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1867:, a friend of Bennett and a fellow-stammerer, observed, "It was painful to watch the struggle he sometimes had to get the words out. It was torture to him. Few realised the exhaustion it caused him to speak. What to most men is as easy as breathing was to him a constant strain. ... Few knew the distressing sense it gave rise to of a bar to complete contact with other men. It may be that except for the stammer which forced him to introspection, Arnold would never have become a writer".
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358:, about making-up, making-ready and running-round. He reviewed plays and books ... He acquainted himself with hundreds of subjects that would never have come his way otherwise ... the domestic column told one "How to train a Cook", "How to keep parsley fresh", "How to make money at home", "How to bath the baby (Part One)". The knowledge was not wasted, for Bennett is one of the few novelists who can write with sympathy and detail about the domestic preoccupations of women.
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107:(27 May 1867 – 27 March 1931) was an English author, best known as a novelist, who wrote prolifically. Between the 1890s and the 1930s he completed 34 novels, seven volumes of short stories, 13 plays (some in collaboration with other writers), and a daily journal totalling more than a million words. He wrote articles and stories for more than 100 newspapers and periodicals, worked in and briefly ran the
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Bennett was well rid of her, but it was a painful episode in his life. In early 1907 he met
Marguerite Soulié (1874–1960), who soon became first a friend and then a lover. In May he was taken ill with a severe gastric complaint, and Marguerite moved into his flat to look after him. They became still closer, and in July 1907, shortly after his fortieth birthday, they were married at the
1236:(1907), judged by Lucas the finest of all the stories. His chosen locations ranged widely, including Paris and Venice as well as London and the Five Towns. As with his novels, he would sometimes give a story a label, calling "The Matador of the Five Towns" (1912) "a tragedy" and "Jock-at-a-Venture" from the same collection "a frolic". The short stories, particularly those in
1504:, "was so appalled by much of what he found in the journals that he published only brief extracts, and those the safest". Whatever Flower censored, the extracts he selected were not always "the safest": he let some defamatory remarks through, and in 1935 he, the publishers and printers had to pay an undisclosed sum to the plaintiff in one libel suit and £2,500 in another.
727:, the story of the generations of a family seen in 1860, 1885 and 1912. The combination of Bennett's narrative gift and Knoblauch's practical experience proved a success. The play was strongly cast, received highly favourable notices, ran for more than 600 performances in London and over 200 in New York, and made Bennett a great deal of money. His next play,
1149:(1926), described by Dudley Barker as "one of the finest of political novels in the language", benefited from Bennett's own experience in the Ministry of Information and his subsequent friendship with Beaverbrook: John Lucas states that "As a study of what goes on in the corridors of power has few equals". And Bennett's final – and longest – novel,
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Biographers have speculated on his precise reasons for doing so. Drabble suggests that perhaps "he was hoping for some kind of liberation. He was thirty-five and unmarried"; Lucas writes that it was almost certainly
Bennett's desire to be recognised as a serious artist that prompted his move; according to his friend and colleague
1593:(1918), on which critical opinion ranged from "cheap and sensational" ... "sentimental melodrama" to "a great novel". Lucas (2004) considers it "a much underrated study of England during the war years, especially in its sensitive feeling for the destructive frenzy that underlay much apparently good-hearted patriotism".
247:, musical, cultured and sociable. Enoch Bennett had an authoritarian side, but it was a happy household, although a mobile one: as Enoch's success as a solicitor increased, the family moved, within the space of five years in the late 1870s and early 1880s, to four different houses in Hanley and the neighbouring
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Although I am 33 & I have not made a name, I infallibly know that I shall make a name, & that soon. But I should like to be a legend. I think I have settled in my own mind that my work will never be better than third rate, judged by the high standards, but I shall be cunning enough to make it
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The society was founded in 1954 "to promote the study and appreciation of the life, works and times not only of Arnold
Bennett himself but also of other provincial writers, with particular relationship to North Staffordshire." In 2021 its president was Denis Eldin, Bennett's grandson; among the vice
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In 2006 Koenigsberger commented that one reason why
Bennett's novels had been sidelined, apart from "the exponents of modernism who recoiled from his democratising aesthetic programme", was his attitude to gender. His books include the pronouncements "the average man has more intellectual power than
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The informal office life of the magazine suited
Bennett, not least because it brought him into lively female company, and he began to be a little more relaxed with young women. He continued work on his novel and wrote short stories and articles. He was modest about his literary talent: he wrote to a
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In 2017 the society instituted an annual Arnold
Bennett Prize as part of the author's 150th-anniversary celebrations, to be awarded to an author who was born, lives or works in North Staffordshire and has published a book in the relevant year or to the author of a book which features the region. In
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Lucas concludes his study with the comment that
Bennett's realism may be limited by his cautious assumption that things are as they are and will not change. Nevertheless, in Lucas's view, successive generations of reader have admired Bennett's best work, and future generations are certain to do so.
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In a restaurant where he dined frequently a trivial incident in 1903 gave
Bennett the germ of an idea for the novel generally regarded as his masterpiece. A grotesque old woman came in and caused a fuss; the beautiful young waitress laughed at her, and Bennett was struck by the thought that the old
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In the solicitors' office in London, Bennett became friendly with a young colleague, John Eland, who had a passion for books. Eland's friendship helped alleviate
Bennett's innate shyness, which was exacerbated by a lifelong stammer. Together, they explored the world of literature. Among the writers
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Many of
Bennett's novels and short stories are set in a fictionalised version of the Staffordshire Potteries, which he called The Five Towns. He strongly believed that literature should be accessible to ordinary people and he deplored literary cliques and élites. His books appealed to a wide public
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in particular, he moved to Paris in 1903; there the relaxed milieu helped him overcome his intense shyness, particularly with women. He spent ten years in France, marrying a Frenchwoman in 1907. In 1912 he moved back to England. He and his wife separated in 1921, and he spent the last years of his
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In a 1963 study of Bennett, James Hepburn summed up and dissented from the prevailing views of the novels, listing three related evaluative positions taken individually or together by almost all Bennett's critics: that his Five Towns novels are generally superior to his other work, that he and his
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I find I am richer this year than last; so I enclose a cheque for 500 pounds for you to distribute among young writers and artists and musicians who may need the money. You will know, better than I do, who they are. But I must make one condition, that you do not reveal that the money has come from
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listed the latter among the 100 most important works in the genre. This collection of stories recounts the adventures of a millionaire who commits crimes to achieve his idealistic ends. Although it was "one of his least known works", it was nevertheless "of unusual interest, both as an example of
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education, but his father had other plans. In 1883, aged 16, Bennett left school and began work – unpaid – in his father's office. He divided his time between uncongenial jobs, such as rent collecting, during the day, and studying for examinations in the evening. He began writing in a modest way,
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Bennett never lost his journalistic instincts, and throughout his life sought and responded to newspaper and magazine commissions with varying degrees of enthusiasm: "from the start of the 1890s right up to the week of his death there would never be a period when he was not churning out copy for
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In 1931 the critic Graham Sutton, looking back at Bennett's career in the theatre, contrasted his achievements as a playwright with those as a novelist, suggesting that Bennett was a complete novelist but a not-entirely-complete dramatist. His plays were clearly those of a novelist: "He tends to
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contain some of the most striking examples of Bennett's concern for realism, with an unflinching narrative focus on what Lucas calls "the drab, the squalid, and the mundane". In 2010 and 2011 two further volumes of Bennett's hitherto uncollected short stories were published: they range from his
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In 1905 Bennett became engaged to Eleanor Green, a member of an eccentric and capricious American family living in Paris, but at the last moment, after the wedding invitations had been sent out, she broke off the engagement and almost immediately married a fellow American. Drabble comments that
885:, these articles were "extraordinarily successful and influential ... and made a number of new reputations". By the end of his career, Bennett had contributed to more than 100 newspapers, magazines and other publications. He continued to write novels and plays as assiduously as before the war.
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was that British politicians had been at fault in failing to prevent it, but that once it had become inevitable it was right that Britain should join its allies against the Germans. He concentrated his attention on journalism, aiming to inform and encourage the public in Britain and allied and
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His writings represent a systematic dismemberment of the intellectuals' case against the masses. He has never been popular with intellectuals as a result. Despite Margaret Drabble's forceful advocacy, his novels are still undervalued by literary academics, syllabus-devisers and other official
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In January 1902 Enoch Bennett died, after a decline into dementia. His widow chose to move back to Burslem, and Bennett's sister married shortly afterwards. With no dependants, Bennett − always a devotee of French culture − decided to move to Paris; he took up residence there in March 1903.
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friend, "I have no inward assurance that I could ever do anything more than mediocre viewed strictly as art – very mediocre", but he knew he could "turn out things which would be read with zest, & about which the man in the street would say to friends 'Have you read so & so in the
507:. He did not begin work on that novel until 1907, before which he wrote ten others, some "sadly undistinguished", in the view of his biographer Kenneth Young. Throughout his career, Bennett interspersed his best novels with some that his biographers and others have labelled pot-boilers.
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In his biography of Bennett Patrick, Donovan argues that in the US "the huge appeal to the ordinary readers" of his self-help books "made his name stand out vividly from other English writers across the massive, fragmented American market." As Bennett put it to his London-based agent
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dismisses him in a sentence or two, and not many people seemed to take him as seriously as I did. The best books I think are very fine indeed, on the highest level, deeply moving, original, and dealing with material that I had never before encountered in fiction, but only in
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in February 1918 he appointed Bennett to take charge of propaganda in France. Beaverbrook fell ill in October 1918 and made Bennett director of propaganda, in charge of the whole ministry for the last weeks of the war. At the end of 1918 Bennett was offered, but declined, a
159:, belittled him, and his fiction became neglected after his death. During his lifetime his journalistic "self-help" books sold in substantial numbers, and he was also a playwright; he did less well in the theatre than with novels but achieved two considerable successes with
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Bennett is remembered chiefly for his novels and short stories. The best known are set in, or feature people from, the six towns of the Potteries of his youth. He presented the region as "the Five Towns", which correspond closely with their originals: the real-life
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newspapers and magazines". In a journal entry at the end of 1908, for instance, he noted that he had written "over sixty newspaper articles" that year; in 1910 the figure was "probably about 80 other articles". While living in Paris he was a regular contributor to
1453:(1923). They were, says Swinnerton, "written for small fees and with a real desire to assist the ignorant". According to the Harvard academic Beth Blum, these books "advance less scientific versions of the argument for mental discipline espoused by William James".
130:, to follow him into the legal profession. Bennett worked for his father before moving to another law firm in London as a clerk at the age of 21. He became assistant editor and then editor of a women's magazine before becoming a full-time author in 1900. Always a
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was aimed initially at "the legions of clerks and typists and other meanly paid workers caught up in the explosion of British office jobs around the turn of the century … they offered a strong message of hope from somebody who so well understood their lives".
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Bennett usually gave his novels subtitles; the most frequent was "A fantasia on modern themes", individual books were called "A frolic" or "A melodrama", but he was sparing with the label "A novel" which he used for only a few of his books – for instance
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Bennett has been commemorated by several plaques. Hugh Walpole unveiled one at Comarques in 1931, and in the same year another was placed at Bennett's birthplace in Hanley. A plaque to and bust of Bennett were unveiled in Burslem in 1962, and there are
347:. The salary, £150 a year, was £50 less than he was earning as a clerk, but the post left him much more free time to write his first novel. For the magazine he wrote under a range of female pen-names such as "Barbara" and "Cecile". As his biographer
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was seen as impeccably constructed but the credit for that was given to his craftsmanlike collaborator, Edward Knoblauch (Bennett being credited with the inventive flair of the piece). By far his most successful solo effort in the theatre was
950:, London, attended by leading figures from journalism, literature, music, politics and theatre, and, in Pound's words, many men and women who at the end of the service "walked out into a London that for them would never be the same again".
1500:, Bennett kept a journal throughout his adult life. Swinnerton says that it runs to a million words; it has not been published in full. Edited extracts were issued in three volumes, in 1932 and 1933. According to Hugh Walpole, the editor,
1125:. He has been criticised for making literary use in that novel of the distressing details of his father's decline into senility, but in Pound's view, in committing the details to paper Bennett was unburdening himself of painful memories.
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where he lived in his youth. The southern Baker Street entrance of Chiltern Court has a plaque to Bennett on the left and another to H. G. Wells on the right. A blue plaque has been placed on the wall of Bennett's home in Fontainebleau.
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neutral countries. He served on official and unofficial committees, and in 1915 he was invited to visit France to see conditions at the front and write about them for readers at home. The collected impressions appeared in a book called
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During his ten years in France he had gone from a moderately well-known writer enjoying modest sales to outstanding success. Swinnerton comments that in addition to his large sales, Bennett's critical prestige was at its zenith.
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It was not only locations on which Bennett drew for his fiction. Many of his characters are discernibly based on real people in his life. His Lincoln's Inn friend John Eland was a source for Mr Aked in Bennett's first novel,
458:. The latter, an extravagant story of crime in high society, sold 50,000 copies in hardback and was almost immediately translated into four languages. By this stage he was confident enough in his abilities to tell a friend:
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In his last hours the local authority agreed that straw should be spread in the street outside Bennett's flat to dull the sound of traffic. This is believed to be the last time this traditional practice was carried out in
1187:. Literary critics have followed Bennett in dividing his novels into groups. The literary scholar Kurt Koenigsberger proposes three categories. In the first are the long narratives – "freestanding, monumental artefacts" –
1328:(1927), a comedy based on his 1922 novel; one critic wrote "I could have enjoyed the play had it run to double its length", but even so he judged the middle act weaker than the outer two. Sutton concludes that Bennett's
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writers of his time, but strongly disapproved of their conscious appeal to a small élite and their disdain for the general reader. Bennett believed that literature should be inclusive, accessible to ordinary people.
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film company. It was never made, though Bennett wrote a full-length treatment, assumed to be lost until his daughter Virginia found it in a drawer in her Paris home in 1983; subsequently the script was sold to the
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Swinnerton writes, "Endless social engagements; inexhaustible patronage of musicians, actors, poets, and painters; the maximum of benevolence to friends and strangers alike, marked the last ten years of his life".
2015:
Drabble ascribes her obduracy to a combination of the vindictive and the mercenary – no divorce court would award a settlement as advantageous to her as the highly generous terms given to her by Bennett at their
867:. They had been drifting apart for some years and Marguerite had taken up with Pierre Legros, a young French lecturer. Bennett sold Comarques and lived in London for the rest of his life, first in a flat near
262:. He was good at Latin and better at French; he had an inspirational headmaster who gave him a love for French literature and the French language that lasted all his life. He did well academically and passed
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lengthy speeches. Sometimes he overwrites a part as though distrusting the actor. He is more interested in what his people are than in what they visibly do. He 'thinks nowt' of mere slickness of plot."
497:; the journals – or at least the cautiously selected extracts published since his death – do not record the precise nature of the relationship, but the two spent a considerable amount of time together.
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to Dorothy Cheston Bennett. The following April she gave birth to the couple's only child, Virginia Mary (1929–2003). She continued to appear as an actress, and produced and starred in a revival of
1359:"the best thing that English opera has so far produced ... the most dramatic and stageworthy", but though politely received, both operas vanished from the repertory after a few performances.
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Life in Paris evidently helped Bennett overcome much of his remaining shyness with women. His journals for his early months in Paris mention a young woman identified as "C" or "Chichi", who was a
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calls "an ironic but affectionate detachment, describing provincial life and culture in documentary detail, and creating many memorable characters". In later life Bennett said that the writer
875:, on which he had taken a lease during the war. For much of the 1920s he was widely known to be the highest-paid literary journalist in England, contributing a weekly column to Beaverbrook's
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praised the "shrewd wit" of the former, but thought it "false in its essentials ... superficial in its accidentals". Of the latter, the critic Horace Shipp wondered "how the author of
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among Russians. In writing about the Five Towns, Bennett aimed to portray the experiences of ordinary people coping with the norms and constraints of the communities in which they lived.
577:; his pieces for the latter, published under a pen-name, were concise literary essays aimed at "the general cultivated reader", a form taken up by a later generation of writers including
1291:, which ran in the West End for 674 performances, from March 1913 to November 1914. Sutton praised its "new strain of impish and sardonic fantasy" and rated it a much finer play than
1217:(1907), have "mostly passed from public attention along with the 'modern' conditions they exploit". His third group includes "Idyllic Diversions" or "Stories of Adventure", including
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the average woman" and "women as a sex love to be dominated"; Koenigsberger nevertheless praises Bennett's "sensitive and oft-praised portrayals of female figures in his fiction".
1121:(1903) contains a character with echoes of his Parisienne friend Chichi; Darius Clayhanger's early life is based on that of a family friend and Bennett himself is seen in Edwin in
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similarly took her undivorced partner's surname. Dorothy was never formally "Mrs Bennett", but after she and Marguerite were both present at the memorial service for Bennett, in
703:, Essex, and moved there in February 1913. Among his early concerns, once back in England, was to succeed as a playwright. He had dabbled previously but his inexperience showed.
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1710:(2020). The prize was not awarded in 2021 because of the Covid-19 situation, but in 2022 it was won by John Pye, a former detective inspector turned crime writer, for his novel
1573:(1923) set in Clerkenwell, London, and dealing with material imagined rather than observed by the author. On the third point he commented that although received wisdom was that
791:. The offer was renewed some time later, and again Bennett refused it. One of his closest associates at the time suspected that he was privately hoping for the more prestigious
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Bennett published 96 short stories in seven volumes between 1905 and 1931. His ambivalence about his native town is vividly seen in "The Death of Simon Fuge" in the collection
406:; by then he had set his sights on a career as a full-time author, but he served as editor for four years. During that time he wrote two popular books, described by the critic
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1351:(four acts, produced in 1937 after the writer's death). There were comments that Goossens's music lacked tunes and Bennett's libretti were too wordy and literary. The critic
231:
Longson (1840–1914). Enoch Bennett's early career had been one of mixed fortunes: after an unsuccessful attempt to run a business making and selling pottery, he set up as a
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1569:, and that there is a sharp and clear distinction between the good and bad novels. Hepburn countered that one of the novels most frequently praised by literary critics is
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During a holiday in France with Dorothy in January 1931, Bennett twice drank tap-water – not, at the time, a safe thing to do there. On his return home he was taken ill;
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considered that the next influence on Bennett's fiction was his time in London in the 1890s, "engaged in journalism and ingenious pot-boiling of various kinds."
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with a starry cast, had "one of the most amusing first acts we have ever seen", but fell flat in the other two acts. In the same year Bennett met the playwright
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916:. As Marguerite would not agree to a divorce, Bennett was unable to marry Dorothy, and in September 1928, having become pregnant, she changed her name by
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1401:, which foundered on artistic disagreements and Bennett's refusal to see the film as a "talkie" rather than silent. His original scenario, acquired by
1229:(1913), which "have sustained some enduring critical and popular interest, not least for their amusing treatment of cosmopolitanism and provinciality".
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wrote that Bennett had "turned preacher and a jolly good preacher he is". While in the US Bennett also sold the serial rights of his forthcoming novel,
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As the war was ending, Bennett returned to his theatrical interests, although not primarily as a playwright. In November 1918 he became chairman, with
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was character, but that the competence of his technique was variable. The plays are seldom revived, although some have been adapted for television.
115:, and wrote for the cinema in the 1920s. Sales of his books were substantial, and he was the most financially successful British author of his day.
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had created and sustained their own locales, and Bennett did the same with his Five Towns, drawing on his experiences as a boy and young man. As a
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From the outset, Bennett believed in the "democratisation of art which it is surely the duty of the minority to undertake". He admired some of the
600:, he visited not only New York and Boston but also Chicago, Indianapolis, Washington and Philadelphia in a tour that was described by US publisher
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Such recourse was familiar at the time, when unmarried couples were expected to make a token pretence of being married: in similar circumstances
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which was well reviewed, but had only a moderate run. Bennett had mixed feelings about her continuing stage career, but did not seek to stop it.
555:(1910) – "justly established Bennett as a major exponent of realistic fiction". In addition to these, Bennett published lighter novels such as
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227:
but then a separate town. He was the eldest child of the three sons and three daughters of Enoch Bennett (1843–1902) and his wife Sarah Ann,
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become Bennett's Bursley, Hanbridge, Longshaw, Knype and Turnhill. These "Five Towns" make their first appearance in Bennett's fiction in
5536:
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620:), Doran, who travelled everywhere with Bennett while in America, was the publisher of Bennett's wildly successful 'pocket philosophies'
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of the 9th arrondissement. The marriage was childless. Early in 1908 the couple moved from the rue d'Aumale to the Villa des Néfliers in
478:, Bennett was following in the footsteps of George Moore by going to live in "the home of modern realism"; in the view of the biographer
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as "one of continuous triumph": in the first three days of his stay in New York he was interviewed 26 times by journalists. While rival
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There are substantial archives of Bennett's papers and artworks, including drafts, diaries, letters, photographs, and watercolours, at
822:, which, in Swinnerton's phrase, "caught different moods of the post-war spirit", and ran for 466 and 1,463 performances respectively.
767:: although well reviewed, because of its subject-matter the novel provoked "a Hades of a row" and some booksellers refused to sell it.
275:, a skill much sought after in commercial offices, and on the strength of that he secured a post as a clerk at a firm of solicitors in
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who regarded him as representative of an outmoded and rival literary culture. There was a strong element of class-consciousness and
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Bennett published more than two dozen non-fiction books, among which eight could be classified as "self-help": the most enduring is
1109:, set in the Potteries, that "opened my eyes to the romantic nature of the district I had blindly inhabited for over twenty years".
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is Bennett's "last extended study of Five Towns life". The novels he wrote in the 1920s are largely set in London and thereabouts:
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as "one of the true greats of British silent films". In 1929, the year the film came out, Bennett was in discussion with a young
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and was well and widely reviewed, but Bennett's profits from the sale of the book were less than the cost of having it typed.
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earliest work written in the 1890s, some under the pseudonym Sarah Volatile, to US magazine commissions from the late 1920s.
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1203:, which "have been held in high critical regard since their publication". Koenigsberger writes that the "Fantasias" such as
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1213:
1557:" accused Bennett, Galsworthy and Wells of ushering in an "age when character disappeared or was mysteriously engulfed".
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Bennett's lack of a theatrical grounding showed in the uneven construction of some of his plays, such as his 1911 comedy
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novel prize for 1923, "the first prize for a book I ever had", Bennett noted in his journal on 18 October 1924. His
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in the modernists' attitude: Woolf accused Bennett of having "a shopkeeper's view of literature" and in her essay "
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1419:(1908), which is still in print and has been translated into several languages. Other "self-help" volumes include
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in Hanley, Stoke-on-Trent, unveiled on 27 May 2017 during the events marking the 150th anniversary of his birth.
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are bad, there was little consensus about which other Bennett novels were good, bad or indifferent. He instanced
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935:; after several weeks of unsuccessful treatment he died in his flat at Chiltern Court on 27 March 1931, aged 63.
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1976:
The inscription gives the date of his death as 29 March 1931, although in fact he died at 8.50 p.m. on 27 March.
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In 1922 Bennett met and fell in love with an actress, Dorothy Cheston (1891–1977). Together they set up home in
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woman had once been as young and lovely as the waitress. From this grew the story of two contrasting sisters in
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in Bedfordshire, where he made a home not only for himself but for his parents and younger sister. He completed
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in 1893 for his story 'The Artist's Model'; another short story, 'A Letter Home', was submitted successfully to
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757:, which ends with its hero, George Cannon, enlisting in the army. Wartime London was the setting for Bennett's
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were among those who testified to Bennett's generosity. Sitwell recalled a letter Bennett wrote in the 1920s:
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defended both works, finding Bennett's libretto for Judith "a drama told simply and straightforwardly" and
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addressed the problem by referring to them as "Mrs Dorothy Bennett" and "Mrs Arnold Bennett" respectively.
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Sitwell recorded that Bennett's practice of anonymous philanthropy was continued by the latter's protégé
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In 1911 Bennett made a financially rewarding visit to the US, which he later recorded in his 1912 book
167:
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The traditional omelette was served at the Savoy until 2021. In 2022 the omelette was replaced with a
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commemorating him at the house in Cadogan Square where he lived from 1923 to 1930 and on the house in
279:, London. In March 1889, aged 21, he left for London and never returned to live in his native county.
182:(1992), and others have led to a re-evaluation of Bennett's work. The finest of his novels, including
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1097:(1916) – as well as for dozens of short stories. Bennett's fiction portrays the Five Towns with what
939:
631:
1876:£150 in 1894 is approximately equivalent to £22,000 in 2023, according to calculations based on
780:
235:
and pawnbroker in 1866. Four years later, Enoch's father died, leaving him some money with which he
4902:
4141:
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376:
4645:
The Intellectuals and The Masses: Pride and Prejudice among the Literary Intelligentsia, 1880–1939
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753:, the third in his Clayhanger trilogy, was published in 1916 and in 1917 he completed a sequel,
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and some other celebrities the distinction of having a well-known dish named in his honour. An
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1137:(1923), for instance, generally regarded as the best of Bennett's post-war novels, was set in
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In 1912, after an extended stay at the Hotel Californie in Cannes, during which time he wrote
5377:
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have published their recipes for it, and a variant remains on the menu at the Savoy Grill.
1604:, a literary biography. In the foreword she demurred at the critical dismissal of Bennett:
1496:
1375:
and was finally published in 2013. In 1928 Bennett wrote the scenario for the silent film
1320:
could write such third-rate stuff". Bennett had more success in a final collaboration with
1287:
762:
640:
535:
263:
259:
4660:
Corréard, Marie-Hélène; Valerie Grundy; Jean-Benoit Ormal-Grenon; Nicholas Rollin (2007).
4248:
1677:
Statue of Bennett outside the Potteries Museum & Art Gallery in Hanley, Stoke-on-Trent
1461:, these "pocket philosophies are just the sort of book for the American public". However,
1261:
8:
5463:
4640:
4014:
1911:
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590:
287:
179:
5026:
Shapcott, John (2015). "Buried Alive: Bennett in the Archives". In John Shapcott (ed.).
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872:
343:
In 1894 Bennett resigned from the law firm and became assistant editor of the magazine
255:
152:
2029:
partner changed her name by deed poll to "Lady Jessie Wood", and as late as the 1950s
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4232:"Library: Special Collections, Staffordshire University: Arnold Bennett Collection"
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973:
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From the start of his career, Bennett was aware of the appeal of regional fiction.
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was "the father of all my Five Towns books" as it was reading Moore's 1885 novel
1017:
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578:
486:
was Bennett's home for the next five years, first in the rue de Calais, near the
332:
244:
5006:
1660:
Arnold Bennett's early work and as an early example of dilettante detectivism".
1529:
of his day deplored Bennett's books, and those of his well-known contemporaries
32:
5393:
4944:
2404:"The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)"
2140:
2124:
2116:
1823:
1807:
1538:
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909:
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479:
236:
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156:
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After the First World War, Bennett wrote two plays on metaphysical questions,
5480:
5119:
5073:
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4958:
4936:
4857:
4652:
4571:
4554:
4533:
4521:
4493:
4108:" Six bed property – once the home of Stoke-on-Trent novelist Arnold Bennett"
3960:, The James Tate Black Prizes, University of Edinburgh. Retrieved 6 June 2020
3194:"Grigson (née McIntire), (Heather Mabel) Jane (1928–1990), writer on cookery"
2132:
2128:
2120:
1964:
1948:
1944:
1931:
1831:
1546:
1501:
1482:
1386:
1352:
1276:, which played for 125 performances from October 1911. The highly successful
932:
691:, Bennett and his wife moved from France to England. Initially they lived in
596:
487:
396:
317:
140:
4463:
2403:
2064:, an omission that still rankles with some local people in the 21st century.
1607:
I'd been brought up to believe that even his best books weren't very good –
515:
444:, and left London to set up house at Trinity Hall Farm, near the village of
301:
5266:
4966:
4733:
4471:
2144:
2136:
2030:
2003:
1956:
1952:
1923:
1919:
1728:
1656:
1608:
1458:
1382:
981:
977:
890:
650:
magazine for a total of £1,200, and the American rights of a successor to
5271:
4581:
Arnold Bennett: The Evening Standard Years – "Books and Persons" 1926–1931
1991:
Arnold Bennett: The Evening Standard Years – "Books and Persons" 1926–1931
465:
4449:
2156:
2152:
1827:
1800:
1792:
1537:. Of the three, Bennett drew the most opprobrium from modernists such as
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1156:
1138:
894:
868:
838:
605:
573:
494:
411:
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337:
131:
2026:
1960:
1542:
1082:
1005:
1001:
946:
in his mother's grave. A memorial service was held on 31 March 1931 at
551:
4252:
2169:
1517:
1366:, a scenario for a silent movie, at the request of Jesse Lasky of the
988:
writer he followed the examples of the authors he admired – above all
428:, the five towns being Bennett's lightly fictionalised version of the
395:, recommended it for publication. It elicited a letter of praise from
928:
917:
705:
695:, but "determined to become an English country landowner", he bought
541:
Lucas comments that the best of the novels written while in France –
445:
271:
contributing light pieces to the local newspaper. He became adept in
240:
147:
and sold in large numbers. For this reason, and for his adherence to
127:
452:
in 1901; it was published the following year, as was its successor,
5385:
5248:
4623:
The Self-Help Compulsion: Searching for Advice in Modern Literature
1796:
1732:
1550:
1336:
1009:
997:
788:
557:
326:
267:
5244:
4664:(fourth ed.). Oxford and New York: Oxford University Press.
1803:
1767:, Staffordshire University's Special Collections and, in the US,
1044:
1013:
355:
321:
248:
561:(1911). His output of literary journalism included articles for
139:
life with a new partner, an English actress. He died in 1931 of
5028:
An Arnold Bennett Companion: A Twenty-first Century Perspective
4786:. Vol. III. London and New York: Oxford University Press.
2619:
The Oxford Companion to Twentieth-Century Literature in English
1890:
1048:
993:
692:
531:
232:
119:
67:
5102:
The New Cambridge Bibliography of English Literature, Volume 4
1714:
The prize in 2023 went to Philip Nanney Williams for his book
1362:
Bennett took a keen interest in the cinema, and in 1920 wrote
4106:, Blue Plaques, English Heritage. Retrieved 6 June 2020; and
3681:, July 1937, p. 646; and Page, Philip. "Don Juan de Mañara",
3596:
Shipp, Horace. "Body and Soul: A Study in Theatre Problems",
1480:
under the pseudonym Jacob Tonson and was associated with the
5124:
The London Stage, 1910–1916: A Calendar of Plays and Players
4971:
Queen's Quorum. A History of the Detective-Crime Short Story
1159:, whose directors assisted him in his preliminary research.
3790:. Margaret Drabble (foreword). Leek: Churnet Valley Books.
1772:
1739:
There is a two-metre-high bronze statue of Bennett outside
4728:(fourteenth ed.). London: Sir Isaac Pitman and Sons.
2115:
for fiction in 1923: winners in other years have included
1155:(1930), is set in a grand London hotel reminiscent of the
837:– Bennett's last home, with plaques commemorating him and
320:. He continued his own writing, and won a prize of twenty
3668:, Oxford University Press, 1992. Retrieved 10 March 2021.
2306:"Retired Powys headteacher wins international book prize"
1694:. Subsequent winners have been Jan Edwards for her novel
354:
He did a bit of everything. He learned about recipes and
336:, where it featured in 1895 alongside contributions from
2660:
Drabble, p. 263; Young, p. 10; and Hepburn (2013), p. 37
1069:(1902) and are the setting for further novels including
482:
it was "to begin his career as a man of the world". The
239:
himself to a local law firm; in 1876, he qualified as a
4324:, Oxford University Press, 2012. Retrieved 3 June 2020
4294:, Oxford University Press, 2012. Retrieved 4 June 2020
3207:, Oxford University Press, 2004. Retrieved 5 June 2020
2733:, Oxford University Press, 1949. Retrieved 1 June 2020
2621:, Oxford University Press, 1996. Retrieved 31 May 2020
2284:, Oxford University Press, 2004. Retrieved 30 May 2020
2219:, Oxford University Press, 2008. Retrieved 30 May 2020
510:
387:, completed in 1896, was published two years later, by
4504:
Fame and Fiction: An Enquiry into Certain Popularities
4403:, Gordon Ramsay Restaurants. All retrieved 3 June 2020
3308:, Oxford University Press, 2006. Retrieved 4 June 2020
1893:
trees". In Bennett's time the house was called "Villa
4905:; Rupert Hart-Davis (1979). Rupert Hart-Davis (ed.).
4526:
The Journals of Arnold Bennett: Volume III, 1921–1928
4455:
Ego 5: Again More of the Autobiography of James Agate
3114:
Hart-Davis, pp. 88, 89, 102–103, 149–150, 169 and 211
258:, Burslem, followed by a year at a grammar school in
3880:, 18 April 1935, p. 4; and "High Court of Justice",
3876:"Journals of Arnold Bennett: Libel Action Settled",
2932:, 9 March 1912, p. 291; Milne, A. A. "At the Play",
2597:
Pound, pp. 128–129; and Drabble, pp. 10, and 105–106
2172:
Arnold Bennett, with the same essential ingredients.
2960:, Internet Broadway Database. Retrieved 1 June 2020
2936:, 27 March 1912, p. 238; and "Plays of the Month",
538:, about 40 miles (64 km) south-east of Paris.
4880:
4702:
4599:
4255:, New York Public Library. Retrieved 18 April 2022
2533:
2531:
2529:
881:under the title 'Books and Persons'; according to
370:" He was happy to write for popular journals like
254:From 1877 to 1882, Bennett's schooling was at the
206:(1923), are now widely recognised as major works.
1408:
118:Born into a modest but upwardly mobile family in
5478:
4048:, Arnold Bennett Society. Retrieved 24 July 2022
4029:, Arnold Bennett Society. Retrieved 25 June 2021
4017:, Arnold Bennett Society. Retrieved 25 June 2021
2217:The Oxford Guide to Literary Britain and Ireland
1837:
1706:(2019) and Lisa Blower for her story collection
1619:called for a reappraisal of Bennett in his book
5597:Deaths from typhoid fever in the United Kingdom
5522:20th-century English dramatists and playwrights
5169:, Vol. II. Leek, Staffs: Churnet Valley Books.
4564:Letters of Arnold Bennett: Volume II, 1889–1915
3651:, British Film Institute. Retrieved 3 June 2020
3561:Sutton, Graham. "The Plays of Arnold Bennett",
3012:, 2 October 1918, p. 11; and Pound, pp. 276–277
2790:, Arnold Bennett Society. Retrieved 1 June 2020
2526:
469:Rue d'Aumale, Bennett's second address in Paris
4829:(Thesis). Liverpool: University of Liverpool.
4247:, JISC Archives Hub. Retrieved 18 April 2022;
3358:"Some people believe this city has five towns"
1324:(as Knoblauch had become during the war) with
749:(1915). He was still writing novels, however:
422:(1899). He also began work on a second novel,
5287:
4931:. London and New York: Heinemann and Putnam.
4579:Bennett, Arnold (1974). Andrew Mylett (ed.).
4562:Bennett, Arnold (1968). James Hepburn (ed.).
4486:Writer by Trade: A Portrait of Arnold Bennett
3786:Bennett, Arnold (2012). John Shapcott (ed.).
3532:Bennett, Arnold (2011). John Shapcott (ed.).
3507:Bennett, Arnold (2010). John Shapcott (ed.).
3306:The Oxford Encyclopedia of British Literature
2968:
2966:
2271:"Bennett, (Enoch) Arnold (1867–1931), writer"
1512:
608:had secured rights to such Bennett novels as
402:In 1896 Bennett was promoted to be editor of
143:, having unwisely drunk tap-water in France.
5184:. Lewisburg, PA: Bucknell University Press.
4394:"Savoy Grill Arnold Bennett Omelette Recipe"
4251:, Yale University. Retrieved 18 April 2022;
1775:universities and the Berg Collection in the
931:was diagnosed at first, but the illness was
912:, where they stayed until moving in 1930 to
5301:
3827:
3825:
2576:Bennett (1954), pp. 71–72, 76, 81 and 84–86
2558:Drabble, pp. 109 and 150; and Pound, p. 156
1897:Néfliers", but is evidently now the "Villa
1822:. It remains a British classic; cooks from
1023:
490:, and then the more upmarket rue d'Aumale.
5582:James Tait Black Memorial Prize recipients
5294:
5280:
5080:
5064:Swinnerton, Frank (1954). "Introduction".
4907:The Lyttelton–Hart-Davis Letters, Volume 2
4368:"Marcus Wareing's omelette Arnold Bennett"
3557:
3555:
3553:
3509:Arnold Bennett's Uncollected Short Stories
2963:
2924:, 6 March 1912, p. 4; "Royalty Theatre",
2491:The Oxford Companion to English Literature
1486:as not only a writer but also a director.
1099:The Oxford Companion to English Literature
721:(later Knoblock) and they collaborated on
296:who impressed and influenced Bennett were
219:Arnold Bennett was born on 27 May 1867 in
31:
5104:. Cambridge: Cambridge University Press.
4990:. Boston: Northeastern University Press.
4769:. Bloomington: Indiana University Press.
4151:, London Remembers. Retrieved 6 June 2020
2192:Pound, p. 20; and Swinnerton (1950), p. 9
1668:
1615:Writing in the 1990s the literary critic
699:, an early-18th-century country house at
5512:20th-century British short story writers
5502:19th-century British short story writers
5100:Watson, George; Ian R. Willison (1972).
4312:
4310:
3822:
2920:"Bennett-Knoblauch Play a Big Success",
2803:"Arnold Bennett in Avon, Seine-et-Marne"
1799:Arnold Bennett is one that incorporates
1690:won the award for his poetry collection
1672:
1516:
1260:
1027:
851:
829:
665:
514:
464:
286:
282:
126:, Bennett was intended by his father, a
5557:English male dramatists and playwrights
5182:Modernism, Modernity and Arnold Bennett
4625:. New York: Columbia University Press.
3785:
3550:
3531:
3506:
3235:
3233:
3205:Oxford Dictionary of National Biography
3170:
3168:
3056:
3054:
3052:
3020:
3018:
2481:
2479:
2282:Oxford Dictionary of National Biography
2265:
2263:
2261:
2259:
2257:
2255:
2253:
2251:
2249:
1889:"Néfliers" translates into English as "
1721:
1716:Adams: Britain's Oldest Potting Dynasty
266:examinations that could have led to an
5479:
4883:Arnold Bennett: A Study of his Fiction
3892:
3890:
3609:Walbrook, H. M. "Plays of the Month",
3493:
3491:
3489:
3487:
3485:
2874:
2872:
2714:
2712:
2710:
2708:
2706:
2704:
2702:
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2303:
2247:
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2243:
2241:
2239:
2237:
2235:
2233:
2231:
2229:
2200:
2198:
1753:The Potteries Museum & Art Gallery
1741:The Potteries Museum & Art Gallery
1507:
1306:(1922), which made little impression.
630:Of these books the influential critic
623:How to Live on Twenty-Four Hours a Day
5275:
5267:Website of the Arnold Bennett Society
5208:Works by Arnold Bennett in eBook form
4662:The Oxford-Hachette French dictionary
4470:
4307:
4253:"Arnold Bennett collection of papers"
4162:"Arnold Bennett (1867–1931) | Art UK"
4083:"Arnold Bennett Plaque for Burslem",
3748:"BFI Screenonline: Piccadilly (1929)"
3289:
3287:
3285:
3283:
3281:
2890:
2888:
2812:, Dr Tony Shaw. Retrieved 1 June 2020
2798:
2796:
2774:
2720:"Bennett, (Enoch) Arnold (1867–1931)"
2410:from the original on 17 December 2017
2401:
1855:Three other children died in infancy.
1712:Where the Silent Screams Are Loudest.
1643:Bennett dabbled in crime fiction, in
733:(1913), a stage version of his novel
440:In 1900 Bennett resigned his post at
5602:Infectious disease deaths in England
4434:Savoy Hotel. Retrieved 30 March 2022
3758:from the original on 5 December 2015
3583:"Mr Arnold Bennett at the Aldwych",
3497:Watson and Willison, columns 429–431
3329:
3230:
3165:
3049:
3015:
2476:
2299:
2297:
1810:), and cream. It was created at the
661:
511:Marriage; Fontainebleau and US visit
4709:. London: Weidenfeld and Nicolson.
4566:. London: Oxford University Press.
3887:
3482:
2869:
2699:
2579:
2540:
2226:
2204:Hahn, Daniel, and Nicholas Robins.
2195:
1759:. Other Bennett papers are held by
1708:It's Gone Dark Over Bill's Mother's
1704:Red Thread: On Mazes and Labyrinths
1655:(1951), a survey of crime fiction,
1405:, was published in the UK in 2012.
1302:(1919, adapted from his novel) and
1252:
594:. Crossing the Atlantic aboard the
435:
13:
5537:Alumni of the University of London
5532:20th-century English screenwriters
5159:
4844:from the original on 12 March 2021
3278:
3257:Drabble, p. 353; and Pound, p. 367
3248:Drabble, p. 346; and Pound, p. 364
2885:
2793:
2669:Pound, p. 163; and Drabble, p. 129
1814:in London for Bennett, who was an
761:(1918), about a high-class French
737:(1908), was similarly successful.
670:Scene from Act 2 of the 1912 play
420:Polite Farces for the Drawing Room
209:
14:
5618:
5587:People from Hanley, Staffordshire
5577:Hermetic Order of the Golden Dawn
5196:
4862:Henry J. Wood: Maker of the Proms
3896:Howarth, p. 5; and Drabble p. 289
3632:BBC Genome. Retrieved 3 June 2020
3534:Lord Dover and Other Lost Stories
2294:
1787:Bennett shares with the composer
1682:presidents was Margaret Drabble.
1032:Bennett, caricatured by "Owl" in
5319:The Grim Smile of the Five Towns
5252:
5236:Works by or about Arnold Bennett
5051:. London and New York: Longman.
4425:
4406:
4361:
4337:
4258:
4238:
4224:
4198:
4186:"Arnold Bennett statue unveiled"
4179:
4154:
4124:
4090:
4077:
4064:
4051:
4032:
4020:
4008:
3999:
3990:
3981:
3972:
3963:
3944:
3935:
3926:
3917:
3908:
3899:
3870:
3861:
3852:
3843:
3834:
3813:
3804:
3779:
3770:
3740:
3731:
3722:
3713:
3697:
3688:
3671:
3662:"Goossens, Sir (Aynsley) Eugene"
3654:
3635:
3616:
3603:
3590:
3577:
3568:
3525:
3500:
3473:
3464:
3455:
3446:
3437:
3428:
3419:
3410:
3401:
3392:
3383:
3374:
3350:
3341:
3320:
2731:Dictionary of National Biography
2588:Lyttelton and Hart-Davis, p. 176
2493:, Oxford University Press, 2009
2162:
2102:
2067:
2054:
1638:
1621:The Intellectuals and the Masses
1373:Potteries Museum and Art Gallery
1242:The Grim Smile of the Five Towns
1234:The Grim Smile of the Five Towns
151:, writers and supporters of the
98:Novelist, playwright, journalist
4988:The Goossens: A Musical Century
4583:. London: Chatto & Windus.
3311:
3269:
3260:
3251:
3242:
3217:
3186:
3177:
3156:
3147:
3138:
3126:
3117:
3108:
3099:
3090:
3081:
3072:
3063:
3040:
3033:"Mr Arnold Bennett's Theatre",
3027:
3002:
2993:
2984:
2975:
2943:
2914:
2901:
2860:
2851:
2842:
2833:
2824:
2815:
2765:
2752:
2743:
2690:
2681:
2672:
2663:
2654:
2645:
2636:
2627:
2600:
2591:
2570:
2561:
2552:
2517:
2508:
2499:
2473:Young, p. 9; and Drabble, p. 78
2467:
2458:
2449:
2440:
2431:
2422:
2395:
2386:
2377:
2368:
2359:
2304:Panter, Matthew (2 June 2023).
2113:James Tait Black Memorial Prize
2044:
2019:
2009:
1996:
1979:
1970:
1937:
1904:
1883:
1870:
1858:
960:List of works by Arnold Bennett
942:and his ashes were interred in
806:. Among their productions were
5527:20th-century English novelists
5507:19th-century English novelists
5448:Literary Taste: How to Form It
5066:The Journals of Arnold Bennett
5030:. Leek: Churnet Valley Books.
4547:The Journals of Arnold Bennett
4480:(The English Novelists series)
4478:. London: Home & Van Thal.
4383:"Easy Omelette Arnold Bennett"
3536:. Leek: Churnet Valley Books.
3511:. Leek: Churnet Valley Books.
2350:
2341:
2332:
2323:
2186:
1849:
1430:Literary Taste: How to Form It
1409:Journalism and self-help books
340:and other well-known writers.
214:
1:
5552:English expatriates in France
5547:English crime fiction writers
5517:20th-century English diarists
5456:How to Live on 24 Hours a Day
4953:. New York: Harcourt, Brace.
4039:"And the winner is: John Pye"
2179:
1838:Notes, references and sources
1692:Potters: A Division of Labour
1416:How to Live on 24 Hours a Day
1403:Pennsylvania State University
1246:The Matador of the Five Towns
863:In 1921 Bennett and his wife
825:
802:as managing director, of the
520:
38:
4195:, Horticon News, 29 May 2017
3728:Drabble, pp. 266 and 268–269
3211:UK public library membership
2737:UK public library membership
2288:UK public library membership
2073:There were six "Fantasias":
1451:How to Make the Best of Life
914:Chiltern Court, Baker Street
905:me, or tell anyone about it.
687:, a light-hearted sequel to
644:for £2,000, eight essays to
462:impose on my contemporaries.
291:Lincoln's Inn Fields in 2018
243:. The Bennetts were staunch
7:
5251:(public domain audiobooks)
5083:Arnold Bennett: A Last Word
4950:Arnold Bennett: A Biography
4823:The Craft of Arnold Bennett
4647:. London: Faber and Faber.
4602:A Virginia Woolf Chronology
4249:"Arnold Bennett collection"
4206:"Arnold Bennett Collection"
3978:Hepburn (1963), pp. 132–133
3969:Hepburn (1963), pp. 189–190
3407:Drabble, pp. 53 and 174–175
2771:Pound, pp. 187, 209 and 220
2514:Bennett and Hepburn, p. 151
1782:
1746:
1489:
785:Order of the British Empire
484:9th arrondissement of Paris
10:
5623:
5201:
5180:Squillace, Robert (1997).
5081:Swinnerton, Frank (1978).
5045:Swinnerton, Frank (1950).
5005:Steele, Elizabeth (1972).
4441:
3677:"Opera at Covent Garden",
3587:, 22 November 1919, p. 483
3096:Bennett (1974), title page
1443:The Plain Man and his Wife
1285:, based on his 1908 novel
1004:among French writers, and
957:
804:Lyric Theatre, Hammersmith
740:Bennett's attitude to the
16:English writer (1867–1931)
5572:English self-help writers
5567:English opera librettists
5439:
5412:
5329:
5310:
4973:. Boston: Little, Brown.
4784:Letters of Arnold Bennett
4766:The Art of Arnold Bennett
4724:Gaye, Freda, ed. (1967).
4681:Arnold Bennett: Lost Icon
4679:Donovan, Patrick (2022).
4345:"Omelette Arnold Bennett"
4136:21 September 2015 at the
3849:Swinnerton (1954), p. 252
2940:, April 1912, pp. 155–157
2928:, 6 March 1912; "Drama",
2633:Bennett (1954), pp. 76–77
2329:Swinnerton (1950), p. 10.
2276:14 September 2019 at the
1806:, hard cheese (typically
1761:University College London
1755:in Stoke-on-Trent and at
1663:
1397:to script a silent film,
940:Golders Green Crematorium
632:Willard Huntington Wright
132:devotee of French culture
94:
76:
48:
30:
23:
5607:Burials in Staffordshire
5260:
5167:Arnold Bennett Companion
5165:Shapcott, John (2017).
4726:Who's Who in the Theatre
4541:Bennett, Arnold (1954).
4520:Bennett, Arnold (1933).
4501:Bennett, Arnold (1901).
4113:30 November 2019 at the
3884:, 23 November 1935, p. 4
3867:Swinnerton (1954), p. 15
3810:Swinnerton (1978), p.104
3153:Drabble, pp. 276 and 334
3087:Swinnerton (1978), p. 54
3069:Drabble, pp. 252 and 257
3037:, 15 November 1819, p. 3
2549:Swinnerton (1950), p. 14
2079:Teresa of Watling Street
1842:
1555:Mr Bennett and Mrs Brown
1513:Novels and short stories
1474:; later he reviewed for
1447:Self and Self-Management
1335:Bennett wrote two opera
1219:Helen with the High Hand
1209:Teresa of Watling Street
1024:Novels and short stories
953:
938:Bennett was cremated at
709:thought his 1911 comedy
70:, Staffordshire, England
5346:The Grand Babylon Hotel
5245:Works by Arnold Bennett
5227:Works by Arnold Bennett
5217:Works by Arnold Bennett
5141:Young, Kenneth (1975).
5126:. Metuchen: Scarecrow.
5085:. New York: Doubleday.
4909:. London: John Murray.
4820:Howarth, Barry (2016).
4801:Hepburn, James (2013).
4782:Hepburn, James (1970).
4763:Hepburn, James (1963).
4598:Bishop, Edward (1989).
4484:Barker, Dudley (1966).
4422:, Retrieved 3 June 2020
4388:9 November 2019 at the
4358:. Retrieved 3 June 2020
4326:(subscription required)
4296:(subscription required)
4245:"Arnold Bennett Papers"
4044:3 December 2022 at the
3956:4 November 2020 at the
3752:www.screenonline.org.uk
3708:The Cincinnati Enquirer
3565:, December 1931, p. 165
3369:Stoke on Trent Sentinel
3363:4 February 2019 at the
3144:Hart-Davis, pp. 325–326
2623:(subscription required)
2495:(subscription required)
2402:Clark, Gregory (2020).
2221:(subscription required)
2075:The Grand Babylon Hotel
1820:Jean Baptiste Virlogeux
1777:New York Public Library
1645:The Grand Babylon Hotel
1583:Sacred and Profane Love
1463:How to Live on 24 Hours
1421:How to Become an Author
1300:Sacred and Profane Love
1238:Tales of the Five Towns
1205:The Grand Babylon Hotel
1173:Sacred and Profane Love
776:Minister of Information
455:The Grand Babylon Hotel
430:Staffordshire Potteries
124:Staffordshire Potteries
109:Ministry of Information
5562:English male novelists
5370:Helen with a High Hand
5338:Anna of the Five Towns
4986:Rosen, Carole (1994).
4488:. New York: Atheneum.
4322:The Diner's Dictionary
4292:The Diner's Dictionary
4191:7 October 2019 at the
4027:"Arnold Bennett Prize"
3941:Hepburn (1963), p. 183
3932:Hepburn (1963), p. 182
3613:, November 1927, p. 10
3600:, October 1922, p. 340
3380:Hepburn (1970), p. 139
3326:Howarth, pp. 13 and 76
2898:, 9 March 1912, p. 291
2882:, 7 October 1911, p. 8
2608:"Old Wives' Tale, The"
1678:
1669:Arnold Bennett Society
1522:
1391:British Film Institute
1269:
1189:Anna of the Five Towns
1165:Anna of the Five Towns
1066:Anna of the Five Towns
1039:
860:
849:
680:
526:
470:
450:Anna of the Five Towns
425:Anna of the Five Towns
292:
185:Anna of the Five Towns
5542:British propagandists
5378:The Clayhanger Family
4805:. London: Routledge.
4606:. London: Macmillan.
4418:12 March 2021 at the
4147:20 April 2016 at the
3737:Shapcott, pp. 263–264
3710:, 15 July 1937, p. 8
3628:12 March 2021 at the
3443:Bennett (1933), p. 63
3338:in Howarth, pp. 11–12
3293:Koenigsberger, Kurt.
3227:, 1 April 1931, p. 17
3223:"Mr Arnold Bennett",
2956:26 March 2020 at the
2786:25 March 2019 at the
2613:12 March 2021 at the
2446:Hepburn (2013), p. 11
2211:12 March 2021 at the
1880:measure of inflation.
1676:
1520:
1264:
1141:: it was awarded the
1031:
855:
833:
669:
518:
468:
290:
283:First years in London
221:Hanley, Staffordshire
5354:The City of Pleasure
4879:Lucas, John (1974).
4507:. New York: Dutton.
4392:, Delia Online; and
4356:New British Classics
4275:(tournedos Rossin);
4087:, 28 May 1962, p. 14
4074:, 11 May 1932, p. 10
4061:, 8 July 1931, p. 11
3275:Bennett (1901), p. 5
2808:5 March 2018 at the
2567:Drabble, pp. 105–106
2485:Birch, Dinah (ed).
2092:The City of Pleasure
2060:The omitted town is
1993:, published in 1974.
1987:The Evening Standard
1878:Consumer Price Index
1722:Plaques and statuary
1497:Journal des Goncourt
1347:(one act, 1929) and
1214:The City of Pleasure
1115:A Man from the North
1075:Whom God Hath Joined
543:Whom God Hath Joined
432:, where he grew up.
416:Journalism for Women
385:A Man from the North
374:or for the highbrow
277:Lincoln's Inn Fields
264:Cambridge University
260:Newcastle-under-Lyme
105:Enoch Arnold Bennett
53:Enoch Arnold Bennett
5592:Victorian novelists
5464:Those United States
5429:The Great Adventure
5362:The Old Wives' Tale
5145:. Harlow: Longman.
5068:. London: Penguin.
4887:. London: Methuen.
4864:. London: Methuen.
4621:Blum, Beth (2020).
4549:. London: Penguin.
4528:. London: Cassels.
4432:"Savoy Grill Menus"
4399:4 June 2020 at the
4373:3 June 2020 at the
4350:3 June 2020 at the
4331:3 June 2020 at the
4301:3 June 2020 at the
4286:(peach Melba); and
4282:4 June 2020 at the
4271:4 June 2020 at the
4102:3 July 2019 at the
3660:Banfield, Stephen.
3647:3 June 2020 at the
3585:The Saturday Review
3300:5 June 2020 at the
3199:2 June 2018 at the
2949:Gaye, p. 1535; and
2907:"Royalty Theatre",
2878:"Royalty Theatre",
2781:"About the Society"
2725:3 June 2018 at the
2718:Swinnerton, Frank.
1575:The Old Wives' Tale
1563:The Old Wives' Tale
1561:art declined after
1508:Critical reputation
1425:The Reasonable Life
1389:, described by the
1318:The Old Wives' Tale
1309:The Saturday Review
1283:The Great Adventure
1266:The Great Adventure
1193:The Old Wives' Tale
1177:The Old Wives' Tale
1079:The Old Wives' Tale
730:The Great Adventure
618:Denry the Audacious
591:Those United States
547:The Old Wives' Tale
504:The Old Wives' Tale
191:The Old Wives' Tale
168:The Great Adventure
5011:. London: Twayne.
4929:The Vagrant Moment
4748:. Stroud: Sutton.
4742:Hart-Davis, Rupert
4683:. Lewes: Unicorn.
4458:. London: Harrap.
4070:"Arnold Bennett",
3666:Grove Music Online
3611:The Play Pictorial
3598:The English Review
3008:"Court Circular",
2938:The English Review
2922:The New York Times
2642:Pound, pp. 132–133
2606:Sutherland, John.
2523:Drabble, pp. 88–89
2406:. MeasuringWorth.
2037:on 31 March 1931,
1943:The cast included
1910:The cast included
1679:
1649:The Loot of Cities
1523:
1270:
1040:
861:
850:
819:The Beggar's Opera
681:
628:Mental Efficiency.
571:and the left-wing
536:Fontainebleau-Avon
527:
471:
293:
273:Pitman's shorthand
256:Wedgwood Institute
5474:
5473:
5231:Project Gutenberg
5190:978-0-8387-5364-4
5175:978-1-904546-91-7
5133:978-0-8108-1596-4
5111:978-0-521-08535-9
5092:978-0-38-514545-9
5037:978-0-99-288793-3
5018:978-0-8057-1560-6
4997:978-1-55-553210-9
4925:Maugham, Somerset
4916:978-0-7195-3673-1
4903:Lyttelton, George
4894:978-0-41-675770-5
4871:978-0-413-68390-8
4812:978-1-136-20948-2
4755:978-0-7509-1491-8
4716:978-0-297-76733-6
4699:Drabble, Margaret
4690:978-1-914414-47-3
4671:978-0-19-861422-7
4632:978-0-23-119492-1
4613:978-1-349-07883-7
4590:978-0-70-111851-8
4097:"Bennett, Arnold"
4057:"News in Brief",
3951:"Fiction winners"
3797:978-1-90-454683-2
3679:The Musical Times
3543:978-1-90-454681-8
3518:978-1-90-454674-0
3371:, 4 February 2019
3295:"Bennett, Arnold"
3209:(subscription or
3192:Kennet, Wayland.
2735:(subscription or
2487:"Bennett, Arnold"
2286:(subscription or
1989:are collected in
1789:Gioachino Rossini
1700:Charlotte Higgins
1439:Mental Efficiency
1435:The Human Machine
1364:The Wedding Dress
1339:for the composer
865:legally separated
676:, by Bennett and
662:Return to England
636:The Price of Love
383:His debut novel,
310:Guy de Maupassant
136:French literature
102:
101:
5614:
5296:
5289:
5282:
5273:
5272:
5256:
5255:
5240:Internet Archive
5154:
5137:
5115:
5096:
5077:
5060:
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5001:
4982:
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4737:
4720:
4708:
4694:
4675:
4656:
4636:
4617:
4605:
4594:
4575:
4558:
4543:Frank Swinnerton
4537:
4516:
4497:
4479:
4467:
4435:
4429:
4423:
4410:
4404:
4365:
4359:
4341:
4335:
4327:
4318:"Arnold Bennett"
4314:
4305:
4297:
4288:"Arnold Bennett"
4262:
4256:
4242:
4236:
4235:
4228:
4222:
4221:
4219:
4217:
4208:. Archived from
4202:
4196:
4183:
4177:
4176:
4174:
4172:
4158:
4152:
4131:"Arnold Bennett"
4128:
4122:
4121:, 18 August 2019
4094:
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3642:"Arnold Bennett"
3639:
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3623:"Arnold Bennett"
3620:
3614:
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3594:
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3136:
3135:in Agate, p. 166
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2206:"Stoke-on-Trent"
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2071:
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2058:
2052:
2048:
2042:
2035:St Clement Danes
2027:Sir Henry Wood's
2023:
2017:
2013:
2007:
2000:
1994:
1985:The columns for
1983:
1977:
1974:
1968:
1941:
1935:
1928:Kate Serjeantson
1908:
1902:
1887:
1881:
1874:
1868:
1865:Somerset Maugham
1862:
1856:
1853:
1757:Keele University
1598:Margaret Drabble
1494:Inspired by the
1395:Alfred Hitchcock
1253:Stage and screen
1143:James Tait Black
974:Anthony Trollope
948:St Clement Danes
944:Burslem Cemetery
883:Frank Swinnerton
878:Evening Standard
858:Burslem Cemetery
846:
842:
772:Lord Beaverbrook
719:Edward Knoblauch
713:, staged in the
678:Edward Knoblauch
525:
522:
476:Frank Swinnerton
436:Freelance; Paris
391:, whose reader,
369:
349:Margaret Drabble
314:Gustave Flaubert
306:Honoré de Balzac
176:Margaret Drabble
155:school, notably
89:
83:
71:
62:
60:
43:
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35:
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5476:
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5408:
5402:Imperial Palace
5325:
5306:
5300:
5263:
5253:
5212:Standard Ebooks
5204:
5199:
5162:
5160:Further reading
5157:
5140:
5134:
5118:
5112:
5099:
5093:
5063:
5044:
5038:
5025:
5019:
5004:
4998:
4985:
4965:
4945:Pound, Reginald
4943:
4923:
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4901:
4895:
4878:
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4847:
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4430:
4426:
4420:Wayback Machine
4411:
4407:
4401:Wayback Machine
4390:Wayback Machine
4375:Wayback Machine
4366:
4362:
4352:Wayback Machine
4342:
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4333:Wayback Machine
4325:
4315:
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4303:Wayback Machine
4295:
4284:Wayback Machine
4273:Wayback Machine
4263:
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4243:
4239:
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4215:
4213:
4212:on 14 June 2021
4204:
4203:
4199:
4193:Wayback Machine
4184:
4180:
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4149:Wayback Machine
4138:Wayback Machine
4129:
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4115:Wayback Machine
4104:Wayback Machine
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4046:Wayback Machine
4037:
4033:
4025:
4021:
4015:"Meet the Team"
4013:
4009:
4004:
4000:
3995:
3991:
3986:
3982:
3977:
3973:
3968:
3964:
3958:Wayback Machine
3949:
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3574:Wearing, p. 175
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3461:Drabble, p. 300
3460:
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3438:
3434:Drabble, p. 276
3433:
3429:
3424:
3420:
3415:
3411:
3406:
3402:
3398:Drabble, p. 115
3397:
3393:
3388:
3384:
3379:
3375:
3365:Wayback Machine
3356:Ault, Richard.
3355:
3351:
3346:
3342:
3334:
3330:
3325:
3321:
3316:
3312:
3302:Wayback Machine
3292:
3279:
3274:
3270:
3265:
3261:
3256:
3252:
3247:
3243:
3239:Drabble, p. 335
3238:
3231:
3222:
3218:
3208:
3201:Wayback Machine
3191:
3187:
3182:
3178:
3174:Drabble, p. 308
3173:
3166:
3162:Drabble, p. 310
3161:
3157:
3152:
3148:
3143:
3139:
3131:
3127:
3122:
3118:
3113:
3109:
3104:
3100:
3095:
3091:
3086:
3082:
3078:Drabble, p. 266
3077:
3073:
3068:
3064:
3059:
3050:
3045:
3041:
3032:
3028:
3023:
3016:
3007:
3003:
2999:Donovan, p. 136
2998:
2994:
2989:
2985:
2980:
2976:
2972:Wearing, p. 327
2971:
2964:
2958:Wayback Machine
2948:
2944:
2919:
2915:
2906:
2902:
2893:
2886:
2877:
2870:
2866:Drabble, p. 192
2865:
2861:
2857:Donovan, p. 114
2856:
2852:
2848:Drabble, p. 188
2847:
2843:
2839:Donovan, p. 100
2838:
2834:
2830:Donovan, p. 103
2829:
2825:
2820:
2816:
2810:Wayback Machine
2801:
2794:
2788:Wayback Machine
2779:
2775:
2770:
2766:
2757:
2753:
2749:Drabble, p. 250
2748:
2744:
2734:
2727:Wayback Machine
2717:
2700:
2696:Drabble, p. 140
2695:
2691:
2687:Drabble, p. 137
2686:
2682:
2678:Drabble, p. 133
2677:
2673:
2668:
2664:
2659:
2655:
2650:
2646:
2641:
2637:
2632:
2628:
2622:
2615:Wayback Machine
2605:
2601:
2596:
2592:
2587:
2580:
2575:
2571:
2566:
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2557:
2553:
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2541:
2536:
2527:
2522:
2518:
2513:
2509:
2504:
2500:
2494:
2484:
2477:
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2468:
2463:
2459:
2454:
2450:
2445:
2441:
2436:
2432:
2427:
2423:
2413:
2411:
2400:
2396:
2391:
2387:
2382:
2378:
2374:Maugham, p. 192
2373:
2369:
2365:Drabble, p. 45.
2364:
2360:
2355:
2351:
2346:
2342:
2338:Drabble, p. 38.
2337:
2333:
2328:
2324:
2314:
2312:
2310:Shropshire Star
2302:
2295:
2285:
2278:Wayback Machine
2268:
2227:
2220:
2213:Wayback Machine
2203:
2196:
2191:
2187:
2182:
2177:
2176:
2167:
2163:
2107:
2103:
2072:
2068:
2059:
2055:
2049:
2045:
2024:
2020:
2014:
2010:
2001:
1997:
1984:
1980:
1975:
1971:
1942:
1938:
1916:W. Graham Brown
1912:Dion Boucicault
1909:
1905:
1888:
1884:
1875:
1871:
1863:
1859:
1854:
1850:
1845:
1840:
1785:
1765:British Library
1749:
1724:
1671:
1666:
1641:
1628:
1613:
1591:The Pretty Lady
1535:John Galsworthy
1521:Bennett in 1928
1515:
1510:
1492:
1411:
1341:Eugene Goossens
1322:Edward Knoblock
1255:
1181:The Pretty Lady
1152:Imperial Palace
1107:A Mummer's Wife
1081:(1908) and the
1026:
1018:J. B. Priestley
962:
956:
906:
844:
840:
828:
814:John Drinkwater
809:Abraham Lincoln
759:The Pretty Lady
742:First World War
701:Thorpe-le-Soken
664:
583:V. S. Pritchett
579:J. B. Priestley
523:
513:
463:
438:
372:Hearth and Home
367:
359:
333:The Yellow Book
285:
217:
212:
210:Life and career
134:in general and
113:First World War
90:
88:London, England
87:
85:
81:
72:
66:
64:
58:
56:
55:
54:
44:
41:
26:
17:
12:
11:
5:
5620:
5610:
5609:
5604:
5599:
5594:
5589:
5584:
5579:
5574:
5569:
5564:
5559:
5554:
5549:
5544:
5539:
5534:
5529:
5524:
5519:
5514:
5509:
5504:
5499:
5494:
5489:
5487:Arnold Bennett
5472:
5471:
5469:
5468:
5460:
5452:
5443:
5441:
5437:
5436:
5434:
5433:
5425:
5416:
5414:
5410:
5409:
5407:
5406:
5398:
5394:Riceyman Steps
5390:
5382:
5374:
5366:
5358:
5350:
5342:
5333:
5331:
5327:
5326:
5324:
5323:
5314:
5312:
5308:
5307:
5304:Arnold Bennett
5299:
5298:
5291:
5284:
5276:
5270:
5269:
5262:
5259:
5258:
5257:
5242:
5233:
5224:
5214:
5203:
5200:
5198:
5197:External links
5195:
5194:
5193:
5178:
5161:
5158:
5156:
5155:
5143:Arnold Bennett
5138:
5132:
5120:Wearing, J. P.
5116:
5110:
5097:
5091:
5078:
5061:
5048:Arnold Bennett
5042:
5036:
5023:
5017:
5002:
4996:
4983:
4963:
4941:
4921:
4915:
4899:
4893:
4876:
4870:
4858:Jacobs, Arthur
4854:
4817:
4811:
4803:Arnold Bennett
4798:
4792:
4779:
4760:
4754:
4738:
4721:
4715:
4705:Arnold Bennett
4695:
4689:
4676:
4670:
4657:
4637:
4631:
4618:
4612:
4595:
4589:
4576:
4559:
4538:
4517:
4498:
4481:
4476:Arnold Bennett
4468:
4445:
4443:
4440:
4437:
4436:
4424:
4405:
4360:
4343:Rhodes, Gary.
4336:
4306:
4257:
4237:
4223:
4197:
4178:
4153:
4123:
4119:Stoke Sentinel
4089:
4076:
4063:
4050:
4031:
4019:
4007:
3998:
3989:
3987:Drabble, p. xi
3980:
3971:
3962:
3943:
3934:
3925:
3923:Bishop, p. 137
3916:
3907:
3898:
3886:
3869:
3860:
3858:Barker, p. 185
3851:
3842:
3840:Donovan, p. 46
3833:
3831:Donovan, p. 99
3821:
3812:
3803:
3796:
3788:Punch and Judy
3778:
3776:Drabble, p.329
3769:
3739:
3730:
3721:
3712:
3696:
3687:
3670:
3653:
3634:
3615:
3602:
3589:
3576:
3567:
3549:
3542:
3524:
3517:
3499:
3481:
3472:
3463:
3454:
3452:Barker, p. 224
3445:
3436:
3427:
3418:
3409:
3400:
3391:
3389:Drabble, p. 49
3382:
3373:
3349:
3340:
3328:
3319:
3317:Howarth, p. 76
3310:
3277:
3268:
3259:
3250:
3241:
3229:
3216:
3185:
3183:Jacobs, p. 324
3176:
3164:
3155:
3146:
3137:
3125:
3116:
3107:
3098:
3089:
3080:
3071:
3062:
3048:
3039:
3026:
3014:
3001:
2992:
2990:Drabble, p 210
2983:
2974:
2962:
2942:
2913:
2911:, 6 March 1912
2900:
2884:
2868:
2859:
2850:
2841:
2832:
2823:
2821:Pound, p. 228)
2814:
2792:
2773:
2764:
2751:
2742:
2698:
2689:
2680:
2671:
2662:
2653:
2644:
2635:
2626:
2599:
2590:
2578:
2569:
2560:
2551:
2539:
2525:
2516:
2507:
2498:
2475:
2466:
2464:Drabble, p. 66
2457:
2455:Drabble, p. 59
2448:
2439:
2437:Drabble, p. 57
2430:
2428:Drabble, p. 56
2421:
2394:
2385:
2376:
2367:
2358:
2349:
2340:
2331:
2322:
2293:
2225:
2194:
2184:
2183:
2181:
2178:
2175:
2174:
2161:
2141:Anthony Powell
2125:Radclyffe Hall
2117:D. H. Lawrence
2109:Riceyman Steps
2101:
2066:
2053:
2043:
2018:
2008:
1995:
1978:
1969:
1936:
1903:
1882:
1869:
1857:
1847:
1846:
1844:
1841:
1839:
1836:
1824:Marcus Wareing
1818:, by the chef
1784:
1781:
1748:
1745:
1723:
1720:
1688:John Lancaster
1670:
1667:
1665:
1662:
1653:Queen's Quorum
1640:
1637:
1625:
1606:
1602:Arnold Bennett
1571:Riceyman Steps
1539:Virginia Woolf
1514:
1511:
1509:
1506:
1491:
1488:
1472:T. P.'s Weekly
1410:
1407:
1399:Punch and Judy
1381:, directed by
1368:Famous Players
1254:
1251:
1201:Riceyman Steps
1185:Riceyman Steps
1134:Riceyman Steps
1091:Hilda Lessways
1025:
1022:
955:
952:
910:Cadogan Square
903:
899:Osbert Sitwell
835:Chiltern Court
827:
824:
800:Nigel Playfair
793:Order of Merit
787:instituted by
663:
660:
638:(1913–14), to
610:Hilda Lessways
568:T. P.'s Weekly
563:T. P. O'Connor
512:
509:
480:Reginald Pound
460:
437:
434:
353:
284:
281:
225:Stoke-on-Trent
223:, now part of
216:
213:
211:
208:
203:Riceyman Steps
157:Virginia Woolf
100:
99:
96:
92:
91:
86:
84:(aged 63)
78:
74:
73:
65:
52:
50:
46:
45:
36:
28:
27:
25:Arnold Bennett
24:
15:
9:
6:
4:
3:
2:
5619:
5608:
5605:
5603:
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5380:
5379:
5375:
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5356:
5355:
5351:
5348:
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5343:
5340:
5339:
5335:
5334:
5332:
5328:
5321:
5320:
5316:
5315:
5313:
5311:Short stories
5309:
5305:
5297:
5292:
5290:
5285:
5283:
5278:
5277:
5274:
5268:
5265:
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5222:
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5213:
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5187:
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5144:
5139:
5135:
5129:
5125:
5121:
5117:
5113:
5107:
5103:
5098:
5094:
5088:
5084:
5079:
5075:
5071:
5067:
5062:
5058:
5054:
5050:
5049:
5043:
5039:
5033:
5029:
5024:
5020:
5014:
5010:
5009:
5003:
4999:
4993:
4989:
4984:
4980:
4976:
4972:
4968:
4967:Queen, Ellery
4964:
4960:
4956:
4952:
4951:
4946:
4942:
4938:
4934:
4930:
4926:
4922:
4918:
4912:
4908:
4904:
4900:
4896:
4890:
4885:
4884:
4877:
4873:
4867:
4863:
4859:
4855:
4840:
4836:
4832:
4825:
4824:
4818:
4814:
4808:
4804:
4799:
4795:
4789:
4785:
4780:
4776:
4772:
4768:
4767:
4761:
4757:
4751:
4747:
4743:
4739:
4735:
4731:
4727:
4722:
4718:
4712:
4707:
4706:
4700:
4696:
4692:
4686:
4682:
4677:
4673:
4667:
4663:
4658:
4654:
4650:
4646:
4642:
4638:
4634:
4628:
4624:
4619:
4615:
4609:
4604:
4603:
4596:
4592:
4586:
4582:
4577:
4573:
4569:
4565:
4560:
4556:
4552:
4548:
4544:
4539:
4535:
4531:
4527:
4523:
4522:Newman Flower
4518:
4514:
4510:
4506:
4505:
4499:
4495:
4491:
4487:
4482:
4477:
4473:
4472:Allen, Walter
4469:
4465:
4461:
4457:
4456:
4451:
4447:
4446:
4433:
4428:
4421:
4417:
4414:
4413:"Savoy Grill"
4409:
4402:
4398:
4395:
4391:
4387:
4384:
4380:
4376:
4372:
4369:
4364:
4357:
4353:
4349:
4346:
4340:
4334:
4330:
4323:
4319:
4313:
4311:
4304:
4300:
4293:
4289:
4285:
4281:
4278:
4274:
4270:
4267:
4261:
4254:
4250:
4246:
4241:
4233:
4227:
4211:
4207:
4201:
4194:
4190:
4187:
4182:
4167:
4163:
4157:
4150:
4146:
4143:
4142:"H. G. Wells"
4139:
4135:
4132:
4127:
4120:
4116:
4112:
4109:
4105:
4101:
4098:
4093:
4086:
4080:
4073:
4067:
4060:
4054:
4047:
4043:
4040:
4035:
4028:
4023:
4016:
4011:
4002:
3996:Carey, p. 152
3993:
3984:
3975:
3966:
3959:
3955:
3952:
3947:
3938:
3929:
3920:
3914:Carey, p. 162
3911:
3905:Steele, p. 21
3902:
3893:
3891:
3883:
3879:
3873:
3864:
3855:
3846:
3837:
3828:
3826:
3816:
3807:
3799:
3793:
3789:
3782:
3773:
3757:
3753:
3749:
3743:
3734:
3725:
3719:Rosen, p. 202
3716:
3709:
3705:
3700:
3694:Rosen, p. 122
3691:
3685:, 3 July 1937
3684:
3680:
3674:
3667:
3663:
3657:
3650:
3646:
3643:
3638:
3631:
3627:
3624:
3619:
3612:
3606:
3599:
3593:
3586:
3580:
3571:
3564:
3558:
3556:
3554:
3545:
3539:
3535:
3528:
3520:
3514:
3510:
3503:
3494:
3492:
3490:
3488:
3486:
3479:Pound, p. 336
3476:
3470:Lucas, p. 305
3467:
3458:
3449:
3440:
3431:
3425:Lucas, p. 153
3422:
3416:Pound, p. 121
3413:
3404:
3395:
3386:
3377:
3370:
3366:
3362:
3359:
3353:
3347:Drabble, p. 4
3344:
3337:
3332:
3323:
3314:
3307:
3303:
3299:
3296:
3290:
3288:
3286:
3284:
3282:
3272:
3266:Pound, p. 368
3263:
3254:
3245:
3236:
3234:
3226:
3220:
3212:
3206:
3202:
3198:
3195:
3189:
3180:
3171:
3169:
3159:
3150:
3141:
3134:
3129:
3123:Agate, p. 166
3120:
3111:
3105:Howarth, p. 2
3102:
3093:
3084:
3075:
3066:
3060:Pound, p. 367
3057:
3055:
3053:
3046:Gaye, p. 1528
3043:
3036:
3030:
3024:Pound, p. 279
3021:
3019:
3011:
3005:
2996:
2987:
2981:Pound, p. 248
2978:
2969:
2967:
2959:
2955:
2952:
2946:
2939:
2935:
2931:
2930:The Athenaeum
2927:
2923:
2917:
2910:
2904:
2897:
2896:The Athenaeum
2891:
2889:
2881:
2875:
2873:
2863:
2854:
2845:
2836:
2827:
2818:
2811:
2807:
2804:
2799:
2797:
2789:
2785:
2782:
2777:
2768:
2761:
2755:
2746:
2738:
2732:
2728:
2724:
2721:
2715:
2713:
2711:
2709:
2707:
2705:
2703:
2693:
2684:
2675:
2666:
2657:
2648:
2639:
2630:
2620:
2616:
2612:
2609:
2603:
2594:
2585:
2583:
2573:
2564:
2555:
2546:
2544:
2537:Pound, p. 127
2534:
2532:
2530:
2520:
2511:
2505:Carey, p. 153
2502:
2492:
2488:
2482:
2480:
2470:
2461:
2452:
2443:
2434:
2425:
2409:
2405:
2398:
2389:
2380:
2371:
2362:
2356:Pound, p. 71.
2353:
2344:
2335:
2326:
2311:
2307:
2300:
2298:
2289:
2283:
2279:
2275:
2272:
2269:Lucas, John.
2266:
2264:
2262:
2260:
2258:
2256:
2254:
2252:
2250:
2248:
2246:
2244:
2242:
2240:
2238:
2236:
2234:
2232:
2230:
2218:
2214:
2210:
2207:
2201:
2199:
2189:
2185:
2171:
2165:
2158:
2154:
2150:
2149:John le Carré
2146:
2142:
2138:
2134:
2133:Graham Greene
2130:
2129:Aldous Huxley
2126:
2122:
2121:E. M. Forster
2118:
2114:
2110:
2105:
2098:
2094:
2093:
2088:
2084:
2080:
2076:
2070:
2063:
2057:
2047:
2040:
2036:
2032:
2028:
2022:
2012:
2005:
1999:
1992:
1988:
1982:
1973:
1966:
1965:Haidee Wright
1962:
1958:
1954:
1950:
1949:Gladys Cooper
1946:
1945:Lionel Atwill
1940:
1933:
1932:Marie Tempest
1929:
1925:
1921:
1917:
1913:
1907:
1900:
1896:
1892:
1886:
1879:
1873:
1866:
1861:
1852:
1848:
1835:
1833:
1832:Gordon Ramsay
1829:
1825:
1821:
1817:
1813:
1809:
1805:
1802:
1798:
1794:
1791:, the singer
1790:
1780:
1778:
1774:
1770:
1766:
1762:
1758:
1754:
1744:
1742:
1737:
1734:
1730:
1719:
1717:
1713:
1709:
1705:
1701:
1697:
1693:
1689:
1683:
1675:
1661:
1658:
1654:
1650:
1646:
1639:Crime fiction
1636:
1632:
1624:
1622:
1618:
1610:
1605:
1603:
1599:
1594:
1592:
1588:
1584:
1581:are good and
1580:
1576:
1572:
1568:
1564:
1558:
1556:
1552:
1548:
1547:Wyndham Lewis
1544:
1540:
1536:
1532:
1528:
1525:The literary
1519:
1505:
1503:
1502:Newman Flower
1499:
1498:
1487:
1485:
1484:
1483:New Statesman
1479:
1478:
1473:
1467:
1464:
1460:
1454:
1452:
1448:
1444:
1440:
1436:
1432:
1431:
1426:
1422:
1418:
1417:
1406:
1404:
1400:
1396:
1392:
1388:
1387:Anna May Wong
1385:and starring
1384:
1380:
1379:
1374:
1369:
1365:
1360:
1358:
1354:
1353:Ernest Newman
1350:
1346:
1342:
1338:
1333:
1331:
1327:
1323:
1319:
1315:
1311:
1310:
1305:
1304:Body and Soul
1301:
1296:
1294:
1290:
1289:
1284:
1279:
1275:
1274:The Honeymoon
1267:
1263:
1259:
1250:
1247:
1243:
1239:
1235:
1230:
1228:
1224:
1220:
1216:
1215:
1210:
1206:
1202:
1198:
1194:
1190:
1186:
1182:
1178:
1174:
1170:
1166:
1160:
1158:
1154:
1153:
1148:
1144:
1140:
1136:
1135:
1130:
1126:
1124:
1120:
1116:
1110:
1108:
1104:
1100:
1096:
1092:
1088:
1084:
1080:
1076:
1072:
1068:
1067:
1062:
1058:
1054:
1050:
1046:
1037:
1036:
1030:
1021:
1019:
1015:
1011:
1007:
1003:
999:
995:
991:
987:
983:
979:
975:
970:
967:
961:
951:
949:
945:
941:
936:
934:
933:typhoid fever
930:
925:
923:
919:
915:
911:
902:
900:
896:
892:
886:
884:
880:
879:
874:
870:
866:
859:
854:
848:
836:
832:
823:
821:
820:
815:
811:
810:
805:
801:
796:
794:
790:
786:
782:
777:
773:
768:
766:
765:
760:
756:
755:The Roll Call
752:
748:
743:
738:
736:
732:
731:
726:
725:
720:
716:
712:
711:The Honeymoon
708:
707:
702:
698:
694:
690:
686:
679:
675:
674:
668:
659:
655:
653:
649:
648:
643:
642:
637:
633:
629:
625:
624:
619:
615:
611:
607:
603:
599:
598:
593:
592:
586:
584:
580:
576:
575:
570:
569:
564:
560:
559:
554:
553:
548:
544:
539:
537:
533:
517:
508:
506:
505:
498:
496:
491:
489:
488:Place Pigalle
485:
481:
477:
467:
459:
457:
456:
451:
447:
443:
433:
431:
427:
426:
421:
417:
413:
409:
405:
400:
398:
397:Joseph Conrad
394:
390:
386:
381:
379:
378:
373:
365:
357:
352:
350:
346:
341:
339:
335:
334:
329:
328:
323:
319:
318:Ivan Turgenev
315:
311:
307:
303:
299:
289:
280:
278:
274:
269:
265:
261:
257:
252:
250:
246:
242:
238:
234:
230:
226:
222:
207:
205:
204:
199:
198:
193:
192:
187:
186:
181:
177:
172:
170:
169:
164:
163:
158:
154:
150:
144:
142:
141:typhoid fever
137:
133:
129:
125:
121:
116:
114:
110:
106:
97:
95:Occupation(s)
93:
80:27 March 1931
79:
75:
69:
51:
47:
34:
29:
22:
19:
5462:
5454:
5446:
5427:
5419:
5400:
5392:
5384:
5376:
5368:
5360:
5352:
5344:
5336:
5317:
5303:
5181:
5166:
5142:
5123:
5101:
5082:
5065:
5047:
5027:
5008:Hugh Walpole
5007:
4987:
4970:
4949:
4928:
4906:
4882:
4861:
4846:. Retrieved
4822:
4802:
4783:
4765:
4746:Hugh Walpole
4745:
4725:
4704:
4680:
4661:
4644:
4622:
4601:
4580:
4563:
4546:
4525:
4503:
4485:
4475:
4454:
4450:Agate, James
4427:
4408:
4378:
4363:
4355:
4339:
4321:
4316:Ayto, John.
4291:
4264:Ayto, John.
4260:
4240:
4226:
4214:. Retrieved
4210:the original
4200:
4181:
4169:. Retrieved
4165:
4156:
4126:
4118:
4092:
4084:
4079:
4071:
4066:
4058:
4053:
4034:
4022:
4010:
4005:Queen, p. 50
4001:
3992:
3983:
3974:
3965:
3946:
3937:
3928:
3919:
3910:
3901:
3881:
3877:
3872:
3863:
3854:
3845:
3836:
3819:Blum, p. 133
3815:
3806:
3787:
3781:
3772:
3760:. Retrieved
3751:
3742:
3733:
3724:
3715:
3707:
3703:
3699:
3690:
3682:
3678:
3673:
3665:
3656:
3637:
3618:
3610:
3605:
3597:
3592:
3584:
3579:
3570:
3562:
3533:
3527:
3508:
3502:
3475:
3466:
3457:
3448:
3439:
3430:
3421:
3412:
3403:
3394:
3385:
3376:
3368:
3352:
3343:
3335:
3331:
3322:
3313:
3305:
3271:
3262:
3253:
3244:
3224:
3219:
3204:
3188:
3179:
3158:
3149:
3140:
3132:
3128:
3119:
3110:
3101:
3092:
3083:
3074:
3065:
3042:
3034:
3029:
3009:
3004:
2995:
2986:
2977:
2951:"Milestones"
2945:
2937:
2933:
2929:
2925:
2921:
2916:
2908:
2903:
2895:
2879:
2862:
2853:
2844:
2835:
2826:
2817:
2776:
2767:
2759:
2754:
2745:
2730:
2692:
2683:
2674:
2665:
2656:
2651:Young, p. 10
2647:
2638:
2629:
2618:
2602:
2593:
2572:
2563:
2554:
2519:
2510:
2501:
2490:
2469:
2460:
2451:
2442:
2433:
2424:
2412:. Retrieved
2397:
2388:
2379:
2370:
2361:
2352:
2347:Pound, p. 68
2343:
2334:
2325:
2313:. Retrieved
2309:
2281:
2216:
2188:
2164:
2145:Iris Murdoch
2137:Evelyn Waugh
2108:
2104:
2097:The Vanguard
2096:
2090:
2086:
2082:
2078:
2074:
2069:
2056:
2046:
2038:
2031:Jane Grigson
2021:
2011:
2004:Hugh Walpole
1998:
1990:
1986:
1981:
1972:
1957:Mary Jerrold
1953:Dennis Eadie
1939:
1924:Basil Hallam
1920:Dennis Eadie
1906:
1898:
1894:
1885:
1872:
1860:
1851:
1815:
1793:Nellie Melba
1786:
1750:
1738:
1729:blue plaques
1725:
1715:
1711:
1707:
1703:
1696:Winter Downs
1695:
1691:
1684:
1680:
1657:Ellery Queen
1652:
1648:
1644:
1642:
1633:
1629:
1620:
1614:
1601:
1595:
1590:
1586:
1582:
1578:
1574:
1570:
1566:
1562:
1559:
1524:
1495:
1493:
1481:
1475:
1471:
1468:
1462:
1459:J. B. Pinker
1455:
1450:
1446:
1442:
1438:
1434:
1428:
1424:
1420:
1414:
1412:
1398:
1383:E. A. Dupont
1376:
1363:
1361:
1356:
1348:
1344:
1334:
1329:
1325:
1317:
1313:
1307:
1303:
1299:
1297:
1292:
1288:Buried Alive
1286:
1282:
1277:
1273:
1271:
1265:
1256:
1245:
1244:(1907), and
1241:
1237:
1233:
1231:
1226:
1225:(1911), and
1222:
1218:
1212:
1208:
1204:
1200:
1196:
1192:
1188:
1184:
1180:
1176:
1172:
1168:
1164:
1161:
1150:
1146:
1132:
1128:
1127:
1122:
1118:
1114:
1111:
1106:
1103:George Moore
1098:
1094:
1090:
1086:
1078:
1074:
1070:
1064:
1041:
1033:
990:George Moore
982:Thomas Hardy
978:George Eliot
971:
963:
937:
926:
921:
907:
891:Hugh Walpole
887:
876:
862:
856:Memorial in
817:
807:
797:
769:
763:
758:
754:
750:
746:
739:
735:Buried Alive
734:
728:
722:
710:
704:
688:
684:
682:
671:
656:
654:for £3,000.
651:
647:Metropolitan
645:
639:
635:
627:
621:
617:
613:
609:
602:George Doran
595:
589:
587:
572:
566:
556:
550:
549:(1908), and
546:
542:
540:
528:
502:
499:
492:
472:
453:
449:
441:
439:
423:
419:
415:
403:
401:
384:
382:
375:
371:
363:
360:
344:
342:
331:
325:
298:George Moore
294:
253:
228:
218:
201:
195:
189:
183:
173:
166:
160:
145:
117:
104:
103:
82:(1931-03-27)
18:
5497:1931 deaths
5492:1867 births
5440:Non-fiction
5381:(1910-1918)
4641:Carey, John
4266:"tournedos"
4216:20 February
3762:22 February
3563:The Bookman
2392:Young, p. 9
2383:Young, p. 8
2157:A. S. Byatt
2153:Zadie Smith
2095:(1907) and
2016:separation.
1828:Delia Smith
1812:Savoy Grill
1651:(1905). In
1531:H. G. Wells
1477:The New Age
1449:(1918) and
1211:(1904) and
1183:(1918) and
1147:Lord Raingo
1139:Clerkenwell
1129:These Twain
1119:A Great Man
1095:These Twain
1093:(1911) and
1035:Vanity Fair
992:, but also
895:James Agate
869:Bond Street
783:in the new
751:These Twain
606:E.P. Dutton
574:The New Age
524: 1910
495:chorus girl
418:(1898) and
412:pot-boilers
393:John Buchan
377:The Academy
338:Henry James
215:Early years
200:(1910) and
174:Studies by
165:(1912) and
111:during the
63:27 May 1867
42: 1920
5481:Categories
5421:Milestones
5221:Faded Page
5151:1028222902
5057:1148037250
4835:1063646459
4793:0192121855
4775:1147717927
4513:1045233933
4171:19 January
3683:The Sphere
2180:References
1961:Owen Nares
1901:Néfliers".
1617:John Carey
1600:published
1579:Clayhanger
1567:Clayhanger
1543:Ezra Pound
1527:modernists
1378:Piccadilly
1326:Mr Prohack
1314:Clayhanger
1293:Milestones
1278:Milestones
1227:The Regent
1197:Clayhanger
1123:Clayhanger
1087:Clayhanger
1085:trilogy –
1083:Clayhanger
1006:Dostoevsky
1002:Maupassant
958:See also:
922:Milestones
826:Last years
781:knighthood
747:Over There
724:Milestones
685:The Regent
673:Milestones
652:Clayhanger
616:(retitled
552:Clayhanger
408:John Lucas
364:What-is-it
302:Émile Zola
197:Clayhanger
180:John Carey
162:Milestones
59:1867-05-27
5302:Works by
5074:476462467
4979:504140704
4959:950552766
4937:123753714
4744:(1997) .
4653:600877390
4572:796047600
4555:476462467
4534:940296443
4494:881792531
4452:(1943) .
4379:Delicious
4166:artuk.org
4085:The Times
4072:The Times
4059:The Times
3882:The Times
3878:The Times
3225:The Times
3213:required)
3035:The Times
3010:The Times
2926:The Times
2909:The Times
2894:"Drama",
2880:The Times
2762:, p. 1433
2758:Corréard
2739:required)
2290:required)
2087:The Ghost
2039:The Times
986:realistic
966:modernist
929:influenza
918:deed poll
706:The Times
697:Comarques
597:Lusitania
519:Bennett,
446:Hockliffe
389:John Lane
351:puts it:
245:Wesleyans
241:solicitor
153:modernist
128:solicitor
122:, in the
5386:The Card
5249:LibriVox
5223:(Canada)
5122:(1982).
4969:(1951).
4947:(1953).
4927:(1955).
4860:(1994).
4839:Archived
4701:(1974).
4643:(1992).
4474:(1949).
4464:16572017
4416:Archived
4397:Archived
4386:Archived
4371:Archived
4348:Archived
4329:Archived
4299:Archived
4280:Archived
4269:Archived
4189:Archived
4145:Archived
4134:Archived
4111:Archived
4100:Archived
4042:Archived
3954:Archived
3756:Archived
3645:Archived
3626:Archived
3361:Archived
3298:Archived
3197:Archived
2954:Archived
2806:Archived
2784:Archived
2723:Archived
2611:Archived
2408:Archived
2274:Archived
2209:Archived
2111:won the
2089:(1907);
2085:(1906);
2081:(1904);
2077:(1902);
1797:omelette
1783:Omelette
1747:Archives
1733:Cobridge
1698:(2018),
1627:censors.
1623:(1992):
1596:In 1974
1551:snobbery
1490:Journals
1445:(1913),
1441:(1911),
1437:(1908),
1433:(1909),
1427:(1907),
1423:(1903),
1357:Don Juan
1349:Don Juan
1337:libretti
1240:(1905),
1223:The Card
1221:(1910),
1207:(1902),
1117:(1898);
1089:(1910),
1077:(1906),
1073:(1903),
1061:Tunstall
1010:Turgenev
998:Flaubert
873:West End
789:George V
715:West End
689:The Card
614:the Card
558:The Card
545:(1906),
356:layettes
327:Tit-Bits
268:Oxbridge
237:articled
194:(1908),
188:(1902),
178:(1974),
171:(1913).
37:Bennett
5238:at the
4734:5997224
4545:(ed.).
4524:(ed.).
4442:Sources
4277:"Melba"
2170:soufflé
2099:(1927).
2051:London.
1816:habitué
1808:Cheddar
1804:haddock
1587:Lillian
1169:Leonora
1071:Leonora
1053:Longton
1045:Burslem
1014:Tolstoy
871:in the
774:became
764:cocotte
641:Harpers
322:guineas
249:Burslem
149:realism
5467:(1911)
5459:(1910)
5451:(1909)
5432:(1913)
5424:(1912)
5405:(1930)
5397:(1923)
5389:(1911)
5373:(1910)
5365:(1908)
5357:(1907)
5349:(1902)
5341:(1902)
5330:Novels
5322:(1907)
5188:
5173:
5149:
5130:
5108:
5089:
5072:
5055:
5034:
5015:
4994:
4977:
4957:
4935:
4913:
4891:
4868:
4848:6 June
4833:
4809:
4790:
4773:
4752:
4732:
4713:
4687:
4668:
4651:
4629:
4610:
4587:
4570:
4553:
4532:
4511:
4492:
4462:
3794:
3704:Quoted
3540:
3515:
3336:Quoted
3133:Quoted
2414:4 June
2315:5 June
2062:Fenton
1891:medlar
1801:smoked
1763:, the
1664:Legacy
1609:Leavis
1345:Judith
1268:, 1913
1049:Hanley
1038:, 1913
994:Balzac
845:
841:
816:, and
693:Putney
532:Mairie
233:draper
120:Hanley
68:Hanley
5413:Plays
5261:Other
5202:Works
4842:(PDF)
4827:(PDF)
2934:Punch
2760:et al
1843:Notes
1769:Texas
1686:2017
1612:life.
1330:forte
1157:Savoy
1057:Stoke
954:Works
847:Wells
770:When
442:Woman
404:Woman
368:'
345:Woman
324:from
5186:ISBN
5171:ISBN
5147:OCLC
5128:ISBN
5106:ISBN
5087:ISBN
5070:OCLC
5053:OCLC
5032:ISBN
5013:ISBN
4992:ISBN
4975:OCLC
4955:OCLC
4933:OCLC
4911:ISBN
4889:ISBN
4866:ISBN
4850:2020
4831:OCLC
4807:ISBN
4788:ISBN
4771:OCLC
4750:ISBN
4730:OCLC
4711:ISBN
4685:ISBN
4666:ISBN
4649:OCLC
4627:ISBN
4608:ISBN
4585:ISBN
4568:OCLC
4551:OCLC
4530:OCLC
4509:OCLC
4490:OCLC
4460:OCLC
4218:2021
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