Tribeca Festival
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769:. Archived from
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393:(2009–2016)
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366:(1975–1980)
325:Strike Debt
305:Craig Owens
277:May Stevens
265:Janet Henry
250:No New York
217:Contortions
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114:Selections,
1732:Categories
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1366:structures
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1199:Frenchette
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435:References
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128:organized
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