158:, 389) However, in a later edition of the same songs (published posthumously in 1587) his publisher removed the dots used as microtone accidentals; evidently they were either too hard to sing, or the notation was too unfamiliar. In the preface he also mentions that music is best when it appeals to the senses, and avoids mathematical subtleties.
111:). Most of his music is for four unaccompanied voices. He wrote in the preface to his first book of chansons (1576) that he intended to publish five or six books in total, including many pieces which he wrote much earlier in his life; this would seem to indicate that about half of his music has not survived (
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and careful underlining of words and phrases with appropriate and symbolic melodic and harmonic material. He was careful to use contrasting textures and meters, for example switching from duple to triple meter several times during the course of a composition.
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Details of his life are relatively scanty for an otherwise prominent composer of the period, probably because he never held a salaried position as a musician at an establishment whose records have survived. He was born at
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of Pierre de
Ronsard, poems which describe the stages and incidents in a love affair gone sour. Some of the harmonic language used in the chansons is daring, and approaches the experimental level of
75:. Details of his death are not known, but that he was martyred for his Jesuit-inspired songs by Protestants is attested by several writers of the time. According to
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between 1576 and 1578, and, two years later, two books of sacred music (a third was published posthumously, in 1582). A total of 83 chansons and one
Italian
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189:: they are simple both melodically and harmonically, and usually maintain a homophonic texture throughout. The melodies are mostly from
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193:. Except for the origin of their tunes, they are very similar to some of the psalm settings by the Huguenot composer
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His first two volumes of chansons are for four voices, and are settings of the
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Bertrand's sacred works, contained in his three publications of
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26:) (1530/1540 – probably 1581) was a French composer of the
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Airs spirituels contenant plusieurs hymnes et cantiques
326:, edited by Laura Macy (Accessed December 31, 2005).
284:, edited by Laura Macy (Accessed December 31, 2005).
216:Premier livre de sonets chrestiens mis en musique
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338:. 20 vols. London: Macmillan Publishers Ltd.
266:Three chansons also published separately in 1570
226:Second livre de sonets chrestiens mis en musique
336:The New Grove Dictionary of Music and Musicians
277:Dobbins, Frank. 2005. "Anthoine de Bertrand".
255:Second livre des amours de Pierre de Ronsard
95:have survived of his secular music, and one
197:, who had been killed by Catholics in the
161:Although Bertrand only wrote one Italian
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358:Free scores by Antoine de Bertrand
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257:(4vv, 1578) (total of 25 chansons)
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16:French composer of the Renaissance
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150:, made to express the word 'death
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398:French male classical composers
249:Les amours de Pierre de Ronsard
199:St. Bartholomew's Day Massacre
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403:16th-century French composers
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42:, under the influence of the
393:French Renaissance composers
362:Choral Public Domain Library
296:. New York: W. W. Norton.
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128:Je suis tellement amoureux
418:People murdered in France
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294:Music in the Renaissance
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261:Tiers livre de chansons
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46:. He was murdered by
413:French murder victims
324:(subscription access)
282:(subscription access)
134:writing, using "only
408:Microtonal musicians
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97:chanson spirituelle
83:Music and influence
20:Antoine de Bertrand
388:People from Cantal
322:Grove Music Online
280:Grove Music Online
201:a decade earlier.
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183:sonets chrestiens
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148:hautecontre
144:bassecontre
48:Protestants
28:Renaissance
372:Categories
271:References
167:villanella
156:Reese 1954
140:enharmonic
187:Huguenots
136:chromatic
124:Vicentino
101:canticles
65:Fontanges
40:canticles
292:. 1954.
163:madrigal
132:diatonic
93:madrigal
89:chansons
73:Toulouse
69:Auvergne
32:chansons
24:Anthoine
360:in the
243:Secular
238:, 1582)
222:, 1580)
44:Jesuits
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218:(4vv,
210:Sacred
120:Amours
105:motets
22:(also
236:Paris
205:Works
67:, in
36:hymns
340:ISBN
298:ISBN
220:Lyon
181:and
138:and
58:Life
38:and
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