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The Uffizi also has two earlier self-portraits, one with her husband
Gaetano in the background, from 1745. Two religious portraits attributed to her, of Padre Giovanni di Gesù e Maria (1564–1615) and Padre Ildefonso di San Luis Gonzaga (1724–1792), are in the possession of the Uffizi, but have never
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for a living, but also produced some deeply felt religious scenes. Although she received numerous commissions from the
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A few large portraits are among her surviving works, including a self-portrait from 1776 at the
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has a portrait of Teresa da
Verrazzano, née Vai, dating from 1753.
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58:. During this time, she attracted the attention of
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50:She studied with Francesco Ciaminghi (?-1736),
211:Invisible Women: Forgotten Artists of Florence
81:, also became a painter, while another son,
42:– 1788, Florence) was an Italian painter.
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301:Artists from the Grand Duchy of Tuscany
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196:(Lives of the Painters), Vol. IV, 1739
89:priest who played a major role in the
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73:In 1741, she married the painter
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240:(Florence ed.), 30 January 2008.
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130:. It depicts her copying the "
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31:Teresa da Verrazzano, née Vai
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66:. He also compared her to
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157:been publicly displayed.
56:Violante Beatrice Siries
259:Anna Bacherini Piattoli
36:Anna Bacherini Piattoli
326:Italian pastel artists
306:Italian women painters
272:Possible self-portrait
106:Grand Dukes of Tuscany
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261:at Wikimedia Commons
138:. The gallery of the
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331:Women pastel artists
276:Hamburger Kunsthalle
91:Polish Enlightenment
23:Self-Portrait (1776)
98:portrait miniatures
96:She specialized in
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285:Categories
161:References
46:Biography
85:, was a
83:Scipione
79:Giuseppe
40:Florence
268:@ BeWeb
234:) from
179:in the
177:Profile
102:pastels
87:Piarist
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232:Online
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