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369:(1963) consists of six vertical fluorescent tubes on a wall, one to the left, two in the center, three on the right, all emitting white light. He confined himself to a limited palette (red, blue, green, pink, yellow, ultraviolet, and four different whites) and form (straight two-, four-, six-, and eight-foot tubes, and, beginning in 1972, circles). In the decades that followed, he continued to use fluorescent structures to explore color, light and sculptural space, in works that filled gallery interiors. He started to reject studio production in favor of site-specific "situations" or "proposals" (as the artist preferred to classify his work). These structures cast both light and an eerily colored shade, while taking a variety of forms, including "corner pieces", "barriers," and "corridors". Most of Flavin's works were untitled, followed by a dedication in parentheses to friends, artists, critics and others: the most famous of these include his
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that enclose elevator shafts, Flavin placed vertical structures made of two parallel, adjacent rows of six 4-foot (122 cm) fixtures each, all with blue lamps. Intersecting at the 4-foot intervals, six 4-foot fixtures with green lamps were placed horizontally to form a cross-like pattern. At the top of one large wall, near the main entrance but after the first elevator shaft, is a horizontal row of thirteen 4-foot fixtures with green lamps. They are mounted on the wall at the ceiling joint. This work was installed shortly before Flavin's death, although the building did not open officially until 1997.
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in
Gelsenkirchen, Germany, designed by Uwe Kiessler of the architectural firm Kiessler + Partner, Flavin was commissioned to light an enclosed arcade. This passageway, which has a large glass facade with sections that can be opened in warm weather, connects nine buildings. On three unobstructed walls
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Flavin generally conceived his sculptures in editions of three or five, but would wait to create individual works until they had been sold to avoid unnecessary production and storage costs. Until the point of sale, his sculptures existed as drawings or exhibition copies. As a result, the artist left
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in New York, Flavin started to make sketches for sculptures that incorporated electric lights. The first works to incorporate electric light were his "Icons" series: eight colored shallow, boxlike square constructions made from various materials such as wood, Formica, or
Masonite. Constructed by the
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Each of the more than 750 light sculptures that Dan Flavin designed - usually in editions of three or five - were listed on index cards and filed away. When one sold, the buyer received a certificate containing a diagram of the work, its title and the artist's signature and stamp. If someone showed
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Flavin's "corridors", for example, control and impede the movement of the viewer through gallery space. They take various forms: some are bisected by two back-to-back rows of abutted fixtures, a divider that may be approached from either side but not penetrated (the color of the lamps differs from
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descent, and was sent to
Catholic schools. He was named after his father, D. Nicholas Flavin. Dan Flavin studied for the priesthood at the Immaculate Conception Preparatory Seminary in Brooklyn between 1947 and 1952 before leaving to join his twin brother, David John Flavin, and enlist in the
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and Jim
Schaeufele, Dia's director of operations, on the renovation and design. Here, Flavin's works are exhibited in "rooms without windows or bearing an indirect relationship to its outside surroundings". The permanent display consists of nine all-fluorescent pieces, six in color and three
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in
Houston, Texas states that in 1990 Dominique de Menil approached Flavin to create a permanent, site-specific installation at Richmond Hall. Two days before his death in November 1996 Flavin completed the design for the space. The artist's studio completed the work.
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for the
Frankfurt Museum. After a first presentation in 1989, it was shown in various exhibitions at the museum between 1999 and 2002. Flavin himself examined the installation in Frankfurt in February 1993 and then adapted his installation concept for the museum.
486:, Munich (1995); Institut Arbeit und Technik/Wissenschaftspark, Gelsenkirchen, Germany (1996); and the Union Bank of Switzerland, Bern (1996). Additional sites for Flavin's architectural "interventions" were the
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announced a collaboration with Flavin's estate. Schnabel joined the artist's son, Stephen Flavin, to present Flavin's light sculptures alongside works by
European ceramicists admired and collected by Flavin.
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untitled (to Ward
Jackson, an old friend and colleague who, during the Fall of 1957 when I finally returned to New York from Washington and joined him to work together in this museum, kindly communicated)
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Museum für
Moderne Kunst, Frankfurt am Main: 2. Informationsheft zur Architektur und Sammlung = Museum of Modern Art, Frankfurt am Main : 2nd publication on the architecture and collection
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Gallery in Munich exhibited the light installation "Two primary series and one secondary", presented in three exhibition rooms, which Flavin developed especially for the gallery. The collector
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had fluorescent tubes with incandescent and fluorescent bulbs attached to their sides, and sometimes beveled edges. One of these icons was dedicated to Flavin's twin brother David, who died of
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and assistant office manager at the Museum of Modern Art. The couple had one son, Stephen Flavin. The first marriage ended in divorce by 1979. Flavin's twin brother, David, died in 1962.
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From 1975, Flavin installed permanent works in Europe and the United States, including "Untitled. In memory of Urs Graf" at the
Kunstmuseum Basel (conceived 1972, realized 1975); the
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dedicated to Schaeufele in three shades of white, as well as a drawing for an icon, not in the temporary exhibition, dedicated to his fraternal twin brother, David John.
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514:. The design for the piece was completed two days before Flavin's death on November 29, 1996. Its installation was completed one year later with the assistance of the
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presented concurrent exhibitions of his works on paper and fluorescent sculptures. Among Flavin's many significant one-person exhibitions in Europe were shows at the
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During military service in 1954–55, Flavin was trained as an air weather meteorological technician and studied art through the adult extension program of the
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474:, Yonkers, New York (1979); United States Courthouse, Anchorage, Alaska (1979–89); the Staatliche Kunsthalle Baden-Baden, Germany (1989); the lobby of the
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or the waters off Long Island. He also created small portraits and kept about 20 volumes of journals. Flavin collected drawings too, including works by
1995:
361:, a yellow fluorescent placed on a wall at a 45-degree angle from the floor and completed in 1963, was Flavin's first mature work; it is dedicated to
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that resulted in the making of several permanent site-specific installations and led most recently to the organization of the traveling exhibition,
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By 1968, Flavin had developed his sculptures into room-size environments of light. That year, he outlined an entire gallery in ultraviolet light at
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work. The exhibition included nearly 45 light works, including his "icons" series. The MCA's presentation included the re-creation of the
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436:, Germany. In 1992, Flavin's original conception for a 1971 piece was fully realized in a site-specific installation that filled the
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Flavin, Dan (1993). Installationen in fluoreszierendem licht 1989-1993. Stuttgart: Edition Cantz. p.9-10, 83. ISBN 3893225404.
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and houses nine fluorescent light works by Flavin on permanent display in a gallery designed for them. in 1975 Dia installed
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and marks the beginning of Flavin's exclusive use of commercially available fluorescent light as a medium. A little later,
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1443:"Dan Flavin", brochure, S. Maria in Chiesa Rossa, Fondazione Prada, Dia Center for the Arts, 1997. Essay by Michael Govan.
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In 1964, Flavin received an award from the William and Norma Copley Foundation, Chicago, with a recommendation from
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was initiated in the early 1980s, although the final plans were not completed until 1996. His last artwork was a
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Flavin, Dan (December 1965). "...in daylight or cool white': an autobiographical sketch". No. 4. Artforum.
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482:), Brooklyn, New York (1992); seven lampposts outside the Städtische Galerie im Lenbachhaus, Munich (1994);
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in Marfa, Texas (2000). His large-scale work in colored fluorescent light for six buildings at the
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In an Unlikely Pairing, Vito Schnabel Announces a Collaboration With the Dan Flavin Estate
292:, Ottawa; Fariha Friedrich, a Dia Art Foundation trustee; and Michael Venezia, an artist.
8:
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1990:
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743:, Los Angeles. This exhibition was the first comprehensive retrospective devoted to his
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on January 23, 1997. Speakers included Brydon Smith, curator of 20th-century art at the
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Bell, Tiffany; Govan, Michael; Powell, Earl A.; Smith, Brydon; Weiss, Jeffrey (2004).
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room from the original MCA exhibition in 1967, Flavin's first solo museum exhibition.
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One of Flavin's last works was the lighting for a glass-enclosed arcade (1996) at the
1968:
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In a letter to Rolf Lauter from Steve Morse, Dan Flavin LTD Studio from March 4, 1993
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served as director. The first major retrospective of Flavin's work was organized by
590:, along with examples of works on paper by early-19th-century Japanese artists like
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Frankfurt acquired the installation together with 86 other works from the former
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Flavin's first works were drawings and paintings that reflected the influence of
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Flavin's first one-person exhibition using only fluorescent light opened at the
349:(Rhine-Elbe Science Park) in Gelsenkirchen, Germany. The arcade was designed by
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767:, Connecticut, and in 1976, he was given the Skowhegan Medal of Sculpture from
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by Michael Govan and Tiffany Bell. Yale University Press, New Haven, CT. 2004.
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In 1961, he married his first wife Sonja Severdija, an art history student at
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The highest price by one of his artworks in the art market was reached when
540:, New York opened in 1983 as the Dan Flavin Art Institute. It is run by the
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Flavin realized his first full installation piece, greens crossing greens (
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in Korea. Upon his return to New York in 1956, Flavin briefly attended the
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839:, with primary archival texts and correspondence by and about Dan Flavin.
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1948:
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630:, Germany. Favin's first major museum exhibition was held in 1967 at the
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School of Fine Arts and studied art under Albert Urban. He later studied
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THE ESTATE OF DAN FLAVIN IS NOW EXCLUSIVELY REPRESENTED BY DAVID ZWIRNER
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1396:""Piet Mondrian – Barnett Newman – Dan Flavin", Kunstmuseum Basel, 2013"
459:(1980) at the James M. Fitzgerald US Courthouse and Federal Building in
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up with a certificate and a damaged fixture, Flavin would replace it.
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edited by Rainer Fuchs. Hatje Cantz Verlag, Ostfildern 2012. English
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353:; it stretches 300 metres (980 ft), and connects nine buildings.
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In 2010, artists Cindy Hinant and Nicolas Guagnini created the book
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behind more than 1,000 unrealized sculptures when he died in 1996.
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From 1959, Flavin was briefly employed as a mail room clerk at the
570:, Flavin often drew the surrounding landscape, whether it was the
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723:, Washington, D.C.; the Museum of Modern Art, Fort Worth, Texas;
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763:. In 1973, he was named Albert Dorne Visiting Professor at the
715:(2004–2007). Flavin's retrospective exhibition traveled to the
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S. Maria Annunciata in Chiesa Rossa, Dan Flavin's last artwork
602:. Flavin also exchanged works with Minimalist colleagues like
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Dan Flavin's ‘Icon’ Constructions on Display in Bridgehampton
1578:"Dan Flavin and Luminosity | National Gallery of Canada"
440:'s entire rotunda on the occasion of the museum's reopening.
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1282:. New Haven, Conn: Yale University Press. pp. 272–275.
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Dan Flavin: A Retrospective, October 3, 2004–January 9, 2005
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Dan Flavin: A Retrospective, October 3, 2004–January 9, 2005
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in 1964. Two years later, his first European show opened at
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Diagonal of Personal Ecstasy (the Diagonal of May 25, 1963)
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Villa & Panza Collection: Dan Flavin - Varese Corridor
1756:"Visit Our Locations & Sites | Visit | Dia"
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1996:
Dan Flavin: A Retrospective, The National Gallery of Art
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It brought together more than 50 of Flavin's artworks.
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His first solo exhibition in Latin America was held at
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In the summer of 1961, while working as a guard at the
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1307:. Frankfurt: Museum für Moderne Kunst. pp. 48–49.
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objects and installations from commercially available
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Zehn Jahre Museum für Moderne Kunst Frankfurt am Main
1065:"Dan Flavin, 63, Sculptor Of Fluorescent Light, Dies"
924:"Dan Flavin, 63, Sculptor Of Fluorescent Light, Dies"
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967:
832:, Lawrence Alloway, Germano Celant, Holland Cotter.
421:, was constructed for a 1973 solo exhibition at the
168:(April 1, 1933 – November 29, 1996) was an American
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707:In the late 1970s, he began a partnership with the
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853:Alternate Diagonals of March 2, 1964 (to Don Judd)
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417:one side to the other). The first such corridor,
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1280:Dan Flavin : the complete lights, 1961-1996
234:and later as guard and elevator operator at the
142:Site-specific installation by Dan Flavin, 1996,
1165:For a large complex of office buildings called
392:, Eindhoven, Netherlands, in 1966. In 1968 the
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692:, organised a comprehensive exhibition named
400:purchased the installation in the same year.
1487:An Introduction to Dia's Locations and Sites
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673:, Buenos Aires, in 1998, organized with the
1531:The Morgan Will Show Another Side of Flavin
265:Flavin married his second wife, the artist
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1959:Dan Flavin: The Complete Lights, 1961-1996
1816:Art Is Long; Copyrights Can Even Be Longer
1353:"Five Illuminating Facts About Dan Flavin"
1150:Dan Flavin: the complete lights, 1961-1996
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769:Skowhegan School of Painting and Sculpture
510:, Milan. The 1930s church was designed by
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1986:The Estate of Dan Flavin at David Zwirner
1884:Hinant, Cindy; Guagnini, Nicolas (2010).
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1113:Hinant, Cindy; Guagnini, Nicolas (2010).
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227:, where he studied painting and drawing.
1698:. David Zwirner Gallery. October 9, 2009
729:Musée d'Art Moderne de la Ville de Paris
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367:The Nominal Three (to William of Ockham)
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183:
148:
137:
16:American minimalist artist (1933 - 1996)
2036:Dan Flavin at DASMAXIMUM KunstGegenwart
2016:Museum of Modern Art, Dan Flavin Images
1941:It Is What It Is: Dan Flavin Since 1964
1719:"No Trespassing: The Art of Dan Flavin"
1050:, June 26, 1992. Abstract available at
822:It Is What It Is: Dan Flavin Since 1964
778:opened the Dan Flavin Art Institute in
594:and 20th-century European masters like
2314:People from Riverhead (town), New York
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1653:David Zwirner Gallery, September 2010.
1551:"Art Notes; No Little Flowers, Please"
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1153:. Yale University Press. p. 410.
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872:Santa Maria Annunciata in Chiesa Rossa
508:Santa Maria Annunciata in Chiesa Rossa
155:Santa Maria Annunciata in Chiesa Rossa
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1689:"Dan Flavin: Series and Progressions"
1664:"Dan Flavin: Series and Progressions"
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874:in Milan, Italy, Flavin's final work.
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554:as its first permanent installation.
1832:Eileen Kinsella, (November 1, 2017)
323:artist and his then-wife Sonja, the
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1317:
1264:untitled (to Jan and Ron Greenberg)
1181:Holland Cotter (December 4, 2009),
1063:Smith, Roberta (December 4, 1996).
862:, on 14 May 2014, by $ 3.770.000.
717:Museum of Contemporary Art, Chicago
632:Museum Of Contemporary Art, Chicago
419:untitled (to Jan and Ron Greenberg)
13:
2259:20th-century American male artists
2021:Museum für Moderne Kunst, Sammlung
1777:Jane L. Levere (August 13, 2015),
990:Daniel Marzona and Uta Grosenick.
895:A radiant Dan Flavin retrospective
733:Bayerische Staatsgemäldesammlungen
660:Staatliche Kunsthalle, Baden-Baden
320:American Museum of Natural History
14:
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1979:
1814:Patricia Cohen (April 24, 2012),
1558:. The New York Times. p. 139
1529:Carol Vogel (December 22, 2011),
1371:Flavins will see the light of day
386:to Piet Mondrian who lacked green
284:. A memorial for him was held at
2319:20th-century American architects
1991:Survey of works at David Zwirner
1745:David Zwirner Gallery, New York.
1548:Glueck, Grace (March 12, 1967).
1504:"untitled In memory of Urs Graf"
992:Minimal Art," Taschen, 2004, p14
741:Los Angeles County Museum of Art
547:Untitled (In memory of Urs Graf)
253:
2304:Sculptors from New York (state)
2254:20th-century American sculptors
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1369:Julia Halperin (June 6, 2013),
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646:, Ottawa in 1969. In 1973, the
470:, Otterlo, Netherlands (1977);
1908:Greg Allen (January 2, 2005),
1183:Golden Oldies All Over Chelsea
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996:
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893:Paul Levy (February 3, 2006),
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613:
480:Skidmore, Owings & Merrill
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221:New School for Social Research
104:Site-specific installation art
1:
2309:Artists from Queens, New York
2284:American installation artists
2026:Guggenheim Museum, Dan Flavin
1798:"Dan Flavin's Altering Light"
1796:Lindquist, Greg (June 2012).
1601:"Dan Flavin: A Retrospective"
1322:. Köln: DuMont. p. 543.
878:
842:
306:
2001:The Dan Flavin Art Institute
1004:"David Zwirner - Dan Flavin"
930:. p. Section D, Page 25
694:Dan Flavin: A Retrospective.
438:Solomon R. Guggenheim Museum
388:), for an exhibition at the
7:
2289:American multimedia artists
1167:Wissenschaftspark Rheinelbe
1128:Tiffany Bell, diacenter.org
865:
749:alternating pink and "gold"
713:Dan Flavin: A Retrospective
701:Dan Flavin: A Retrospective
404:, founding director of the
346:Wissenschaftspark Rheinelbe
302:List of works by Dan Flavin
172:artist famous for creating
10:
2340:
1717:Victor M. Cassidy (2005).
1477:. Retrieved July 19, 2020.
1434:Chinati Foundation, Marfa.
644:National Gallery of Canada
557:
494:in Berlin (1996), and the
373:, a homage to the Russian
299:
290:National Gallery of Canada
35:Daniel Nicholas Flavin Jr.
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1890:. New York: Cin & Nic
189:Daniel Nicholas Flavin Jr
128:
109:
93:
83:
75:
56:
30:
23:
2006:Dan Flavin at Dia:Beacon
1910:The Dark Side of Success
1423:untitled (Marfa project)
1137:accessed August 25, 2007
1038:accessed August 25, 2007
765:University of Bridgeport
588:Sanford Robinson Gifford
406:Museum für Moderne Kunst
280:, of complications from
219:for a short time at the
2264:American male sculptors
1430:April 21, 2012, at the
1278:Govan, Michael (2004).
1231:National Gallery of Art
1133:August 7, 2007, at the
978:"Guggenheim Museum Bio"
962:National Gallery of Art
899:The Wall Street Journal
780:Bridgehampton, New York
776:Dia Center for the Arts
721:National Gallery of Art
690:National Gallery of Art
516:Dia Center for the Arts
448:Permanent installations
295:
269:, in a ceremony at the
202:United States Air Force
2269:Contemporary sculptors
1649:June 17, 2011, at the
1357:Perfect Picture Lights
1268:Guggenheim Collection.
1249:Guggenheim Collection.
1100:"Paula Cooper Gallery"
1034:April 6, 2007, at the
737:Pinakothek der Moderne
648:Saint Louis Art Museum
584:Jasper Francis Cropsey
580:John Frederick Kensett
463:
371:Monuments to V. Tatlin
354:
313:Abstract Expressionism
209:University of Maryland
162:
146:
2193:Geometric abstraction
1454:"Menil Collection at"
1376:June 9, 2013, at the
1318:Bee, Andreas (2003).
1303:Lauter, Rolf (1989).
957:May 26, 2012, at the
488:Grand Central Station
468:Kröller-Müller Museum
455:
342:
184:Early life and career
152:
141:
1951:in association with
1226:May 8, 2012, at the
1202:(January 24, 2006),
922:(December 4, 1996).
666:, Frankfurt (1993).
490:in New York (1976),
423:St. Louis Art Museum
236:Museum of Modern Art
2218:Monochrome painting
1965:Dan Flavin: Lights,
1953:Thames & Hudson
1947:and Paula Feldman.
1089:, January 23, 1997.
1082:Dan Flavin Memorial
1010:on December 9, 2009
855:(1964) was sold at
818:Thames & Hudson
799:In 2017, Gallerist
679:Dan Flavin. 1933-96
576:Hudson River School
472:Hudson River Museum
363:Constantin Brâncuși
278:Riverhead, New York
260:New York University
225:Columbia University
223:, then moved on to
88:Columbia University
68:Riverhead, New York
2279:Minimalist artists
2198:Hard-edge painting
1914:The New York Times
1852:"It Is What It Is"
1820:The New York Times
1783:The New York Times
1535:The New York Times
1491:Dia Art Foundation
1475:Dia Art Foundation
1460:on April 13, 2010.
1402:on August 19, 2014
1233:, Washington, D.C.
1187:The New York Times
1086:The New York Times
1069:The New York Times
1048:The New York Times
964:, Washington, D.C.
928:The New York Times
808:Books about Flavin
739:, Munich; and the
709:Dia Art Foundation
686:Dia Art Foundation
675:Dia Art Foundation
542:Dia Art Foundation
504:site-specific work
500:Chinati Foundation
496:Chinati Foundation
464:
410:Ströher Collection
355:
286:Dia Art Foundation
163:
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1382:The Art Newspaper
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652:Kunstmuseum Basel
636:Jan van der Marck
552:Kunstmuseum Basel
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457:untitled (to Tom)
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2101:
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1964:
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1943:, edited by
1940:
1935:Bibliography
1922:
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1894:December 26,
1892:. Retrieved
1886:
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1560:. Retrieved
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1513:. Retrieved
1507:
1498:
1486:
1482:
1466:
1458:the original
1448:
1439:
1422:
1421:Dan Flavin,
1416:
1404:. Retrieved
1400:the original
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1238:
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1208:The Guardian
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1012:. Retrieved
1008:the original
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658:(1975), the
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617:
600:George Grosz
561:
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398:Karl Ströher
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351:Uwe Kiessler
344:
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267:Tracy Harris
264:
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248:Robert Ryman
244:Lucy Lippard
229:
213:Hans Hofmann
206:
188:
187:
165:
164:
153:Interior of
120:Tracy Harris
62:(1996-11-29)
18:
2299:1996 deaths
2294:1933 births
2162:Anne Truitt
2107:Donald Judd
2072:Minimal art
1949:Ridinghouse
1668:NY Art Beat
1562:January 30,
1204:Strip tease
1052:nytimes.com
934:January 30,
826:Donald Judd
814:Ridinghouse
793:Tower Heist
755:Recognition
614:Exhibitions
604:Donald Judd
335:Mature work
273:, in 1992.
217:art history
76:Nationality
2248:Categories
2203:Minimalism
2152:Tony Smith
2122:Sol LeWitt
2117:Yves Klein
2102:Dan Flavin
2097:Larry Bell
1743:Dan Flavin
1611:January 6,
1605:diaart.com
1406:August 17,
1329:3832156291
1289:0300106335
879:References
843:Art market
820:published
745:minimalist
727:, London;
608:Sol LeWitt
562:Living in
402:Peter Iden
307:Early work
240:Sol LeWitt
180:fixtures.
174:sculptural
170:minimalist
166:Dan Flavin
41:1933-04-01
25:Dan Flavin
1927:Sotheby's
1858:August 5,
1728:August 4,
1266:(1972-73)
857:Sotheby's
812:In 2004,
771:, Maine.
731:, Paris;
684:In 2006,
564:Wainscott
461:Anchorage
430:Documenta
377:sculptor
331:in 1962.
101:Sculpture
84:Education
2188:De Stijl
2079:Artists
1702:June 13,
1673:June 13,
1647:Archived
1493:. p. 98.
1428:Archived
1374:Archived
1224:Archived
1131:Archived
1032:Archived
955:Archived
866:See also
860:New York
634:, where
568:Garrison
282:diabetes
161:, Italy.
129:Children
79:American
1955:. 2004.
1627:"About"
1515:May 28,
642:at the
628:Cologne
592:Hokusai
558:Drawing
110:Spouses
2228:Op art
1971:
1838:Artnet
1723:Artnet
1607:. 2006
1425:(1996)
1326:
1286:
1247:(1971)
1157:
719:; the
664:Städel
586:, and
478:(with
434:Kassel
246:, and
2171:Forms
1692:(PDF)
1631:artsy
432:4 in
329:polio
325:Icons
195:, of
159:Milan
94:Style
2083:list
1969:ISBN
1896:2014
1887:FLAV
1860:2012
1730:2011
1704:2011
1675:2011
1613:2021
1564:2021
1517:2023
1408:2014
1324:ISBN
1284:ISBN
1155:ISBN
1115:FLAV
1016:2009
936:2021
837:FLAV
816:and
654:and
606:and
598:and
566:and
525:The
518:and
357:The
296:Work
70:, US
57:Died
51:, US
31:Born
681:).
550:at
506:at
2250::
1800:.
1768:^
1758:.
1721:.
1694:.
1666:.
1629:.
1603:.
1554:.
1506:.
1489:.
1473:.
1355:.
1254:^
1163:.
1067:.
969:^
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907:^
886:^
735:,
610:.
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522:.
250:.
242:,
204:.
157:.
2085:)
2081:(
2064:e
2057:t
2050:v
1975:.
1917:.
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677:(
43:)
39:(
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