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art, particularly from the Sepik. One could not be unfamiliar with it." Many had difficulty classifying the works of the
Annandale Imitation Realists. According to art historian Christopher Heathcote, "There was confusion over what to call the 'Imitation Realism'. What was this style? Several writers
149:, primitive art and children's drawings. Mike Brown noted that at different times their work was called "modern reliquary, satirical goonery, and inspired or uninspired doodling,.... It has also been said to comprise a new Art Movement. God forbid."
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The group ended in 1964 when
Lanceley departed for Europe. He returned to Sydney in 1981, at which stage significant works of the Annandale Imitation Realists were represented in all major galleries in Australia. Lanceley's 1961 work
81:. The three, along with a group of their classmates, had experimented with collaborative art making practices and avant-garde forms of art. Gradually their interests began to diversify into other fields such as
137:, yet the works resembled neither the European nor American varieties of pop. ... Imitation Realism represented a complete disregard for accepted artistic values." Comparisons were also drawn to
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They mounted their first exhibition in
February 1962 at the Melbourne Museum of Modern Art and Design and their second and final exhibition in May 1962 at the
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in 1956, but by 1958 only
Lanceley remained at the college, where he later studied painting under renowned Australian abstract artist
105:. By 1960, Crothall and Brown lived together in a house Crothall had rented in Annandale, and Lanceley was a frequent visitor.
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in 1961. Founding members were Mike Brown, Ross
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Ross
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is considered a masterpiece of the movement and is deemed a collection highlight at the
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A Quiet
Revolution: The Rise of Australian Art, 1946-1968
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and the body ornaments and tribal house decorations of
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281:: The Text Publishing Company. p. 174.
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95:Indigenous Australian art
63:National Portrait Gallery
16:Australian art collective
338:Australian art movements
195:Oxford University Press
181:Sayers, Andrew (2001).
242:The Art of Australia
165:Notes and references
23:(later known as the
120:incrustation" than
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39:avant-garde artists
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133:opted for
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110:Rudy Komon
99:New Guinea
83:assemblage
79:John Olsen
47:Rudy Komon
41:formed in
33:Australian
279:Melbourne
191:Melbourne
141:and the "
126:Sepik art
55:Melbourne
51:John Reed
240:(1986).
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321:at the
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69:History
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