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Artemisia
Gallery created a video library of interviews from female artists and critics, and established a learning resource center which made information about the role of women in contemporary art available to the public through periodicals, slides, and videotapes. In addition, the gallery also
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From 1973 to 2003, Artemisia exhibited local, national, and international artists, supporting the careers of over 150 women artists and their mentees. The gallery was an active site for exhibitions, lectures, discussions, artist exchanges, and meetings.
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provided a speaker's bureau which offered a mentorship program, and launched a public education pilot program to both promote the role of women in art, and to strengthen links between art and education.
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As due-paying members of the cooperative, each member was granted a show annually in the gallery's exhibition space, and participated in monthly meetings to plan and execute the program.
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and Anita David, displayed featured political posters, recordings, and videos on a range of contemporary issues from women around the country along
Chicago train and bus lines.
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The gallery was a cooperative, started by 20 women who were frustrated by the lack of opportunities for female artists in
Chicago, and opened in the same month as the
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The gallery closed in 2003. Lynne Warren, a curator at the Museum of
Contemporary Art, suggested that women had become less drawn to a women's cooperative.
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Members and applicants, guest artists, and educational programs were selected by the gallery's membership, which ranged from 10 to 20 members.
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362:"Artemisia Challenges the Elders: How a Women Artists' Cooperative Created a Community for Feminism and Art Made by Women"
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In 1975, the gallery was home to the first meeting of what would later become the
Chicago Artist Coalition.
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Jacobsen, Carol (1991). "Redefining
Censorship: A Feminist View".
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One such program was the "Critical
Messages Show", co-curated by
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Chicagoan alternative exhibition space and women's cooperative
424:"Artemisia: A Women's Cooperative Gallery in Chicago"
296:, Adrienne Drapkin, Shirley Federow, Sandra Gierke,
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48:Location of Artemisia Gallery in Central Chicago
541:Contemporary art galleries in the United States
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478:"Artemisia | Art & Design in Chicago"
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336:"Pioneering gallery to end 30-year run"
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366:Frontiers: A Journal of Women Studies
104:Artemisia Gallery (the United States)
546:Art museums and galleries in Chicago
312:, Mary Stoppert, and Carol Turchan.
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334:Brotman, Barbara (May 28, 2003).
360:Gardner-Huggett, Joanna (2012).
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531:1973 establishments in Illinois
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107:Show map of the United States
212:alternative exhibition space
200:Alternative exhibition space
76:Artemisia Gallery (Illinois)
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422:Beier, Lucia Adams (1978).
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51:Show map of Central Chicago
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286:Margaret (Harper) Wharton
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180:41.894611°N 87.653694°W
236:Artemisia Gentileschi
185:41.894611; -87.653694
484:. September 24, 2018
150:700 N. Carpenter St.
79:Show map of Illinois
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536:History of Chicago
411:– via JSTOR.
340:chicagotribune.com
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208:Artemisia Gallery
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372:(2): 55–75.
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306:Susan Michod
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171:87°39′13.3″W
168:41°53′40.6″N
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504:Art Journal
232:ARC Gallery
183: /
158:Coordinates
117:Established
525:Categories
316:References
464:193007868
448:1530-9282
402:142825769
386:0160-9009
345:April 28,
279:Founders:
132:Dissolved
428:Leonardo
407:June 10,
252:Programs
220:Illinois
147:Location
456:1574007
226:History
216:Chicago
210:was an
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460:S2CID
452:JSTOR
398:S2CID
390:JSTOR
490:2019
444:ISSN
409:2022
382:ISSN
347:2019
196:Type
139:2003
135:2003
124:1973
120:1973
512:doi
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374:doi
214:in
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