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Arlette (musical)

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178:, wanders by chance into the prince's private apartments where he is contemplating his financial difficulties. Arlette mistakes the prince for somebody else, and he, delighted by her naivety and charm, does not correct her. They discuss the many good attributes of the prince, and Paul gives her a private telephone number ("The Telephone Song"). Meanwhile, an armed revolution against Perania is being led by Kalitza, a woman who loves the prince's chief bodyguard, Rono. Rono (one of the army of four) is persuaded by Kalitza to assassinate the prince, but he bungles the attempt, angering Kalitza, and she decides to do the deed herself. 291: 299: 152: 283: 191: 19: 199: 182:
to discover that the supposed thief is actually their prince. Paul abdicates so that he can put all these troubles behind him and marry his sweetheart, Arlette. Kalitza, disarmed by his abdication, decides to spare his life. His cousin, the Duke of Aristo, takes the throne and marries Cherry: the kingdom's finances are restored, the revolutionaries are pleased, and Arlette and Paul live in peace and happiness.
457:, which first introduced Mr. Joseph Coyne as a peerless prince. Paul of Perania (perennial it might almost be) is, however, much more of what we term a Bertrand Wallis part, and a lady has even to look at a photograph of the princeling and talk of his good looks. Mr. Coyne makes much fun of this incident, but somehow it doesn't assist the love interest. 181:
In the evening a fancy dress ball is held at the casino during which it is discovered that the country's crown jewels have been stolen, but in reality they have been pawned by the Prince, who, caught by the comic gendarmes Anatole and AdhΓ©mar in disguise at the ball, arrest him. They are disconcerted
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at the Shaftesbury will set old playgoers thinking for all that it is called an "operetta," it is molded on traditional lines, and possesses sparkling music. The tale is of the impecunious Prince Paul of Perania (Mr. Joseph Coyne), who prefers Arlette, a modest attendant on the Queen Dowager (Miss
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Prince Paul needs to marry a wealthy woman to save Perania, his bankrupt country, and he is advertised for marriage by his Ministers of State. The ad is seen by Cherry, the daughter of American millionaire Cyrus B. Waters, and as she is keen on the idea of becoming a princess the necessary
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in 1917 with the Light Opera Company and featured: "Love In My Heart Is Ringing (The Telephone Song)", "The Fairy Ring", "His Country First of All", "The People’s King", "On the Staff", "Didn’t Know the Way To", "Cousinly Love" and "It’s Just a Memory". It was conducted by
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and a book and lyrics by Claude Roland and Louis Bouvet, it underwent considerable alteration for the British production resulting in only two of Vieu's songs remaining while the rest were specially written for the show by
131:, with six new songs by Novello, but the subsequent tour of the British provinces was a financial disaster and quickly closed. On 14 October 1937 a one-hour condensed version was broadcast on 540: 495: 739: 123:, and the musical director was Leonard Hornsey. The play's opening night coincided with the worst of the German air raids on London during 399:, writing of Novello's songs, commented on his "light and pretty numbers, without much character, but with plenty of agreeable melody." 453:
Winifred Barnes), to all the vast wealth of Miss Walters from America (Miss Adrah Fair). There is here some sort of a likeness to
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arrangements are made. Soon afterwards, however, Arlette, the maid of honour to the country's
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A cast album was released in 1917 recorded with the Mayfair Orchestra. Another album, titled
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The London Stage 1910-1919: A Calendar of Productions, Performers, and Personnel
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Arlette (Telephone Song) – "Love In My Heart Is Ringing" (Ross & Le Feuvre)
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in London on 6 September 1917 where it ran for 260 performances. It starred
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Duke – "His Country First of All (The People's King)" (Grey & Novello)
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contributed the music to eight songs in the production. The critic for
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Sergine & Waters – "Someone Very Like You" (Ross & Le Feuvre)
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commented that these changes reduced the piece from an operetta to a
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Arlette & Paul – "Didn't Know the Way To" (Grey & Novello)
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Cherry, Duke & Waters – "Cousinly Love" (Grey & Novello)
684:, the Light Opera Company, CastAlbums.org, accessed 15 May 2019 315:
Entrance of the Prince – "Hail! All Hail!" (Grey & Novello)
482:, Production History, BroadwayWorld.com, accessed 15 May 2019 166:
Act 3: Next Morning (3 am) – The Council Hall in the Palace
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Act 1: 3pm – The Prince's Private Apartments in the Palace
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Kalitza & Rono – "Revolution" (Ross & Le Feuvre)
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Cherry & Duke – "Stage Love" (Ross & Le Feuvre)
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Court Officials, Ladies in Waiting and Revolutionaries
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Rono & Policemen – "Graft" (Ross & Le Feuvre)
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C.B. Waters, an American millionaire – Johnnie Fields
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Arlette – "It's Just a Memory" (Grey & Novello)
318:Paul – "Going. Going. Gone" (Ross & Le Feuvre) 367:Arlette – "The Fairy Ring" (Ross & Le Feuvre) 711: 237:Sergine, Mistress of the Household – Mary Robson 327:Duke – "The Man of Forty" (Grey & Novello) 618:, No. 189, Vol XXXI, November 1917, pp. 82–96 69:it was adapted from the French with music by 562:The Oxford Handbook of the British Musical 473: 471: 324:Cherry – "Love Bells" (Grey & Novello) 321:Rono – "On the Staff" (Grey & Novello) 511: 509: 507: 601: 599: 297: 289: 281: 240:AdhΓ©mar, 1st Policeman – Lucien Mussiere 197: 189: 150: 119:. The London production was directed by 17: 650:, Routledge (2003), p. 329 Google Books 593:, 14 October 1937, accessed 15 May 2019 555: 553: 490: 488: 468: 252:Minister of the Interior – Murray Moore 712: 665:, CastAlbums.org, accessed 15 May 2019 504: 596: 559:Gordon, Robert and Olaf Jubin (eds.) 261:1st Lady-in-Waiting – Mabel Melbourne 243:Anatole, 2nd Policeman – Yvan Servais 550: 501:, Stage Beauty, accessed 12 May 2019 485: 448:The magnificence of the mounting of 740:Musicals set in fictional countries 346:Chorus (Ross, Grey & Le Feuvre) 336:Finale (Ross, Grey & Le Feuvre) 270:3rd Lady-in-Waiting – Ursula Fenton 234:Kalitza, a revolutionary – Joan Hay 225:The Duke of Aristo – Leonard Mackay 13: 418:, and the vocal artistes included 277: 109:and Guy Le Feuvre. The critic for 14: 756: 312:Introduction (Music by Jane Vieu) 249:Minister of Finance – Wyn Weaver 163:Act 2: Same Evening – The Casino 687: 668: 653: 647:Operetta: A Theatrical History 635: 631:(1917) on Theatricalia website 621: 575: 527: 100:in October 1904 with music by 1: 461: 370:Finale (Ross & Le Feuvre) 7: 386:Finale (Grey & Novello) 361:Farandole (Ross & Vieu) 146: 10: 761: 444:wrote of the production: 374: 246:Chancellor – A. G. Poulton 228:Cherry Waters – Adrah Fair 433: 340: 219:Rono, a common soldier – 213:Prince Paul of Perania – 306: 745:Musicals set in palaces 567:Oxford University Press 286:Fields, Fair and Mackay 185: 96:Originally produced in 663:: Original London Cast 459: 303: 295: 287: 264:2nd Lady-in-Waiting – 255:Minister of Justice – 203: 195: 156: 33: 446: 301: 293: 285: 201: 193: 154: 21: 302:Servais and Mussiere 73:, Guy Le Feuvre and 63:George Grossmith Jr. 438:The critic for the 79:Shaftesbury Theatre 77:. It opened at the 703:, 9 September 1917 700:Lloyds Weekly News 677:Gems from 'Arlette 615:The Play Pictorial 543:2016-04-19 at the 533:Ellacott, Vivyan. 441:Lloyds Weekly News 409:, was released by 304: 296: 288: 204: 196: 157: 34: 25:as the Prince and 730:1917 compositions 720:Original musicals 642:Traubner, Richard 404:Gems from 'Arlett 294:Robson as Sergine 169:Time: The Present 129:How Do, Princess? 67:Edward Laurillard 45:in three acts by 752: 735:British musicals 704: 691: 685: 680: 672: 666: 657: 651: 639: 633: 625: 619: 603: 594: 579: 573: 569:(2016), p. 203, 557: 548: 531: 525: 513: 502: 492: 483: 475: 407: 760: 759: 755: 754: 753: 751: 750: 749: 710: 709: 708: 707: 692: 688: 678: 673: 669: 658: 654: 640: 636: 626: 622: 604: 597: 580: 576: 558: 551: 545:Wayback Machine 532: 528: 514: 505: 493: 486: 476: 469: 464: 455:The Merry Widow 436: 405: 377: 343: 309: 280: 278:Musical numbers 266:Blanche Stocker 209:Winifred Barnes 188: 149: 139:as Arlette and 83:Winifred Barnes 53:with lyrics by 27:Winifred Barnes 12: 11: 5: 758: 748: 747: 742: 737: 732: 727: 722: 706: 705: 686: 667: 652: 634: 620: 605:Findon, B. W. 595: 574: 549: 526: 503: 484: 466: 465: 463: 460: 435: 432: 416:George W. Byng 388: 387: 384: 381: 376: 373: 372: 371: 368: 365: 362: 359: 356: 353: 350: 347: 342: 339: 338: 337: 334: 331: 328: 325: 322: 319: 316: 313: 308: 305: 279: 276: 275: 274: 271: 268: 262: 259: 257:Strafford Moss 253: 250: 247: 244: 241: 238: 235: 232: 229: 226: 223: 221:Stanley Lupino 217: 211: 194:Lupino and Hay 187: 184: 171: 170: 167: 164: 161: 148: 145: 117:musical comedy 91:Stanley Lupino 61:. Produced by 51:George Arthurs 29:as Arlette in 9: 6: 4: 3: 2: 757: 746: 743: 741: 738: 736: 733: 731: 728: 726: 725:1917 musicals 723: 721: 718: 717: 715: 702: 701: 696: 690: 683: 681: 671: 664: 662: 656: 649: 648: 643: 638: 632: 630: 624: 617: 616: 611: 610: 602: 600: 592: 591: 586: 585: 582:Broadcast of 578: 572: 568: 564: 563: 556: 554: 546: 542: 539: 537: 530: 523: 522: 517: 516:J. P. Wearing 512: 510: 508: 500: 498: 494:Gillan, Don. 491: 489: 481: 480: 474: 472: 467: 458: 456: 451: 445: 443: 442: 431: 429: 425: 421: 417: 412: 408: 400: 398: 397: 392: 385: 382: 379: 378: 369: 366: 363: 360: 357: 354: 351: 348: 345: 344: 335: 332: 329: 326: 323: 320: 317: 314: 311: 310: 300: 292: 284: 272: 269: 267: 263: 260: 258: 254: 251: 248: 245: 242: 239: 236: 233: 230: 227: 224: 222: 218: 216: 212: 210: 206: 205: 200: 192: 183: 179: 177: 176:Queen dowager 168: 165: 162: 159: 158: 153: 144: 142: 141:Tommy Handley 138: 134: 130: 126: 122: 121:Austen Hurgon 118: 114: 113: 108: 103: 99: 94: 92: 88: 84: 80: 76: 72: 68: 64: 60: 59:Clifford Grey 56: 52: 48: 47:Austen Hurgon 44: 40: 39: 32: 28: 24: 20: 16: 698: 694: 689: 676: 670: 660: 655: 646: 637: 628: 623: 613: 608: 588: 583: 577: 571:Google Books 561: 535: 529: 520: 496: 478: 454: 449: 447: 439: 437: 424:Bessie Jones 420:George Baker 403: 401: 394: 391:Ivor Novello 389: 215:Joseph Coyne 202:The Ensemble 180: 172: 128: 110: 107:Ivor Novello 95: 87:Joseph Coyne 75:Ivor Novello 37: 36: 35: 30: 23:Joseph Coyne 15: 590:Radio Times 428:Ernest Pike 125:World War I 55:Adrian Ross 714:Categories 693:Review of 607:Review of 462:References 207:Arlette – 137:Jean Colin 41:is a 1917 396:The Times 143:as Rono. 133:BBC Radio 112:The Stage 102:Jane Vieu 71:Jane Vieu 541:Archived 147:Synopsis 98:Brussels 43:operetta 695:Arlette 661:Arlette 629:Arlette 609:Arlette 584:Arlette 536:Arlette 497:Arlette 479:Arlette 450:Arlette 375:Act III 38:Arlette 31:Arlette 538:(1917) 499:(1917) 434:Review 341:Act II 679:' 406:' 307:Act I 135:with 426:and 186:Cast 89:and 65:and 57:and 49:and 411:HMV 716:: 697:, 644:. 612:, 598:^ 587:, 565:, 552:^ 518:, 506:^ 487:^ 470:^ 430:. 422:, 93:. 85:, 682:" 675:"

Index


Joseph Coyne
Winifred Barnes
operetta
Austen Hurgon
George Arthurs
Adrian Ross
Clifford Grey
George Grossmith Jr.
Edward Laurillard
Jane Vieu
Ivor Novello
Shaftesbury Theatre
Winifred Barnes
Joseph Coyne
Stanley Lupino
Brussels
Jane Vieu
Ivor Novello
The Stage
musical comedy
Austen Hurgon
World War I
BBC Radio
Jean Colin
Tommy Handley

Queen dowager

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